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обложка книги The Book of Other People The Book of Other People

An anthology of stories edited by Zadie Smith

A stellar host of writers explore the cornerstone of fiction writing: character

The Book of Other People is about character. Twenty-five or so outstanding writers have been asked by Zadie Smith to make up a fictional character. By any measure, creating character is at the heart of the fictional enterprise, and this book concentrates on writers who share a talent for making something recognizably human out of words (and, in the case of the graphic novelists, pictures). But the purpose of the book is variety: straight "realism"-if such a thing exists-is not the point. There are as many ways to create character as there are writers, and this anthology features a rich assortment of exceptional examples.

The writers featured in The Book of Other People include:

Aleksandar Hemon

Nick Hornby

Hari Kunzru

Toby Litt

David Mitchell

George Saunders

Colm Tóibín

Chris Ware, and more.

Mitchell David, Clowes Daniel, Kennedy A L, Packer ZZ, ’Hagan Andrew, Smith Zadie, Hornby Nick, Danticat Edwidge, Hemon Aleksandar, Ware Chris, Kunzru Hari, Litt Toby, Thirlwell Adam, Julavits Heidi, Saunders George, Foer Safran, Vida Vendela, July Miranda, Homes A M, Eggers Dave, Lethem Jonathan, óibín Colm, Greer Sean  
обложка книги The Secret Scripture The Secret Scripture

A gorgeous new novel from the author of the Man Booker finalist A Long Long Way

As a young woman, Roseanne McNulty was one of the most beautiful and beguiling girls in County Sligo, Ireland. Now, as her hundredth year draws near, she is a patient at Roscommon Regional Mental Hospital, and she decides to record the events of her life.

As Roseanne revisits her past, hiding the manuscript beneath the floorboards in her bedroom, she learns that Roscommon Hospital will be closed in a few months and that her caregiver, Dr. Grene, has been asked to evaluate the patients and decide if they can return to society. Roseanne is of particular interest to Dr. Grene, and as he researches her case he discovers a document written by a local priest that tells a very different story of Roseanne's life than what she recalls. As doctor and patient attempt to understand each other, they begin to uncover long-buried secrets about themselves.

Set against an Ireland besieged by conflict, The Secret Scripture is an epic story of love, betrayal, and unavoidable tragedy, and a vivid reminder of the stranglehold that the Catholic Church had on individual lives for much of the twentieth century.

Barry Sebastian  
обложка книги Too Much Happiness Too Much Happiness

Amazon Best Books of the Month, November 2009: "She hated to hear the word 'escape' used about fiction. She might have argued, not just playfully, that it was real life that was the escape. But this was too important to argue about." Taken from a story called "Free Radicals," this line may be the best way to think about the lives unfolding in Alice Munro's Too Much Happiness. Real life assaults her central characters rather brutally-in the forms of murder and madness, death, divorce, and all manner of deceptions-but they respond with a poise and clarity of thought that's disarming-sometimes, even nonchalant-when you consider their circumstances. Her women move through life, wearing their scars but not so much wearied by them, profoundly intelligent, but also inordinately tender and thoughtful. There's more fact than fiction to these stories, rich in quiet, precise details that make for a beautiful, bewildering read.

Munro Alice  
обложка книги The Gathering The Gathering

The Man Booker Prize

Orange Prize for Fiction (nominee)

***

The nine surviving children of the Hegarty clan gather in Dublin for the wake of their wayward brother Liam. It wasn't the drink that killed him – although that certainly helped – it was what happened to him as a boy in his grandmother's house, in the winter of 1968. His sister, Veronica was there then, as she is now: keeping the dead man company, just for another little while. The "Gathering" is a family epic, condensed and clarified through the remarkable lens of Anne Enright's unblinking eye. It is also a sexual history: tracing the line of hurt and redemption through three generations – starting with the grandmother, Ada Merriman – showing how memories warp and family secrets fester. This is a novel about love and disappointment, about thwarted lust and limitless desire, and how our fate is written in the body, not in the stars. The "Gathering" sends fresh blood through the Irish literary tradition, combining the lyricism of the old with the shock of the new. As in all Anne Enright's work, fiction and non-fiction, this is a book of daring, wit and insight: her distinctive intelligence twisting the world a fraction, and giving it back to us in a new and unforgettable light.

Enright Anne  
обложка книги The Gift of Numbers aka The Housekeeper and the Professor The Gift of Numbers aka The Housekeeper and the Professor

"Highly original. Infinitely charming. And ever so touching." – Paul Auster

A publishing phenomenon in Japan and a heartwarming story that will change the way we all see math, baseball, memory, and each other She is a housekeeper by trade, a single mom by choice, shy, brilliant, and starting a new tour of duty in the home of an aging professor. He is the professor, a mathematical genius, capable of limitless kindness and intuitive affection, but the victim of a mysterious accident that has rendered him unable to remember anything for longer than eighty minutes. Root, the housekeepers ten-year-old son, combines his mothers sympathy with a sensitive curiosity all his own. Over the course of a few months in 1992, these three develop a profoundly affecting friendship, based on a shared love of mathematics and baseball, that will change each of their lives permanently. Chosen as the most popular book in Japan by readers and booksellers alike, The Gift of Numbers is Yoko Ogawas first novel to be published in English, and in the U.S.

Ogawa ôko  
Tyrannosaurus Rex

Тервиллиджер — режиссер нового фильма о динозаврах — пытается создать подходящий образ Tyrannosaurus Rex, который угодил бы продюсеру. В итоге в чертах динозавра появляется все больше от лица продюсера. Что из этого вышло — читайте.

Брэдбери Рэй  
The Sirens of Titan Vonnegut Jr Kurt  
The Bonesetter's Daughter

In memories that rise like wisps of ghosts, LuLing Young searches for the name of her mother, the daughter of the Famous Bonesetter from the Mouth of the Mountain. Trying to hold on to the evaporating past, she begins to write all that she can remember of her life as a girl in China. Meanwhile, her daughter Ruth, a ghostwriter for authors of self-help books, is losing the ability to speak up for herself in front of the man she lives with and his two teen-aged daughters. None of her professional sound bites and pat homilies work for her personal life; she knows only how to translate what others want to say.

Ruth starts suspecting that something is terribly wrong with her mother. As a child, Ruth had been constantly subjected to her mother's disturbing notions about curses and ghosts, and to her repeated threats that she would kill herself, and was even forced by her to try to communicate with ghosts. But now LuLing seems less argumentative, even happy, far from her usual disagreeable and dissatisfied self.

While tending to her ailing mother, Ruth discovers the pages LuLing wrote in Chinese, the story of her tumuluous and star-crossed life, and is transported to a backwoods village known as Immortal Heart. There she learns of secrets passed along by a mute nursemaid, Precious Auntie; of a cave where "dragon bones" are mined, some of which may be the teeth of Peking Man; of the crumbling ravine known as the End of the World, where Precious Auntie's scattered bones lie, and of the curse LuLing believes she released through betrayal. Like layers of sediment being removed, each page reveals secrets of a larger mystery: What became of Peking Man? What was the name of the Bonesetter's Daughter? And who was Precious Auntie, whose suicide changed the path of LuLing's life? Within LuLing's calligraphed pages awaits the truth about a mother's heart, what she cannot tell her daughter yet hopes she will never forget.

Set in contemporary San Francisco and in the Chinese village where Peking Man is being unearthed, The Bonesetter's Daughter is an excavation of the human spirit: the past, its deepest wounds, its most profound hopes. The story conjures the pain of broken dreams, the power of myths, and the strength of love that enables us to recover in memory what we have lost in grief. Over the course of one fog-shrouded year, between one season of falling stars and the next, mother and daughter find what they share in their bones through heredity, history, and inexpressible qualities of love.

Tan Amy  
The English Lover (K: The Art Of Love) (chinese)

Set in 1930s China, this is a true but tragic tale of romance, sexual desire, and untimely death. Beautiful, intelligent, and schooled in the Daoist arts of love, Lin is married to a provincial university professor. Julian Bell, son of Vanessa Bell, and darling of the Bloomsbury set, has arrived in China, hungry for experience. Their mutual attraction leads to a passionate phy-sical and spiritual sojourn in Beijing. Unable to realize their love in a society divided by cultural conflict and the threat of war, they eventually part: Julian to fight for the Loyalists in Spain and Lin to contemplate suicide in her husband's house.

他的脸触到她的面颊,好烫,她的嘴唇很红。他轻轻吻她的脸,脖颈,寻找她的嘴唇,他的一只手从她的腰摸到她的肩,移到前面薄薄的旗袍覆盖着的乳房,她无法遮掩的坚挺起来的乳头,马上使他冲动起来。他们被激情燃烧得透不过气来…

虹影的《英国情人》属于苏童一路,她把人物的心性刻划得相当充分,她的叙述不断地对人物的感觉体验和内心活动进行辩析,但又不繁琐,始终保持一种明晰和流畅。从这一意义来说,虹影的小说叙述功夫已经相当到位,没有什么理由不认为她是一个称职而出色的小说家。

Ying Hong  
The Secret History

'The Secret History tells the story of a group of classics students at an elite American college, who are cerebral, obsessive and finally murderous… it is a haunting, compelling and brilliant piece of fiction' The Times Tartt's erudition sprinkles the text like sequins, but she's such an adept writer that she's able to make the occasional swerve into Greek legends and semantics seem absolutely crucial to the examination of contemporary society which this book undoubtedly and seriously is, for all the fun it provides on the way… Brilliant' Sunday Times 'A highly readable murder mystery; a romantic dream of doomed youth and a disquisition on ancient and modern mores… Tartt shows an impressive ability to pace and pattern her novel' Independent 'A huge, mesmerizing, galloping read, pleasurably devoured… gorgeously written, relentlessly erudite' Vanity Fair The skill with which Tartt manipulates our sympathies and anticipations is… remarkable… A marvellous debut' Spectator 'Implicates the reader in a conspiracy which begins in bucolic enchantment and ends exactly where it must… a mesmerizing and powerful novel' Jay Mclnerney 'A compelling read… this very young novelist has the arrogant boldness to tell us that it is in abstract, arcane scholarship and mandarin addictions that utter violence can flourish' George Steiner, The Times Literary Supplement 'Mesmerizing and perverse' Elaine Showalter, The Times Literary Supplement 'Brilliant… a study of young arrogance, a thriller, a comedy of campus manners, and an oblique Greek primer. It is a well written and compulsive read' Evening Standard

Tartt Donna  
The Joy Luck Club

The Joy Luck Club, published by G. P. Putnam's Sons in 1989, presents the stories of four Chinese-immigrant women and their American-born daughters. Each of the four Chinese women has her own view of the world based on her experiences in China and wants to share that vision with her daughter. The daughters try to understand and appreciate their mothers' pasts, adapt to the American way of life, and win their mothers' acceptance. The book's name comes from the club formed in China by one of the mothers, Suyuan Woo, in order to lift her friends' spirits and distract them from their problems during the Japanese invasion. Suyuan continued the club when she came to the United States -hoping to bring luck to her family and friends and finding joy in that hope.

Amy Tan wrote The Joy Luck Club to try to understand her own relationship with her mother. Tan's Chinese parents wanted Americanized children but expected them to think like Chinese. Tan found this particularly difficult as an adolescent. While the generational differences were like those experienced by other mothers and daughters, the cultural distinctions added another dimension. Thus, Tan wrote not only to sort out her cultural heritage but to learn how she and her mother could get along better.

Critics appreciate Tan's straightforward manner as well as the skill with which she talks about Chinese culture and mother/daughter relationships. Readers also love The Joy Luck Club: women of all ages identify with Tan's characters and their conflicts with their families, while men have an opportunity through this novel to better understand their own behaviors towards women. Any reader can appreciate Tan's humor, fairness, and objectivity.

Tan Amy  
The White Tiger

The Man Booker Prize 2008 Winner.

Born in a village in heartland India, the son of a rickshaw puller, Balram is taken out of school by his family and put to work in a teashop. As he crushes coals and wipes tables, he nurses a dream of escape – of breaking away from the banks of Mother Ganga, into whose depths have seeped the remains of a hundred generations.

The White Tiger is a tale of two Indias. Balram’s journey from darkness of village life to the light of entrepreneurial success is utterly amoral, brilliantly irreverent, deeply endearing and altogether unforgettable.

***

From Publishers Weekly

Starred Review. A brutal view of India 's class struggles is cunningly presented in Adiga's debut about a racist, homicidal chauffer. Balram Halwai is from the Darkness, born where India 's downtrodden and unlucky are destined to rot. Balram manages to escape his village and move to Delhi after being hired as a driver for a rich landlord. Telling his story in retrospect, the novel is a piecemeal correspondence from Balram to the premier of China, who is expected to visit India and whom Balram believes could learn a lesson or two about India 's entrepreneurial underbelly. Adiga's existential and crude prose animates the battle between India 's wealthy and poor as Balram suffers degrading treatment at the hands of his employers (or, more appropriately, masters). His personal fortunes and luck improve dramatically after he kills his boss and decamps for Bangalore. Balram is a clever and resourceful narrator with a witty and sarcastic edge that endears him to readers, even as he rails about corruption, allows himself to be defiled by his bosses, spews coarse invective and eventually profits from moral ambiguity and outright criminality. It's the perfect antidote to lyrical India.

***

From The New Yorker

In this darkly comic début novel set in India, Balram, a chauffeur, murders his employer, justifying his crime as the act of a "social entrepreneur." In a series of letters to the Premier of China, in anticipation of the leader’s upcoming visit to Balram’s homeland, the chauffeur recounts his transformation from an honest, hardworking boy growing up in "the Darkness"-those areas of rural India where education and electricity are equally scarce, and where villagers banter about local elections "like eunuchs discussing the Kama Sutra"-to a determined killer. He places the blame for his rage squarely on the avarice of the Indian élite, among whom bribes are commonplace, and who perpetuate a system in which many are sacrificed to the whims of a few. Adiga’s message isn’t subtle or novel, but Balram’s appealingly sardonic voice and acute observations of the social order are both winning and unsettling.

Adiga Aravind  
обложка книги The Best of Me The Best of Me Sparks Nicholas  
обложка книги The Accidental Tourist The Accidental Tourist

Meet Macon Leary—a travel writer who hates both travel and strangeness. Grounded by loneliness, comfort, and a somewhat odd domestic life, Macon is about to embark on a surprising new adventure, arriving in the form of a fuzzy-haired dog obedience trainer who promises to turn his life around.

Tyler Anne  
обложка книги The Three Weissmanns of Westport The Three Weissmanns of Westport

Jane Austen's beloved Sense and Sensibility has moved to Westport, Connecticut, in this enchanting modern-day homage to the classic nove

When Joseph Weissmann divorced his wife, he was seventy eight years old and she was seventy-five… He said the words 'Irreconcilable differences,' and saw real confusion in his wife's eyes.

'Irreconcilable differences?' she said. 'Of course there are irreconcilable differences. What on earth does that have to do with divorce?'

Thus begins The Three Weissmanns of Westport, a sparkling contemporary adaptation of Sense and Sensibility from the always winning Cathleen Schine, who has already been crowned 'a modern-day Jewish Jane Austen' by People's Leah Rozen.

In Schine's story, sisters Miranda, an impulsive but successful literary agent, and Annie, a pragmatic library director, quite unexpectedly find themselves the middle-aged products of a broken home. Dumped by her husband of nearly fifty years and then exiled from their elegant New York apartment by his mistress, Betty is forced to move to a small, run-down Westport, Connecticut, beach cottage. Joining her are Miranda and Annie, who dutifully comes along to keep an eye on her capricious mother and sister. As the sisters mingle with the suburban aristocracy, love starts to blossom for both of them, and they find themselves struggling with the dueling demands of reason and romance.

Schine Cathleen  
обложка книги The Stupidest Angel: A Heartwarming Tale of Christmas Terror The Stupidest Angel: A Heartwarming Tale of Christmas Terror

Christmas crept into Pine Cove like a creeping Christmas thing: dragging garland, ribbon, and sleigh bells, oozing eggnog, reeking of pine, and threatening festive doom like a cold sore under the mistletoe.

'Twas the night (okay, more like the week) before Christmas, and all through the tiny community of Pine Cove, California, people are busy buying, wrapping, packing, and generally getting into the holiday spirit. It is the hap-hap-happiest time of the year, after all.

But not everybody is feeling the joy. Little Joshua Barker is in desperate need of a holiday miracle. No, he's not on his deathbed; no, his dog hasn't run away from home. But Josh is sure that he saw Santa take a shovel to the head, and now the seven-year-old has only one prayer: Please, Santa, come back from the dead.

But hold on! There's an angel waiting in the wings. (Wings, get it?) It's none other than the Archangel Raziel come to Earth seeking a small child with a wish that needs granting. Unfortunately, our angel's not sporting the brightest halo in the bunch, and before you can say "Kris Kringle," he's botched his sacred mission and sent the residents of Pine Cove headlong into Christmas chaos, culminating in the most hilarious and horrifying holiday party the town has ever seen.

Only Christopher Moore, the man who brought you the outrageous lost gospel Lamb and the hysterical fish tale Fluke could have devised a new holiday classic that tugs at the heartstrings and serves up a healthy slice of fruitcake to boot.

Move over, Charles Dickens — it's Christopher Moore time.

Moore Christopher  
обложка книги The Lust Lizard of Melancholy Cove The Lust Lizard of Melancholy Cove

Autumn in the sleepy California town of Pine Cove is turned upside down by the arrival of a Mississippi Delta blues musician, a huge sea serpent drawn to the sound of the steel guitar, the explosion of a tanker truck at a gas station, and a mysterious trailer that shows up in the local trailer park.

