Книги жанра «Документальная литература» на букву «W»

num: 0 1 2 3 4 5 6 7 9
en: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ru: А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я

 Название  Автор  Серия
обложка книги Wiedersehen in Barsaloi Wiedersehen in Barsaloi Hofmann Corinne Die weiße Massai  
обложка книги W или воспоминание детства W или воспоминание детства

Роман известного французского писателя Ж. Перека (1936–1982). Текст, где странным и страшным образом автобиография переплетается с предельной антиутопией; текст, где память тщательно пытается найти затерянные следы, а фантазия — каждым словом утверждает и опровергает ограничения литературного письма.

Перек Жорж  
обложка книги «Watch You Bleed»: Сага о Guns N’ Roses «Watch You Bleed»: Сага о Guns N’ Roses

Трагическая и яростная история Guns N’ Roses — одной из самых скандальных и жестких групп на рок-сцене.

Дэвис Стивен  
обложка книги With Our Backs to Berlin With Our Backs to Berlin

In the final months of the Second World War in 1945, the German Army was in full retreat on both its Western and Eastern Fronts. British and American troops were poised to cross the River Rhine in the west, while in the East the vast Soviet war machine was steam-rolling the soldiers of the Third Reich back towards the capital, Berlin. Even in retreat, the German Army was still a force to be reckoned with and vigorously defended every last bridge, castle, town and village against the massive Russian onslaught.

Tony Le Tissier has interviewed a wide range of former German Army and SS soldiers to provide ten vivid first-hand accounts of the fighting retreat that, for one soldier, ended in Hitler’s Chancellery building in the ruins of Berlin in April 1945. The dramatic descriptions of combat are contrasted with insights into the human dimensions of these desperate battles, reminding the reader that many of the German soldiers whose stories we read shared similar values to the average British ‘Tommy’ or the American GI and were not all crazed Nazis.

Illustrated with photographs of the main characters and specially commissioned maps identifying the location and course of the battles, With Our Backs to Berlin is a fascinating read for anyone who is interested in the final days of the Second World War.

Le Tissier Tony  
обложка книги What Would Lynne Tillman Do? What Would Lynne Tillman Do?

Here is an American mind contemplating contemporary society and culture with wit, imagination, and a brave intelligence. Tillman upends expectations, shifts tone, introduces characters, breaches limits of genre and category, reconfiguring the world with the turn of a sentence. Like other unique thinkers, Tillman sees the world differently — she is not a malcontent, but she is discontented. Her responses to art and literature, to social and political questions change the reader's mind, startling it with new angles. Which is why so many of us who know her work often wonder: what would Lynne Tillman do? A long-time resident of New York, Tillman's sharp humor is like her city's, tough and hilarious. There are distinct streams of concern coursing through the seeming eclecticism of topics — Hillary Clinton, Jane Bowles, O.J. Simpson, art and artists, Harry Mathews, the state of fiction, film, the state of her mind, the State of the Nation. There is a great variety, but what remains consistent is how differently she writes about them, how well she understands, how passionate and bold her writing is.

What does Lynne Tillman do? Everything. Anything. You name it. She has a conversation with you, and you're a better, smarter person for it.

Tillman Lynne  
обложка книги Wave Wave

On the morning of December 26, 2004, on the southern coast of Sri Lanka, Sonali Deraniyagala lost her parents, her husband, and her two young sons in the tsunami she miraculously survived. In this brave and searingly frank memoir, she describes those first horrifying moments and her long journey since. She has written an engrossing, unsentimental, beautifully poised account: as she struggles through the first months following the tragedy, furiously clenched against a reality that she cannot face and cannot deny; and then, over the ensuing years, as she emerges reluctantly, slowly allowing her memory to take her back through the rich and joyous life she’s mourning, from her family’s home in London, to the birth of her children, to the year she met her English husband at Cambridge, to her childhood in Colombo; all the while learning the difficult balance between the almost unbearable reminders of her loss and the need to keep her family, somehow, still alive within her.

Deraniyagala Sonali  
обложка книги Why Sinatra Matters Why Sinatra Matters

In this unique homage to an American icon, journalist and award-winning author Pete Hamill evokes the essence of Sinatra-examining his art and his legend from the inside, as only a friend of many years could do. Shaped by Prohibition, the Depression, and war, Francis Albert Sinatra became the troubadour of urban loneliness. With his songs, he enabled millions of others to tell their own stories, providing an entire generation with a sense of tradition and pride belonging distinctly to them.


