A fascinating look at the life of the author who created such modern classics as Carrie, IT, and The Shining.
One of the most prolific and popular authors in the world today, Stephen King has become part of pop culture history. But who is the man behind those tales of horror, grief, and the supernatural? Where do these ideas come from? And what drives him to keep writing at a breakneck pace after a thirty year career? In this unauthorized biography, Lisa Rogak reveals the troubled background and lifelong fears that inspire one of the twentieth century’s most influential authors.
King’s origins were inauspicious at best. His impoverished childhood in rural Maine and early marriage hardly spelled out the likelihood of a blossoming literary career. But his unflagging work ethic and a ceaseless flow of ideas put him on the path to success. It came in a flash, and the side effects of sudden stardom and seemingly unlimited wealth soon threatened to destroy his work and, worse, his life. But he survived and has since continued to write at a level of originality few authors could ever hope to match.
Despite his dark and disturbing work, Stephen King has become revered by critics and his countless fans as an all-American voice more akin to Mark Twain than H. P. Lovecraft. Haunted Heart chronicles his story, revealing the character of a man who has created some of the most memorable—and frightening—stories found in literature today.
Stephen King on Stephen King:
“I’m afraid of everything.”
“As a kid, I worried about my sanity a lot.”
“I am always interested in this idea that a lot of fiction writers write for their fathers because their fathers are gone.”
“Writing is an addiction for me.”
“I married her for her body, though she said I married her for her typewriter.”
“When you get into this business, they don’t tell you you’ll get cat bones in the mail.”
“You have to be a little nuts to be a writer.”
“There’s always the urge to see somebody dead that isn’t you.”
Authors Roger Manvell and Heinrich Fraenkel, notable biographers of the World War II German leaders Joseph Goebbels and Herman Goring, delve into the life of one of the most sinister, clever, and successful of all the Nazi leaders: Heinrich Himmler. As the head of the feared SS, Himler supervised the extermination of millions. Here is the story of how a seemingly ordinary boy grew into an obsessive and superstitious man who ventured into herbalism, astrology, and homeopathic medicine before finally turning to the “science” of racial purity and the belief in the superiority of the Aryan people.
Prosecuting attorney in the Manson trial, Vincent Bugliosi held a unique insider’s position in one of the most baffling and horrifying cases of the twentieth century: the cold-blooded Tate-LaBianca murders carried out by Charles Manson and four of his followers. What motivated Manson in his seemingly mindless selection of victims, and what was his hold over the young women who obeyed his orders? Here is the gripping story of this famous and haunting crime.
Both Helter Skelter and Vincent Bugliosi’s subsequent Till Death Us Do Part won Edgar Allan Poe Awards for best true-crime book of the year.
The story behind the Manson killings explains how Charles Manson was able to make his “family” murder for him, chronicles the investigation and court trial that brought him to justice, and provides a new afterword that looks at where the killers are today. Reprint.
|Bugliosi Vincent, Gentry Curt|
Hero: The Life and Legend of Lawrence of Arabia
The story of an epic life on a grand scale, Michael Korda’s Hero is a gripping, in-depth biography of the extraordinary, mysterious, and dynamic Englishman still famous the world over as “Lawrence of Arabia.” An Oxford scholar and archaeologist sent to Cairo as a young intelligence officer in 1916, Lawrence was a born leader, utterly fearless and seemingly impervious to pain and fatigue. A bold and ruthless warrior, he was the virtual inventor of modern insurgency and guerrilla warfare; a writer of genius who alternately sought and fled the limelight. Korda digs deeper than anyone before him to expose the flesh-and-blood man and his contradictory nature—farsighted visionary; diplomat and kingmaker; shy, sensitive, and private man; genius military strategist; arguably the first modern “media celebrity” . . . and one of its first victims. Hero is the magisterial story of one of the most unique and fascinating figures of modern times—the arch-hero whose life was, at once, a triumph and a sacrifice.
I am beginning to realize that taking the self out of our essays is a form of repression. Taking the self out feels like obeying a gag order-pretending an objectivity where there is nothing objective about the experience of confronting and engaging with and swooning over literature." — from Heroines
On the last day of December, 2009 Kate Zambreno began a blog called Frances Farmer Is My Sister, arising from her obsession with the female modernists and her recent transplantation to Akron, Ohio, where her husband held a university job. Widely reposted, Zambreno's blog became an outlet for her highly informed and passionate rants about the fates of the modernist "wives and mistresses." In her blog entries, Zambreno reclaimed the traditionally pathologized biographies of Vivienne Eliot, Jane Bowles, Jean Rhys, and Zelda Fitzgerald: writers and artists themselves who served as male writers' muses only to end their lives silenced, erased, and institutionalized. Over the course of two years, Frances Farmer Is My Sister helped create a community where today's "toxic girls" could devise a new feminist discourse, writing in the margins and developing an alternative canon.
