Книги жанра «Современная проза» на букву «A»

num: 0 1 2 3 4 5 6 7 8 9
en: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ru: А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я

 Название  Автор  Серия
обложка книги A A

A is a work of fiction in which Andre Alexis presents the compelling narrative of Alexander Baddeley, a Toronto book reviewer obsessed with the work of the elusive and mythical poet Avery Andrews. Baddeley is in awe with Andrews's ability as a poet — more than anything he wants to understand the inspiration behind his work — so much so that, following in the footsteps of countless pilgrims throughout literary history, Baddeley actually tracks Andrews down thinking that meeting his literary hero will provide some answers. Their meeting results in a meditation and a revelation about the creative act itself that generates more and more questions about what it means to be "inspired." Alexis further develops this narrative through a reflection in essay form presented as an annex that build layers of thought upon not only the original narrative, but provides Alexis's own motives (and perhaps, obsessions) behind writing A.

Alexis é  
обложка книги A Bad Character A Bad Character

A highly charged fiction debut about a young woman in India, and the love that both shatters and transforms her.

She is twenty, restless in New Delhi. Her mother has died; her father has left for Singapore.

He is a few years older, just back to India from New York.

When they meet in a café one afternoon, she — lonely, hungry for experience, yearning to break free of tradition — casts aside her fears and throws herself headlong into a love affair, one that takes her where she has never been before.

Told in a voice at once gritty and lyrical, mournful and frank, A Bad Character marks the arrival of an astonishingly gifted new writer. It is an unforgettable hymn to a dangerous, exhilarating city, and a portrait of desire and its consequences as timeless as it is universal.

Kapoor Deepti  
обложка книги A Bad End A Bad End

"The burlesque echoes the greatest Spanish classics, from Quevedo to Camilo José Cela." — M. García Posada, El País

A Bad End is the story of Goyito, a dwarf at the end of his life, who tells us, in a bitter and sarcastic way, the miserable reality of his lonely childhood, his macabre experiences as a circus clown, and his liaisons dangereuses in Madrid's underworld. Mischief, desire, death, ambition, revenge — the life of a rascal told in exuberant, exhilarating language. Winner of the Premio Ojo Crítico.

Fernando Royuela is a Spanish lawyer and fiction writer who lives in Madrid, Spain.

Royuela Fernando  
A Bend in the Road

Miles Ryan's life seemed to end the day his wife was killed in a hit-and-run accident two years ago. Missy had been his first love, and Miles fervently believes she will be his last. As a deputy sheriff in the North Carolina town of New Bern, he not only grieves for Missy, but longs to bring the unknown driver to justice.

Then Miles meets Sarah Andrew. The second-grade teacher of his son, Jonah, Sarah had left Baltimore after a difficult divorce to start over in the gentler surroundings of New Bern. Perhaps it is her own emotional wounds that make her sensitive to the hurt she sees first in Jonah's eyes, and then in his father's. Tentatively, Sarah and Miles reach out to each other. Soon they are both laughing for the first time in years.and falling in love.

Neither will be able to guess how closely linked they are to a shocking secret – one that will force them to question everything they ever believed in. and make a heartbreaking choice that will change their lives for ever.

In A Bend In The Road, Nicholas Sparks writes with a luminous intensity about life's bitter turns and incomparable sweetness. His affirming message carries a powerful lesson about the imperfections of being human, the mistakes we all make, and the joy that comes when we give ourselves to love.

Sparks Nicholas  
обложка книги A Better Angel A Better Angel

The stories in A Better Angel describe the terrain of human suffering — illness, regret, mourning, sympathy — in the most unusual of ways. In “Stab,” a bereaved twin starts a friendship with a homicidal fifth grader in the hope that she can somehow lead him back to his dead brother. In “Why Antichrist?” a boy tries to contact the spirit of his dead father and finds himself talking to the Devil instead. In the remarkable title story, a ne’er do well pediatrician returns home to take care of his dying father, all the while under the scrutiny of an easily-disappointed heavenly agent.

