Книги жанра «Публицистика» на букву «W»

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What Am I Here For - для чего я здесь, Дюк Эллингтон как экзистенция джаза Переверзев Леонид  
обложка книги What Could Possibly Go Wrong... What Could Possibly Go Wrong...

No one writes about cars like Jeremy Clarkson. While most correspondents are too buys diving straight into BHP, MPG and MPH, Jeremy appreciates that there are more important things to life. Don’t worry, we’ll get to the cars. Eventually. But first we should consider:


• The case for invading France

• The overwhelming appeal of a nice sit-down

• The inconvenience of gin and tonic

• Why clothes are no better than ice cream

• Spot-welding with the Duchess of Kent

• And why Denmark is the best place in the world


Armed only with conviction, curiosity, enthusiasm and a stout pair of trousers, Jeremy hurtles around the world – along motorway, autoroute, freeway and autobahn – in search of answers to life’s puzzles and ponderings without forethought or fear for his own safety. What, you have to ask, could possibly go wrong…


The contents of this book first appeared in Jeremy Clarkson’s Sunday Times column. Read more about the world according to Clarkson every week in The Sunday Times.

Clarkson Jeremy The World According to Clarkson  
обложка книги What Ever Happened to Modernism? What Ever Happened to Modernism?

The quality of today’s literary writing arouses the strongest opinions. For novelist and critic Gabriel Josipovici, the contemporary novel in English is profoundly disappointing — a poor relation of its groundbreaking Modernist forebears. This agile and passionate book asks why.

Modernism, Josipovici suggests, is only superficially a reaction to industrialization or a revolution in diction and form; essentially, it is art coming to consciousness of its own limits and responsibilities. And its origins are to be sought not in 1850 or 1800, but in the early 1500s, with the crisis of society and perception that also led to the rise of Protestantism. With sophistication and persuasiveness, Josipovici charts some of Modernism’s key stages, from Dürer, Rabelais, and Cervantes to the present, bringing together a rich array of artists, musicians, and writers both familiar and unexpected — including Beckett, Borges, Friedrich, Cézanne, Stevens, Robbe-Grillet, Beethoven, and Wordsworth. He concludes with a stinging attack on the current literary scene in Britain and America, which raises questions about not only national taste, but contemporary culture itself.

Gabriel Josipovici has spent a lifetime writing, and writing about other writers. What Ever Happened to Modernism? is a strident call to arms, and a tour de force of literary, artistic, and philosophical explication that will stimulate anyone interested in art in the twentieth century and today.

Josipovici Gabriel  
обложка книги What Happened What Happened

“In the past, for reasons I try to explain, I’ve often felt I had to be careful in public, like I was up on a wire without a net. Now I’m letting my guard down.”

—Hillary Rodham Clinton, from the introduction of What Happened

For the first time, Hillary Rodham Clinton reveals what she was thinking and feeling during one of the most controversial and unpredictable presidential elections in history. Now free from the constraints of running, Hillary takes you inside the intense personal experience of becoming the first woman nominated for president by a major party in an election marked by rage, sexism, exhilarating highs and infuriating lows, stranger-than-fiction twists, Russian interference, and an opponent who broke all the rules. This is her most personal memoir yet.

In these pages, she describes what it was like to run against Donald Trump, the mistakes she made, how she has coped with a shocking and devastating loss, and how she found the strength to pick herself back up afterward. With humor and candor, she tells readers what it took to get back on her feet—the rituals, relationships, and reading that got her through, and what the experience has taught her about life. She speaks about the challenges of being a strong woman in the public eye, the criticism over her voice, age, and appearance, and the double standard confronting women in politics.

She lays out how the 2016 election was marked by an unprecedented assault on our democracy by a foreign adversary. By analyzing the evidence and connecting the dots, Hillary shows just how dangerous the forces are that shaped the outcome, and why Americans need to understand them to protect our values and our democracy in the future.

The election of 2016 was unprecedented and historic. What Happened is the story of that campaign and its aftermath—both a deeply intimate account and a cautionary tale for the nation.