Moore Christopher Pine Cove  
обложка книги This Lullaby This Lullaby

"I had no illusions about love… It came, it went, it left casualties or it didn't. People weren't meant to be together forever, regardless of what the songs say." Remy doesn't believe in love. And why should she? Her romance novelist mother is working on her fifth marriage, and her father, a '70s hippie singer, left her with only a one-hit wonder song to remember him by. Every time Remy hears "This Lullaby," it feels like "a bruise that never quite healed right." "Wherever you may go / I will let you down / But this lullaby plays on…" Never without a boyfriend, Remy is a compulsive dater, but before a guy can go all "Ken" on her (as in "ultra boyfriend behavior") she cuts him off, without ever getting close or getting hurt. That's why she's stunned when klutzy, quirky, alterna-band boy Dexter inserts himself into her life and refuses to leave. Remy's been accepted to Stanford, and she plans on having her usual summer fling before tying up the loose ends of her pre-college life and heading for the coast. Except Dexter's not following Remy's tried-and-true rules of break-up protocol. And for the first time, Remy's questioning whether or not she wants him to.

Author Sarah Dessen's ability to write novels that are both crowd pleasers and literary masterpieces of YA fiction is showcased beautifully in This Lullaby. Subtle yet completely absorbing, Lullaby is peopled with breathtakingly believable, three-dimensional characters, the very best of which is the bitter, broken Remy herself. An original love story about learning to love yourself first.

***

This modern-day romance narrated by a cynical heroine offers a balance of wickedly funny moments and universal teen traumas. High school graduate Remy has some biting commentary about love, including her romance-writer mother's betrothal to a car dealer ("He put one hand on my shoulder, Dad-style, and I tried not to remember all the stepfathers before him that had done the same thing… They all thought they were permanent, too") and her brother's infatuation with self-improvement guru Jennifer Anne. But when rocker Dexter "crashes" into her life, her resolve to remain unattached starts to crack. Readers will need to hold on to their hats as they accompany Remy on her whirlwind ride, avoiding, circling and finally surrendering to Cupid's arrows. Almost as memorable as her summer romance with a heartwarmingly flawed suitor is the cast of idiosyncratic characters who watch from the sidelines. There's the trio of Remy's faithful girlfriends, all addicted to "Xtra Large Zip" Diet Cokes practical-minded Jess, weepy Lissa, and Chloe, who shares Remy's dark sense of humor as well as Dexter's entourage of fellow band members, as incompetent at managing money as they are at keeping their rental house clean. Those expecting a Cinderella finale for Remy will find a twist consistent with the plot's development. Contrary to any such implication in the title, this one will keep teens up reading. Ages 12-up.

Dessen Sarah  
обложка книги The Lost Dogs: Michael Vick's Dogs and Their Tale of Rescue and Redemption The Lost Dogs: Michael Vick's Dogs and Their Tale of Rescue and Redemption

Expanding on his Sports Illustrated cover story, Gorant (Fanatic) offers a chilling investigation into Michael Vick' s dog-fighting operation and the men and women who brought him to justice and rehabilitated the rescued dogs. Gorant outlines the rise of Bad Newz Kennels, describing in sometimes painful detail the abuse, torture, and execution of the animals-particularly disturbing is an episode in which Vick and a friend swing a failed fighting dog over their heads like a jump rope and kill it by repeatedly slamming it into the ground-and tracing the rescue of dozens of pit bulls seized from Vick' s property. Gorant outlines the efforts to save these animals from euthanasia, challenging the negative public perceptions of pit bulls and reporting back on the status of dogs like Sox (now a certified therapy dog), Zippy (adopted by a family of five), and Iggy (still shy but growing comfortable with his adopted circle of friends). At a time when Vick has returned to professional football and much of the public outcry about Bad Newz Kennels has been forgotten, this book provides a stark reminder about the horror and prevalence of dog fighting.

Gorant Jim  
обложка книги The DUFF: Designated Ugly Fat Friend The DUFF: Designated Ugly Fat Friend

Seventeen-year-old Bianca Piper is cynical and loyal, and she doesn't think she's the prettiest of her friends by a long shot. She's also way too smart to fall for the charms of man-slut and slimy school hottie Wesley Rush. In fact, Bianca hates him. And when he nicknames her "Duffy," she throws her Coke in his face.

But things aren't so great at home right now. Desperate for a distraction, Bianca ends up kissing Wesley. And likes it. Eager for escape, she throws herself into a closeted enemies-with-benefits relationship with Wesley.

Until it all goes horribly awry. It turns out that Wesley isn't such a bad listener, and his life is pretty screwed up, too. Suddenly Bianca realizes with absolute horror that she's falling for the guy she thought she hated more than anyone.

Keplinger Kody  
обложка книги The Slynx The Slynx

Tatyana Tolstaya's powerful voice is one of the best in contemporary Russian literature. She wrote many a commentary on modern-day Russia for the New York Review of Books before moving back to Moscow to complete her first novel, The Slynx. Tolstaya is a descendant of the great Leo Tolstoy but that might be beside the point.

The Slynx is a brilliantly imaginative satire set in a hypothetical Moscow two hundred years after an event termed "the Blast." The Blast has forever altered the landscape of Moscow. People now live with mutations, called Consequences. Some have cockscombs growing everywhere, some have three legs and then there are the Degenerators who are humans in doglike bodies. Some "Oldeners" still linger on. Their only Consequence is that they remain unchanged and seemingly live forever. They remember life before the Blast and moan the primitive cultural mores of the society they live in, where only the wheel has been invented thus far and the yoke is just catching on. This feudal landscape is ruled by Fyodor Kuzmich, Glorybe, a tyrant who rules with an iron hand. Kuzmich passes off all Russian literature as his own works and issues decrees at the drop of a hat to keep the public ignorant and docile.

The primary protagonist of The Slynx is a young scribe, Benedikt. His job is to copy all of Kuzmich's "works" on to bark, for use by the public. Benedikt marries a coworker, Olenka, and discovers the wonder of books through his father-in-law, Kudeyar Kudeyarich. His father-in-law, however, harbors nefarious plans to oust the current regime. Benedikt's love of books soon turns ugly and Kudeyarich channels this force to implement his own evil designs.

The Slynx is translated fluidly by Jamey Gambrell. One wonders how she worked in intelligent phrases such as: "You feel sorry for someone. Must be feelosophy." Tolstaya's descriptions of the futuristic backdrop where people eat and trade mice as currency are bizarre yet not hugely so. Sometimes she seems to be so in love with her own creation that the storyline tends to wander. But she does not stray too far and her prose dripping with rich imagery more than makes up for it.

Tolstaya's futuristic Russia might not be very different from the one she often complains about. "Why is it that everything keeps mutating, everything?" laments an Oldener, "People, well all right, but the language, concepts, meaning! Huh? Russia! Everything gets twisted up in knots." The perils of a society in which "Freethinking" is a crime and where an indifferent populace can be "evil" are ably brought out by the gifted Tolstaya. "There is no worse enemy than indifference," she warns, "all evil in fact comes from the silent acquiescence of the indifferent." The scary "Slynx," in the novel, is a metaphor for all the evil that is waiting to rear its ugly head on a sleeping people.

The Slynx's descriptions of a tyrannical society might be too simplistic to apply to Russia. Its reception in the country has been mixed. The newspaper Vechernaya Moskva commented: "After all that we have read and thought over about Russia during the last fifteen years, this repetition of old school lessons is really confusing. There is a surfeit of caricatures of the intellegentsia, of anti-utopias depicting the degradation and decay of the national consciousness, and postmodernistic variations on the theme of literary-centrism." That having been said, Tolstaya's haunting prose serves as a chilling reminder of the way things could be, especially when government censorship and other controls move silently back in. The "Slynx" is never too far away. History, as they say, does tend to repeat itself.

Tolstaya Tatyana  
обложка книги The Kite Runner The Kite Runner

The unforgettable, heartbreaking story of the unlikely friendship between a wealthy boy and the son of his father’s servant, The Kite Runner is a beautifully crafted novel set in a country in the process of being destroyed. It is about the power of reading, the price of betrayal, and the possibility of redemption. And it is also about the power of fathers over sons – their love, their sacrifices, their lies.

The first Afghan novel to be written in English, The Kite Runner tells a sweeping story of family, love, and friendship against a backdrop of history that has not been told in fiction before, bringing to mind the large canvasses of the Russian writers of the nineteenth century. But just as it is old-fashioned in its narration, it is contemporary in its subject – the devastating history of Afghanistan over the past thirty years. As emotionally gripping as it is tender, The Kite Runner is an unusual and powerful debut.

Hosseini Khaled  
обложка книги The Lost Dog The Lost Dog

De Kretser (The Hamilton Case) presents an intimate and subtle look at Tom Loxley, a well-intentioned but solipsistic Henry James scholar and childless divorcé, as he searches for his missing dog in the Australian bush. While the overarching story follows Tom's search during a little over a week in November 2001, flashbacks reveal Tom's infatuation with Nelly Zhang, an artist tainted by scandal-from her controversial paintings to the disappearance and presumed murder of her husband, Felix, a bond trader who got into some shady dealings. As Tom puts the finishing touches on his book about James and the uncanny and searches for his dog, de Kretser fleshes out Tom's obsession with Nelly-from the connection he feels to her incendiary paintings (one exhibition was dubbed Nelly's Nasties in the press) to the sleuthing about her past that he's done under scholarly pretenses. Things progress rapidly, with a few unexpected turns thrown in as Tom and Nelly get together, the murky circumstances surrounding Felix's disappearance are (somewhat) cleared up and the matter of the missing dog is settled. De Kretser's unadorned, direct sentences illustrate her characters' flaws and desires, and she does an admirable job of illuminating how life and art overlap in the 21st century.

***

‘A captivating read… I could read this book 10 times and get a phew perspective each time. It’s simply riveting.’ Caroline Davison, Glasgow Evening Times

‘… remarkably rich and complex… De Kretser has a wicked, exacting, mocking eye…While very funny in places, The Lost Dog is also a subtle and understated work, gently eloquent and thought-provoking… a tender and thoughtful book, a meditation on loss and fi nding, on words and wordlessness, and on memory, identity, history and modernity.’ The Dominion Post

‘Michelle de Kretser is the fastest rising star in Australia ’s literary firmament… stunningly beautiful.’ Metro

‘… a wonderful tale of obsession, art, death, loss, human failure and past and present loves. One of Australia ’s best contemporary writers.’

Harper’s Bazaar

‘In many ways this book is wonderfully mysterious. The whole concept of modernity juxtaposed with animality is a puzzle that kept this reader on edge for the entire reading. The Lost Dog is an intelligent and insightful book that will guarantee de Kretser a loyal following.’ Mary Philip, Courier-Mail

‘Engrossing… De Kretser confidently marshals her reader back and forth through the book’s complex flashback structure, keeping us in suspense even as we read simply for the pleasure of her prose… De Kretser knows when to explain and when to leave us deliciously wondering.’ Seattle Times

‘De Kretser continues to build a reputation as a stellar storyteller whose prose is inventive, assured, gloriously colourful and deeply thoughtful. The Lost Dog is a love story and a mystery and, at its best, possesses an accessible and seemingly effortless sophistication… a compelling book, simultaneously playful and utterly serious.’ Patrick Allington, Adelaide Advertiser ‘A nuanced portrait of a man in his time. The novel, like Tom, is multicultural, intelligent, challenging and, ultimately, rewarding.’

Library Journal

‘This book is so engaging and thought-provoking and its subject matter so substantial that the reader notices only in passing how funny it is.’ Kerryn Goldsworthy, Sydney Morning Herald

‘… rich, beautiful, shocking, affecting’ Clare Press, Vogue

‘… a cerebral, enigmatic reflection on cultures and identity… Ruminative and roving in form… intense, immaculate.’ Kirkus Reviews

‘De Kretser is as piercing in her observations of a city as Don DeLillo is at his best… this novel is a love song to a city… a delight to read, revealing itself in small, gem-like scenes.’ NZ Listener

‘… de Kretser’s trademark densely textured language, rich visual imagery and depth of description make The Lost Dog a delight to savour as well as a tale to ponder.’ Australian Bookseller and Publisher

‘A remarkably good novel, a story about human lives and the infi nite mystery of them.’ Next

‘Confident, meticulous plotting, her strong imagination and her precise, evocative prose. Like The Hamilton Case, The Lost Dog opens up rich vistas with its central idea and introduces the reader to a world beyond its fictional frontiers.’ Lindsay Duguid, Sunday Times

“[a] clever, engrossing novel… De Kretser’s beautifully shaded book moves between modern day Australia and post-colonial India. Mysteries and love affairs are unfolded but never fully resolved, and as Tom searches for his dog, it becomes apparent that its whereabouts is only one of the puzzles in his life.” Tina Jackson, Metro

‘A richly layered literary text.’ Emmanuelle Smith, Big Issue

Kretser Michelle de  
обложка книги The Calcutta Chromosome The Calcutta Chromosome

The Calcutta Chromosome is one of those books that's marketed as a mainstream thriller even though it is an excellent science fiction novel (It won the prestigious Arthur C. Clarke Award). The main character is a man named Antar, whose job is to monitor a somewhat finicky computer that sorts through mountains of information. When the computer finds something it can't catalog, it brings the item to Antar's attention. A string of these seemingly random anomalies puts Antar on the trail of a man named Murugan, who disappeared in Calcutta in 1995 while searching for the truth behind the discovery of the cure for malaria. This search for Murugan leads, in turn, to the discovery of the Calcutta Chromosome, which can shift bits of personality from one person to another. That's when things really get interesting.

Gosh Amitav  
обложка книги The View from Castle Rock The View from Castle Rock

A powerful new collection from one of our most beloved, admired, and honored writers.

In stories that are more personal than any that she's written before, Alice Munro pieces her family's history into gloriously imagined fiction. A young boy is taken to Edinburgh's Castle Rock, where his father assures him that on a clear day he can see America, and he catches a glimpse of his father's dream. In stories that follow, as the dream becomes a reality, two sisters-in-law experience very different kinds of passion on the long voyage to the New World; a baby is lost and magically reappears on a journey from an Illinois homestead to the Canadian border.

Other stories take place in more familiar Munro territory, the towns and countryside around Lake Huron, where the past shows through the present like the traces of a glacier on the landscape and strong emotions stir just beneath the surface of ordinary comings and goings. First love flowers under the apple tree, while a stronger emotion presents itself in the barn. A girl hired as summer help, and uneasy about her “place” in the fancy resort world she's come to, is transformed by her employer's perceptive parting gift. A father whose early expectations of success at fox farming have been dashed finds strange comfort in a routine night job at an iron foundry. A clever girl escapes to college and marriage.

Munro Alice  
обложка книги The Fortress of Solitude The Fortress of Solitude

If there still remains any doubt, this novel confirms Lethem's status as the poet of Brooklyn and of motherless boys. Projected through the prism of race relations, black music and pop art, Lethem's stunning, disturbing and authoritatively observed narrative covers three decades of turbulent events on Dean Street, Brooklyn. When Abraham and Rachel Ebdus arrive there in the early 1970s, they are among the first whites to venture into a mainly black neighborhood that is just beginning to be called Boerum Hill. Abraham is a painter who abandons his craft to construct tiny, virtually indistinguishable movie frames in which nothing happens. Ex-hippie Rachel, a misguided liberal who will soon abandon her family, insists on sending their son, Dylan, to public school, where he stands out like a white flag. Desperately lonely, regularly attacked and abused by the black kids ("yoked," in the parlance), Dylan is saved by his unlikely friendship with his neighbor Mingus Rude, the son of a once-famous black singer, Barnett Rude Jr., who is now into cocaine and rage at the world. The story of Dylan and Mingus, both motherless boys, is one of loyalty and betrayal, and eventually different paths in life. Dylan will become a music journalist, and Mingus, for all his intelligence, kindness, verbal virtuosity and courage, will wind up behind bars. Meanwhile, the plot manages to encompass pop music from punk rock to rap, avant-garde art, graffiti, drug use, gentrification, the New York prison system-and to sing a vibrant, sometimes heartbreaking ballad of Brooklyn throughout. Lethem seems to have devoured the '70s, '80s and '90s-inhaled them whole-and he reproduces them faithfully on the page, in prose as supple as silk and as bright, explosive and illuminating as fireworks. Scary and funny and seriously surreal, the novel hurtles on a trajectory that feels inevitable. By the time Dylan begins to break out of the fortress of solitude that has been his life, readers have shared his pain and understood his dreams.

Lethem Jonathan  
обложка книги The Chocolate War The Chocolate War

Stunned by his mother's recent death and appalled by the way his father sleepwalks through life, Jerry Renault, a New England high school student, ponders the poster in his locker — Do I dare disturb the universe?

Part of his universe is Archie Costello, leader of a secret school societ — the Virgils — and master of intimidation. Archie himself is intimidated by a cool, ambitious teacher into having the Virgils spearhead the annual fund-raising event — a chocolate sale. When Jerry refuses to be bullied into selling chocolates, he becomes a hero, but his defiance is a threat to Archie, the Virgils, and the school. In the inevitable showdown, Archie's skill at intimidation turns Jerry from hero to outcast, to victim, leaving him alone and terribly vulnerable.

Cormier Robert  
обложка книги The Toss of a Lemon The Toss of a Lemon

"The Toss of a Lemon joins the company of the great novels on India." – Yann Martel

***

In a fiction debut to rival The God of Small Things, Padma Viswanathan gives us a richly detailed and intimate vision of an India we've never seen.

Inspired by her family history, Padma Viswanathan brings us deep inside the private lives of a Brahmin family as the subcontinent moves through sixty years of intense social and political change. At the novel's heart is Sivakami, a captivating girl-child married at ten to an astrologer and village healer who is drawn to her despite his horoscope, which foretells an early death-depending on how the stars align when their children are born. All is safe with their daughter's birth, but their second child, a son named Vairum, fulfills the prophecy: by eighteen, the child bride Sivakami is a widow with two young children.

According to the dictates of her caste, her head is shaved and she must don the widow's white sari. From dawn to dusk, she is not allowed to contaminate herself with human touch, not even to comfort her small children. She dutifully follows custom, except for one act of rebellion: she insists on a secular education for her troubled son. While her choice ensures that Vairum fulfills his promise in a modernizing India, it also sets Sivakami on a collision course with him. Vairum, fatherless in childhood, childless as an adult, rejects the caste identity that is his mother's mainstay, twisting their fates in fascinating and unbearable ways.