With Gob’s Grief and The Children’s Hospital, Chris Adrian announced himself as a writer of rare talent and originality. The stories in A Better Angel, some of which have appeared in The New Yorker, Tin House, and McSweeney’s, demonstrate more of his endless inventiveness and wit, and they confirm his growing reputation as a most exciting and unusual literary voice — of heartbreaking, magical, and darkly comic tales.

Adrian Chris  
обложка книги A Blind Man Can See How Much I Love You A Blind Man Can See How Much I Love You

Amy Bloom was nominated for a National Book Award for her first collection, Come to Me, and her fiction has appeared in "The New Yorker, Story, Antaeus, " and other magazines, and in The Best American Short Stories""and""Prize Stories: The O. Henry Awards." "In her new collection, she enhances her reputation as a true artist of the form.

Here are characters confronted with tragedy, perplexed by emotions, and challenged to endure whatever modern life may have in store. A loving mother accompanies her daughter in her journey to become a man, and discovers a new, hopeful love. A stepmother and stepson meet again after fifteen years and a devastating mistake, and rediscover their familial affection for each other. And in "The Story," a widow bent on seducing another woman's husband constructs and deconstructs her story until she has "made the best and happiest ending" possible "in this world."

Bloom Amy  
обложка книги A Book of Common Prayer A Book of Common Prayer

In this Conradian masterpiece of American innocence and evil set in the fictional Central American country of Boca Grande, two American women face the harsh realities, political and personal, of living on the edge in a land with an uncertain future. Writing with her signature telegraphic swiftness, the author creates a terrifying commentary on an age of conscienceless authority.

Didion Joan  
обложка книги A Book that Was Lost A Book that Was Lost

Nobel Laureate S.Y. Agnon is considered the towering figure of modern Hebrew literature. With this collection of stories, reissued in paperback and expanded to include additional Agnon classics, the English-speaking audience has, at long last, access to the rich and brilliantly multifaceted fictional world of one of the greatest writers of the last century. This broad selection of Agnon's fiction introduces the full sweep of the writer's panoramic vision as chonicler of the lost world of Eastern European Jewry and the emerging society of modern Israel. New Reader's Preface by Jonathan Rosen.

Agnon S Y  
обложка книги A Box of Matches A Box of Matches

Emmett has a wife and two children, a cat, and a duck, and he wants to know what life is about. Every day he gets up before dawn, makes a cup of coffee in the dark, lights a fire with one wooden match, and thinks.

What Emmett thinks about is the subject of this wise and closely observed novel, which covers vast distances while moving no farther than Emmett’s hearth and home. Nicholson Baker’s extraordinary ability to describe and celebrate life in all its rich ordinariness has never been so beautifully achieved.

Baker won the National Book Critics Circle Award for Double Fold: Libraries and the Assault on Paper. He now returns to fiction with this lovely book, reminiscent of the early novels—Room Temperature and The Mezzanine—that established his reputation.

Nicholson Baker  
обложка книги A Boy of Good Breeding A Boy of Good Breeding

From the acclaimed Giller Prize Finalist and Governor General’s Award Winner: a delightfully funny and charming second novel about Canada’s smallest town.

Life in Winnipeg didn’t go as planned for Knute and her daughter. But living back in Algren with her parents and working for the longtime mayor, Hosea Funk, has its own challenges: Knute finds herself mixed up with Hosea’s attempts to achieve his dream of meeting the Prime Minister — even if that

means keeping the town’s population at an even 1500. Bringing to life small-town Canada and all its larger-than-life characters, A Boy of Good Breeding is a big-hearted, hilarious novel about finding out where you belong.