In Heroines, Zambreno extends the polemic begun on her blog into a dazzling, original work of literary scholarship. Combing theories that have dictated what literature should be and who is allowed to write it-from T. S. Eliot's New Criticism to the writings of such mid-century intellectuals as Elizabeth Hardwick and Mary McCarthy to the occasional "girl-on-girl crime" of the Second Wave of feminism-she traces the genesis of a cultural template that consistently exiles female experience to the realm of the "minor," and diagnoses women for transgressing social bounds. "ANXIETY: When she experiences it, it's pathological," writes Zambreno. "When he does, it's existential." By advancing the Girl-As-Philosopher, Zambreno reinvents feminism for her generation while providing a model for a newly subjectivized criticism.
The phenomenal true story of the black female mathematicians at NASA whose calculations helped fuel some of America’s greatest achievements in space. Soon to be a major motion picture starring Taraji P. Henson, Octavia Spencer, Janelle Monae, Kirsten Dunst, and Kevin Costner.
Before John Glenn orbited the earth, or Neil Armstrong walked on the moon, a group of dedicated female mathematicians known as “human computers” used pencils, slide rules and adding machines to calculate the numbers that would launch rockets, and astronauts, into space.
Among these problem-solvers were a group of exceptionally talented African American women, some of the brightest minds of their generation. Originally relegated to teaching math in the South’s segregated public schools, they were called into service during the labor shortages of World War II, when America’s aeronautics industry was in dire need of anyone who had the right stuff. Suddenly, these overlooked math whizzes had a shot at jobs worthy of their skills, and they answered Uncle Sam’s call, moving to Hampton, Virginia and the fascinating, high-energy world of the Langley Memorial Aeronautical Laboratory.
Even as Virginia’s Jim Crow laws required them to be segregated from their white counterparts, the women of Langley’s all-black “West Computing” group helped America achieve one of the things it desired most: a decisive victory over the Soviet Union in the Cold War, and complete domination of the heavens.
Starting in World War II and moving through to the Cold War, the Civil Rights Movement and the Space Race, Hidden Figures follows the interwoven accounts of Dorothy Vaughan, Mary Jackson, Katherine Johnson and Christine Darden, four African American women who participated in some of NASA’s greatest successes. It chronicles their careers over nearly three decades they faced challenges, forged alliances and used their intellect to change their own lives, and their country’s future.
|Shetterly Margot Lee|
Введите сюда краткую аннотацию
A bestseller in its original German edition and subsequently translated into more than a dozen languages, this book has become a classic portrait of a man, a nation, and an era.
Index. Translated by Richard and Clara Winston. A Helen and Kurt Wolff Book
|Fest Joachim C|
Hitler. 1936-1945: Nemesis
The climax and conclusion of one of the best-selling biographies of our time.
The New Yorker declared the first volume of Ian Kershaw’s two-volume masterpiece “as close to definitive as anything we are likely to see,” and that promise is fulfilled in this stunning second volume. As Nemesis opens, Adolf Hitler has achieved absolute power within Germany and triumphed in his first challenge to the European powers. Idolized by large segments of the population and firmly supported by the Nazi regime, Hitler is poised to subjugate Europe. Nine years later, his vaunted war machine destroyed, Allied forces sweeping across Germany, Hitler will end his life with a pistol shot to his head.
* * *
Following the enormous success of HITLER: HUBRIS this book triumphantly completes one of the great modern biographies. No figure in twentieth century history more clearly demands a close biographical understanding than Adolf Hitler; and no period is more important than the Second World War. Beginning with Hitler’s startling European successes in the aftermath of the Rhinelland occupation and ending nine years later with the suicide in the Berlin bunker, Kershaw allows us as never before to understand the motivation and the impact of this bizarre misfit. He addresses the crucial questions about the unique nature of Nazi radicalism, about the Holocaust and about the poisoned European world that allowed Hitler to operate so effectively.
George VI thought him a “damnable villain,” and Neville Chamberlain found him not quite a gentleman; but, to the rest of the world, Adolf Hitler has come to personify modern evil to such an extent that his biographers always have faced an unenviable task. The two more renowned biographies of Hitler—by Joachim C. Fest (Hitler) and by Alan Bullock (Hitler: A Study in Tyranny)—painted a picture of individual tyranny which, in the words of A. J. P. Taylor, left Hitler guilty and every other German innocent. Decades of scholarship on German society under the Nazis have made that verdict look dubious; so, the modern biographer of Hitler must account both for his terrible mindset and his charismatic appeal. In the second and final volume of his mammoth biography of Hitler—which covers the climax of Nazi power, the reclamation of German-speaking Europe, and the horrific unfolding of the final solution in Poland and Russia—Ian Kershaw manages to achieve both of these tasks. Continuing where Hitler: Hubris 1889–1936 left off, the epic Hitler: Nemesis 1937–1945 takes the reader from the adulation and hysteria of Hitler's electoral victory in 1936 to the obsessive and remote “bunker” mentality that enveloped the Führer as Operation Barbarossa (the attack on Russia in 1942) proved the beginning of the end. Chilling, yet objective. A definitive work.