From Publishers Weekly

Like a musical Elements of Style, Hamill’s slim meditation on Frank Sinatra is confident, smart and seamless. Since (and immediately before) Sinatra’s death in May 1998, countless tributes have been made to the singer; Hamill (A Drinking Life) seems to be writing to set the record straight, for he knew Sinatra and, before that, knew the singer’s music. But Hamill doesn’t fawn over Sinatra the way other, younger writers have recently done. Rather, he elegantly tells the Sinatra story, dwelling on the singer’s best recordings, dismissing “the Rat Pack, the swagger, the arrogance, the growing fortune, the courtiers,” because in the end, he writes, they are “of little relevance.” What matters, according to Hamill, is the music, chiefly that of Sinatra’s early mature years, when the singer released his celebrated albums on the Capitol label. Where a starry-eyed author might vaguely praise these albums for their pathos and vulnerability, Hamill points out that, before the singer’s Capitol comeback years, Sinatra’s fans were almost exclusively young women. The stubborn, post-Ava Gardner heartache of Sinatra’s later records, however, with their lack of self-pity, gained Sinatra a chiefly male audience. Of this, perhaps the singer’s greatest musical period, Hamill writes that Sinatra “perfected the role of the Tender Tough Guy… Before him, that archetype did not exist in American popular culture.” That may be true, but Hamill sets his book apart from the many others about Old Blue Eyes by tempering intelligent superlatives with the retelling of touching, revelatory moments the two men shared. Hamill’s is a definitive introduction to Sinatra’s work.

Copyright 1998 Reed Business Information, Inc.


From Library Journal

The barrage of recent Frank Sinatra books has resulted in his being the most written-about celebrity in the world after Monroe and Presley. Hamill’s slim essay is distinguished from other recent works by its objective focus on the components of the late singer’s enduring musical legacy. Veteran writer Hamill (e.g., A Drinking Life, LJ 1/94) is comfortable in the New York City milieu of late nights, saloons, and prizefighters, and he has captured the essence of Sinatra, who created something that was not there before he arrived: an urban American voice. The book’s strength is its insight into and evocation of the Italian American immigrant experience that had such a strong influence on Sinatra. Minor weaknesses are an oversimplified examination of prejudice and an underdeveloped 1974 vignette about Ava Gardner that fails to make its point. Recommended for public and academic libraries.?Bruce Henson, Georgia Inst. of Technology, Atlanta

Copyright 1998 Reed Business Information, Inc.

Hamill Pete  
обложка книги Wild : From Lost to Found on the Pacific Crest Trail Wild : From Lost to Found on the Pacific Crest Trail

#1 NATIONAL BESTSELLER, SOON TO BE A MAJOR MOTION PICTURE.

At twenty-two, Cheryl Strayed thought she had lost everything. In the wake of her mother’s death, her family scattered and her own marriage was soon destroyed. Four years later, with nothing more to lose, she made the most impulsive decision of her life. With no experience or training, driven only by blind will, she would hike more than a thousand miles of the Pacific Crest Trail from the Mojave Desert through California and Oregon to Washington State — and she would do it alone.

Told with suspense and style, sparkling with warmth and humor, Wild powerfully captures the terrors and pleasures of one young woman forging ahead against all odds on a journey that maddened, strengthened, and ultimately healed her.


literary awards

Oregon Book Award Nominee for Creative Nonfiction (Finalist) (2013),

Indies Choice Book Award for Adult Nonfiction (2013),

Puddly Award for Nonfiction (2013),

Goodreads Choice for Best Memoir & Autobiography (2012)

Strayed Cheryl  
обложка книги What to Look for in Winter What to Look for in Winter

"The most startling, discomforting, complicated, ungovernable, hilarious, and heartrending of memoirs" (The Telegraph, london) — the story of a celebrated writer's sudden descent into blindness, and the redemptive journey into the past that her loss of sight sets in motion.

In 2006 the acclaimed novelist Candia McWilliam began losing her sight, a gradual onset of blindness that seemed like an assault cruelly tailored for someone whose life consisted of reading and writing. Propelled to look inward and into the past, McWilliam embarked on a painful personal voyage through a waste of snows punctuated by shards of ice as she attempted to write her life back. What followed was a flow of memory: her childhood in Edinburgh, her devastating alcoholism, finding and losing her bearings in Cambridge and London, her marriages, her children, and, overshadowing it all, her mother's suicide.

A personal story of love and loss, addiction and reclamation, her piercing memoir is also a celebration of friendship, reading, children, and the consolations of landscape. In What to Look for in Winter, McWilliam riffles through her many incarnations to find her true self and discover how she may come to see once more.

McWilliam Candia  
обложка книги Where I Was From Where I Was From

In her moving and insightful new book, Joan Didion reassesses parts of her life, her work, her history and ours. A native Californian, Didion applies her scalpel-like intelligence to the state’s ethic of ruthless self-sufficiency in order to examine that ethic’s often tenuous relationship to reality.

Combining history and reportage, memoir and literary criticism, Where I Was From explores California’s romances with land and water; its unacknowledged debts to railroads, aerospace, and big government; the disjunction between its code of individualism and its fetish for prisons. Whether she is writing about her pioneer ancestors or privileged sexual predators, robber barons or writers (not excluding herself), Didion is an unparalleled observer, and her book is at once intellectually provocative and deeply personal.