Toews Miriam  
обложка книги A Brief History of Portable Literature A Brief History of Portable Literature

An author (a version of Vila-Matas himself) presents a short history of a secret society, the Shandies, who are obsessed with the concept of portable literature. The society is entirely imagined, but in this rollicking, intellectually playful book, its members include writers and artists like Marcel Duchamp, Aleister Crowley, Witold Gombrowicz, Federico Garcia Lorca, Man Ray, and Georgia O Keefe. The Shandies meet secretly in apartments, hotels, and cafes all over Europe to discuss what great literature really is: brief, not too serious, penetrating the depths of the mysterious. We witness the Shandies having adventures in stationary submarines, underground caverns, African backwaters, and the cultural capitals of Europe."

Vila-Matas Enrique  
обложка книги A Brief History of Seven Killings A Brief History of Seven Killings

On 3 December 1976, just weeks before the general election and two days before Bob Marley was to play the Smile Jamaica Concert to ease political tensions, seven gunmen from West Kingston stormed his house with machine guns blazing. Marley survived and went on to perform at the free concert, but the next day he left the country, and didn’t return for two years. Not a lot was recorded about the fate of the seven gunmen, but much has been said, whispered and sung about in the streets of West Kingston, with information surfacing at odd times, only to sink into rumour and misinformation.

Inspired by this near-mythic event, A Brief History of Seven Killings takes the form of an imagined oral biography, told by ghosts, witnesses, killers, members of parliament, drug dealers, conmen, beauty queens, FBI and CIA agents, reporters, journalists, and even Keith Richards' drug dealer. Marlon James’s bold undertaking traverses strange landscapes and shady characters, as motivations are examined — and questions asked — in this compelling novel of monumental scope and ambition.

James Marlon  
обложка книги A Case of Exploding Mangoes A Case of Exploding Mangoes

Intrigue and subterfuge combine with bad luck and good in this darkly comic debut about love, betrayal, tyranny, family, and a conspiracy trying its damnedest to happen.

Ali Shigri, Pakistan Air Force pilot and Silent Drill Commander of the Fury Squadron, is on a mission to avenge his father's suspicious death, which the government calls a suicide. Ali's target is none other than General Zia ul-Haq, dictator of Pakistan. Enlisting a rag-tag group of conspirators, including his cologne-bathed roommate, a hash-smoking American lieutenant, and a mango-besotted crow, Ali sets his elaborate plan in motion. There's only one problem: the line of would-be Zia assassins is longer than he could have possibly known.

Hanif Mohammed  
обложка книги Ça, c’est un baiser Ça, c’est un baiser

Ce roman réunit au début tous les clichés du polar. De nos jours, dans une grande ville plutôt glauque et violente, «malade de ses cracks boursiers, de ses délocalisations sauvages, des affrontements sociaux et ethniques qui la harcèlent, des guérilleras urbaines qui se multiplient?», un homme et une femme mènent une enquête autour du meurtre de Jennifer Brennen.

L'homme, Nathan (40 ans), est un flic ordinaire marié à Chris. Il est en pleine déprime. Sa femme vient de le quitter pour rejoindre la maison communautaire de Wolf (professeur d'économie politique à Berlin) et de ses amis, tous des militants anti-mondialistes très actifs, branchés sexe et bio. Wolf, homosexuel notoire, est donc l'amant de Chris. Cependant, Nathan installe chez lui Paula Consuelo-Acari (28 ans), un top-model très en vue qu'il s'abstient de «baiser» car sa libido le porte toujours vers sa femme Chris.