The Toss of a Lemon is heartbreaking and exhilarating, profoundly exotic and yet utterly recognizable in evoking the tensions that change brings to every family's doorstep. It is also the debut of a major new voice in world fiction.

Viswanathan Padma  
обложка книги The Crow Road The Crow Road

A new novel from the author of CANAL DREAMS and THE WASP FACTORY, which explores the subjects of God, sex, death, Scotland, and motor cars.

Banks Iain  
обложка книги There’s No Place Like Here There’s No Place Like Here

Acclaimed novelist Cecelia Ahern's There's No Place Like Here tells the story of Sandy Shortt, an obsessive-compulsive Missing Persons investigator who suddenly finds herself in the mystical land of the missing, desperate to return to the people and places from whom she has spent her life escaping. With this imaginative fourth novel, Ahern, whose P.S. I Love You was made into a major motion picture, continues to establish herself as not only an icon of Irish chick lit, but also a bold and creative thinker.

Continuing the whimsical trend she started with If You Could See Me Now, Ahern asks readers to step outside the boundaries of reality, and enter a world where missing people (and possessions) from all over the globe congregate to start anew. When Sandy goes on an early morning jog and strays too far into the forest, she too finds herself "Here," the aptly named home of the missing. In addition to finding her lost socks, diaries, and stuffed animals, she also finds many of the people she has searched for throughout her career. From Bobby Stanley, who disappeared from his mother's house at the age of sixteen, to Terrence O'Malley, a librarian who disappeared on his way home from work at age 55, Sandy is quickly reunited with the people she has come to know only through photos and heartbreaking memories shared by devastated loved ones who enlisted her services. Of course, finding these people and possessions only makes Sandy realize how much she has missed out on in her real life, most notably her concerned parents and her on again off again boyfriend Greg.

There's No Place Like Here is often predictable and the premise is a bit hard to swallow at times. Still, readers who take the leap will be rewarded with what is ultimately a witty, compassionate, and captivating love story.

Ahern Cecelia  
обложка книги The Grass is Singing The Grass is Singing

Set in Rhodesia, this is the story of Dick, a failed white farmer and his wife, Mary, dependent and disappointed. Both are trapped by poverty, and in the heat of the brick and tin house, hemmed in by the bush, Mary finds herself seeking solace in the arms of the houseboy.

***

The Grass Is Singing is Doris Lessing's classic first novel.

It is the story of the murder of a poor white woman by her black houseboy. It is a portrait of the woman's marriage to a luckless farmer, a union doomed to failure before they had even met. And it is an evocation of the country in which they lived – Rhodesia.

In The Grass Is Singing, the harsh, majestic beauty and the remorseless social values of white Southern Africa come violently, brilliantly to life.

'Original and striking… full of those terrifying touches of truth, seldom mentioned but instantly recognized' – NEW STATESMAN

'A first novel of astonishing accomplishment' – DAILYTELEGRAPH

Lessing Doris  
обложка книги The Lotus Eaters The Lotus Eaters

Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.

"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review

"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times

“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)

"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe

"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post

"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)

"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)

"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist

"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly

"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried

"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic

"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher

"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems

"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks

"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters

"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

Soli Tatjana  
The Master of Petersburg

From Publishers Weekly

South African novelist Coetzee takes Fyodor Dostoyevski as his protagonist in a novel set amidst the political ferment of 19th-century Russia.

From Library Journal

St. Petersburg is poised for revolution as Fyodor Dostoevsky returns from Germany to claim his deceased stepson's papers. Although the police rule Pavel's death a suicide, the famous writer is drawn into a group of shady characters, including the anarchist Nechaev, who is possibly Pavel's killer. Plagued by seizures and tormented by a torrid affair with his stepson's landlady, Dostoevsky struggles to ascertain once and for all a writer's responsibility to his family and society. The strength of South African writer Coetzee (Age of Iron, LJ 8/90) lies in his ability to draw characters and scenes evoking the dark mood of the master's novels. Unfortunately, this story of action and ideas lapses into monotonous debate in its final chapters, but there is much to enjoy despite the flagging plot. Recommended for literary collections.

Coetzee JM  
The Body Artist

Amazon.com Review

Don DeLillo's reputation rests on a series of large-canvas novels, in which he's proven to be the foremost diagnostician of our national psyche. In The Body Artist, however, he sacrifices breadth for depth, narrowing his focus to a single life, a single death. The protagonist is Lauren Hartke, who we see sharing breakfast with her husband, Rey, in the opening pages. This 18-page sequence is a tour de force (albeit a less showy one than the author's initial salvo in Underworld)-an intricate, funny notation of Lauren's consciousness as she pours cereal, peers out the window, and makes idle chat. Rey, alas, will proceed directly from the breakfast table to the home of his former wife, where he'll unceremoniously blow his brains out.

What follows is one of the strangest ghost stories since The Turn of the Screw. And like James's tale, it seems to partake of at least seven kinds of ambiguity, leaving the reader to sort out its riddles. Returning to their summer rental after Rey's funeral, Lauren discovers a strange stowaway living in a spare room: an inarticulate young man, perhaps retarded, who may have been there for weeks. His very presence is hard for her to pin down: "There was something elusive in his aspect, moment to moment, a thinning of physical address." Yet soon this mysterious figure begins to speak in Rey's voice, and her own, playing back entire conversations from the days preceding the suicide. Has Lauren's husband been reincarnated? Or is the man simply an eavesdropping idiot savant, reproducing sentences he'd heard earlier from his concealment?

DeLillo refuses any definitive answer. Instead he lets Lauren steep in her grief and growing puzzlement, and speculates in his own voice about this apparent intersection of past and present, life and death. At times his rhetoric gets away from him, an odd thing for such a superbly controlled writer. "How could such a surplus of vulnerability find itself alone in the world?" he asks, sounding as though he's discussing a sick puppy. And Lauren's performances-for she is the body artist of the title-sound pretty awful, the kind of thing Artaud might have cooked up for an aerobics class. Still, when DeLillo reins in the abstractions and bears down, the results are heartbreaking:

Why shouldn't the death of a person you love bring you into lurid ruin? You don't know how to love the ones you love until they disappear abruptly. Then you understand how thinly distanced from their suffering, how sparing of self you often were, only rarely unguarded of heart, working your networks of give-and-take.

At this stage of his career, a thin book is an adventure for DeLillo. So is his willingness to risk sentimentality, to immerse us in personal rather than national traumas. For all its flaws, then, The Body Artist is a real, raw accomplishment, and a reminder that bigger, even for so capacious an imagination as DeLillo's, isn't always better. -James Marcus

From Publishers Weekly

After 11 novels, DeLillo (Underworld; White Noise) is an acknowledged American master, and a writer who rarely repeats his successes. This slim novella is puzzling, and may prove entirely mystifying to many readers; like all DeLillo's fiction, it offers a vision of contemporary life that expresses itself most clearly in how the story is told. Would you recognize what you had said weeks earlier, if it were the last thing, among other last things, you said to someone you loved and would never see again? That question, posed late in the narrative, helps explain the somewhat aimless and seemingly pointless opening scene, in which a couple gets up, has breakfast, and the man looks for his keys. Next we learn that heDfailed film director Rey Robles, 64Dis dead of a self-inflicted gunshot wound. SheDLauren, a "body artist"Dgoes on living alone in their house along a lonely coast, until she tracks a noise to an unused room on the third floor and to a tiny, misshapen man who repeats back conversations that she and Rey had weeks before. Is Mr. Tuttle, as Lauren calls him, real, possibly an inmate wandered off from a local institution? Or is he a figment of Lauren's grieving imagination? Is thisDas DeLillo playfully slips into Lauren's mind at one pointDthe first case of a human abducting an alien? One way of reading this story is as a novel told backwards, in a kind of time loop: DeLillo keeps hidden until his closing pages Lauren's role as a body artistDand with it, the novel's true narrative intent. DeLillo is always an offbeat and challenging novelist, and this little masterpiece of the storyteller's craft may not be everyone's masterpiece of the storytelling art. But like all DeLillo's strange and unforgettable works, this is one every reader will have to decide on individually.

DeLillo Don  
The Long Night Of A Penitent Khadra Yasmina  
The Tin Can Tree

In the small town of Larksville, the Pike family is hopelessly out of step with the daily rhythms of life after the tragic, accidental death of six-year-old Janie Rose. Mrs. Pike seldom speaks, blaming herself, while Mr. Pike is forced to come out of his long, comfortable silence. Then there is ten-year-old Simon, who is suddenly without a baby sister – and without understanding why she's gone.

Those closest to this shattered family must learn to comfort them – and confront their own private shadows of hidden grief. If time cannot draw them out of the dark, then love may be their only hope…

Tyler Anne  
The Book Of Evidence

The Book of Evidence is a 1989 novel by the Irish author John Banville. The book is narrated by Freddie Montgomery, a 38 year old scientist, who murders a servant girl during an attempt to steal a painting from a neighbor. Freddie is an aimless drifter, and though he is a perceptive observer of himself and his surroundings, he is largely amoral. The end of the novel makes it unclear whether anything Freddie has said is true. When asked by the inspector how much of it is true, Freddie responds, "True, Inspector? All of it. None of it. Only the shame." The Book of Evidence won Ireland 's Guinness Peat Aviation Award in 1989, and was short-listed for Britain 's Booker Prize. In reviewing the book, Publishers Weekly compared Banville's writing to that of Albert Camus and Fyodor Dostoevsky. The writing style continues Banville's attempt to give his prose "the kind of denseness and thickness that poetry has".

Banville John  
The Inheritance of Loss

This stunning second novel from Desai (Hullabaloo in the Guava Orchard) is set in mid-1980s India, on the cusp of the Nepalese movement for an independent state. Jemubhai Popatlal, a retired Cambridge-educated judge, lives in Kalimpong, at the foot of the Himalayas, with his orphaned granddaughter, Sai, and his cook. The makeshift family's neighbors include a coterie of Anglophiles who might be savvy readers of V.S. Naipaul but who are, perhaps, less aware of how fragile their own social standing is?at least until a surge of unrest disturbs the region. Jemubhai, with his hunting rifles and English biscuits, becomes an obvious target. Besides threatening their very lives, the revolution also stymies the fledgling romance between 16-year-old Sai and her Nepalese tutor, Gyan. The cook's son, Biju, meanwhile, lives miserably as an illegal alien in New York. All of these characters struggle with their cultural identity and the forces of modernization while trying to maintain their emotional connection to one another. In this alternately comical and contemplative novel, Desai deftly shuttles between first and third worlds, illuminating the pain of exile, the ambiguities of post-colonialism and the blinding desire for a better life, when one person's wealth means another's poverty.

***

Desai's second novel is set in the nineteen-eighties in the northeast corner of India, where the borders of several Himalayan states – Bhutan and Sikkim, Nepal and Tibet – meet. At the head of the novel's teeming cast is Jemubhai Patel, a Cambridge-educated judge who has retired from serving a country he finds "too messy for justice." He lives in an isolated house with his cook, his orphaned seventeen-year-old granddaughter, and a red setter, whose company Jemubhai prefers to that of human beings. The tranquillity of his existence is contrasted with the life of the cook's son, working in grimy Manhattan restaurants, and with his granddaughter's affair with a Nepali tutor involved in an insurgency that irrevocably alters Jemubhai's life. Briskly paced and sumptuously written, the novel ponders questions of nationhood, modernity, and class, in ways both moving and revelatory.

Desai Kiran  
The Night Watch

Sarah Waters’ fourth novel, The Night Watch, is set in 1940s London, during and after the Second World War, and is an innovative departure from her previous three lesbian Victorian historical fictions. Tipping the Velvet (1998), Affinity (1999) and Fingersmith (2002) depend on melodramatic scenes of excess and chicanery, with occasional references to postmodern thinking. In comparison, The Night Watch is more constrained in its telling of love stories and secrets. Its tone echoes the view we have, in the 21st century, of rationed wartime Britain and the use of the more distant third-person, rather than the confiding first-person, signals a further diversion from the earlier works.

The structure of The Night Watch is worth remarking upon as it begins at the end in 1947. The second section takes us back to 1944, and the third and final section is set in 1941. The decision to use this type of structure is brave, even foolhardy, because of the problems in pulling it off convincingly, but Waters’ subtlety and restraint in pulling back the layers reveals the extent of her authorial control.

This novel is essentially concerned with five main characters (Kay, Viv, Helen, Julia and Viv’s brother, Duncan) and their separate private lives. The connections between these people are also elemental to the narrative. Coincidence plays a significant role in the unfolding of past events as their lives are shown to overlap. This use of coincidence has been a feature of Waters’ previous novels, but this time she uses it casually, and as an extra element, rather than for the purposes of manipulating the plot out of hand as was deemed necessary in a melodrama such as Fingersmith.

The love stories of Kay, Viv and Helen are central and, as the narrative traces back to 1941, we learn how their present views of relationships have been shaped by these past events. As with her previous novels, Waters continues to use lesbian relationships as a main focus of the narrative, but shifts away to examine the affair between Viv and Reggie, and the horrific illegal abortion she undergoes to spare her father from further shame.

Repression becomes a touchstone as many of the characters keep a secret or carry a weight of shame. The converse of this theme of fear of discovery is the examination of bravery. This is most notable in the second and third sections which are, necessarily, concerned with the bombing of London. A re-evaluation of the definition of courage is undertaken and is perhaps most poignant in the prison scene, where Duncan ’s cell mate, conscientious objector Fraser, asks himself if he is ‘simply a – a bloody coward’ when he is overwhelmed by the fear of death. The deconstruction of received morality, of what is to be brave or selfish in this time of heightened emotions, is also examined when Helen considers the effect the war has had on her ethics: ‘In the first blitz, she’d tried to help everyone; she’d given money to people, sometimes, from her own purse. But the war made you careless. You started off, she thought sadly, imagining you’d be a kind of heroine. You end up thinking only of yourself.’

The reason for Duncan ’s imprisonment is one of the well-kept secrets of the novel and is only (partially) explained in the third section. This use of the hidden truth and the hints at the unspoken strengthen the evocation of the period, where loose lips could potentially sink ships, and walls had ears. When revelations are made, they are, more often than not, as subdued as the repressed tone permits and this allows the novel to maintain the same pace throughout.

Despite this steady pace, Waters still enables the readers to see how the war also had a liberating effect on women such as Kay. Her gallantry and masculine demeanour was of use during the bombings whilst she worked as an ambulance driver, but in the beginning of the novel, in 1947, it is clear that with the return to peace time her short hair and male clothing are once more worthy of ridicule.

As with all of Waters’ novels, The Night Watch has been praised by critics for the attention to detail and meticulous research. This work stretches beyond the limits of the previous three, though, and is certainly her most impressive to date. Her control in depicting the central characters gradually is in itself an indicator of skilful writing. As this is also combined with a believable and interested evocation of period and place, this novel must be recommended highly.

Waters Sarah  
The Happy Hooker: My Own Story

From Publishers Weekly

Xaviera Hollander has been writing a Penthouse column for 30 years. She chronicled her life as a "high-class New York madam" in 1972's The Happy Hooker: My Own Story, which now returns to print. Frankly discussing lesbianism, bondage, voyeurism and run-ins with lawyers and the FBI, Hollander's book was an international bestseller. In her new epilogue, Hollander rather questionably attests that although her stories may not be as shocking or taboo now as they were in 1972, "the business of sex [has] a new relevance" since September 11. Regan Books will also publish Hollander's new memoir, Child No More, in June (a review will run in an upcoming issue).

From Library Journal

Dutch madam Hollander scored big with this 1972 autobiography, which became a best seller 15 million copies worldwide. Although the book ended up in the hands of respectable readers, it's little more than smut, as Hollander recounts how she left Holland for a job as a secretary in New York, got bored, and became a prostitute and brothel manager (doesn't everybody?). Three decades later, when you can find raunchier stuff on prime-time TV, this is kind of kitschy. This 30th-anniversary edition contains a new epilog.

***

An astute historian of New York prostitution might have heard a small bell ringing in their head upon reading the name of the woman accused of arranging prostitutes for Eliot’s Emperors Club VIP: Tanya Hollander. You see, New York’s most notorious prostitute (and madam) ever, the Happy Hooker, was named Xaveria Hollander. Was it now a family business? We called the old girl in Amsterdam to check.

“No, she’s not my daughter,” Hollander tells us from what she refers to as her “bed and brothel” on Amsterdam’s Gold Coast. “But it’s a wickedly chosen nom de plume.” (We prefer to think of it as a "nom de poon.") Was the Happy Hooker herself shocked by the news of Spitzer’s dalliances? Not really, save for the prices being bandied about. “Is that what they get paid these days?” she asks, referring to the $5,000 allegedly earned by Ashley Alexandra Dupré. “I was in the $100 bracket.”