Didion Joan  
обложка книги White Sands: Experiences from the Outside World White Sands: Experiences from the Outside World

'It seems certain that the apple in Eden grew on the tree of knowledge of elsewhere. Up until that point Adam and Eve were happy where they were. Then they ate the apple and it was slightly disappointing to them and they started to wonder if maybe there were other kinds of apples elsewhere, if there were crunchier and crisper and sweeter apples to be had from somewhere else. They began to think that there might be a funner place, where the food was better. They even began to suspect that paradise itself might be somewhere else. . From there, to keep the history of the world as brief as possible, it is only a small step to package cruises and supermarkets stocking the full spectrum of exotic fruit.'

Taking the form of ten journeys, White Sands is an exploration of why we travel from perhaps Britain's greatest globetrotter. Episodic, wide-ranging, funny and smart, it marks a return to the subject of Dyer's Yoga for People Who Can't Be Bothered to Do It, albeit with the wisdom of age.

From viewing a lightning field in the Mexican desert by night, to chasing Gauguin's ghost in French Polynesia, from falling in love with a tour guide in the Forbidden City of Beijing to tracking down the house of a childhood idol in LA, Dyer pursues all permutations of the peak experience, explores the voyage through time, and plumbs the effects of distance. In his trademark style he blends travel writing, essay, criticism and fiction with a smart and cantankerous wit that is unmatched. This is a book for armchair travellers and procrastinating philosophers everywhere.

Dyer Geoff  
обложка книги Who I Am Who I Am

Oscar-nominated Charlotte Rampling most recently appeared in HBO’s Dexter, and the feature film 45 Years. Her career has spanned popular entertainment and arthouse cinema, having starred in English, French and Italian films from 1966’s Georgy Girl (opposite Lynn Redgrave), to films with French director François Ozon, including 2003’s Swimming Pool.

Having shied away from biographies and autobiographies (“too personal”) Rampling has now written Who I Am (first published in French) a lyrical, and intimate self-portrait via reminiscences. Highly personal, packed with photographs from her personal archive, Rampling recounts her childhood and youth as the daughter of an army officer (who won a gold medal for the 4 x 400 relay in the infamous 1936 Berlin Olympics), and the memories and passions that would inspire her life and later work as an actress.

Written in a style that gives a unique insight into her screen persona, it is an idiosyncratic and beguiling insight of one of the most consistently adventurous and interesting actors.

Rampling Charlotte, Bataille Christophe  
обложка книги What Happened What Happened

“In the past, for reasons I try to explain, I’ve often felt I had to be careful in public, like I was up on a wire without a net. Now I’m letting my guard down.”

—Hillary Rodham Clinton, from the introduction of What Happened

For the first time, Hillary Rodham Clinton reveals what she was thinking and feeling during one of the most controversial and unpredictable presidential elections in history. Now free from the constraints of running, Hillary takes you inside the intense personal experience of becoming the first woman nominated for president by a major party in an election marked by rage, sexism, exhilarating highs and infuriating lows, stranger-than-fiction twists, Russian interference, and an opponent who broke all the rules. This is her most personal memoir yet.

In these pages, she describes what it was like to run against Donald Trump, the mistakes she made, how she has coped with a shocking and devastating loss, and how she found the strength to pick herself back up afterward. With humor and candor, she tells readers what it took to get back on her feet—the rituals, relationships, and reading that got her through, and what the experience has taught her about life. She speaks about the challenges of being a strong woman in the public eye, the criticism over her voice, age, and appearance, and the double standard confronting women in politics.

She lays out how the 2016 election was marked by an unprecedented assault on our democracy by a foreign adversary. By analyzing the evidence and connecting the dots, Hillary shows just how dangerous the forces are that shaped the outcome, and why Americans need to understand them to protect our values and our democracy in the future.

The election of 2016 was unprecedented and historic. What Happened is the story of that campaign and its aftermath—both a deeply intimate account and a cautionary tale for the nation.

Clinton Hillary Rodham  
Why Socialists Don’t Believe in Fun

George Orwell’s payment book for 20 December 1943 records the sum of pounds 5.5.0 for a special article of 2,000 words for Tribune. This has never been traced in Tribune under Orwell’s name but it now seems certain that an essay, entitled “Can Socialists Be Happy?” by “John Freeman” is what is referred to. The name Freeman would have appealed to Orwell as a pseudonym, and the article has many social, political and literary links with Orwell, such as the relation of Lenin to Dickens (the fact that Lenin read A Christmas Carol on his deathbed also appears in the second paragraph of Orwell’s 1939 essay, “Charles Dickens”). A “real” John Freeman, later editor of the New Statesman, has confirmed that he did not write the article. The reason why Orwell chose to write as “John Freeman” he never used this pseudonym again is not clear. It may be that Tribune did not want its literary editor to be seen to be associated with its political pages. Possibly it was a device that allowed Orwell to be paid a special fee. Or it may be that he simply wished to see how far Tribune would let him go with his opinions. In any case, the article appeared in the Christmas issue and provoked much debate in the issues that followed. The “lost essay” is included in the Collected Works and printed here for the first time under Orwell’s name.