Marie-Jo, la coéquipière de Nathan, 32 ans, est une grosse fille aux yeux verts, qui se bourre d'amphétamines et qui pèse autour de 90 à 100 kilos. Elle partage son existence avec Franck, écrivain et professeur de «creative writing» à l'université. Au retour de ses longues courses à pied, Marie-Jo se laisse prendre violemment par Ramon, un petit mâle de vingt-cinq ans son voisin d'en dessous qui couche également avec Franck son mari. Nathan et Marie-Jo couchent aussi régulièrement ensemble au cours de l'enquête qu'ils poursuivent. A l'issue de leurs investigations, on comprend que la victime Jennifer Brennen, retrouvée étranglée, les dents fracassées, adhérait à la mouvance anti-mondialiste afin de se venger de son père, un redoutable homme d'affaire maffieux et criminel. Brennen le père sera d'ailleurs liquidé à la fin du roman par Nathan. Pour vivre, Jennifer déguisée en infirmière faisait la pute dans un hôpital. Elle a également joué dans quelques films pornos amateurs. Nathan et Marie-Jo sont sans cesse rattrapés par leurs problèmes psychologiques, sentimentaux, sexuels et professionnels. L'imbroglio est complet.

Après avoir investi le roman porno (Vers chez les blancs), Philippe Djian s'introduit cette fois dans l'univers du polar, ou plus exactement feint de s'y introduire. Dans les plis du récit, qui est plus qu'un pur exercice de style, il propose toutes sortes de digressions, de notations, de variantes comme la démonstration de sa liberté face à tous les genres. Il néglige les figures imposées au polar car l'enquête n'aboutira jamais. Certes le paysage est délétère et violent, les relations entre les êtres sont distendues, crapuleuses, perverses et sadiques et il n'y a donc ni fin, ni conclusion, ni morale.

Djian Philippe  
обложка книги A Chance to Get Even A Chance to Get Even

“A Chance to Get Even” is a story about a poker game. A friendly game-or at least that's how it starts out. I played in a friendly game for years, and still take a hand now and then, but the evenings I spent at the card table never turned out like this.

And that's probably just as well.

Block Lawrence  
обложка книги A Chancer A Chancer

Tammas is 20, a loner and a compulsive gambler. Unable to hold a job for long, his life revolves around Glasgow bars, living with his sister and brother-in-law, betting shops, and casinos. Sometimes Tammas wins, more often he loses. But gambling gives him as good a chance as any of discovering what he seeks from life since society offers no prospect of a more fulfilling alternative.

Kelman James  
обложка книги A Change of Skin A Change of Skin

Four people, each in search of some real value in life, drive from Mexico City to Veracruz for Semana Santa — Holy Week.

Fuentes Carlos  
A chi Italia? Березин Владимир Сергеевич  
A Clockwork Orange (UK Version)

In Anthony Burgess’s A Clockwork Orange, Burgess creates a gloomy future full of violence, rape and destruction. In this dystopian novel, Burgess does a fantastic job of constantly changing the readers’ allegiance toward the books narrator and main character, Alex. Writing in a foreign language, Burgess makes the reader feel like an outsider. As the novel begins, the reader has no emotional connection to Alex. This non-emotional state comes to a sudden halt when Alex and his droogs begin a series of merciless acts of violence. The reader rapidly begins to form what seems to be an irreversible hatred toward the books narrator. However, as time progresses, Burgess cleverly changes the tone of his novel. Once wishing only the harshest punishments be bestowed upon him, it is these same punishments that begin to change how the reader feels. In fact, by the end of the book, one almost begins to have pity for Alex. The same character that was once hated soon emerges as one of many victims taken throughout the course of the book. Throughout Alex’s narration, Burgess manages to change the readers’ allegiance toward a once seemingly evil character.

Alex is the type of character one loves to hate; he makes it all too easy to dislike him. He is a brutal, violent, teenage criminal with no place in society. His one and only role is to create chaos, which he does too well. Alex’s violent nature is first witnessed during the first chapter, and is soon seen again when Alex and his gang chose to brutally beat an innocent drunkard. This beating off the homeless man serves no purpose other then to amuse Alex’s gang. The acts committed were not performed for revenge, the one reason given was that Alex did not enjoy seeing a homeless drunk, “I could never stand to see a moodge all filthy and rolling and burping and drunk, whatever his age might be, but more especially when he was real starry like this one was”. Alex continues to explain his reason for dislike, “his platties were a disgrace, all creased and untidy and covered in cal”, from this explanation one realizes his reasons for nearly killing a man are simply based on pleasure, desire, and a dislike toward the untidy. By the end of the second chapter Burgess’s inventive usage of a different language to keep the reader alienated from forming opinions about Alex ceases to work. At this point in time Alex’s true nature is revealed, and not even his unfamiliar Nadsat language can save him from being strongly disliked by the reader.