Let's talk quality of clientele. Is Spitzer really that big of a deal? Who did Hollander meet in the boudoir? “I had my dealings with the White House,” she says. “But it was more discreet. Newsweek offered to pay me a lot of money if I’d admitted that Sinatra was my client. But I never talked. My affairs we’re never sleazy. I might have mentioned something about a crooner from New Jersey, though…”

Hollander has written eighteen books since her seminal tome in the seventies, in addition to writing the "Call Me Madam" column in Penthouse from 1973 to 2005. Coming soon to a bookstore near you: The Happy Hooker’s Guide to Sex-69 Orgasmic Ways to Pleasure a Woman, from New York’s very own Skyhorse Publishing. We're the hooker capital of the world! -Duff McDonald

Hollander Xaviera  
The Poisonwood Bible

Amazon.com Review

Oprah Book Club® Selection, June 2000: As any reader of The Mosquito Coast knows, men who drag their families to far-off climes in pursuit of an Idea seldom come to any good, while those familiar with At Play in the Fields of the Lord or Kalimantaan understand that the minute a missionary sets foot on the fictional stage, all hell is about to break loose. So when Barbara Kingsolver sends missionary Nathan Price along with his wife and four daughters off to Africa in The Poisonwood Bible, you can be sure that salvation is the one thing they're not likely to find. The year is 1959 and the place is the Belgian Congo. Nathan, a Baptist preacher, has come to spread the Word in a remote village reachable only by airplane. To say that he and his family are woefully unprepared would be an understatement: "We came from Bethlehem, Georgia, bearing Betty Crocker cake mixes into the jungle," says Leah, one of Nathan's daughters. But of course it isn't long before they discover that the tremendous humidity has rendered the mixes unusable, their clothes are unsuitable, and they've arrived in the middle of political upheaval as the Congolese seek to wrest independence from Belgium. In addition to poisonous snakes, dangerous animals, and the hostility of the villagers to Nathan's fiery take-no-prisoners brand of Christianity, there are also rebels in the jungle and the threat of war in the air. Could things get any worse?

In fact they can and they do. The first part of The Poisonwood Bible revolves around Nathan's intransigent, bullying personality and his effect on both his family and the village they have come to. As political instability grows in the Congo, so does the local witch doctor's animus toward the Prices, and both seem to converge with tragic consequences about halfway through the novel. From that point on, the family is dispersed and the novel follows each member's fortune across a span of more than 30 years.

The Poisonwood Bible is arguably Barbara Kingsolver's most ambitious work, and it reveals both her great strengths and her weaknesses. As Nathan Price's wife and daughters tell their stories in alternating chapters, Kingsolver does a good job of differentiating the voices. But at times they can grate-teenage Rachel's tendency towards precious malapropisms is particularly annoying (students practice their "French congregations"; Nathan's refusal to take his family home is a "tapestry of justice"). More problematic is Kingsolver's tendency to wear her politics on her sleeve; this is particularly evident in the second half of the novel, in which she uses her characters as mouthpieces to explicate the complicated and tragic history of the Belgian Congo.

Despite these weaknesses, Kingsolver's fully realized, three-dimensional characters make The Poisonwood Bible compelling, especially in the first half, when Nathan Price is still at the center of the action. And in her treatment of Africa and the Africans she is at her best, exhibiting the acute perception, moral engagement, and lyrical prose that have made her previous novels so successful. -Alix Wilber

From Publishers Weekly

In this risky but resoundingly successful novel, Kingsolver leaves the Southwest, the setting of most of her work (The Bean Trees; Animal Dreams) and follows an evangelical Baptist minister's family to the Congo in the late 1950s, entwining their fate with that of the country during three turbulent decades. Nathan Price's determination to convert the natives of the Congo to Christianity is, we gradually discover, both foolhardy and dangerous, unsanctioned by the church administration and doomed from the start by Nathan's self-righteousness. Fanatic and sanctimonious, Nathan is a domestic monster, too, a physically and emotionally abusive, misogynistic husband and father. He refuses to understand how his obsession with river baptism affronts the traditions of the villagers of Kalinga, and his stubborn concept of religious rectitude brings misery and destruction to all. Cleverly, Kingsolver never brings us inside Nathan's head but instead unfolds the tragic story of the Price family through the alternating points of view of Orleanna Price and her four daughters. Cast with her young children into primitive conditions but trained to be obedient to her husband, Orleanna is powerless to mitigate their situation. Meanwhile, each of the four Price daughters reveals herself through first-person narration, and their rich and clearly differentiated self-portraits are small triumphs. Rachel, the eldest, is a self-absorbed teenager who will never outgrow her selfish view of the world or her tendency to commit hilarious malapropisms. Twins Leah and Adah are gifted intellectually but are physically and emotionally separated by Adah's birth injury, which has rendered her hemiplagic. Leah adores her father; Adah, who does not speak, is a shrewd observer of his monumental ego. The musings of five- year-old Ruth May reflect a child's humorous misunderstanding of the exotic world to which she has been transported. By revealing the story through the female victims of Reverend Price's hubris, Kingsolver also charts their maturation as they confront or evade moral and existential issues and, at great cost, accrue wisdom in the crucible of an alien land. It is through their eyes that we come to experience the life of the villagers in an isolated community and the particular ways in which American and African cultures collide. As the girls become acquainted with the villagers, especially the young teacher Anatole, they begin to understand the political situation in the Congo: the brutality of Belgian rule, the nascent nationalism briefly fulfilled in the election of the short-lived Patrice Lumumba government, and the secret involvement of the Eisenhower administration in Lumumba's assassination and the installation of the villainous dictator Mobutu. In the end, Kingsolver delivers a compelling family saga, a sobering picture of the horrors of fanatic fundamentalism and an insightful view of an exploited country crushed by the heel of colonialism and then ruthlessly manipulated by a bastion of democracy. The book is also a marvelous mix of trenchant character portrayal, unflagging narrative thrust and authoritative background detail. The disastrous outcome of the forceful imposition of Christian theology on indigenous natural faith gives the novel its pervasive irony; but humor is pervasive, too, artfully integrated into the children's misapprehensions of their world; and suspense rises inexorably as the Price family's peril and that of the newly independent country of Zaire intersect. Kingsolver moves into new moral terrain in this powerful, convincing and emotionally resonant novel.

Kingsolver Barbara  
обложка книги The Neon Bible The Neon Bible

JOHN KENNEDY TOOLE -- who won a posthumous Pulitzer Prize for his best-selling comic masterpiece A Confederacy of Dunces -- wrote The Neon Bible for a literary contest at the age of sixteen. The manuscript languished in a drawer and became the subject of a legal battle among Toole's heirs. It was only in 1989, thirty-five years after it was written and twenty years after Toole's suicide at thirty-one, that this amazingly accomplished and evocative novel was freed for publication.

The Neon Bible tells the story of David, a young boy growing up in a small Southern town in the 1940s. David's voice is perfectly calibrated, disarmingly funny, sad, shrewd, gathering force from page to page with an emotional directness that never lapses into sentimentality. Through it we share his awkward, painful, universally recognizable encounter with first love, we participate in boy evangelist Bobbie Lee Taylor's revival, we meet the pious, bigoted townspeople. From the opening lines of The Neon Bible, David is fully alive, naive yet sharply observant, drawing us into his world through the sure artistry of John Kennedy Toole.

Toole John Kenndy  
Travesía Del Horizonte

Como los grandes relatos de aventuras de finales del XIX, a los que Travesía del horizonte rinde cariñoso y burlón homenaje, esta segunda novela de Javier Marías, escrita con veinte y publicada con veintiún años, tiene como hilo conductor una atrevida expedición: el capitán Kerrigan, millonario, excéntrico y `con un pasado`, organiza un viaje a la Antártida para hombres de letras y científicos. Pero la travesía, como el título indica, no es más que una excusa o un imposible, la fantasmagoría con que se teje una trma. Construida con sorprendente habilidad según el modelo de relato-dentro-del-relato, a la aventura marítima de Kerrigan se añaden otras historias y personajes no menos novelescos, con deliberadas reminiscencias de maestros como Joseph Conrad, Henry James y Conan Doyle.

ías Javier  
The Painted Veil Maugham William Somerset  
обложка книги TV-люди TV-люди

Впервые на русском — новый сборник рассказов самого знаменитого мастера современной японской литературы. Герои этих историй слушают воду в человеческом теле и бегают во сне от зомби. А то и вовсе отвыкают спать и страшатся превращения в телелюдей — которые почти как настоящие, разве что слегка отмасштабированы и распространяются подобно вирусу.

Мураками Харуки  
обложка книги The Canterbury Tales – A Retelling The Canterbury Tales – A Retelling

Ackroyd's retelling of Chaucer's classic isn't exactly like the Ethan Hawke'd film version of Hamlet, but it's not altogether different, either. Noting in his introduction that the source material is as close to a contemporary novel as Wells Cathedral is to an apartment block, Ackroyd translates the original verse into clean and enjoyable prose that clears up the roadblocks readers could face in tackling the classic. The Knight's Tale, the first of 24 stories, sets the pace by removing distracting tics but keeping those that are characteristic, if occasionally cringe-inducing, like the narrator's insistence on lines like, Well. Enough of this rambling. The rest of the stories continue in kind, with shorter stories benefiting most from Ackroyd's treatment, though the longer entries tend to… ramble. The tales are a serious undertaking in any translation, and here, through no fault of Ackroyd's work, what is mostly apparent is the absence of the original text, making finishing this an accomplishment that seems diminished, even if the stories themselves prove more readable.

***

A fresh, modern prose retelling captures the vigorous and bawdy spirit of Chaucer's classic

Renowned critic, historian, and biographer Peter Ackroyd takes on what is arguably the greatest poem in the English language and presents the work in a prose vernacular that makes it accessible to modern readers while preserving the spirit of the original.

A mirror for medieval society, Chaucer's Canterbury Tales concerns a motley group of pilgrims who meet in a London inn on their way to Canterbury and agree to take part in a storytelling competition. Ranging from comedy to tragedy, pious sermon to ribald farce, heroic adventure to passionate romance, the tales serve not only as a summation of the sensibility of the Middle Ages but as a representation of the drama of the human condition.

Ackroyd's contemporary prose emphasizes the humanity of these characters-as well as explicitly rendering the naughty good humor of the writer whose comedy influenced Fielding and Dickens-yet still masterfully evokes the euphonies and harmonies of Chaucer's verse. This retelling is sure to delight modern readers and bring a new appreciation to those already familiar with the classic tales.

Ackroyd Peter  
обложка книги The Pleasure of My Company The Pleasure of My Company

In a recent interview with Steve Martin on NPR's Fresh Air, host Terri Gross asked her guest: "Do you remember the point in your career, when people started to realize that you are smart?" The host was referring, of course, to Martin's zany comedic roles that qualify him as a loveable nut. After all, it is tough to equate "King Tut" from Saturday Night Live, as an author of fairly serious repute. Martin, in reality, is an immensely talented writer; his "Shouts and Murmurs" and other brief pieces in the New Yorker were enjoyable and set his writing reputation even before his first novella, Shopgirl was released. His latest, another slim volume, The Pleasure of my Company, emphasizes Martin's status as a promising and talented writer.

Martin's protagonist is a thirty-something single guy, Daniel Pecan Cambridge, whose life is constrained by his obsessive-compulsive behavior. Daniel informs us that his middle name originates from the pecan plantation his "granny" owns in Southern Texas, but we realize it is a fitting name for a "nut." Daniel is a cute one though, even despite his many quirks. His biggest obstacle, one that prevents him from venturing out on long walks anywhere, is his fear of curbs. To avoid them, he searches for opposing "scooped out driveways" in his California town, and draws mental maps that will take him successfully to his favorite hideout-the local Rite Aid. The Rite Aid with its clean lines and atmosphere is like heaven to Daniel and he never tires of walking the aisles, checking out supplies and the cute pharmacist, Zandy. "The Rite Aid is splendidly antiseptic," explains Daniel, "I'll bet the floors are hosed down every night with isopropyl alcohol. The Rite Aid is the axle around which my squeaky world turns, and I find myself there two or three days a week seeking out the rare household item such as cheesecloth." Among Daniel's other obsessions are ensuring that the total wattage of all the bulbs in a house equal 1125 and periodically having to touch all four corners of copiers at the local Kinko's.

No wonder then that Daniel finds his love life a bit constrained. He keeps himself happy by eyeing Elizabeth, the real-estate agent who often works across the street, by mixing drinks for his upstairs neighbor, Phillipa, and with his weekly visits by his caseworker, Clarissa. Of course, there is Zandy at Rite Aid. All along, Daniel supports himself on generous gift checks sent him by his grandmother in Texas.

Daniel is anything but an average guy but amazingly he wins the "Average American" contest sponsored by a frozen pie company. Daniel is such pleasant company, because for the most part, his outlook on life is always sunny and bright. For a brief moment, when he meets the other finalists of the essay competition, he is sad. "We weren't the elite of anything," he notes, "we weren't the handsome ones with self-portraits hanging over their fireplaces or the swish moderns who were out speaking slang at a posh hotel bar. We were all lonely hearts who deemed that writing our essays might help us get a little attention." However, this sinking feeling is only temporary and Daniel reminds himself that he only wrote the essay at the Rite Aid to have a "few extra Zandy-filled minutes."

It is hard not to make comparisons between Daniel and the autistic protagonist Christopher of Mark Haddon's The Curious Incident of the Dog in the Night Time. Like Christopher, Daniel has some curious insights about the world around him and these casual observations woven into the text make for delightful reading. Referring to his caseworker, Clarissa, Daniel observes: "She's probably reporting on me to a professor or writing about me in a journal. I like to think of her scrawling my name in pencil at the end of our sessions-I mean visits-but really, I'm probably a keyboard macro by now. She types D and hits control/spacebar and Daniel Pecan Cambridge appears. When she looks at me in the face on Tuesdays and Fridays she probably thinks of me not as Daniel Pecan Cambridge but as D-control/spacebar."

Towards the end of The Pleasure of my Company, the story moves along quickly. Daniel becomes involved with Clarissa in a way and they travel to Texas, both for their individual private reasons. By novel's end, Daniel has conquered his fear of curbs and Clarissa has accommodated his obsession with bulb wattage.

The Pleasure of My Company is a delightful novel as warm as the California sun. Martin has managed to capture in Daniel, the essence of a likeable zany man. Daniel's eventual success at having a happy life despite his many handicaps, is uplifting because it reminds us that life is not all bad all the time. It is always fun to root for the underdog and have him win. It might take some doing but Martin shows us that there are indeed "takers for the quiet heart."

Martin Steve  
обложка книги The Museum Of Innocence The Museum Of Innocence

The story of Kemal, the half-hearted industrialist who is the hero of The Museum of Innocence, Orhan Pamuk's first novel since he won the Nobel Prize for Literature, is a deeply private one, built around an often inexplicable obsession that he attempts to justify to the reader. In honor of Füsun, the poor, beautiful cousin he had a short affair with when he was 30 and engaged to another, he has hoarded a museum of relics, both of their time together and of the much longer time when, like Gatsby drawn by the green light on Daisy's dock, he hovered at the edge of her life, held in check (but yet held nearby) by the proprieties of Turkish society. From Kemal's passion Pamuk constructs a masterful meditation on time, desire, and possession, saturated with the details of the city of Pamuk 's youth: the brand names, the film stars, the streets, the intricate social relations between classes and between modernity and tradition. It's as if the museum of the title was built in honor not of Füsun but of Istanbul, circa 1975.

Pamuk Orhan  
обложка книги The ТЁЛКИ два года спустя, или Videoты The ТЁЛКИ два года спустя, или Videoты

Андрей Миркин, герой романа «The Тёлки», сделал блестящую карьеру на телевидении: он ведущий популярного шоу на молодежном канале. Известность вскружила ему голову, девушки не дают проходу, а лгать приходится все чаще, даже самому себе. Но однажды он встречает ту, с которой может быть настоящим... или так только кажется?

Минаев Сергей  
обложка книги Tinkers Tinkers

This Monday, on April 12, the winners of the Pulitzer Prize were announced, and since then, little-known debut author Paul Harding has quickly risen to fame after his novel "Tinkers" won the Pulitzer for fiction.

The novel, about a dying man's recollection of and relationship with his father, a tinker in Maine, was turned down by every major publisher over the course of several years. It was finally published by Bellevue Literary Press, a small publisher associated with the NYU Medical School. Even after its publication and the excellent reviews across the board, few hoped for it to rise to the top. And when Harding was awarded the Pulitzer, the Boston Globe reports, he only found out by checking the award's website – nobody had bothered to call him. "Tinkers" is the first novel from a small press to win the Pulitzer since "Confederacy of Dunces" won in 1981 and everyone in the publishing industry is scrambling to take some part of the credit for the book's success.

The Boston Globe published an article early this week about the people who pushed "Tinkers" early on, claiming the success of the book as proof of the power of word of mouth. It began with Bellevue Press Editorial Director Erika Goldman saying, "It was so exquisite that I found myself – and this has never happened – weeping for the beauty of the prose." Publishers Weekly's Michael Coffey stayed up past midnight reading it – "not something I normally do." Lise Solomon, a sales representative in Northern California vowed, "I was going to make it a Bay Area bestseller."

But though the sentiments expressed in the Globe article ring true, Publishers Marketplace points out that the article unfortunately "mangl[es]" the timeline of the support for the book, and ends up "confus[ing] the record as much as clarify[ing]." Among other corrections, Publishers Marketplace points to the book's early placement on the Indie Next list and that the first review was in the Hartford Courant, two facts not mentioned by the Globe. Publishers Marketplace also claims to be on the lookout for the independent bookstores that spread the word about the book early on.

Whatever the chronology of the events, it is clear that readers across the board have fallen head over heels for "Tinkers." Publishers Weekly called it a "gorgeous example of novelistic craftsmanship," Booklist said that it is a "rare and beautiful novel of spiritual inheritance and acute psychological and metaphysical suspense," and Chris Bohjalian, writing for the Globe called it "a poignant exploration of where we may journey when the clock has barely a tick or two left and we really can't go anywhere at all." (HuffPost Books also recognized the novel in our "Best of the Best Books Lists" feature in December.) The New York Times, notably, was left in the dark about this book, and never reviewed it at all, as Gregory Cowles sheepishly admits in a PaperCuts blog.

For Paul Harding, the success has been incredible. The author, a former drummer for a rock band, said that he was "stunned," according to USA Today. "It was a little book from a little publisher that was hand-sold from start to finish," he said. He looks at the win in a practical sense, though: "I can afford to continue doing what I love to do."

Harding Paul  
обложка книги The Whore of Babylon, A Memoir The Whore of Babylon, A Memoir

Katrina Prado has contributed to The Whore of Babylon, a Memoir as an author. Katrina Prado is the author of several novels and short stories and is currentlly working on her seventh novel, the third in a mystery series. She has had work published in Potpurri, the Chrysalis Reader, The Santa Clara Review, Life, and Woman. Her work has also be selected for air on Public Radio's Valley Writers Read. Her short story Twig Doll won first place in the 2000 Life Circle Lierary Contest.