Orwell George  
Wojna futbolowa ściński Ryszard  
обложка книги WikiLeaks. Разоблачения, изменившие мир WikiLeaks. Разоблачения, изменившие мир

В этой книге собраны все самые последние и сенсационные материалы с сайта WikiLeaks Джулиана Ассанжа. Автор, максимально воздерживаясь от субъективных оценок, сопоставляет официальные данные, представляемые в СМИ, и реальные события.

В книге представлены наиболее интересные и важные для российского читателя материалы сайта Викиликс, основанные на переписке Госдепартамента США с посольствами. Особенное внимание уделено наиболее острым проблемам современного мира и событиям, происходящим в отдельных странах, рассмотрены темы, связанные с Беларусью, отношениями Украины и Грузии и другими странами бывшего СССР. Также здесь представлен материал по США, ООН и НАТО, в том числе раскрыты отношения России и Североатлантического блока, России и Запада, затронуты события в Косово и Сербии, дан обзор информации из Викиликс по Ираку, Афганистану и ряду других государств.

Горбатюк Надежда  
What Am I Here For - для чего я здесь, Дюк Эллингтон как экзистенция джаза Переверзев Леонид  
Woman Hating: A Radical Look at Sexuality Dworkin Andrea  
обложка книги What to Do When the Russians Come What to Do When the Russians Come

Head for the hills cause the Russians are coming! …and we thought this book was a joke when we picked it up.

It’s not a joke.

It is though a fascinating cold-war era relic. It describes in great detail the doom of America after a full Russian invasion

Conquest Robert, White Jon Manchip  
обложка книги What Ever Happened to Modernism? What Ever Happened to Modernism?

The quality of today’s literary writing arouses the strongest opinions. For novelist and critic Gabriel Josipovici, the contemporary novel in English is profoundly disappointing — a poor relation of its groundbreaking Modernist forebears. This agile and passionate book asks why.

Modernism, Josipovici suggests, is only superficially a reaction to industrialization or a revolution in diction and form; essentially, it is art coming to consciousness of its own limits and responsibilities. And its origins are to be sought not in 1850 or 1800, but in the early 1500s, with the crisis of society and perception that also led to the rise of Protestantism. With sophistication and persuasiveness, Josipovici charts some of Modernism’s key stages, from Dürer, Rabelais, and Cervantes to the present, bringing together a rich array of artists, musicians, and writers both familiar and unexpected — including Beckett, Borges, Friedrich, Cézanne, Stevens, Robbe-Grillet, Beethoven, and Wordsworth. He concludes with a stinging attack on the current literary scene in Britain and America, which raises questions about not only national taste, but contemporary culture itself.

Gabriel Josipovici has spent a lifetime writing, and writing about other writers. What Ever Happened to Modernism? is a strident call to arms, and a tour de force of literary, artistic, and philosophical explication that will stimulate anyone interested in art in the twentieth century and today.

Josipovici Gabriel  
обложка книги What Could Possibly Go Wrong... What Could Possibly Go Wrong...

No one writes about cars like Jeremy Clarkson. While most correspondents are too buys diving straight into BHP, MPG and MPH, Jeremy appreciates that there are more important things to life. Don’t worry, we’ll get to the cars. Eventually. But first we should consider:


• The case for invading France

• The overwhelming appeal of a nice sit-down

• The inconvenience of gin and tonic

• Why clothes are no better than ice cream

• Spot-welding with the Duchess of Kent

• And why Denmark is the best place in the world


Armed only with conviction, curiosity, enthusiasm and a stout pair of trousers, Jeremy hurtles around the world – along motorway, autoroute, freeway and autobahn – in search of answers to life’s puzzles and ponderings without forethought or fear for his own safety. What, you have to ask, could possibly go wrong…


The contents of this book first appeared in Jeremy Clarkson’s Sunday Times column. Read more about the world according to Clarkson every week in The Sunday Times.

Clarkson Jeremy The World According to Clarkson  
обложка книги Why Do Men Have Nipples? Hundreds of Questions You'd Only Ask a Doctor After Your Third Martini Why Do Men Have Nipples? Hundreds of Questions You'd Only Ask a Doctor After Your Third Martini

Is There a Doctor in the House?

Say you’re at a party. You’ve had a martini or three, and you mingle through the crowd, wondering how long you need to stay before going out for pizza. Suddenly you’re introduced to someone new, Dr. Nice Tomeetya. You forget the pizza. Now is the perfect time to bring up all those strange questions you’d like to ask during an office visit with your own doctor but haven’t had the guts (or more likely the time) to do so. You’re filled with liquid courage. . now is your chance! If you’ve ever wanted to ask a doctor. .

•How do people in wheelchairs have sex?

•Why do I get a killer headache when I suck down my milkshake too fast?

•Can I lose my contact lens inside my head forever?