The more the reader learns of Alex, the more and more he is disliked; Alex’s relationship with his parents only builds on ones already negative opinions toward Alex. Coming from a normal family and a sturdy household free of domestic violence, there is no excuse for Alex’s violent nature. In fact, Alex’s loving parents are just as baffled by his immoral personality as the reader, although because of their naivete, they know much less of what he does. This leaves the reader uninformed and wondering: why is Alex the way he is? Fortunately, just as one begins to question Alex’s motives, Alex gives an answer, “badness is of the self, the one…is not our modern history, my brothers the story of brave malenky selves fighting these big machines? I am serious with you, brothers, over this. But what I do I do because I like to do”. He could not have explained it more clearly. While from one point of view Alex visions himself as a revolutionary, even simpler then that, he is basically admitting he commits violent acts because he enjoys doing so. Later in the book Alex offers another solution for his violent nature, “Being young is like being one of these malenky machines…and so it would itty on to like the end of the world”. These malenky machines he is referring to are very similar to the clockwork orange Burgess talks to in his introduction. Whatever reasons he gives, none of them are valid enough to prevent the reader from hating Alex.

In spite of all the hatred aimed toward Alex at this point, seemingly it is not enough to prevent the pity one begins to feel when Alex is abandoned by his “droogs”. Knowing he is the leader of his group, Alex constantly gives orders to his gang. Unfortunately it is due to his tendency to need leadership that a quarrel begins with his gang. After settling the original dispute that arises, Alex and his “droogs” are not so successful at ending their second squabble. Framed by his friends, Alex is arrested while they run away. Furthermore, he is beaten by the police, and sentenced to fourteen years of jail. It only takes two of them for the reader to realize the difficulties that Alex is living through. Throughout the first part of the book, there is in fact only one sign that Alex is not utterly evil, that being his music. Along with his abandonment from friends, it is the music that Burgess uses to help change the readers opinion, and eventually to have pity toward his young antagonist.

As the reader continues to pry deeper into Alex’s life it is shocking to learn of the music he listens to, it is because of this music and the actions taken against him that one truly begins to feel sorry for Burgess’s little Alex. The music that Alex chooses to listen is very ironic. While it causes him to do evil things, the fact remains that he listens to normal music, one of the first things he is not disliked for, “lying there on my bed with glazzies tight shut and rookers behind my gulliver, I broke and spattered and cried aaaaaaah with the bliss of it". His particular interest in Ludwig Van arises during one of his sessions while undergoing Ludivico’s Technique. Upon hearing what he perceives to be heavenly music Alex cry’s out about the injustice in the procedure, “I don’t mind about the ultra-violence and all that cal. I can put up with that. But it’s not fair on the music”. It is during this same treatment that the reader really begins to feel sympathy toward him. Striped of his ability to choose right from wrong, and now the same clockwork orange that F. Alexander earlier told him about, Alex becomes one of the governments’ machines. Forced to do exactly what they want him to, become their “true Christian”, Alex poses the question to his doctors, “How about me? Where do I come into all this? Am I like just some animal or dog…am I to be just like a clockwork orange?” Alex is all alone in the world, no longer capable of performing cruel deeds, he is denied by all whom he once knew. The same character one used to wish the harshest punishment upon received it, and when he got it, it becomes strikingly evident that it was much more then even the worst person would ever deserve.