Clinton Hillary Rodham  
обложка книги What I Saw: Reports from Berlin 1920-1933 What I Saw: Reports from Berlin 1920-1933

The Joseph Roth revival has finally gone mainstream with the thunderous reception for What I Saw, a book that has become a classic with five hardcover printings. Glowingly reviewed, What I Saw introduces a new generation to the genius of this tortured author with its "nonstop brilliance, irresistible charm and continuing relevance" (Jeffrey Eugenides, The New York Times Book Review). As if anticipating Christopher Isherwood, the book re-creates the tragicomic world of 1920s Berlin as seen by its greatest journalistic eyewitness. In 1920, Joseph Roth, the most renowned German correspondent of his age, arrived in Berlin, the capital of the Weimar Republic. He produced a series of impressionistic and political essays that influenced an entire generation of writers, including Thomas Mann and the young Christopher Isherwood. Translated and collected here for the first time, these pieces record the violent social and political paroxysms that constantly threatened to undo the fragile democracy that was the Weimar Republic. Roth, like no other German writer of his time, ventured beyond Berlin's official veneer to the heart of the city, chronicling the lives of its forgotten inhabitants: the war cripples, the Jewish immigrants from the Pale, the criminals, the bathhouse denizens, and the nameless dead who filled the morgues. Warning early on of the dangers posed by the Nazis, Roth evoked a landscape of moral bankruptcy and debauched beauty; a memorable portrait of a city and a time of commingled hope and chaos. What I Saw, like no other existing work, records the violent social and political paroxysms that compromised and ultimately destroyed the precarious democracy that was the Weimar Republic.

Roth Joseph  
обложка книги What to Do When the Russians Come What to Do When the Russians Come

Head for the hills cause the Russians are coming! …and we thought this book was a joke when we picked it up.

It’s not a joke.

It is though a fascinating cold-war era relic. It describes in great detail the doom of America after a full Russian invasion

Conquest Robert, White Jon Manchip  
обложка книги Where I'm Reading From Where I'm Reading From

Why do we need fiction? Why do books need to be printed on paper, copyrighted, read to the finish? Why should a group of aging Swedish men determine what “world” literature is best? Do books change anything? Did they use to? Do we read to challenge our vision of the world or to confirm it? Has novel writing turned into a job like any other? In Where I’m Reading From, the internationally acclaimed novelist and critic Tim Parks ranges over a lifetime of critical reading--from Leopardi, Dickens and Chekhov, to Woolf, Lawrence and Bernhard, and on to contemporary work by Jonathan Franzen, Peter Stamm, and many others—to overturn many of our long-held assumptions about literature and its purpose.  

Taking the form of thirty-eight interlocking essays, Where I’m Reading From examines the rise of the “global” novel and the disappearance of literary styles that do not travel; the changing vocation of the writer today; the increasingly paradoxical effects of translation; the shifting expectations we bring to fiction; the growing stasis of literary criticism; and the problematic relationship between writers’ lives and their work.  In the end Parks wonders whether writers—and readers--can escape the twin pressures of the new global system and the novel that has become its emblematic genre.

Parks Tim  
обложка книги White Sands: Experiences from the Outside World White Sands: Experiences from the Outside World

'It seems certain that the apple in Eden grew on the tree of knowledge of elsewhere. Up until that point Adam and Eve were happy where they were. Then they ate the apple and it was slightly disappointing to them and they started to wonder if maybe there were other kinds of apples elsewhere, if there were crunchier and crisper and sweeter apples to be had from somewhere else. They began to think that there might be a funner place, where the food was better. They even began to suspect that paradise itself might be somewhere else. . From there, to keep the history of the world as brief as possible, it is only a small step to package cruises and supermarkets stocking the full spectrum of exotic fruit.'

Taking the form of ten journeys, White Sands is an exploration of why we travel from perhaps Britain's greatest globetrotter. Episodic, wide-ranging, funny and smart, it marks a return to the subject of Dyer's Yoga for People Who Can't Be Bothered to Do It, albeit with the wisdom of age.

From viewing a lightning field in the Mexican desert by night, to chasing Gauguin's ghost in French Polynesia, from falling in love with a tour guide in the Forbidden City of Beijing to tracking down the house of a childhood idol in LA, Dyer pursues all permutations of the peak experience, explores the voyage through time, and plumbs the effects of distance. In his trademark style he blends travel writing, essay, criticism and fiction with a smart and cantankerous wit that is unmatched. This is a book for armchair travellers and procrastinating philosophers everywhere.

Dyer Geoff  
обложка книги Why Do Men Have Nipples? Hundreds of Questions You'd Only Ask a Doctor After Your Third Martini Why Do Men Have Nipples? Hundreds of Questions You'd Only Ask a Doctor After Your Third Martini

Is There a Doctor in the House?

Say you’re at a party. You’ve had a martini or three, and you mingle through the crowd, wondering how long you need to stay before going out for pizza. Suddenly you’re introduced to someone new, Dr. Nice Tomeetya. You forget the pizza. Now is the perfect time to bring up all those strange questions you’d like to ask during an office visit with your own doctor but haven’t had the guts (or more likely the time) to do so. You’re filled with liquid courage. . now is your chance! If you’ve ever wanted to ask a doctor. .

