Книги жанра «Публицистика» на букву «H»

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обложка книги Hackers and Painters: Big Ideas from the Computer Age Hackers and Painters: Big Ideas from the Computer Age

"The computer world is like an intellectual Wild West, in which you can shoot anyone you wish with your ideas, if you're willing to risk the consequences. " —from Hackers & Painters: Big Ideas from the Computer Age, by Paul Graham We are living in the computer age, in a world increasingly designed and engineered by computer programmers and software designers, by people who call themselves hackers. Who are these people, what motivates them, and why should you care? Consider these facts: Everything around us is turning into computers. Your typewriter is gone, replaced by a computer. Your phone has turned into a computer. So has your camera. Soon your TV will. Your car was not only designed on computers, but has more processing power in it than a room-sized mainframe did in 1970. Letters, encyclopedias, newspapers, and even your local store are being replaced by the Internet. Hackers & Painters: Big Ideas from the Computer Age, by Paul Graham, explains this world and the motivations of the people who occupy it. In clear, thoughtful prose that draws on illuminating historical examples, Graham takes readers on an unflinching exploration into what he calls "an intellectual Wild West." The ideas discussed in this book will have a powerful and lasting impact on how we think, how we work, how we develop technology, and how we live. Topics include the importance of beauty in software design, how to make wealth, heresy and free speech, the programming language renaissance, the open-source movement, digital design, Internet startups, and more. And here's a taste of what you'll find in Hackers & Painters: "In most fields the great work is done early on. The paintings made between 1430 and 1500 are still unsurpassed. Shakespeare appeared just as professional theater was being born, and pushed the medium so far that every playwright since has had to live in his shadow. Albrecht Durer did the same thing with engraving, and Jane Austen with the novel. Over and over we see the same pattern. A new medium appears, and people are so excited about it that they explore most of its possibilities in the first couple generations. Hacking seems to be in this phase now. Painting was not, in Leonardo's time, as cool as his work helped make it. How cool hacking turns out to be will depend on what we can do with this new medium." Andy Hertzfeld, co-creator of the Macintosh computer, says about Hackers & Painters: "Paul Graham is a hacker, painter and a terrific writer. His lucid, humorous prose is brimming with contrarian insight and practical wisdom on writing great code at the intersection of art, science and commerce." Paul Graham, designer of the new Arc language, was the creator of Yahoo Store, the first web-based application. In addition to his PhD in Computer Science from Harvard, Graham also studied painting at the Rhode Island School of Design and the Accademia di Belle Arti in Florence.

Graham Paul  
обложка книги Hate, Disbelief, Hope [prose] Hate, Disbelief, Hope [prose]

The collection of stories

Lightbringer Timong  
обложка книги Heroines Heroines

I am beginning to realize that taking the self out of our essays is a form of repression. Taking the self out feels like obeying a gag order-pretending an objectivity where there is nothing objective about the experience of confronting and engaging with and swooning over literature." — from Heroines

On the last day of December, 2009 Kate Zambreno began a blog called Frances Farmer Is My Sister, arising from her obsession with the female modernists and her recent transplantation to Akron, Ohio, where her husband held a university job. Widely reposted, Zambreno's blog became an outlet for her highly informed and passionate rants about the fates of the modernist "wives and mistresses." In her blog entries, Zambreno reclaimed the traditionally pathologized biographies of Vivienne Eliot, Jane Bowles, Jean Rhys, and Zelda Fitzgerald: writers and artists themselves who served as male writers' muses only to end their lives silenced, erased, and institutionalized. Over the course of two years, Frances Farmer Is My Sister helped create a community where today's "toxic girls" could devise a new feminist discourse, writing in the margins and developing an alternative canon.

In Heroines, Zambreno extends the polemic begun on her blog into a dazzling, original work of literary scholarship. Combing theories that have dictated what literature should be and who is allowed to write it-from T. S. Eliot's New Criticism to the writings of such mid-century intellectuals as Elizabeth Hardwick and Mary McCarthy to the occasional "girl-on-girl crime" of the Second Wave of feminism-she traces the genesis of a cultural template that consistently exiles female experience to the realm of the "minor," and diagnoses women for transgressing social bounds. "ANXIETY: When she experiences it, it's pathological," writes Zambreno. "When he does, it's existential." By advancing the Girl-As-Philosopher, Zambreno reinvents feminism for her generation while providing a model for a newly subjectivized criticism.