Prado Katrina  
обложка книги «There Are More Things» «There Are More Things»

Основой трехтомного собрания сочинений знаменитого аргентинского писателя Л.Х.Борхеса, классика ХХ века, послужили шесть сборников произведений мастера, часть его эссеистики, стихи из всех прижизненных сборников и микроновеллы – шедевры борхесовской прозыпоздних лет.

Борхес Хорхе Луис  
Travesuras de la niña mala

¿Cuál es el verdadero rostro del amor?

Ricardo ve cumplido, a una edad muy temprana, el sueño que en su Lima natal alimentó desde que tenía uso de razón: vivir en París. Pero el rencuentro con un amor de adolescencia lo cambiará todo. La joven, inconformista, aventurera, pragmática e inquieta, lo arrastrará fuera del pequeño mundo de sus ambiciones.

Testigos de épocas convulsas y florecientes en ciudades como Londres, París, Tokio o Madrid, que aquí son mucho más que escenarios, ambos personajes verán sus vidas entrelazarse sin llegar a coincidir del todo. Sin embargo, esta danza de encuentros y desencuentros hará crecer la intensidad del relato página a página hasta propiciar una verdadera fusión del lector con el universo emocional de los protagonistas.

Creando una admirable tensión entre lo cómico y lo trágico, Mario Vargas Llosa juega con la realidad y la ficción para liberar una historia en la que el amor se nos muestra indefinible, dueño de mil caras, como la niña mala. Pasión y distancia, azar y destino, dolor y disfrute… ¿Cuál es el verdadero rostro del amor?

Llosa Mario Vargas  
обложка книги The Edible Woman The Edible Woman

Ever since her engagement, the strangest thing has been happening to Marian McAlpin: she can't eat. First meat. Then eggs, vegetables, cake, pumpkin seeds-everything! Worse yet, she has the crazy feeling that she's being eaten. Marian ought to feel consumed with passion. But really she just feels…consumed. A brilliant and powerful work rich in irony and metaphor, The Edible Woman is an unforgettable materpiece by a true master of contemporary literary fiction.

Atwood Margaret  
обложка книги The Plot Against America The Plot Against America

When the renowned aviation hero and rabid isolationist Charles A. Lindbergh defeated Franklin Roosevelt by a landslide in the 1940 presidential election, fear invaded every Jewish household in America. Not only had Lindbergh, in a nationwide radio address, publicly blamed the Jews for selfishly pushing America towards a pointless war with Nazi Germany, but, upon taking office as the 33rd president of the United States, he negotiated a cordial 'understanding' with Adolf Hitler, whose conquest of Europe and whose virulent anti-Semitic policies he appeared to accept without difficulty. What then followed in America is the historical setting for this startling new novel by Pulitzer-prize winner Philip Roth, who recounts what it was like for his Newark family – and for a million such families all over the country – during the menacing years of the Lindbergh presidency, when American citizens who happened to be Jews had every reason to expect the worst.

Roth Philip  
обложка книги The Fat Man in History aka Exotic Pleasures The Fat Man in History aka Exotic Pleasures

The first collection of short stories published by Peter Carey, whose other books include "Bliss", "Illywhacker" and "Oscar and Lucinda", which was awarded the 1988 Booker Prize. The stories, set in an ominous near-future that has a feel of contemporary life, are by turn bizarre and funny.

Carey Peter  
обложка книги The Final Testament of the Holy Bible The Final Testament of the Holy Bible

James Frey isn't like other writers. He's been called a liar. A cheat. A con man. He's been called a saviour. A revolutionary. A genius. He's been sued by readers. Dropped by publishers because of his controversies. Berated by TV talk-show hosts and condemned by the media. He's been exiled from America, and driven into hiding. He's also a bestselling phenomenon. Published in 38 languages, and beloved by readers around the world. What scares people about Frey is that he plays with truth; that fine line between fact and fiction. Now he has written his greatest work, his most revolutionary, his most controversial. The Final Testament of the Holy Bible.

What would you do if you discovered the Messiah were alive today? Living in New York. Sleeping with men. Impregnating young women. Euthanizing the dying, and healing the sick. Defying the government, and condemning the holy. What would you do if you met him? And he changed your life. Would you believe? Would you?

The Final Testament of the Holy Bible. It will change you. Hurt you. Scare you. Make you think differently. Live differently. Enrage you. Offend you. Open your eyes to the world in which we live. We've waited 2,000 years for the Messiah to arrive. We've waited 2,000 years for this book to be written. He was here. The Final Testament of the Holy Bible is the story of his life.

Frey James  
обложка книги The original of Laura The original of Laura

When Vladimir Nabokov died in 1977, he left instructions for his heirs to burn the 138 handwritten index cards that made up the rough draft of his final and unfinished novel, The Original of Laura. But Nabokov’s wife, Vera, could not bear to destroy her husband’s last work, and when she died, the fate of the manuscript fell to her son. Dmitri Nabokov, now seventy-five--the Russian novelist’s only surviving heir, and translator of many of his books--has wrestled for three decades with the decision of whether to honor his father’s wish or preserve for posterity the last piece of writing of one of the greatest writers of the twentieth century. His decision finally to allow publication of the fragmented narrative--dark yet playful, preoccupied with mortality--affords us one last experience of Nabokov’s magnificent creativity, the quintessence of his unparalleled body of work.

Набоков Владимир Владимирович  
обложка книги Top Modelka Top Modelka

Siedemnastoletnia Emerson uwielbia gry komputerowe i seriale na Discovery, za to nie zależy jej na wyglądzie ani powodzeniu. I nagle staje się zupełnie inną dziewczyną: po dziwnym wypadku budzi się w ciele sławnej supermodelki. Ale w nowym życiu „celebrytki” czeka ją na nią nie tylko flirt, blask fleszy i seksowne kreacje…

Cabot Meg  
обложка книги Toward the End of Time Toward the End of Time

Ben Turnbull is a retired investment executive living North of Boston in the year 2020. A recent war between the USA and China has thinned the population and brought social chaos. He finds his personal history caught up in the disjuntions and vagaries of the "many universes" theories.

Updike John  
The Notebook

An elderly man reads to an elderly woman every day from a yellowed notebook that he carries around with him. He hopes that this notebook, which contains the memories of his love and life, will jog her memory, but it is not to be. Yet, he tries each day and does not give up because within its pages tells the story of Noah Taylor Calhoun, a young Southerner, and his great passion and love for Allison Nelson.

Noah, who has just graduated from high school, and Allie, who is a junior, meet in the summer of 1932 and fall in love. This story, set along the beautiful coast of New Bern, North Carolina, shows how a summer romance can transpire into something so much more. Allie, who is visiting North Carolina during this summer, is introduced to Noah through their friend, Fin. She takes a liking to him immediately and they spend the summer sharing everything, and forming memories through their time together that neither knows will soon become painful when Allie has to leave with her parents at the end of the vacation.

Although they face many differences, the one with the greatest impact is her parents' disapproval. Allie’s parents imply that Noah is not right for their daughter because he is of a different class. Despite their efforts to keep in touch, Noah’s letters to Allie go unread.

Fourteen years on, Noah is living in and restoring a big house alone while Allie is 29 and engaged to a successful lawyer. She reads an article about Noah in the paper and decides that she must see him one last time. When they both come face to face again after all those years, it is clear that the passion they shared so long ago is still there.

Shining with an exquisiteness that is rarely found in current literature, The Notebook establishes Nicholas Sparks as a classic author with a unique insight into the only emotion that really matters. Sparks makes you fall in love with the characters and the love they share. You feel as though you are the one falling in love and experiencing all the hardships. Sparks describes and captures every emotion so well – from the passion and love shared by the young couple to the undying faith of an elderly man who never stops believing that his love, who suffers from Alzheimer's disease, will get her memory of their love back once in a while if he tries hard enough.

The Notebook is one of the most poignant and compelling love stories ever written with the kind of romance everyone wishes for…

Sparks Nicholas  
Terrorist

Terrorist by John Updike is a timely piece of contemporary literature that is well-written and dense with observation and description. Updike takes readers into the mind of a terrorist and helps us understand the possible motivation and mindset of those involved in terrorism. Terrorist is an important piece of social literature, but it is not light or easy reading. It is slow at points and requires concentration to read.

Terrorist by John Updike is about Ahmad Ashmawy Mulloy, an 18-year-old boy in Northern New Jersey who is devoted to Islam. Ahmad was raised by an Irish-American mother after his Egyptian father disappeared when he was three. Ahmad converts to Islam at age 11 and is instructed in the Qur'an by a local imam.

Ahmad is a sympathetic character. Updike lets readers into his head, forcing us to view American materialism and morality from his viewpoint. Updike also draws us into other characters' lives-Ahmad's mother, a high school guidance counselor, an African-American teenage girl, a worker in the Department of Homeland Security. It was striking to me how lost many of the characters were. In many ways, Ahmad was one of the most thoughtful and moral characters in the story. That is a disturbing realization when you consider that he is being groomed to be a terrorist.

Indeed, just as the protagonist is a thoughtful young terrorist, the novel Terrorist is a thought-provoking book. It is clear that Updike has thought a lot about American society, the inner city and modern morality. His descriptions and complex characters compel readers to do the same.

Terrorist is not easy reading. I did not get caught up in the plot, and that was disappointing. It was easy for me to put the novel down after 25 pages, both because I needed time to process and because it did not always keep my attention. Updike is a great writer, and Terrorist shows that; however, everyone may not like the book.

Updike John  
Terrorista

Ahmad ha nacido en New Prospect, una ciudad industrial venida a menos del área de Nueva York. Es hijo de una norteamericana de origen irlandés y de un estudiante egipcio que desapareció de sus vidas cuando tenía tres años. A los once, con el beneplácito de su madre, se convirtió al Islam y, siguiendo las enseñanzas de su rigorista imam, el Sheij Rashid, lo fue asumiendo como identidad y escudo frente a la sociedad decadente, materialista y hedonista que le rodeaba.

Ahora, a los dieciocho, acuciado por los agobios y angustias sexuales y morales propios de un adolescente despierto, Ahmad se debate entre su conciencia religiosa, los consejos de Jack Levy el desencantado asesor escolar que ha sabido reconocer sus cualidades humanas e inteligencia, y las insinuaciones cada vez más explícitas de implicación en actos terroristas de Rashid. Hasta que se encuentra al volante de una furgoneta cargada de explosivos camino de volar por los aires uno de los túneles de acceso a la Gran Manzana.

Con una obra literaria impecable a sus espaldas, Updike asume el riesgo de abordar un tema tan delicado como la sociedad estadounidense inmediatamente posterior al 11 de Septiembre. Y lo hace desde el filo más escarpado del abismo: con su habitual mezcla de crueldad y empatía hacia sus personajes, se mete en la piel del «otro», de un adolescente árabe-americano que parece destinado a convertirse en un «mártir» inmisericorde, a cometer un acto espeluznante con la beatífica confianza del que se cree merecedor de un paraíso de huríes y miel.

Updike John  
The Names

Set against the backdrop of a lush and exotic Greece, The Names is considered the book which began to drive "sharply upward the size of his readership" (Los Angeles Times Book Review). Among the cast of DeLillo's bizarre yet fully realized characters in The Names are Kathryn, the narrator's estranged wife; their son, the six-year-old novelist; Owen, the scientist; and the neurotic narrator obsessed with his own neuroses. A thriller, a mystery, and still a moving examination of family, loss, and the amorphous and magical potential of language itself, The Names stands with any of DeLillo's more recent and highly acclaimed works.

***

"The Names not only accurately reflects a portion of our contemporary world but, more importantly, creates an original world of its own."-Chicago Sun-Times

***

"DeLillo sifts experience through simultaneous grids of science and poetry, analysis and clear sight, to make a high-wire prose that is voluptuously stark."-Village Voice Literary Supplement

***

"DeLillo verbally examines every state of consciousness from eroticism to tourism, from the idea of America as conceived by the rest of the world to the idea of the rest of the world as conceived by America, from mysticism to fanaticism."-New York Times

DeLillo Don  
The Picnic and Suchlike Pandemonium Durrell Gerald Malcolm  
обложка книги The Espressologist The Espressologist

What’s your drink of choice? Is it a small pumpkin spice latte? Then you’re lots of fun and a bit sassy. Or a medium americano? You prefer simplicity in life. Or perhaps it’s a small decaf soy sugar-free hazelnut caffe latte? Some might call you a yuppie. Seventeen-year-old barista Jane Turner has this theory that you can tell a lot about a person by their regular coffee drink. She scribbles it all down in a notebook and calls it Espressology. So it’s not a totally crazy idea when Jane starts hooking up some of her friends based on their coffee orders. Like her best friend, Em, a medium hot chocolate, and Cam, a toffee nut latte. But when her boss, Derek, gets wind of Jane’s Espressology, he makes it an in-store holiday promotion, promising customers their perfect matches for the price of their favorite coffee. Things are going better than Derek could ever have hoped, so why is Jane so freaked out? Does it have anything to do with Em dating Cam? She’s the one who set them up! She should be happy for them, right?

With overtones of Jane Austen’s Emma and brimming with humor and heart, this sweet, frothy debut will be savored by readers.

Springer Kristina  
обложка книги The Dew Breaker The Dew Breaker

PEN/Faulkner Award for fiction (nominee)

From the universally acclaimed author of Breath, Eyes, memory and Krik?Krak! (both Opera's Book Club selections), a powerful new work of fiction that explores the trials and reconciliations in the life of a man known as a 'dew breaker,' a torturer, whose past crimes in the country of his birth, lie hidden beneath his new American relaity. In Haiti in the dictatorial 1960's, Manhattan in the 1970s, Brooklyn and Queens today, we meet the dew breaker's family, neighbours, and victims. An unforgettable, deeply resonant book – of love, remorse, history, and hope, of rebellions both personal and political – The Dew Breaker proves once more that in Edwidge Danticat we have a major American writer.

“Breathtaking… With terrifying wit and flowered pungency, Edwidge Danticat has managed over the past 10 years to portray the torment of the Haitian people… In The Dew Breaker, Danticat has written a Haitian truth: prisoners all, even the jailers.” – The New York Times Book Review

“Danticat [is] surely one of contemporary fiction’s most sensitive conveyors of hope’s bittersweet persistence in the midst of poverty and violence.” – The Miami Herald

“Thrillingly topical… [The Dew Breaker] shines… Danticat leads her readers into the underworld. It’s furnished like home.” – Los Angeles Times Book Review

“Stunning… Beautifully written fiction [that] seamlessly blend[s] the personal and political, [and] asks questions about shame and guilt, forgiveness and redemption, and the legacy of violence… haunting.” – USA Today

“Fascinating… Danticat is a fine and serious fiction writer who has slowly grown as an artist with each book she has written.” – Chicago Tribune

“In its varied characters, its descriptive power and its tightly linked images and themes, [The Dew Breaker] is a rewarding and affecting read, rich with insights not just about Haiti but also about the human condition.” – San Francisco Chronicle

“[The Dew Breaker] is, most profoundly, about love’s healing powers. From its marvelous descriptions of place to the gentle opening up of characters, this is a book that engages the imagination.” – Elle

“With her grace and her imperishable humanity… [Danticat] makes sadness beautiful.” – The New York Observer

“Danticat has an emotional imagination capable of evoking empathy for both predator and prey.” – Entertainment Weekly

“With characteristic lyricism and grace, Danticat probes the painful legacy of a time when sons turned against their fathers, children were orphaned, and communities were torn apart.” – The Philadelphia Inquirer

“Delicate and poetic… Danticat [is] more than a storyteller, she’s a writer… Her voice is like an X-Acto knife-precise, sharp and perfect for carving out small details.” – Minneapolis Star Tribune

“Filled with quiet intensity and elegant, thought-provoking prose… An elegiac and powerful novel with a fresh presentation of evil and the healing potential of forgiveness.” – People

“[Danticat] fuses the beauty and tragedy of her native land, a land her characters want to forget and remember all at once.” – Ebony

“In these stories Edwidge Danticat continues to speak eloquently for those who in losing their sorrowful homeland have lost their voices.” – The Boston Globe

“Haitian-American writer Edwidge Danticat presents simple truths… this, the novelist seems to be saying, is how you understand; here is the primer for survival.” – The Atlanta Journal-Constitution

Danticat Edwidge  
обложка книги The Collected Novels of José Saramago The Collected Novels of José Saramago

Cipriano Algor, an elderly potter, lives with his daughter Marta and her husband Marçal in a small village on the outskirts of The Center, an imposing complex of shops, apartments, and offices to which Cipriano delivers his pots and jugs every month. On one such trip, he is told not to make any more deliveries. Unwilling to give up his craft, Cipriano tries his hand at making ceramic dolls. Astonishingly, The Center places an order for hundreds, and Cipriano and Marta set to work-until the order is cancelled and the three have to move from the village into The Center. When mysterious sounds of digging emerge from beneath their apartment, Cipriano and Marçal investigate, and what they find transforms the family's life. Filled with the depth, humor, and the extraordinary philosophical richness that marks each of Saramago's novels, The Cave is one of the essential books of our time.

Saramago é  
обложка книги The Elephant's Journey The Elephant's Journey

In 1551, King João III of Portugal gave Archduke Maximilian an unusual wedding present: an elephant named Solomon. The elephant’s journey from Lisbon to Vienna was witnessed and remarked upon by scholars, historians, and ordinary people. Out of this material, José Saramago has spun a novel already heralded as “a triumph of language, imagination, and humor” (El País).

Solomon and his keeper, Subhro, begin in dismal conditions, forgotten in a corner of the palace grounds. When it occurs to the king and queen that an elephant would be an appropriate wedding gift, everyone rushes to get them ready: Subhro is given two new suits of clothes and Solomon a long overdue scrub.