•Why does asparagus make my pee smell?

•Why do old people grow hair on their ears?

•Is the old adage “beer before liquor, never sicker, liquor before beer. .” really true?

. . then Why Do Men Have Nipples? is the book for you.

Compiled by Billy Goldberg, an emergency medicine physician, and Mark Leyner, bestselling author and well-known satirist, Why Do Men Have Nipples? offers real factual and really funny answers to some of the big questions about the oddities of our bodies.

Leyner Mark, Goldberg Billy  
обложка книги Where I'm Reading From Where I'm Reading From

Why do we need fiction? Why do books need to be printed on paper, copyrighted, read to the finish? Why should a group of aging Swedish men determine what “world” literature is best? Do books change anything? Did they use to? Do we read to challenge our vision of the world or to confirm it? Has novel writing turned into a job like any other? In Where I’m Reading From, the internationally acclaimed novelist and critic Tim Parks ranges over a lifetime of critical reading--from Leopardi, Dickens and Chekhov, to Woolf, Lawrence and Bernhard, and on to contemporary work by Jonathan Franzen, Peter Stamm, and many others—to overturn many of our long-held assumptions about literature and its purpose.  

Taking the form of thirty-eight interlocking essays, Where I’m Reading From examines the rise of the “global” novel and the disappearance of literary styles that do not travel; the changing vocation of the writer today; the increasingly paradoxical effects of translation; the shifting expectations we bring to fiction; the growing stasis of literary criticism; and the problematic relationship between writers’ lives and their work.  In the end Parks wonders whether writers—and readers--can escape the twin pressures of the new global system and the novel that has become its emblematic genre.

Parks Tim  
обложка книги Wild Ducks Flying Backward Wild Ducks Flying Backward

Known for his meaty seriocomic novels — expansive works that are simultaneously lowbrow and highbrow — Tom Robbins has also published over the years a number of short pieces, predominantly nonfiction. His travel articles, essays, and tributes to actors, musicians, sex kittens, and thinkers have appeared in publications ranging from Esquire to Harper’s, from Playboy to the New York Times, High Times, and Life. A generous sampling, collected here for the first time and including works as diverse as scholarly art criticism and some decidedly untypical country-music lyrics, Wild Ducks Flying Backward offers a rare sweeping overview of the eclectic sensibility of an American original.

Whether he is rocking with the Doors, depoliticizing Picasso’s Guernica, lamenting the angst-ridden state of contemporary literature, or drooling over tomato sandwiches and a species of womanhood he calls “the genius waitress,” Robbins’s briefer writings often exhibit the same five traits that perhaps best characterize his novels: an imaginative wit, a cheerfully brash disregard for convention, a sweetly nasty eroticism, a mystical but keenly observant eye, and an irrepressible love of language.

Embedded in this primarily journalistic compilation are a couple of short stories, a sheaf of largely unpublished poems, and an off-beat assessment of our divided nation. And wherever we open Wild Ducks Flying Backward, we’re apt to encounter examples of the intently serious playfulness that percolates from the mind of a self-described “romantic Zen hedonist” and “stray dog in the banquet halls of culture.”

Robbins Tom  
обложка книги White Sands: Experiences from the Outside World White Sands: Experiences from the Outside World

'It seems certain that the apple in Eden grew on the tree of knowledge of elsewhere. Up until that point Adam and Eve were happy where they were. Then they ate the apple and it was slightly disappointing to them and they started to wonder if maybe there were other kinds of apples elsewhere, if there were crunchier and crisper and sweeter apples to be had from somewhere else. They began to think that there might be a funner place, where the food was better. They even began to suspect that paradise itself might be somewhere else. . From there, to keep the history of the world as brief as possible, it is only a small step to package cruises and supermarkets stocking the full spectrum of exotic fruit.'

Taking the form of ten journeys, White Sands is an exploration of why we travel from perhaps Britain's greatest globetrotter. Episodic, wide-ranging, funny and smart, it marks a return to the subject of Dyer's Yoga for People Who Can't Be Bothered to Do It, albeit with the wisdom of age.

From viewing a lightning field in the Mexican desert by night, to chasing Gauguin's ghost in French Polynesia, from falling in love with a tour guide in the Forbidden City of Beijing to tracking down the house of a childhood idol in LA, Dyer pursues all permutations of the peak experience, explores the voyage through time, and plumbs the effects of distance. In his trademark style he blends travel writing, essay, criticism and fiction with a smart and cantankerous wit that is unmatched. This is a book for armchair travellers and procrastinating philosophers everywhere.