Zambreno Kate  
обложка книги Hitler’s Second Book Hitler’s Second Book
From Publishers Weekly

In 1958, while directing the microfilming and organization of a trove of archives that the U.S. forces had taken from the Nazis at the end of WWII, historian Weinberg (A World at Arms) discovered the manuscript of a second book that Hitler had written but never published. The manuscript was published in German in 1961, accompanied by Weinberg’s annotations, but this is the first authoritative English version (a pirated and poor translation appeared in the 1960s). The text bears all of Hitler's hallmarks: rambling thoughts, half-baked ideas, pedantic writing-along with a terrifying, sustained belief in war and violence as the means to ensure that Germans would flourish. Compared to Mein Kampf, there are fewer pages devoted to Jews. Nonetheless, what comes across most strongly is Hitler’s abiding commitment to the principle of race and his identification of Jews as the enemy that threatened to undo all that Germans had created. Hitler dwells at length on foreign policy, and outlines a strategy of alliance with Fascist Italy and Great Britain. (He actually believed that Britain would accept a German-dominated European continent so long as Germany did not challenge the overseas British empire.) He also foresees an inevitable clash with the United States. This provides solid historical background on Hitler's thinking in the late 1920s, when his party was nothing more than a tiny, radical sect. Weinberg provides helpful notes and a very informative introduction.

Copyright 2003 Reed Business Information, Inc.

* * *

“Politics is history in the making.”

Such were the words of Adolf Hitler in his untitled, unpublished, and long suppressed second work written only a few years after the publication of Mein Kampf.

Only two copies of the 200 page manuscript were originally made, and only one of these has ever been made public. Kept strictly secret under Hitler’s orders, the document was placed in an air raid shelter in 1935 where it remained until it’s discovery by an American officer in 1945.

Written in 1928, the authenticity of the book has been verified by Josef Berg (former employee of the Nazi publishing house Eher Verlag), and Telford Taylor (former Brigadier General U.S.A.R., and Chief Counsel at the Nuremburg war-crimes trials) who, after an analysis made in 1961, comments:

“If Hitler’s book of 1928 is read against the background of the intervening years, it should interest not scholars only, but the general reader.”*

*as quoted by http://www.pharo.com/lost&found.htm

Hitler Adolf, Weinberg Gerhard L  
обложка книги Hold Everything Dear: Dispatches on Survival and Resistance Hold Everything Dear: Dispatches on Survival and Resistance

From one of the most impassioned of writers of our time, this powerful collection of essays offers a stark portrait of post-9/11 realities. John Berger occupies a unique position in the international cultural landscape: artist, filmmaker, poet, philosopher, novelist, and essayist, he is also a deeply thoughtful political activist. In Hold Everything Dear, his artistry and activism meld in an attempt to make sense of the current state of our world. Berger analyzes the nature of terrorism and the profound despair that gives rise to it. He writes about the homelessness of millions who have been forced by poverty and war to live as refugees. He discusses Afghanistan, Iraq, Palestine, Serbia, Bosnia, China, Indonesia-anyplace where people are deprived of the most basic of freedoms. Berger powerfully acknowledges the depth of suffering around the world and suggests actions that might finally help bring it to an end.

Berger John  
обложка книги Holocaust: The Greatest Lie Ever Told Holocaust: The Greatest Lie Ever Told

“All truth passes through 3 stages. First it’s ridiculed. Second, it’s violently opposed. Third, it’s accepted as being self-evident.”

— Arthur Schopenhauer

1. International Red Cross records refute “official” death toll. Sealed and guarded since the end of WWII at Arolsen, Germany, the Officials IRC records reveal the actual Concentration Camps total death toll was 271,301.

2. Number of death at Auschwitz revised in 1989 from 4.1 million to 1.5 million. “Official” account of 6 million death remain unchanged.

3. American gas chamber expert Dr. Leichter visited all sites and testified that supposed gas chambers “incapable” of supporting gas executions. No scientific proof of Jews exterminated.

4. Auschwitz Museum Curator admitted Russians created the infamous “homicidal gas chamber” post-war, by altering a German bomb shelter. Gas chimney was added by Soviets after the war.

5. No “Prussian blue” staining found on the walls of any supposed death chambers. Forensic evidence of gassings only found in delousing chambers, where Zyklon B was used to disinfect the prisoners clothing and bedding; to stop the spread of typhus epidemics.

6. The obsessive invocation of the cabalistic fable of “6 million dead or dying Jews” dating back at least four decades prior to the events of WWII directly undermines and betrays the notion that 6 million Jews perished in Europe between 1939-1945.