•How do people in wheelchairs have sex?

•Why do I get a killer headache when I suck down my milkshake too fast?

•Can I lose my contact lens inside my head forever?

•Why does asparagus make my pee smell?

•Why do old people grow hair on their ears?

•Is the old adage “beer before liquor, never sicker, liquor before beer. .” really true?

. . then Why Do Men Have Nipples? is the book for you.

Compiled by Billy Goldberg, an emergency medicine physician, and Mark Leyner, bestselling author and well-known satirist, Why Do Men Have Nipples? offers real factual and really funny answers to some of the big questions about the oddities of our bodies.

Leyner Mark, Goldberg Billy  
Why Socialists Don’t Believe in Fun

George Orwell’s payment book for 20 December 1943 records the sum of pounds 5.5.0 for a special article of 2,000 words for Tribune. This has never been traced in Tribune under Orwell’s name but it now seems certain that an essay, entitled “Can Socialists Be Happy?” by “John Freeman” is what is referred to. The name Freeman would have appealed to Orwell as a pseudonym, and the article has many social, political and literary links with Orwell, such as the relation of Lenin to Dickens (the fact that Lenin read A Christmas Carol on his deathbed also appears in the second paragraph of Orwell’s 1939 essay, “Charles Dickens”). A “real” John Freeman, later editor of the New Statesman, has confirmed that he did not write the article. The reason why Orwell chose to write as “John Freeman” he never used this pseudonym again is not clear. It may be that Tribune did not want its literary editor to be seen to be associated with its political pages. Possibly it was a device that allowed Orwell to be paid a special fee. Or it may be that he simply wished to see how far Tribune would let him go with his opinions. In any case, the article appeared in the Christmas issue and provoked much debate in the issues that followed. The “lost essay” is included in the Collected Works and printed here for the first time under Orwell’s name.

Orwell George  
обложка книги WikiLeaks. Разоблачения, изменившие мир WikiLeaks. Разоблачения, изменившие мир

В этой книге собраны все самые последние и сенсационные материалы с сайта WikiLeaks Джулиана Ассанжа. Автор, максимально воздерживаясь от субъективных оценок, сопоставляет официальные данные, представляемые в СМИ, и реальные события.

В книге представлены наиболее интересные и важные для российского читателя материалы сайта Викиликс, основанные на переписке Госдепартамента США с посольствами. Особенное внимание уделено наиболее острым проблемам современного мира и событиям, происходящим в отдельных странах, рассмотрены темы, связанные с Беларусью, отношениями Украины и Грузии и другими странами бывшего СССР. Также здесь представлен материал по США, ООН и НАТО, в том числе раскрыты отношения России и Североатлантического блока, России и Запада, затронуты события в Косово и Сербии, дан обзор информации из Викиликс по Ираку, Афганистану и ряду других государств.

Горбатюк Надежда  
обложка книги Wild Ducks Flying Backward Wild Ducks Flying Backward

Known for his meaty seriocomic novels — expansive works that are simultaneously lowbrow and highbrow — Tom Robbins has also published over the years a number of short pieces, predominantly nonfiction. His travel articles, essays, and tributes to actors, musicians, sex kittens, and thinkers have appeared in publications ranging from Esquire to Harper’s, from Playboy to the New York Times, High Times, and Life. A generous sampling, collected here for the first time and including works as diverse as scholarly art criticism and some decidedly untypical country-music lyrics, Wild Ducks Flying Backward offers a rare sweeping overview of the eclectic sensibility of an American original.

Whether he is rocking with the Doors, depoliticizing Picasso’s Guernica, lamenting the angst-ridden state of contemporary literature, or drooling over tomato sandwiches and a species of womanhood he calls “the genius waitress,” Robbins’s briefer writings often exhibit the same five traits that perhaps best characterize his novels: an imaginative wit, a cheerfully brash disregard for convention, a sweetly nasty eroticism, a mystical but keenly observant eye, and an irrepressible love of language.

Embedded in this primarily journalistic compilation are a couple of short stories, a sheaf of largely unpublished poems, and an off-beat assessment of our divided nation. And wherever we open Wild Ducks Flying Backward, we’re apt to encounter examples of the intently serious playfulness that percolates from the mind of a self-described “romantic Zen hedonist” and “stray dog in the banquet halls of culture.”

Robbins Tom  
Wojna futbolowa ściński Ryszard  
Woman Hating: A Radical Look at Sexuality Dworkin Andrea  
 

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