Dyer Geoff  
обложка книги What I Saw: Reports from Berlin 1920-1933 What I Saw: Reports from Berlin 1920-1933

The Joseph Roth revival has finally gone mainstream with the thunderous reception for What I Saw, a book that has become a classic with five hardcover printings. Glowingly reviewed, What I Saw introduces a new generation to the genius of this tortured author with its "nonstop brilliance, irresistible charm and continuing relevance" (Jeffrey Eugenides, The New York Times Book Review). As if anticipating Christopher Isherwood, the book re-creates the tragicomic world of 1920s Berlin as seen by its greatest journalistic eyewitness. In 1920, Joseph Roth, the most renowned German correspondent of his age, arrived in Berlin, the capital of the Weimar Republic. He produced a series of impressionistic and political essays that influenced an entire generation of writers, including Thomas Mann and the young Christopher Isherwood. Translated and collected here for the first time, these pieces record the violent social and political paroxysms that constantly threatened to undo the fragile democracy that was the Weimar Republic. Roth, like no other German writer of his time, ventured beyond Berlin's official veneer to the heart of the city, chronicling the lives of its forgotten inhabitants: the war cripples, the Jewish immigrants from the Pale, the criminals, the bathhouse denizens, and the nameless dead who filled the morgues. Warning early on of the dangers posed by the Nazis, Roth evoked a landscape of moral bankruptcy and debauched beauty; a memorable portrait of a city and a time of commingled hope and chaos. What I Saw, like no other existing work, records the violent social and political paroxysms that compromised and ultimately destroyed the precarious democracy that was the Weimar Republic.

Roth Joseph  
обложка книги What Happened What Happened

“In the past, for reasons I try to explain, I’ve often felt I had to be careful in public, like I was up on a wire without a net. Now I’m letting my guard down.”

—Hillary Rodham Clinton, from the introduction of What Happened

For the first time, Hillary Rodham Clinton reveals what she was thinking and feeling during one of the most controversial and unpredictable presidential elections in history. Now free from the constraints of running, Hillary takes you inside the intense personal experience of becoming the first woman nominated for president by a major party in an election marked by rage, sexism, exhilarating highs and infuriating lows, stranger-than-fiction twists, Russian interference, and an opponent who broke all the rules. This is her most personal memoir yet.

In these pages, she describes what it was like to run against Donald Trump, the mistakes she made, how she has coped with a shocking and devastating loss, and how she found the strength to pick herself back up afterward. With humor and candor, she tells readers what it took to get back on her feet—the rituals, relationships, and reading that got her through, and what the experience has taught her about life. She speaks about the challenges of being a strong woman in the public eye, the criticism over her voice, age, and appearance, and the double standard confronting women in politics.

She lays out how the 2016 election was marked by an unprecedented assault on our democracy by a foreign adversary. By analyzing the evidence and connecting the dots, Hillary shows just how dangerous the forces are that shaped the outcome, and why Americans need to understand them to protect our values and our democracy in the future.

The election of 2016 was unprecedented and historic. What Happened is the story of that campaign and its aftermath—both a deeply intimate account and a cautionary tale for the nation.

Clinton Hillary Rodham  
обложка книги Where I'm Reading From Where I'm Reading From

Why do we need fiction? Why do books need to be printed on paper, copyrighted, read to the finish? Why should a group of aging Swedish men determine what “world” literature is best? Do books change anything? Did they use to? Do we read to challenge our vision of the world or to confirm it? Has novel writing turned into a job like any other? In Where I’m Reading From, the internationally acclaimed novelist and critic Tim Parks ranges over a lifetime of critical reading--from Leopardi, Dickens and Chekhov, to Woolf, Lawrence and Bernhard, and on to contemporary work by Jonathan Franzen, Peter Stamm, and many others—to overturn many of our long-held assumptions about literature and its purpose.  

Taking the form of thirty-eight interlocking essays, Where I’m Reading From examines the rise of the “global” novel and the disappearance of literary styles that do not travel; the changing vocation of the writer today; the increasingly paradoxical effects of translation; the shifting expectations we bring to fiction; the growing stasis of literary criticism; and the problematic relationship between writers’ lives and their work.  In the end Parks wonders whether writers—and readers--can escape the twin pressures of the new global system and the novel that has become its emblematic genre.

Parks Tim  
обложка книги Wild Ducks Flying Backward Wild Ducks Flying Backward

Known for his meaty seriocomic novels — expansive works that are simultaneously lowbrow and highbrow — Tom Robbins has also published over the years a number of short pieces, predominantly nonfiction. His travel articles, essays, and tributes to actors, musicians, sex kittens, and thinkers have appeared in publications ranging from Esquire to Harper’s, from Playboy to the New York Times, High Times, and Life. A generous sampling, collected here for the first time and including works as diverse as scholarly art criticism and some decidedly untypical country-music lyrics, Wild Ducks Flying Backward offers a rare sweeping overview of the eclectic sensibility of an American original.

Whether he is rocking with the Doors, depoliticizing Picasso’s Guernica, lamenting the angst-ridden state of contemporary literature, or drooling over tomato sandwiches and a species of womanhood he calls “the genius waitress,” Robbins’s briefer writings often exhibit the same five traits that perhaps best characterize his novels: an imaginative wit, a cheerfully brash disregard for convention, a sweetly nasty eroticism, a mystical but keenly observant eye, and an irrepressible love of language.