Burgess does a magical job at making the reader quickly forget the horrible deeds Alex once committed. Instead by making powerful moral statements, Burgess goes so far that the reader not only turns the other cheek toward Alex’s crimes, but also feels genuinely sorry for him. Alex may not be completely cured, but that is not the issue at hand. Through means of pity and by playing with the readers’ emotions throughout the book, during A Clockwork Orange, Burgess is constantly playing with the reader’s allegiances.

Burgess Anthony  
обложка книги A Clue to the Exit A Clue to the Exit

A beautifully modulated novel that shows Edward St. Aubyn at his sparkling best.

Charlie Fairburn, successful screenwriter, ex-husband, and absent father, has been given six months to live. He resolves to stake half his fortune on a couple of turns of the roulette wheel and, to his agent's disgust, to write a novel-about death. In the casino he meets his muse. Charlie grows as addicted to writing fiction as she is to gambling.

His novel is set on a train and involves a group of characters (familiar to readers of St. Aubyn's earlier work) who are locked in a debate about the nature of consciousness. As this train gets stuck at Didcot, and Charlie gets more passionately entangled with the dangerous Angelique, A Clue to the Exit comes to its startling climax. Exquisitely crafted, witty, and thoughtful, Edward St. Aubyn's dazzling novel probes the very heart of being.

Aubyn Edward St  

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Новинки! Свежие поступления книг жанра «Современная проза»

  •  Светлое будущее: вето на будущее
     Резниченко Ольга Александровна
     Детективы и Триллеры, Боевик, Триллер, Проза, Современная проза, Любовные романы, Современные любовные романы, Домоводство (Дом и семья), Эротика, Секс

    Тернистый путь поиска своего «я», путь ошибок, мытарств и сломанных грез. Дорога, ведущая прямиком из безоблачного детства… в «светлое будущее». Вот только… будет ли солнце улыбаться всем им там, за горизонтом взросления? Будет ли оно добрым, нежным… заботливым, радетельным? Али сожжет дотла… не щадя ни плоть, ни душу? Будет ли свет… в конце туннеля — выходом… из темени бед, или же станет прощальным блеском лобового фонаря, прожектора электрички, машинисту которой… уже поздно жать по тормозам?..

    Если пресная, вызывающая, жуткая, странная, мерзкая правда жизни, «отмороженная», чудаковатая романтика и разбитые мечты «маленьких людей» не пугают, то добро пожаловать.

    Масса нецензурной лексики, которую кое-где удалось стыдливо прикрыть***.

    ПРЕДУПРЕЖДЕНИЕ. События и герои - не мед: грубые, вульгарные, примитивные, сумасшедшие... временами глупые и безрассудные. Не чернуха, но и не сладкий сироп. А, так, студенты; бандиты; тема богатства, сумы и тюрьмы; изнасилование; убийство; месть и прощение; дружба и предательство; тема отношений в семье (братья и сестры, родители-дети); поиск своего места под солнцем, счастья, любви и предназначения; тема наивных грёз и убитых надежд; тема невезения и зависти; несчастная любовь; губительное влияние предвзятости, стереотипов, скоропалительных выводов, узкого мышления (в плену собственных разочарований и бед); тема страха и безрассудной храбрости; тема желаний, поступков и их последствий и прочее...

  •  Софринский тарантас
     Брежнев Александр Петрович
     Проза, Современная проза

    Нравственной болью, переживанием и состраданием за судьбу русского человека полны повести и рассказы подмосковного писателя Александра Брежнева. Для творчества молодого автора характерен своеобразный стиль, стремление по-новому взглянуть на устоявшиеся, обыденные вещи. Его проза привлекает глубокой человечностью и любовью к родной земле и отчему дому. В таких повестях и рассказах, как «Психушка», «Монах Никита», «Ванька Безногий», «Лужок родной земли», он восстает против косности, мещанства и механической размеренности жизни.