At the conclusion of Kershaw’s Hitler, 1889–1936: Hubris (1999), the Rhineland had been remilitarized, domestic opposition crushed, and Jews virtually outlawed. What the genuinely popular leader of Germany would do with his unchallenged power, the world knows and recoils from. The historian's duty, superbly discharged by Kershaw, is to analyze how and why Hitler was able to ignite a world war, commit the most heinous crime in history, and throw his country into the abyss of total destruction. He didn't do it alone. Although Hitler's twin goals of expelling Jews and acquiring “living space" for other Germans were hardly secret, “achieving” them did not proceed according to a blueprint, as near as Kershaw can ascertain. However long Hitler had cherished launching an all-out war against the Jews and against Soviet Russia, as he did in 1941, it was only conceivable as reality following a tortuous series of events of increasing radicality, in both foreign and domestic politics. At each point, whether haranguing a mass audience or a small meeting of military officers, the demagogue had to and did persuade his listeners that his course of action was the only one possible. Acquiescence to aggression and genocide was further abetted by the narcotic effect of the “Hitler myth,” the propagandized image of the infallible leader as national savior, which produced a force for radicalization parallel to Hitler’s personal murderous fanaticism; the motto of the time called it “working towards the Fuhrer.” Underlings in competition with each other would do what they thought Hitler wanted, as occurred with aspects of organizing the Final Solution. Kershaw’s narrative connecting this analysis gives outstanding evidence that he commands and understands the source material, producing this magisterial scholarship that will endure for decades.
Hitler’s rise to power, Germany’s march to the abyss, as seen through the eyes of Americans—diplomats, military, expats, visiting authors, Olympic athletes—who watched horrified and up close. By tapping a rich vein of personal testimonies, Hitlerland offers a gripping narrative full of surprising twists—and a startlingly fresh perspective on this heavily dissected era.
Some of the Americans in Weimar and then Hitler’s Germany were merely casual observers, others deliberately blind; a few were Nazi apologists. But most slowly began to understand the horror of what was unfolding, even when they found it difficult to grasp the breadth of the catastrophe.
Among the journalists, William Shirer, Edgar Mowrer, and Dorothy Thompson were increasingly alarmed. Consul General George Messersmith stood out among the American diplomats because of his passion and courage. Truman Smith, the first American official to meet Hitler, was an astute political observer and a remarkably resourceful military attaché. Historian William Dodd, whom FDR tapped as ambassador in Hitler’s Berlin, left disillusioned; his daughter Martha scandalized the embassy with her procession of lovers from her initial infatuation with Nazis she took up with. She ended as a Soviet spy.
On the scene were George Kennan, who would become famous as the architect of containment; Richard Helms, who rose to the top of the CIA; Howard K. Smith, who would coanchor the ABC Evening News. The list of prominent visitors included writers Sinclair Lewis and Thomas Wolfe, famed aviator Charles Lindbergh, the great athlete Jesse Owens, newspaper publisher William Randolph Hearst, and black sociologist and historian W.E.B. Dubois.
Observing Hitler and his movement up close, the most perceptive of these Americans helped their reluctant countrymen begin to understand the nature of Nazi Germany as it ruthlessly eliminated political opponents, instilled hatred of Jews and anyone deemed a member of an inferior race, and readied its military and its people for a war for global domination. They helped prepare Americans for the years of struggle ahead.
Hohmo sapiens. Записки пьющего провинциала
Эта книга — рассказы о веселых перепитиях чисто конкретного провинциала в Стране Чудес — Союзе Советских Социалистических Республик. В книге жизнеутверждается главный авторский принцип: только законченный пессимист с оптимизмом смотрит в будущее.
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.
During the breakdown of an unhappy marriage, writer Joanna Walsh got a job as a hotel reviewer, and began to gravitate towards places designed as alternatives to home. Luxury, sex, power, anonymity, privacy…hotels are where our desires go on holiday, but also places where our desires are shaped by the hard realities of the marketplace. Part memoir and part meditation, this book visits a series of rooms, suites, hallways, and lobbies-the spaces and things that make up these modern sites of gathering and alienation, hotels.
Object Lessons is published in partnership with an essay series in The Atlantic.
How I Saw Hitler on My Summer Vacation
In 1938, high-spirited Helen McPhail sails the SS Normandie to a Europe displaying ominous signs of change due to Hitler’s increasing demands for power. Thirty years old and single, she savors the excitement of visiting nine countries by rail, from museums and nightclubs in Paris, to a dogsled ride in the Alps!
The trip is carefully planned, but total surprises keep cropping up. She loses her hotel reservations to German soldiers - twice! She was taken to Nazi Headquarters in Salzburg! How does one spend a black night in Austria? She becomes entangled in circumstances that are fascinating, frustrating, and romantic! (Listening to Hungarian music can be treacherous!)
As Helen joyfully hops from country to country, more than one handsome man longs for her to stay. You will love her sense of humor and her courage in adversity.
Join her on the streets of Paris, amidst throngs of frantic people who are trying to leave Europe. Be an eye-witness to a Paris where taxis and drivers are commandeered to military service, as France prepares for war on the eve of the Munich Conference. Why is the RMS Queen Mary distanced off shore, instead of waiting at the dock?
Jump into an adventure you will remember forever! Readers of this book come away feeling like they were right there with her! The true tale is enhanced by over 20 photos from her scrapbook!
|Reed Kathleen A|