Embedded in this primarily journalistic compilation are a couple of short stories, a sheaf of largely unpublished poems, and an off-beat assessment of our divided nation. And wherever we open Wild Ducks Flying Backward, we’re apt to encounter examples of the intently serious playfulness that percolates from the mind of a self-described “romantic Zen hedonist” and “stray dog in the banquet halls of culture.”

Robbins Tom  
обложка книги Why Sinatra Matters Why Sinatra Matters

In this unique homage to an American icon, journalist and award-winning author Pete Hamill evokes the essence of Sinatra-examining his art and his legend from the inside, as only a friend of many years could do. Shaped by Prohibition, the Depression, and war, Francis Albert Sinatra became the troubadour of urban loneliness. With his songs, he enabled millions of others to tell their own stories, providing an entire generation with a sense of tradition and pride belonging distinctly to them.


From Publishers Weekly

Like a musical Elements of Style, Hamill’s slim meditation on Frank Sinatra is confident, smart and seamless. Since (and immediately before) Sinatra’s death in May 1998, countless tributes have been made to the singer; Hamill (A Drinking Life) seems to be writing to set the record straight, for he knew Sinatra and, before that, knew the singer’s music. But Hamill doesn’t fawn over Sinatra the way other, younger writers have recently done. Rather, he elegantly tells the Sinatra story, dwelling on the singer’s best recordings, dismissing “the Rat Pack, the swagger, the arrogance, the growing fortune, the courtiers,” because in the end, he writes, they are “of little relevance.” What matters, according to Hamill, is the music, chiefly that of Sinatra’s early mature years, when the singer released his celebrated albums on the Capitol label. Where a starry-eyed author might vaguely praise these albums for their pathos and vulnerability, Hamill points out that, before the singer’s Capitol comeback years, Sinatra’s fans were almost exclusively young women. The stubborn, post-Ava Gardner heartache of Sinatra’s later records, however, with their lack of self-pity, gained Sinatra a chiefly male audience. Of this, perhaps the singer’s greatest musical period, Hamill writes that Sinatra “perfected the role of the Tender Tough Guy… Before him, that archetype did not exist in American popular culture.” That may be true, but Hamill sets his book apart from the many others about Old Blue Eyes by tempering intelligent superlatives with the retelling of touching, revelatory moments the two men shared. Hamill’s is a definitive introduction to Sinatra’s work.

Copyright 1998 Reed Business Information, Inc.


From Library Journal

The barrage of recent Frank Sinatra books has resulted in his being the most written-about celebrity in the world after Monroe and Presley. Hamill’s slim essay is distinguished from other recent works by its objective focus on the components of the late singer’s enduring musical legacy. Veteran writer Hamill (e.g., A Drinking Life, LJ 1/94) is comfortable in the New York City milieu of late nights, saloons, and prizefighters, and he has captured the essence of Sinatra, who created something that was not there before he arrived: an urban American voice. The book’s strength is its insight into and evocation of the Italian American immigrant experience that had such a strong influence on Sinatra. Minor weaknesses are an oversimplified examination of prejudice and an underdeveloped 1974 vignette about Ava Gardner that fails to make its point. Recommended for public and academic libraries.?Bruce Henson, Georgia Inst. of Technology, Atlanta

Copyright 1998 Reed Business Information, Inc.

Hamill Pete  
обложка книги Why My Third Husband Will Be a Dog: The Amazing Adventures of an Ordinary Woman Why My Third Husband Will Be a Dog: The Amazing Adventures of an Ordinary Woman

A non fiction book

At last, together in one collection, are Lisa Scottoline's wildly popular Philadelphia Inquirer columns. In her column, Lisa lets her hair down, roots and all, to show the humorous side of life from a woman's perspective. The Sunday column debuted in 2007 and on the day it started, Lisa wrote, 'I write novels, so I usually have 100,000 words to tell a story. In a column there's only 700 words. I can barely say hello in 700 words. I'm Italian.' The column gained momentum and popularity. Word of mouth spread, and readers demanded a collection. Why My Third Husband Will Be a Dog is that collection. Seventy vignettes. Vintage Scottoline.

Scottoline Lisa  
обложка книги Wiseguy: Life in a Mafia Family Wiseguy: Life in a Mafia Family

Nicholas Pileggi’s vivid, unvarnished, journalistic chronicle of the life of Henry Hill-the working-class Brooklyn kid who knew from age twelve that “to be a wiseguy was to own the world,” who grew up to live the highs and lows of the gangster’s life-has been hailed as “the best book ever written on organized crime” (Cosmopolitan).

This is the true-crime bestseller that was the basis for Martin Scorsese’s film masterpiece GoodFellas, which brought to life the violence, the excess, the families, the wives and girlfriends, the drugs, the payoffs, the paybacks, the jail time, and the Feds… with Henry Hill’s crackling narration drawn straight out of Wiseguy and overseeing all the unforgettable action.