    Автор — врач по профессии, поэтому досконально знает проблемы медицины и в своей остросюжетной повести «Сердечная недостаточность» подвергает осуждению грубость и жестокость некоторых медиков — противопоставляя им чуткость, милосердие и сопереживание страждущему больному.

  •  история одного безумия
     Трещев Юрий
     Проза, Современная проза

    Уважаемые читатели, искренне надеемся, что книга «История одного безумия» Юрий Александровича Трещева окажется не похожей ни на одну из уже прочитанных Вами в данном жанре. По мере приближения к апофеозу невольно замирает дух и в последствии чувствуется желание к последующему многократному чтению. Замечательно то, что параллельно с сюжетом встречаются ноты сатиры, которые сгущают изображение порой даже до нелепости, и доводят образ до крайности. Удивительно, что автор не делает никаких выводов, он радуется и огорчается, веселится и грустит, загорается и остывает вместе со своими героями. Удачно выбранное время событий помогло автору углубиться в проблематику и поднять ряд жизненно важных вопросов над которыми стоит задуматься. Автор искусно наполняет текст деталями, используя в том числе описание быта, но благодаря отсутствию тяжеловесных описаний произведение читается на одном выдохе. Все образы и элементы столь филигранно вписаны в сюжет, что до последней страницы «видишь» происходящее своими глазами. Через виденье главного героя окружающий мир в воображении читающего вырисовывается ярко, красочно и невероятно красиво. В романе успешно осуществлена попытка связать события внешние с событиями внутренними, которые происходят внутри героев. Это настоящее явление в литературе, которое не любишь, а восхищаешься всем естеством, оно не нравится, а приводит в неописуемый восторг. Кто способен читать между строк, может уловить, что важное в своем непосредственном проявлении становится собственной противоположностью. «Историю одного безумия» Юрий Александрович Трещев читать можно с восхищением, можно с негодованием, но невозможно с равнодушием.

  •  Мольфар
     Чумарна Марія
     Проза, Современная проза

    «Мольфар» — це книжка, яка крізь призму сучасного життя кидає погляд читача в потаємні глибини людської душі. Любов і свобода вибору, сила думки і слова, потаємне і явне в людській долі — ці глибинні проблеми автор розкриває легко, ненав’язливо, акцентуючи на вагомості простих і звичайних цінностей життя.

  •  В году тринадцать месяцев
     Пашнев Эдуард Иванович
     Проза, Современная проза

    «…Надо было теперь на что-то решиться. Или торчать перед окнами, пока Рыба заметит и подумает: кто там стоит? Или взбежать одним духом по лестнице и позвонить. Алена двинулась вдоль дома, остановившись, посмотрела сквозь тонкие голые ветви деревьев, отыскивая на третьем этаже окно с кормушкой. Лист со стихами спрятала в сумку: куда его девать? Вспомнила недавно прочитанное у Евтушенко: «Стихотворение надел я на ветку». В следующее мгновенье Алена уже насаживала свой лист со стихами на ветку напротив окна с кормушкой. Отбежав к воротам, оглянулась. «Я подражаю Евтушенко. Только я подражаю не стихам, а поступкам». Ветер трепал лист со стихами, Алена постояла, убедилась, что не улетит, осталась довольна своим поступком, деревом. Подумала: «Хорошо Евтушенко написал». Она сама так написала бы: «Люди идут, глядят с удивлением, дерево машет стихотворением»…»

  •  Снег на Рождество
     Брежнев Александр Петрович
     Проза, Современная проза

    В своих повестях и рассказах Александр Брежнев исследует внутренний мир русского человека. Глубокая душевность авторской позиции, наряду со своеобразным стилем, позволяет по-новому взглянуть на устоявшиеся обыденные вещи. Его проза полна национальной гордости и любви к простому народу. Незаурядные, полные оптимизма герои повестей «Снег на Рождество», «Вызов», «Встречи на «Скорой», в какой бы они нелегкой и трагичной ситуации ни находились, призывают всегда сохранять идеалы любви и добра, дружбы и милосердия. Все они борются за нравственный свет, озаряющий путь к самоочищению, к преодолению пороков и соблазнов, злобы и жестокости, лести и корыстолюбия. В душевных переживаниях и совестливости за все живое автор видит путь к спасению человека как личности.