Accompanied by the Archduke, his new wife, and the royal guard, our unlikely heroes traverse a continent riven by the Reformation and civil wars. They make their way through the storied cities of northern Italy: Genoa, Piacenza, Mantua, Verona, Venice, and Trento, where the Council of Trent is in session. They brave the Alps and the terrifying Isarco and Brenner Passes; they sail across the Mediterranean Sea and up the Inn River (elephants, it turns out, are natural sailors). At last they make their grand entry into the imperial city.The Elephant’s Journey is a delightful, witty tale of friendship and adventure.

Saramago é  
обложка книги The History of the Siege of Lisbon The History of the Siege of Lisbon

In this “ingenious” novel (New York Times) by “one of Europe’s most original and remarkable writers” (Los Angeles Times), a proofreader’s deliberate slip opens the door to romance-and confounds the facts of Portugal’s past.

Saramago é  
обложка книги Tale of the Unknown Island Tale of the Unknown Island

A man went to knock at the king's door and said to him, Give me a boat. The king's house had many other doors, but this was the door for petitions. Since the king spent all his time sitting by the door for favors (favors being done to the king, you understand), whenever he heard someone knocking on the door for petitions, he would pretend not to hear . . ." Why the petitioner required a boat, where he was bound for, and who volunteered to crew for him the reader will discover as this short narrative unfolds. And at the end it will be clear that if we thought we were reading a children's fable we were wrong-we have been reading a love story and a philosophical tale worthy of Voltaire or Swift.

Saramago é  
обложка книги The Gospel According to Jesus Christ The Gospel According to Jesus Christ

This is a skeptic’s journey into the meaning of God and of human existence. At once an ironic rendering of the life of Christ and a beautiful novel, Saramago’s tale has sparked intense discussion about the meaning of Christianity and the Church as an institution. Translated by Giovanni Pontiero.

Saramago é  
обложка книги The Stone Raft The Stone Raft

When the Iberian Peninsula breaks free of Europe and begins to drift across the North Atlantic, five people are drawn together on the newly formed island-first by surreal events and then by love. “A splendidly imagined epic voyage...a fabulous fable” (Kirkus Reviews). Translated by Giovanni Pontiero.

José Saramago was born in Portugal in 1922. He is the author of six novels, including Baltasar and Blimunda and The History of the Siege of Lisbon, Blindness, and All The Names. His backlist is available in Harvest editions.

Saramago é  
обложка книги The bridge of San Luis Rey The bridge of San Luis Rey

“On Friday noon, July the twentieth, 1714, the finest bridge in all Peru broke and precipitated five travellers into the gulf below.”

The citizens of Peru crossed themselves and whispered prayers of thanks for their deliverance. But in the mind of Brother Juniper, a humble monk who witnessed the catastrophe, burned the question, “Why did this happen to those five?”

As Brother Juniper’s investigations illuminate the possibility of an Intention to the disaster—involving the lives left behind as well as those lost on the bridge—the reader rediscovers the one “bridge” between the land of the living and the land of the dead that does not fall.

Wilder Thornton Niven  
The Great Railway Bazaar

Paul Theroux is a vocal proponent of rail travel over air travel, which he likens to traveling by submarine for all that goes unseen and not experienced by its adherents. The Great Railway Bazaar, his 1975 account of a four month railroad journey through Europe and Asia begins, "I sought trains, I found passengers." It is certainly the individuals that Theroux meets along the way, rather than the cities, buildings, or sites of touristic import, to which he devotes his most generous descriptions.

Beginning in Victoria Station with Duffill, an older man with a tweed cap, ill-fitting clothes, and mysterious business in Istanbul (Duffill's name later becomes synonymous with being left behind at a railway station), Theroux's journeys brim with a huge cast of colorful characters. From ashram-bound hippies to devout Kali-worshiping Tamils to Vassily Prokofyevich, the drunken Russian dining car manager on the Trans-Siberian Express, Theroux richly details his varied encounters, paying particular attention to the bizarre along the bazaar.

In Calcutta, "a city of mutilated people (where) only the truly monstrous looked odd," the author encounters "the hopping man," who with only one muscular leg, hops himself through the urban detritus; on the Saigon to Bien Hoa train, a Vietnamese woman thrusts an American baby upon him, expecting Theroux to keep and raise the child; and in Japan, where the cleanliness, efficiency, and quiet of the passenger trains provide striking contrast to what the author had up until that point become accustomed to, he finds the cultural undercurrent of sadistic pornography disturbingly unquestioned.

Paul Theroux had already established himself as a novelist at the time of his four month journey; The Great Railway Bazaar, today a travel writing classic, was preceded by ten books, six of which were novels. In fact, his four month long excursion seems to have been funded or at least justified, by the lecture engagements the author had arranged all along his route.

The first of many in this genre from Theroux, including Dark Star Safari (2002) and Ghost Train to the Eastern Star (2008), The Great Railway Bazaar is at once a timeless narrative of humans and travel and a distinctly historical slice of global affairs as viewed by one decidedly motion-bound writer.

The journey however is a long one and while masterfully wrought, it is often the incidental passage of time in a railway compartment that is thus rendered, and by the end of it even Theroux has tired of his travels. Snippets of brilliance exist throughout, but they are intermittent as you might expect, as when viewed from a passing train.

Theroux Paul  
The Blue Afternoon

Winner of the 1993 Sunday Express Book of the Year Award

A turn-of-the-century love story, set in Manila, between an American woman and Filipino-Spanish mestizo by the popular storyteller William Boyd. It's a memorable tale, richly detailed.

Boyd William  
The God of Small Things

This highly stylized novel tells the story of one very fractured family from the southernmost tip of India. Here is an unhappy family unhappy in its own way, and through flashbacks and flashforwards The God of Small Things unfolds the secrets of these characters' unhappiness. First-time novelist Arundhati Roy twists and reshapes language to create an arresting, startling sort of precision. The average reader of mainstream fiction may have a tough time working through Roy's prose, but those with a more literary bent to their usual fiction inclinations should find the initial struggle through the dense prose a worthy price for this lushly tragic tale.

Rahel and Estha are fraternal twins whose emotional connection to one another is stronger than that of most siblings:

Esthappen and Rahel thought of themselves together as Me, and separately, individually as We or Us. As though they were a rare breed of Siamese twins, physically separate, but with joint identities.

Now, these years later, Rahel has a memory of waking up one night giggling at Estha's funny dream.

She has other memories too that she has no right to have.

Their childhood household hums with hidden antagonisms and pains that only family members can give one another.

Blind Mammachi, the twins' grandmother and founder of Paradise Pickles & Preserves, is a violin-playing widow who suffered years of abuse at the hands of her highly respected husband, and who has a fierce one-sided Oedipal connection with her son, Chacko. Baby Kochamma, Rahel and Estha's grandaunt, nurses deep-seated bitterness for a lifetime of unrequited love, a bitterness that plays out slyly against everyone in the family; in her youth she fell in love with an Irish Roman-Catholic priest and converted to his faith to win him, while he eventually converted to Hinduism. Chacko, divorced from his English wife and separated from his daughter since her infancy, runs the pickle factory with a capitalist's hand, self-deluding himself all the while that he is a Communist at heart even as he flirts with and beds his female employees. Ammu, the twins' mother, is a divorcee who fled her husband's alcoholism and impossible demands, a woman with a streak of wildness that the children sense and dread and that will be her and her family's undoing.

The family's tragedy revolves around the visit of Chacko's ex-wife, widowed by her second husband, and his daughter, Sophie Mol. It is within the context of their visit that Estha will experience the one horrible thing that should never happen to a child, during their visit that Ammu will come to love by night the man the children love by day, and during their visit that Sophie Mol will die. Her death, and the fate of the twins' beloved Untouchable Velutha, will forever alter the course of the lives of all the members of the family, sending them each off on spinning trajectories of regret and pain. The story reveals itself not in traditional narrative order, but in jumps through time, wending its way through Rahel's memories and attempts at understanding the hand fate dealt her family.

The God of Small Things has been favorable reviewed all over the place, generating a lot of excitement in the current literary establishment. What you think of it will depend heavily on your opinion of Roy's prose style – is it ostentatious, or is it brilliant? Whether or not you fall in love with her style, the truth of the heartbreaking story she tells and the lovable/hate-able characters who people it make this novel an experience not to be missed.

Roy Arundhati  
The Brief History of the Dead

"Remember me when I'm gone"

just took on a whole new meaning.

The City is inhabited by the recently departed, who reside there only as long as they remain in the memories of the living. Among the current residents of this afterlife are Luka Sims, who prints the only newspaper in the City, with news from the other side; Coleman Kinzler, a vagrant who speaks the cautionary words of God; and Marion and Phillip Byrd, who find themselves falling in love again after decades of marriage.

On Earth, Laura Byrd is trapped by extreme weather in an Antarctic research station. She's alone and unable to contact the outside world: her radio is down and the power is failing. She's running out of supplies as quickly as she's running out of time.

Kevin Brockmeier interweaves these two stories in a spellbinding tale of human connections across boundaries of all kinds. The Brief History of the Dead is the work of a remarkably gifted writer.

Brockmeier Kevin  
The House of the Sleeping Beauties

Nobel prize-winning author Yasunari Kawabata is noted for his combination of a traditional Japanese aesthetic with modernist, often surreal trends. In these three tales, superbly translated by Edward Seidensticker, erotic fantasy is underlaid with longing and memories of past loves.

In the title story, the protagonist visits a brothel where elderly men spend a chaste but lecherous night with a drugged, unconscious virgin. As he admires the girl’s beauty, he recalls his past womanizing, and reflects on the relentless course of old age.

In One Arm, a young girl removes her right arm and gives it to the narrator to take home for the night; a surreal seduction follows as he tries to allay its fears, caresses it, and even replaces his own right arm with it.

The protagonist of Of Birds and Beasts prefers the company of his pet birds and dogs to people, yet for him all living beings are beautiful objects which, though they give him pleasure, he treats with casual cruelty.

Beautiful yet chilling, richly poetic yet subtly disturbing, these stories make compelling reading and reaffirm Kawabata’s status as a world-class writer.

Kawabata Yasunari  
The History Койцан Олег Александрович  
обложка книги The Story of Edgar Sawtelle The Story of Edgar Sawtelle

Born mute, speaking only in sign, Edgar Sawtelle leads an idyllic life with his parents on their farm in remote northern Wisconsin. For generations, the Sawtelles have raised and trained a fictional breed of dog whose thoughtful companionship is epitomized by Almondine, Edgar's lifelong friend and ally. But with the unexpected return of Claude, Edgar's paternal uncle, turmoil consumes the Sawtelles' once peaceful home. When Edgar's father dies suddenly, Claude insinuates himself into the life of the farm-and into Edgar's mother's affections.

Grief-stricken and bewildered, Edgar tries to prove Claude played a role in his father's death, but his plan backfires-spectacularly. Forced to flee into the vast wilderness lying beyond the farm, Edgar comes of age in the wild, fighting for his survival and that of the three yearling dogs who follow him. But his need to face his father's murderer and his devotion to the Sawtelle dogs turn Edgar ever homeward.

David Wroblewski is a master storyteller, and his breathtaking scenes-the elemental north woods, the sweep of seasons, an iconic American barn, a fateful vision rendered in the falling rain-create a riveting family saga, a brilliant exploration of the limits of language, and a compulsively readable modern classic.

Wroblewski David  
обложка книги The Bridge The Bridge

A man lies in a coma after a near-fatal accident. His body broken, his memory vanished, he finds himself in the surreal world of the bridge - a world free of the usual constraints of time and space, a world where dream and fantasy, past and future fuse. Who is this man? Where is he? Is he more dead than alive? Or has he never been so alive before?

'Iain Banks of THE WASP FACTORY eclipses that sensational debut...a real dazzler' Daily Mail

'Great artistry, great virtuosity ... great exuberance' New Statesman

'This one's his best yet' New Musical Express

'THE BRIDGE is serious, but playful; it is full of throwaway jokes, minor tangles for the reader to sort out, political/cultural references to the kind of reality that rarely gets into British literature, and nuggets of surprising truth juxtaposed with outrageous lies... convincing in a way too little fantasy or mainstream literature is' City Limits

Banks Iain  
обложка книги The Piano Teacher The Piano Teacher

Former Elle editor Lee delivers a standout debut dealing with the rigors of love and survival during a time of war, and the consequences of choices made under duress. Claire Pendleton, newly married and arrived in Hong Kong in 1952, finds work giving piano lessons to the daughter of Melody and Victor Chen, a wealthy Chinese couple. While the girl is less than interested in music, the Chens' flinty British expat driver, Will Truesdale, is certainly interested in Claire, and vice versa. Their fast-blossoming affair is juxtaposed against a plot line beginning in 1941 when Will gets swept up by the beautiful and tempestuous Trudy Liang, and then follows through his life during the Japanese occupation. As Claire and Will's affair becomes common knowledge, so do the specifics of Will's murky past, Trudy's motivations and Victor's role in past events. The rippling of past actions through to the present lends the narrative layers of intrigue and more than a few unexpected twists. Lee covers a little-known time in Chinese history without melodrama, and deconstructs without judgment the choices people make in order to live one more day under torturous circumstances.

Lee Janice Y K  
обложка книги The Horse Whisperer The Horse Whisperer

In upstate New York, a 13-year-old girl and her horse are hit by a 40-ton truck. They both survive, but suffer horrible injuries. When the girl's mother hears about a man said to have the gift of healing troubled horses, they set off for distant Montana, where their lives are changed for ever.

Evans Nicholas  
The Sheltering Sky

American novelist and short-story writer, poet, translator, classical music composer, and filmscorer Paul Bowles has lived as an expatriate for more than 40 years in the North African nation of Morocco, a country that reaches into the vast and inhospitable Sahara Desert. The desert is itself a character in The Sheltering Sky, the most famous of Bowles’ books, which is about three young Americans of the postwar generation who go on a walkabout into Northern Africa’s own arid heart of darkness. In the process, the veneer of their lives is peeled back under the author’s psychological inquiry.

Bowles Paul  
обложка книги The Last Temptation of Christ The Last Temptation of Christ

Novel which portrays Christ as a sensitive human being who is torn between his own passionates desires and his triumphant destiny on the cross.

Kazantzakis Nikos  
обложка книги The Book of Tomorrow The Book of Tomorrow

Tamara Goodwin has always got everything she’s ever wanted. Born into a family of wealth, she grew up in a mansion with its own private beach, a wardrobe full of designer clothes, and a large four poster bed complete with a luxurious bathroom en suite. She’s always lived in the here and now, never giving a second thought to tomorrow.

But then suddenly her dad is gone and life for Tamara and her mother changes forever. Left with a mountain of debt, they have no choice but to sell everything they own and move to the country to live with Tamara’s Uncle and Aunt. Nestled next to Kilsaney Castle, their gate house is a world away from Tamara’s childhood. With her Mother shut away with grief, and her Aunt busy tending to her, Tamara is lonely and bored and longs to return to Dublin.

When a travelling library passes through Kilsaney Demesne, Tamara is intrigued. She needs a distraction. Her eyes rest on a mysterious large leather bound tome locked with a gold clasp and padlock. With some help, Tamara finally manages to open the book. What she discovers within the pages takes her breath away and shakes her world to its core…

Ahern Cecelia  
Tropic of Cancer Miller Henry  
The bridge of San Luis Rey Wilder Thornton  
The Awakening Chopin Kate  
обложка книги The Perks of Being a Wallflower The Perks of Being a Wallflower

Standing on the fringes of life… offers a unique perspective. But there comes a time to see what it looks like from the dance floor.

This haunting novel about the dilemma of passivity vs. passion marks the stunning debut of a provocative new voice in contemporary fiction.

This is the story of what it's like to grow up in high school. More intimate than a diary, Charlie's letters are singular and unique, hilarious and devastating. We may not know where he lives. We may not know to whom he is writing. All we know is the world he shares. Caught between trying to live his life and trying to run from it puts him on a strange course through uncharted territory. The world of first dates and mixed tapes, family dramas and new friends. The world of sex, drugs, and The Rocky Horror Picture Show, when all one requires is that perfect song on that perfect drive to feel infinite.

Through Charlie, Stephen Chbosky has created a deeply affecting coming-of-age story, powerful novel that will spirit you back to those wild and poignant roller coaster days known as growing up.

Chbosky Stephen  
The Dharma Bums

One of the best and most popular of Kerouac's autobiographical novels, The Dharma Bums is based on experiences the writer had during the mid-1950s while living in California, after he'd become interested in Buddhism's spiritual mode of understanding. One of the book's main characters, Japhy Ryder, is based on the real poet Gary Snyder, who was a close friend and whose interest in Buddhism influenced Kerouac. This book is a must-read for any serious Kerouac fan.

Two ebullient young men are engaged in a passionate search for dharma, or truth. Their major adventure is the pursuit of the Zen way, which takes them climbing into the high Sierras to seek the lesson of solitude, a lesson that has a hard time surviving their forays into the pagan groves of San Francisco's Bohemia with its marathon wine-drinking bouts, poetry jam sessions, experiments in "yabyum," and similar nonascetic pastimes.

This autobiographical novel appeared just a year after the author's explosive On the Road put the Beat generation on the literary map and Kerouac on the best-seller lists. The same expansiveness, humor, and contagious zest for life that sparked the earlier novel ignites this one.

Kerouac Jack  
The Bluest Eye

Originally published in 1970, The Bluest Eye is Toni Morrison's first novel. In an afterword written more than two decades later, the author expressed her dissatisfaction with the book's language and structure: "It required a sophistication unavailable to me." Perhaps we can chalk up this verdict to modesty, or to the Nobel laureate's impossibly high standards of quality control. In any case, her debut is nothing if not sophisticated, in terms of both narrative ingenuity and rhetorical sweep. It also shows the young author drawing a bead on the subjects that would dominate much of her career: racial hatred, historical memory, and the dazzling or degrading power of language itself.