Read it and experience the secret life inside the mob-from one who’s lived it.

Now with an introduction by Martin Scorcese.

Pileggi Nicholas  
обложка книги Without a Doubt Without a Doubt

Without a Doubt is not just a book about a trial. It's a book about a woman. Marcia Clark takes us inside her head and her heart. Her voice is raw, incisive, disarming, unmistakable. Her story is both sweeping and deeply personal. It is the story of a woman who, when caught up in an event that galvanized an entire country, rose to that occasion with singular integrity, drive, honesty and grace.

In a case that tore America apart, and that continues to haunt us as few events of history have, Marcia Clark emerged as the only true heroine, because she stood for justice, fought the good fight, and fought it well.

Carpenter Teresa, Clark Marcia  

Поиск книг, авторов и серий книг от Яндекса:

Новинки! Свежие поступления книг жанра «Документальная литература»

  •  Перед штормом
     Ардаматский Василий Иванович
     Документальная литература, Биографии и Мемуары

    Перу известного советского писателя В. Ардаматского принадлежат хорошо знакомые читателю романы «„Сатурн“ почти не виден», «Возмездие», «Суд», «Последний год» и многие другие.

    В своей новой книге писатель, используя архивные (в том числе и зарубежные) документы, давние публикации, мемуары, восстанавливает подлинную историю попа Гапона, сыгравшего трагическую роль в годы первой российской революции.

    Книга рассчитана на широкий круг читателей.

  •  Вышибая двери
     Цхай Максим
     Проза, Современная проза, Документальная литература, Биографии и Мемуары, Документальная литература

    Эту книгу написал кумир Рунета: о наполненной адреналином и страстями жизни нашего соотечественника в Германии, его работе мед-братом в хосписе и вышибалой в ночном клубе, изо дня в день увлеченно следили тысячи человек. Ведь всем женщинам интересно, что в голове у красивых и опасных парней, а мужчинам нравился драйв и много-много драк: в итоге популярность «бродяги Макса» взлетела до небес! Вместе с тем эта откровенная и нежная исповедь о главных вещах: как любить и как терять, для кого сочинять волшебные сказки и как жить на земле, которая так бережно удерживает на себе и каждую пылинку, и тебя.

    «Я в детстве так мечтал сесть на карусель Мэри Поппинс и встретить себя, взрослого, уже пожилого дядьку, лет тридцати пяти. Теперь я и есть этот дядька. Я хочу погладить этого мальчика по голове, ведь ему еще десять, но потом все-таки хлопаю по плечу, ведь ему уже десять. «Расти мужчиной, Макс. Готовься к такой драке, которая дай бог никогда не случится, и к встрече с такой женщиной, какую, может быть, никогда и не встретишь».

  •  Вышибая двери
     Цхай Максим
     Проза, Современная проза, Документальная литература, Биографии и Мемуары, Документальная литература

    Эту книгу написал кумир Рунета: о наполненной адреналином и страстями жизни нашего соотечественника в Германии, его работе мед-братом в хосписе и вышибалой в ночном клубе, изо дня в день увлеченно следили тысячи человек. Ведь всем женщинам интересно, что в голове у красивых и опасных парней, а мужчинам нравился драйв и много-много драк: в итоге популярность «бродяги Макса» взлетела до небес! Вместе с тем эта откровенная и нежная исповедь о главных вещах: как любить и как терять, для кого сочинять волшебные сказки и как жить на земле, которая так бережно удерживает на себе и каждую пылинку, и тебя.

    «Я в детстве так мечтал сесть на карусель Мэри Поппинс и встретить себя, взрослого, уже пожилого дядьку, лет тридцати пяти. Теперь я и есть этот дядька. Я хочу погладить этого мальчика по голове, ведь ему еще десять, но потом все-таки хлопаю по плечу, ведь ему уже десять. «Расти мужчиной, Макс. Готовься к такой драке, которая дай бог никогда не случится, и к встрече с такой женщиной, какую, может быть, никогда и не встретишь».

  •  Одинокое сердце поэта
     Будаков Виктор Викторович
     Документальная литература, Биографии и Мемуары

    К 75-летию со дня рождения А. Т. Прасолова (1930—1972)

    Книга издана при финансовой поддержке администрации Воронежской области

    Книга Виктора Будакова «Одинокое сердце поэта» — первое наиболее обстоятельное и серьезное лирико-биографическое повествование-исследование о жизненном и творческом пути русского поэта, уроженца воронежской земли Алексея Прасолова.

    В книге широко представлены документальные свидетельства, географические, событийные, исторические реалии. Образ поэта и его строки даны в контексте отечественной поэзии и истории.

    Повесть «Одинокое сердце поэта», опубликованная сначала в газете «Воронежский курьер», затем в столичном издании «Роман-журнал. XХI век», вызвала большой резонанс в российском литературном мире.


Новинки месяца жанра «Документальная литература»

 Жанры книг


 На хлебушек библиотекарю