7. The “truth” that fear of investigation. Questioning any aspect of the Holocaust can land you in prison in the following countries: Austria, Belgium, Bosnia, Czech, France, Germany, Hungary, Israel, Lichtenstein, Lithuania, Luxembourg, Netherlands, Poland, Portugal, Romania, Spain and Switzerland. Many had been beaten, humiliated and even killed for doing so.

8. According to Jewish World Almanacs, the world’s Jewish population increased from 1933-1948. From 15,315,000 to 15,753,000 of Jews. Where the 6 million drop?

Why can’t we ask questions? Why is Holocaust dogma defended with such vitriol?

“Histories were written by the victors.”

— Winston Churchill

“To learn who rules over you, simply find out who you are not allowed to criticize.”

— Voltaire

“Those who are able to see beyond the shadows and lies of their culture will never be understood, let alone believed, by the masses.”

— Plato

“When a well-packaged web of lies has been sold gradually to the masses over generations, the truth will seem utterly preposterous and its speaker a raving lunatic.”

— Dresden James

Science, documents and common sense collide with religious dogma.

In the age of information, ignorance is a choice. You have at your fingertips, limitless of supply of knowledge. So if you want to base your perception of history not on your own research but on the controlled mass media and the garbage that comes out of Hollywood, then go ahead. Hollywood which is controlled by the very same people, who have vested financial and political interest in promoting their own version of history. Hollywood’s depiction of the World War 2 and the Holocaust is as accurate as their depiction of the Wild West

“The media’s the most powerful entity on earth. They have the power to make the innocent, guilty and to make the guilty, innocent, and that’s the power. Because they control the minds of the masses.”

— Malcolm X
Wittakers Eleanor  
обложка книги Homo Hispanicus: миф и реальность Homo Hispanicus: миф и реальность Гойтисоло Хуан  
обложка книги How music got free How music got free

How Music Got Free is a riveting story of obsession, music, crime, and money, featuring visionaries and criminals, moguls and tech-savvy teenagers. It’s about the greatest pirate in history, the most powerful executive in the music business, a revolutionary invention and an illegal website four times the size of the iTunes Music Store. 

Witt Stephen  
Hа смеpть фантастики Власов Григорий  
 

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Новинки! Свежие поступления книг жанра «Публицистика»

  •  Навіщо читати
     Данцir Шарль
     Проза, Современная проза, Документальная литература, Публицистика

    «Читання не суперечить життю. Воно — саме життя, життя значно серйозніше, не таке жорстоке, не таке фривольне, значно триваліше, більш горде і менш марнославне, досить часто з усіма слабкими сторонами гордості, сором’язливістю, мовчанням, відступом. В утилітарності світу воно підтримує відстороненість на користь мислення.

    Читання нічому не служить. Саме тому воно така велика річ. Ми читаємо власне тому, що воно нічому не служить».

    Поради, прояви ніжності, уїдливі зауваження та концепція читання як «брата літератури», вони обоє крокують поруч у боротьбі з часом. Це — філософія читання, яка змушує дивуватися, захоплюватися та аплодувати; породжуючи лише одне прагнення: (її) перечитати.


    З французької переклала Зоя Борисюк

  •  Про письменство. Мемуари про ремесло
     Кінг Стівен
     Документальная литература, Биографии и Мемуары, Публицистика

    Ця книжка — не просто відверта іронічна оповідь Кінга про його перші літературні потуги та відмови; успіх і славу; згубні звички та їх подолання; страшну аварію 1999 року, яка змусила письменника переосмислити життя; і нарешті, про кохання до Жінки, яка розділяє з ним найбільші радості й підтримує в найгіркіші миті. Також у ваших руках — цінний посібник для авторів усіх жанрів, які хочуть писати краще та вміти «продавати себе»: основи стилю, робота з сюжетом і героями, редагування власних творів, шляхи входження на ринок та пошуки своєї ніші. Усе це підкріплене живими прикладами, як треба і не треба робити — включно з ранньою чернеткою власної оповідки Кінга з авторськими рукописними примітками! Стівен Кінг, інколи сам дивуючись, показує, як сюжети його книжок кореняться в життєвих пригодах і спостереженнях, виростають із геть несподіваних деталей, як автор може брати героїв і події з життя — але й самі придумані ним герої та події готові теж увійти в життя автора зі сторінок його книжок. Приємний бонус — два списки якісної літератури, рекомендованої Королем горору!


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