Set in Lorain, Ohio, in 1941, The Bluest Eye is something of an ensemble piece. The point of view is passed like a baton from one character to the next, with Morrison's own voice functioning as a kind of gold standard throughout. The focus, though, is on an 11-year-old black girl named Pecola Breedlove, whose entire family has been given a cosmetic cross to bear:

You looked at them and wondered why they were so ugly; you looked closely and could not find the source. Then you realized that it came from conviction, their conviction. It was as though some mysterious all-knowing master had given each one a cloak of ugliness to wear, and they had each accepted it without question… And they took the ugliness in their hands, threw it as a mantle over them, and went about the world with it.

There are far uglier things in the world than, well, ugliness, and poor Pecola is subjected to most of them. She's spat upon, ridiculed, and ultimately raped and impregnated by her own father. No wonder she yearns to be the very opposite of what she is-yearns, in other words, to be a white child, possessed of the blondest hair and the bluest eye.

This vein of self-hatred is exactly what keeps Morrison's novel from devolving into a cut-and-dried scenario of victimization. She may in fact pin too much of the blame on the beauty myth: "Along with the idea of romantic love, she was introduced to another-physical beauty. Probably the most destructive ideas in the history of human thought. Both originated in envy, thrived in insecurity, and ended in disillusion." Yet the destructive power of these ideas is essentially colorblind, which gives The Bluest Eye the sort of universal reach that Morrison's imitators can only dream of. And that, combined with the novel's modulated pathos and musical, fine-grained language, makes for not merely a sophisticated debut but a permanent one. -James Marcus

Morrison Toni  
обложка книги The Girl Who Played Go The Girl Who Played Go

“Explosive… Poignant and shattering… While [the] climax is inevitable and the stories lead directly toward it, a reader is still shocked and horrified when it occurs.” -The Boston Globe

“Shan Sa creates a sense of foreboding that binds the parallel tales of her protagonists. Her measured prose amplifies the isolation amid turmoil that each character seems to inhabit.” – San Francisco Chronicle

“Dreamy… powerful… This unlikely love story… is beautiful, shocking, and sad.” – Entertainment Weekly

“Compelling… Emotionally charged chapters evoke the stop-and-start rhythms of adolescence… Sa handles the intersection of the personal and the political quite deftly.” – The Washington Post Book World

“What makes Sa’s novel so satisfying is the deceptive simplicity of her narrative strategy.” – San Jose Mercury News

“An awesome read… Shan Sa describes the story so well that you almost forget you’ve never visited the places in her book… This book is truly for every reader.” -The Decatur Daily

“Entrancing… [With] an ending that you won’t predict.” – Austin American-Statesman

“It has the sweep of war and the intimacy of a love story… Shan Sa is a phenomenon.” – The Observer (London)

“Spellbinding… Sa’s language is graceful and trancelike: her fights are a whirling choreography of flying limbs and snow, her emotions richly yet precisely expressed.” – The Times (London)

“One is struck by the economy of the tale, its speed, and the brutality of its calculations. There is never an excess word or a superfluous phrase: each paragraph counts… Fine literary work.” – Le Figaro Magazine (France)

“An astonishing book… Ends up taking one’s breath away… Goes straight to our hearts.” – Le Point (France)

“Gripping… A wrenching love story… [The protagonists’] shared sense of immediacy and the transience of life is what in the final analysis makes this novel so strong, so intelligent, so moving… You’ll have to look far and wide to find a better new novel on an East Asian subject than this finely crafted story, satisfying as it is on so many different levels.” – The Taipei Times

***

In a remote Manchurian town in the 1930s, a sixteen-year-old girl is more concerned with intimations of her own womanhood than the escalating hostilities between her countrymen and their Japanese occupiers. While still a schoolgirl in braids, she takes her first lover, a dissident student. The more she understands of adult life, however, the more disdainful she is of its deceptions, and the more she loses herself in her one true passion: the ancient game of go.

Incredibly for a teenager-and a girl at that-she dominates the games in her town. No opponent interests her until she is challenged by a stranger, who reveals himself to us as a Japanese soldier in disguise. They begin a game and continue it for days, rarely speaking but deeply moved by each other's strategies. As the clash of their peoples becomes ever more desperate and inescapable, and as each one's untold life begins to veer wildly off course, the girl and the soldier are absorbed by only one thing-the progress of their game, each move of which brings them closer to their shocking fate.

In The Girl Who Played Go, Shan Sa has distilled the piercing emotions of adolescence into an engrossing, austerely beautiful story of love, cruelty and loss of innocence.

Sa Shan  
обложка книги Travel Агнец Travel Агнец

Мы живем в век карма-колы и химической благодати, но на Земле еще остались места, где сжиганию кармы в Интернете предпочитают пранаяму. На средневековых христианских картах на месте Индии находился рай. Нынешняя Индия тоже напоминает Эдем, только киберпанковский, распадающийся, как пазл, на тысячи фрагментов. Но где бы вы ни оказались, в Гималаях или в Гоа, две вещи остаются неизменными — индийское небо, до которого можно дотянуться рукой, и близость богов, доступных и реальных, как голливудские кинозвезды.

Гостева Анастасия  
обложка книги The Casebook of Victor Frankenstein The Casebook of Victor Frankenstein

Peter Ackroyd's imagination dazzles in this brilliant novel written in the voice of Victor Frankenstein himself. Mary Shelley and Shelley are characters in the novel.

It was at Oxford that I first met Bysshe. We arrived at our college on the same day; confusing to a mere foreigner, it is called University College. I had seen him from my window and had been struck by his auburn locks.

The long-haired poet – 'Mad Shelley' – and the serious-minded student from Switzerland spark each other's interest in the new philosophy of science which is overturning long-cherished beliefs. Perhaps there is no God. In which case, where is the divine spark, the soul? Can it be found in the human brain? The heart? The eyes?

Victor Frankenstein begins his anatomy experiments in a barn near Oxford. The coroner's office provides corpses – but they have often died of violence and drowning; they are damaged and putrifying. Victor moves his coils and jars and electrical fluids to a deserted pottery and from there, makes contact with the Doomesday Men – the resurrectionists.

Victor finds that perfect specimens are hard to come by… until that Thames-side dawn when, wrapped in his greatcoat, he hears the splashing of oars and sees in the half-light the approaching boat where, slung into the stern, is the corpse of a handsome young man, one hand trailing in the water…

Ackroyd Peter  
обложка книги The Lovely Bones The Lovely Bones

The Bram Stoker Awards

My name was Salmon, like the fish, first name, Susie. I was fourteen when I was murdered on December 6, 1973. My murderer was a man from our neighborhood. My mother liked his border flowers, and my father talked to him once about fertilizer'

This is Susie Salmon, speaking to us from heaven. It looks a lot like her school playground, with the good kind of swing sets. There are counsellors to help newcomers to adjust, and friends to room with. Everything she wants appears as soon as she thinks of it – except the thing she wants most: to be back with the people she loved on earth.

From heaven, Susie watches. She sees her happy suburban family implode after her death, as each member tries to come to terms with the terrible loss. Over the years, her friends and siblings grow up, fall in love, do all the things she never had the chance to do herself. But life is not quite finished with Susie yet.

The Lovely Bones is a luminous and astonishing novel about life and death, forgiveness and vengeance, memory and forgetting. It is, above all, a novel which finds light in the darkest of places, and shows how even when that light seems to be utterly extinguished, it is still there, waiting to be rekindled.

Sebold Alice  
обложка книги The Almost Moon The Almost Moon

A woman steps over the line into the unthinkable in this brilliant, powerful, and unforgettable new novel by the author of The Lovely Bones and Lucky.

For years Helen Knightly has given her life to others: to her haunted mother, to her enigmatic father, to her husband and now grown children. When she finally crosses a terrible boundary, her life comes rushing in at her in a way she never could have imagined. Unfolding over the next twenty-four hours, this searing, fast-paced novel explores the complex ties between mothers and daughters, wives and lovers, the meaning of devotion, and the line between love and hate. It is a challenging, moving, gripping story, written with the fluidity and strength of voice that only Alice Sebold can bring to the page.

Sebold Alice  
обложка книги The Chemistry of Tears The Chemistry of Tears

An automaton, a man and a woman who can never meet, two stories of love—all are brought to incandescent life in this hauntingly moving novel from one of the finest writers of our time. 

London 2010: Catherine Gehrig, conservator at the Swinburne museum, learns of the sudden death of her colleague and lover of thirteen years. As the mistress of a married man, she must struggle to keep the depth of her anguish to herself. The one other person who knows Catherine’s secret—her boss—arranges for her to be given a special project away from prying eyes in the museum’s Annexe. Usually controlled and rational, but now mad with grief, Catherine reluctantly unpacks an extraordinary, eerie automaton that she has been charged with bringing back to life.

As she begins to piece together the clockwork puzzle, she also uncovers a series of notebooks written by the mechanical creature’s original owner: a nineteenth-century Englishman, Henry Brandling, who traveled to Germany to commission it as a magical amusement for his consumptive son. But it is Catherine, nearly two hundred years later, who will find comfort and wonder in Henry’s story. And it is the automaton, in its beautiful, uncanny imitation of life, that will link two strangers confronted with the mysteries of creation, the miracle and catastrophe of human invention, and the body’s astonishing chemistry of love and feeling.

Carey Peter  
обложка книги The Tax Inspector The Tax Inspector

Granny Catchprice runs her family business (and her family) with senility, cunning, and a handbag full of explosives. Her daughter Cathy would rather be singing Country & Western than selling cars, while Benny Catchprice, sixteen and seriously psychopathic, wants to transform a failing auto franchise into an empire—and himself into an angel. Out of the confrontation between the Catchprices and their unwitting nemesis, a beautiful and very pregnant agent of the Australian Taxation Office, Peter Carey, author of Oscar and Lucinda, creates an endlessly surprising and fearfully convincing novel.

Carey Peter  
обложка книги The Heart of Memory The Heart of Memory

When beloved Christian writer and speaker Savannah Trover becomes gravely ill, she has to face the sham that her faith has become. Days before her heart transplant, she vows to change her ways and she renews her relationship with Christ. But when she awakens from the surgery, Savannah discovers that her faith has left her completely. Savannah's husband, Shaun, is concerned about his wife's odd behavior--and even more concerned about the secret he's keeping from her. If she doesn't bring down their ministry, then he might, losing his family in the process. A stranger may hold the answer to Savannah's recovery, but is Savannah strong enough to return to her old way of life? Can Shaun right his wrongs before word gets out? And do either one of them remember how to be who they once were--or who they want to be? In this latest relational drama from Alison Strobel, readers will explore the difference between emotional faith and life-giving truth as Savannah wonders if she can ever trust her heart again.

Strobel Alison  
обложка книги The Betrayal of Natalie Hargrove The Betrayal of Natalie Hargrove

Natalie Hargrove would kill to be her high school's Palmetto Princess. But her boyfriend Mike King doesn't share her dream and risks losing the honor of Palmetto Prince to Natalie's nemesis, Justin Balmer. So she convinces Mike to help play a prank on Justin. . one that goes terribly wrong. They tie him to the front of the church after a party — when they arrive the next morning, Justin is dead. From blackmail to buried desire, dark secrets to darker deeds, Natalie unravels. She never should've messed with fate. Fate is the one thing more twisted than Natalie Hargrove. Cruel IntentionsmeetsMacbethin this seductive, riveting tale of conscience and consequence.


Кейт Лорен  
обложка книги The Warsaw Anagrams The Warsaw Anagrams

It's Autumn 1940. The Nazis seal 400,000 Jews inside a small area of the Polish capital, creating an urban island cut off from the outside world. Erik Cohen, an elderly psychiatrist, is forced to move into a tiny apartment with his niece and his beloved nine-year-old nephew, Adam. One bitterly cold winter's day, Adam goes missing. The next morning, his body is discovered in the barbed wire surrounding the ghetto. The boy's leg has been cut off, and a tiny piece of string has been left in his mouth. Soon, another body turns up – this time a girl's, and one of her hands has been taken. Evidence begins to point to a Jewish traitor luring children to their death…In this profoundly moving and darkly atmospheric historical thriller, the reader is taken into the most forbidden corners of Nazi-occupied Warsaw – as well as into the most heroic places of the heart. Praise for Richard Zimler: 'A riveting literary murder mystery, [The Last Kabbalist of Lisbon] is also a harrowing picture of the persecution of 16th-century Jews and, in passing, an atmospheric introduction to the hermetic Jewish tradition of the Kabbalah' – "Independent on Sunday". 'Zimler [is] a present-day scholar and writer of remarkable erudition and compelling imagination, an American Umberto Eco' – "Spectator". 'Zimler has this spark of genius, which critics can't explain but readers recognise, and which every novelist desires but few achieve' – "Independent". 'Zimler is an honest, powerful writer' – "Guardian".

Zimler Richard  
обложка книги Tune in Tokio Tune in Tokio

Everyone wants to escape their boring, stagnant lives full of inertia and regret. But so few people actually have the bravery to run, run away from everything and selflessly seek out personal fulfillment on the other side of the world where they don't understand anything and won't be expected to. The world is full of cowards. Tim Anderson was pushing thirty and working a string of dead-end jobs when he made the spontaneous decision to pack his bags and move to Japan,?where my status as a U.S. passport holder and card-carrying?American English? speaker was an asset rather than a liability.? It was a gutsy move, especially for a tall, white, gay Southerner who didn?t speak a lick of Japanese. But his life desperately needed a shot of adrenaline, and what better way to get one than to leave behind everything he had ever known to move to?a tiny, overcrowded island heaving with clever, sensibly proportioned people that make him look fat In Tokyo, Tim became a?gaijin,? an outsider whose stumbling progression through Japanese culture is minutely chronicled in these sixteen howlingly funny stories. Yet despite the steep learning curve and the seemingly constant humiliation, the gaijin from North Carolina gradually begins to find his way. Whether playing drums on the fly in an otherwise all-Japanese noise band or attempting to keep his English classroom clean when it's invaded by an older female student with a dirty mind, Tim comes to realize that living a meaningful life is about expecting the unexpected?right when he least expects it.

Anderson Tim  
обложка книги The Long Earth The Long Earth

The UK's bestselling fantasy writer and a giant of British SF combine forces to write an astonishing, mind-bending new series… The Long Earth.

2015: Madison, Wisconsin. Junior cop Sally Jansson is called out to the house of Willis Lynsey, a reclusive scientist, for an animal-cruelty complaint: the man was seen forcing a horse in through the door of his home. Inside there is no horse. But Sally finds a kind of home-made utility belt. She straps this on – and 'steps' sideways into an America covered with virgin forest. Willis came here with equipment and animals, meaning to explore and colonise. And when Sally gets back, she finds Willis has put the secret of the belt on the internet. The great migration has begun…

The Long Earth: our Earth is but one of a chain of parallel worlds, lying side by side in a higher space of possibilities, each differing from its neighbours by a little (or a lot): an infinite landscape of infinite possibilities. And the further away you travel, the stranger the worlds get. The sun and moon always shine, the basic laws of physics are the same. However, the chance events which have shaped our particular version of Earth, such as the dinosaur-killer asteroid impact, might not have happened and things may well have turned out rather differently. But only our Earth hosts mankind.

Baxter Stephen, Pratchett Terry  
обложка книги The Thief and the Dogs The Thief and the Dogs

Naguib Mahfouz is Egypt's most famous novelist and his leading role in Arabic literature remains assured. He is now the author of no fewer than thirty novels and more than a hundred short stories; in Egypt each new publication is regarded as a major cultural event and his name is inevitably among the first mentioned in any literary discussion from Gibraltar to the Gulf. If only because of his impact on the Arab world, Mahfouz must be considered an author of international importance.

"This is a psychological novel, impressionist rather than realist; it moves with the speed and economy of a detective story. Here Mahfouz uses the "stream of consciousness" technique for the first time to show the mental anguish of the central figure consumed by bitterness and a desire for revenge against the individuals and the society who have corrupted and betrayed him and brought about his inevitable damnation. It is a masterly work, swiftly giving the reader a keenly accurate vision of the workings of a sick and embittered mind doomed to self-destruction."

From the Introduction by Trevor Le Gassick

Mahfouz Naguib  
обложка книги The day the leader was killed The day the leader was killed

Naguib Mahfouz is the most prominent author of Arabic fiction published in English today. He was born in Cairo in 1911 and began writing when he was seventeen. A student of philosophy and an avid reader, he has been influenced by many Western writers, including Flaubert, Balzac, Zola, Camus, Tolstoy, Dostoevsky, and, above all, Proust. He has more than thirty novels to his credit, ranging from his earliest historical romances to his most recent experimental novels. In 1988, Mr. Mahfouz was awarded the Nobel Prize in Literature. He lives in the Cairo suburb of Agouza with his wife and two daughters.

Mahfouz Naguib  
обложка книги Tausend strahlende Sonnen Tausend strahlende Sonnen

Wie in seinem Welterfolg DRACHENLÄUFER erzählt Khaled Hosseini erneut eine zutiefst bewegende Geschichte aus seinem Heimatland: von Leid und Ohnmacht, aber auch vom außergewöhnlichen Mut zweier afghanischer Frauen. Die unehelich geborene Mariam wird mit fünfzehn ins ferne Kabul geschickt, wo sie mit dem dreißig Jahre älteren Witwer Rashid verheiratet wird. Zwanzig Jahre später erlebt das Nachbarkind Leila ein ähnliches Schicksal. Auch ihr bleibt keine Wahl: Nachdem ihre Familie bei einem Bombenangriff getötet wurde und sie erfährt, dass auch ihr Jugendfreund Tarik ums Leben gekommen ist, wird sie Rashids Zweitfrau. In dem bis dahin kinderlos gebliebenen Haushalt bringt Leila eine Tochter und einen Sohn zur Welt. Während der Taliban-Herrschaft machen Bombardierungen, Hunger und physische Gewalt das Leben der Familie zur Qual. Die Not lässt die beiden unterschiedlichen Frauen zu Freundinnen werden und ihre Stärke schließlich ins Übermenschliche wachsen. Khaled Hosseini gelingt es wieder auf unvergleichliche Weise, seine Figuren so lebendig und authentisch werden zu lassen, dass der Leser sich mit ihrem Schicksal identifiziert.