    Александр Брежнев — лауреат Всесоюзной премии им. А. М. Горького.

Новинки месяца жанра «Современная проза»

  •  Последний Тёмный
     Сотер Таис
     Проза, Современная проза

    Не слишком тёмный маг пытается спастись от не слишком святой инквизиции, попутно отмахиваясь от заботы любящих родственников.

    Лукрецию Горгенштейну не повезло родиться с даром к тёмной магии, и это могло стать для него приговором. Ведь Тёмных магов веками изничтожали, опасаясь их странной и опасной силы. И вот он — последний в мире Тёмный маг. Враг, добыча. И очень ценный союзник. Его будут пытаться убить или переманить на свою сторону — но никогда не оставят в покое.

  •  Мама мыла раму
     Кабыш Инна Александровна
     Проза, Современная проза, Поэзия, Драматургия, Поэзия

    Инна Кабыш родилась и выросла в Москве. Окончила педагогический институт, преподает в школе русскую литературу. Ее стихи публиковались в журналах «Юность», «Новый мир», «Дружба народов», «Знамя» и др. Автор книг «Личные трудности», «Детский мир», «Место встречи», «Детство-отрочество-детство», «Невеста без места».

    Лауреат Пушкинской премии (1996), присуждаемой фондом Альфреда Тёпфера (Гамбург), и премии имени Дельвига (2005).

  •  Пастухи призраков (СИ)
     Ламичева Юлия
     Фантастика, Фэнтези, Проза, Современная проза, Мистика

    Все мы получаем от предков наследство. Ну там дачу, способности к музыке, форму носа или отвратительный характер двоюродного дяди, склонного вешаться в сарае, а потом гоняться с топором за всеми желающими. Лене досталось от предков по полной. С топором она, правда, ни за кем не гоняется, да ей и не надо — можно же просто «попросить» человека убиться головой об трамвай, и тот непременно послушается. Такое вот у Лены наследство. Зато за самой Леной по ночам гоняется волк. Может, просто фобия, или прапрабабушка любила бродить по лесам в красной шапочке. Эта прапрабабушка, она вообще со странностями была старушка…

  •  Хозяин платит плохо
     Фенольо Беппе
     Проза, Современная проза

    Рассказ из сборника «Итальянская новелла XX века» — продолжение вышедшего в 1960 году сборника «Итальянская новелла, 1860–1914».

  •  Моя сто девяностая школа
     Поляков Владимир Соломонович
     Проза, Современная проза, Советская классическая проза, Юмор, Юмористическая проза, Юмор

    Владимир Поляков — известный автор сатирических комедий, комедийных фильмов и пьес для театров, автор многих спектаклей Театра миниатюр под руководством Аркадия Райкина. Им написано множество юмористических и сатирических рассказов и фельетонов, вышедших в его книгах «День открытых сердец», «Я иду на свидание», «Семь этажей без лифта» и др. Для его рассказов характерно сочетание юмора, сатиры и лирики.

    Новая книга «Моя сто девяностая школа» не совсем обычна для Полякова: в ней лирико-юмористические рассказы переплетаются с воспоминаниями детства, героями рассказов являются его товарищи по школьной скамье, а местом действия — сто девяностая школа, ныне сорок седьмая школа Ленинграда.

    Книга изобилует веселыми ситуациями, достоверными приметами быстротекущего, изменчивого времени. Ее страницы окрашены то мягким юмором, то светлой грустью, то болью за рано ушедших из жизни друзей.

 Жанры книг

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