KHALED HOSSEINI wurde 1965 in Kabul als Sohn eines Diplomaten geboren. Seine Familie erhielt 1980 in den Vereinigten Staaten politisches Asyl. Er lebt heute als Arzt und Autor in Kalifornien. Sein Roman DRACHENLÄUFER erschien in vierzig Sprachen und hat eine Weltauflage von sieben Millionen Exemplaren.

Hosseini Khaled  
обложка книги The House at Riverton aka The Shifting Fog The House at Riverton aka The Shifting Fog

Sainsbury's Popular Fiction Award (nominee)

Summer 1924: On the eve of a glittering Society party, by the lake of a grand English country house, a young poet takes his life. The only witnesses, sisters Hannah and Emmeline Hartford, will never speak to each other again. Winter 1999: Grace Bradley, 98, one-time housemaid of Riverton Manor, is visited by a young director making a film about the poet's suicide. Ghosts awaken and memories, long-consigned to the dark reaches of Grace's mind, begin to sneak back through the cracks. A shocking secret threatens to emerge; something history has forgotten but Grace never could.

A thrilling mystery and a compelling love story, "The House at Riverton" will appeal to readers of Ian McEwan's "Atonement", L P Hartley's "The Go-Between", and lovers of the film "Gosford Park".

Morton Kate  
обложка книги The Distant Hours The Distant Hours

Edie Burchill and her mother have never been close, but when a long lost letter arrives one Sunday afternoon with the return address of Millderhurst Castle, Kent, printed on its envelope, Edie begins to suspect that her mother's emotional distance masks an old secret. Evacuated from London as a thirteen year old girl, Edie's mother is chosen by the mysterious Juniper Blythe, and taken to live at Millderhurst Castle with the Blythe family: Juniper, her twin sisters and their father, Raymond. In the grand and glorious Millderhurst Castle, a new world opens up for Edie's mother. She discovers the joys of books and fantasy and writing, but also, ultimately, the dangers. Fifty years later, as Edie chases the answers to her mother's riddle, she, too, is drawn to Millderhurst Castle and the eccentric Sisters Blythe. Old ladies now, the three still live together, the twins nursing Juniper, whose abandonment by her fiance in 1941 plunged her into madness. Inside the decaying castle, Edie begins to unravel her mother's past. But there are other secrets hidden in the stones of Millderhurst Castle, and Edie is about to learn more than she expected. The truth of what happened in the distant hours has been waiting a long time for someone to find it…

Morton Kate  
обложка книги The Citadel The Citadel

At the awful dawn of a nuclear age-at the painful birth of the Cold War-the Citadel was constructed in secret beneath the Antarctic ice. Housing the most devastating weapon imaginable, it was a safeguard against an unseen threat far more potent than the growing Communist menace. Now, six decades later, America 's destruction seems all but assured-because the enemy has re-emerged from the shadows of time.

And the Citadel has been breached.

The commander of Section 8-a covert force of misfits assigned the impossible missions no one else will touch-Captain Jim Vaughn must now lead his unit into the unknown to diffuse a nightmare of astronomical proportions. The future hangs in the balance-and the ultimate survival of humankind is in the hands of men with nothing left to lose…

Doherty Robert  
обложка книги The Magus The Magus

The Magus (1966) is the first novel written (but second published) by British author John Fowles. It tells the story of Nicholas Urfe, a teacher on a small Greek island. Urfe finds himself embroiled in psychological illusions of a master trickster that become increasingly dark and serious.

The novel was a bestseller, partly because it tapped successfully into—and then arguably helped to promote—the 1960s popular interest in psychoanalysis and mystical philosophy.

Fowles John  
Tell All Palahniuk Chuck  
обложка книги The Solitude of Prime Numbers The Solitude of Prime Numbers

He had learned his lesson. Choices are made in a few seconds and paid for in the time that remains. A prime number is inherently a solitary thing: it can only be divided by itself, or by one; it never truly fits with another. Alice and Mattia also move on their own axes, alone with their personal tragedies. As a child Alice's overbearing father drove her first to a terrible skiing accident, and then to anorexia. When she meets Mattia she recognises a kindred spirit, and Mattia reveals to Alice his terrible secret: that as a boy he abandoned his mentally-disabled twin sister in a park to go to a party, and when he returned, she was nowhere to be found. These two irreversible episodes mark Alice and Mattia's lives for ever, and as they grow into adulthood their destinies seem irrevocably intertwined. But then a chance sighting of a woman who could be Mattia's sister forces a lifetime of secret emotion to the surface. A meditation on loneliness and love, "The Solitude of Prime Numbers" asks, can we ever truly be whole when we're in love with another?

Giordano Paolo  
обложка книги The Diving Bell and the Butterfly The Diving Bell and the Butterfly

In 1995, Jean-Dominique Bauby was the editor-in-chief of French Elle, the father of two young children, a 44-year-old man known and loved for his wit, his style, and his impassioned approach to life. By the end of the year he was also the victim of a rare kind of stroke to the brainstem. After 20 days in a coma, Bauby awoke into a body which had all but stopped working: only his left eye functioned, allowing him to see and, by blinking it, to make clear that his mind was unimpaired. Almost miraculously, he was soon able to express himself in the richest detail: dictating a word at a time, blinking to select each letter as the alphabet was recited to him slowly, over and over again. In the same way, he was able eventually to compose this extraordinary book.

By turns wistful, mischievous, angry, and witty, Bauby bears witness to his determination to live as fully in his mind as he had been able to do in his body. He explains the joy, and deep sadness, of seeing his children and of hearing his aged father’s voice on the phone. In magical sequences, he imagines traveling to other places and times and of lying next to the woman he loves. Fed only intravenously, he imagines preparing and tasting the full flavor of delectable dishes. Again and again he returns to an “inexhaustible reservoir of sensations,” keeping in touch with himself and the life around him.

Jean-Dominique Bauby died two days after the French publication of The Diving Bell and the Butterfly.

This book is a lasting testament to his life.

Acclaim for Jean-Dominique Bauby’s “The Diving Bell and the Butterfly”

“The sentences soar, unburdened by self-pity or despair, and the progression of short, lyrical chapters begin to resemble the beating of wings.”

The New Yorker

“An admirable testament to the unkillable self, to the spirit that insists on itself so vehemently that it ultimately transcends and escapes the prison of the body.”

— Francine Prose, Newsday

“The most remarkable memoir of our time—perhaps of any time.”

— Cynthia Ozick

“Shattering eloquence…. The real glory here is Bauby himself, whose spirit asserts itself again and again in the words that survive him.”

Miami Herald

“To read this most extraordinary of narratives is to discover the luminosity within a courageous man's mind…. Incomparable.”

— Sherwin B. Nuland, M.D.

“Mesmerizing.”

Newsweek

“Read this book and fall back in love with life…. The prose…is as light as the sprightliest humor, as pungent as the scent of cooking apricots, as vigorous as the step of a young man setting out on a first date.”

— Edmund White
Bauby Jean-Dominique  
Tysiąc spokojnych miast

Powieść "Tysiąc spokojnych miast" została wydana w 1997 roku w Londynie. Pilch poprzez tą książkę stara się powrócić do wspomnień z dzieciństwa, które upłynęło mu na ziemi cieszyńskiej. Na kartach "Tysiąca spokojnych miast" kreśli obrazy domu rodzicielskiego, ojca, matki, przyjaciół.

Jest to książka o dorastaniu chłopca- protestanta, jego stosunkach z tamtejszą wspólnotą ewangelicką, etc. Ale motywem naczelnym jest planowanie zabójstwa Władysława Gomułki przez ojca bohatera i pana Józefa Trąbę.

Pilch jest uważany przez krytyków za " Mistrza Pierwszego Akapitu" i "Tysiąc spokojnych miast" to potwierdza: "Gdy ojciec i pan Trąba postanowili zabić I sekretarza Władysława Gomułkę, panowały niepodzielnie upały, ziemia trzeszczała w szwach, rozpoczynała się udręka mojej młodości". Odbiorca czytając taki wstęp od razu wie, iż skończy się tylko na zapowiedziach. Jednak powieść nie oscyluje tylko wokół próby zabójstwa Gomułki, jest także opowieścią o pierwszej, niewinnej miłości głównego bohatera. Obiektem uczuć chłopca staje się dojrzała i piękna kobieta, która niestety ma męża. Bohater stara się z nią spotkać, wysyła jej wiadomości i w końcu dochodzi do konfrontacji. Teresa(bo tak ma na imię owa kobieta, choć bohater nazywał ją "Anielicą swojej pierwszej miłości") opowiedziała mu o problemach w dorosłym życiu, rodzicach, i pokazała album rodzinny. To spotkanie miało na celu nauczenie bohatera kilku rzeczy o życiu, śmierci i osiąganiu szczęścia. Chłopiec nauczył się od niej, że należy często myśleć o tych, którzy odeszli.

Rodzice Jerzyka trzymają go twardą ręką i starają się wpoić mu pewne oczywiste zasady. Ojciec nazywany jest Naczelnikiem, zaś matka jest we wszystkim mu podporządkowana. Naczelnik miał wziąć udział w zabójstwie sekretarza Gomułki, co bardzo imponowało jego synowi. W ogóle dzięki ojcu chłopiec poznaje prawdziwy świat, pod jego okiem także przechodzi alkoholową inicjację.

Naczelnik osobowość miał dosyć kontemplacyjną, do życia podchodził w sposób spokojny i opanowany. oraz z. Jednak swoje usposobienie ojciec chłopca ukrywał pod maską wyczerpania walką i prowadzeniem znerwicowanego życia. Ojciec Jerzyka miał bardzo interesujące poglądy na życie i starał się za pomocą inteligentnych tez wpoić je synowi, by wychować go na odpowiedzialnego obywatela demokratycznej Polski, która dopiero ma nadejść.

Kolejny bohater, Pan Trąba, to człowiek, który ma duże problemy z alkoholem, ale i zbyt bujną wyobraźnię. Jego główną myślą było to, iż trzeba zostawić jakiś ślad po sobie, dla przyszłych pokoleń. Pan Trąba uważał, że umrze za niedługo, wobec tego postanowił ułożyć poemat na cześć właśnie swojej śmierci. Niestety, ani Jerzyk, ani jego ojciec nie poznali się na talencie pana Trąby(żaden z nich nie miał pojęcia, o jakie jaskółki mu chodzi).

Wówczas oboje z ojcem wpadli na pomysł zabicia I sekretarza PZPR, gdyż dzięki temu na pewno Pan Trąba przeszedłby do potomności.

"Tysiąc spokojnych miast" to powieść, w której Jerzy Pilch umiejętnie przedstawił wady i niektóre zalety systemu komunistycznego. Pilch, którego styl pisarski krytycy przyrównują do Milana Kundery czy Bohumila Hrabala, buduje rzeczywistość fabularną bardzo realistycznie. Jednak głównym walorem tekstu jest autoironia, którą daje się wyczuć prawie w każdej linijce.

Wejście w świat przeciętnego młodego człowieka, który dorastał w czasach komunistycznych(jest rok 1963) jest bardzo intrygującą i zajmującą przygodą. Autor nie mówi czytelnikowi, co jest złe, a co dobre, czytający musi sam do tego dojść. Te groteskowe i przerysowane niby-wspomnienia są opowieścią o ciągłych kłopotach, jakie mieli i maja ludzie, niezależnie od tego, w jakich czasach przyszło im żyć. Powieść porusza być może przeciętne problemy zwykłych ludzi, nie zawsze dostrzegane. Jeżeliby w skrócie opisać, o czym jest "Tysiąc spokojnych miast", to jest to książka o niezrozumiałym dla ewangelika świecie, o piciu, bo piją tam prawie wszyscy, o absurdach rzeczywistości komunistycznej.

Myślę, że do lektury książki Pilcha zachęcać specjalnie nie trzeba, jeżeli komuś podoba się styl, jakim pisze, z pewnością nie będzie zawiedziony, choć w pewnych momentach powieść może nieco nużyć.

"Nieuprzedzonemu czytelnikowi grozi w zetknięciu z tekstem Pilcha zaczytanie się, czyli przejściowa utrata kontroli nad otoczeniem. Jest to dziwne zjawisko, nie mamy tu, bowiem krwistej fabuły, przygód godnych kina akcji, nie trzyma, więc nas w napięciu wieczne pytanie podsycające ciekawość: no i co będzie dalej? Wręcz przeciwnie. Historia opowiedziana w książce, jest urojeniem i wiadomo od samego początku, że skończyć się może tylko niczym, czyli rozejściem się po kościach".

Anna Nasiłowska, Powieść retoryczna, "Tygodnik Powszechny"

Pilch Jerzy  
The Clockwork Testament (Or: Enderby 's End) Burgess Anthony  
обложка книги The Thousand Autumns of Jacob de Zoet The Thousand Autumns of Jacob de Zoet

The author of Cloud Atlas's most ambitious novel yet, for the readers of Ishiguro, Murakami, and, of course, David Mitchell.

The year is 1799, the place Dejima, the "high-walled, fan-shaped artificial island" that is the Japanese Empire's single port and sole window to the world. It is also the farthest-flung outpost of the powerful Dutch East Indies Company. To this place of superstition and swamp fever, crocodiles and courtesans, earthquakes and typhoons, comes Jacob de Zoet. The young, devout and ambitious clerk must spend five years in the East to earn enough money to deserve the hand of his wealthy fiancée. But Jacob's intentions are shifted, his character shaken and his soul stirred when he meets Orito Aibagawa, the beautiful and scarred daughter of a Samurai, midwife to the island's powerful magistrate. In this world where East and West are linked by one bridge, Jacob sees the gaps shrink between pleasure and piety, propriety and profit. Magnificently written, a superb mix of historical research and heedless imagination, The Thousand Autumns of Jacob de Zoet is a big and unforgettable book that will be read for years to come.

Mitchell David  
обложка книги The Cloud Atlas The Cloud Atlas

Cloud atlas is a cleverly written book consisting of six seperate, but connecting stories set across six different periods in time. Each story has been chopped in two and symmetrically placed in the book so you don’t discover the conclusion to the first tale until the very end of the book.

This layout effectively creates a storytelling ripple where the sixth and final story is told, as a whole, at the books central core, before the reader then moves back out in the direction they came to discover each of the other characters destiny’s.

Mitchell David  
обложка книги Thank You for Smoking Thank You for Smoking

"Nick Naylor had been called many things since becoming chief spokesman for the Academy of Tobacco Studies. But until now no one had actually compared him to Satan." They might as well have, though. "Gucci Goebbels," "yuppie Mephistopheles," and "death merchant" are just a few endearments Naylor has earned himself as the tobacco lobby's premier spin doctor. The hero of Thank You for Smoking does of course have his fans. His arguments against the neo-puritanical antismoking trends of the '90s have made him a repeat guest on Larry King, and the granddaddy of Winston-Salem wants him to be the anointed heir. Still, his newfound notoriety has unleashed a deluge of death threats. Christopher Buckley's satirical gift shines in this hilarious look at the ironies of "personal freedom" and the unbearable smugness of political correctness. Bracing in its cynicism, Thank You for Smoking is a delightful meander off the beaten path of mainstream American ethics. And despite his hypertension-inducing, slander-splattered, morally bankrupt behavior-which leads one Larry King listener to describe him as "lower than whale crap"-you'll find yourself rooting for smoking's mass enabler. -Rebekah Warren

Buckley Christopher  
обложка книги The Sweetest Dream The Sweetest Dream Lessing Doris  
обложка книги The Throwback The Throwback

Lockheart Flawse exposes the suburban foibles of his tennants in Sandicott Close. Terrified out of their wits, one by one they beat a hasty retreat and Lockheart's dream of escaping hated East Pursley, and his 12 rent-controlled houses comes a step closer.

Sharpe Tom  
обложка книги The Best Of Times The Best Of Times

A hot summer's day, a crowded motorway, a split second that changed people's lives forever. Gripping, heartbreaking, exciting and unputdownable, this new novel will be one of 2009's biggest and most enjoyable novels – from the irresistible Penny Vincenzi.

Vincenzi Penny  
The Diceman Rheinhart Luke  
обложка книги The Physiognomy The Physiognomy

Sent from the Well-Built City to a barren mining town, physiognomist Cley is directed to find the thief who has stolen a supernatural and legendary white fruit that grew in the Earthly Paradise.

Ford Jeffrey Cley  
обложка книги The Stars’ Tennis Balls The Stars’ Tennis Balls

Ned Maddstone has it all. He's handsome and talented; he has the love of a beautiful woman and in 1980, he stands at the brink of a glittering future. He rounds off an outstanding public school career with a sailing trip to Scotland, which is where his fortunes enter a terrifying tailspin. Determined to honour the dying wish of his sailing instructor, Ned returns to London, where the schemes of jealous classmates catapult him into a 10-year nightmare. Confined to a solitary Hell, believed dead by all those who loved him, Ned transforms from a terminally nice guy into a creature bent on revenge, a revenge both satisfying and apocalyptic. Few writers can deliver so much in one package, but here Stephen Fry combines a riotous satire of the privileged classes with elements of the darkest thrillers. While the plot bounces from the sublime to the surreal, his characters remain acutely real. Ned's classmates, slow-witted hedonist Rufus Cade, and the Machiavellian climber Ashley Barson-Garland – who is aroused by the sight of straw boaters – are masterful creations. This novel has nothing to do with tennis, and everything to do with the cruel logic of Fate. Game, set and match to Mr Fry. – Matthew Baylis

Fry Stephen  
обложка книги The Memoirs of a Survivor The Memoirs of a Survivor

Many years in the future, city life has broken down, communications have failed and food supplies are dwin-dling. From her window a middle-aged woman watches things fall apart and records what she witnesses: hordes of people migrating to the countryside, gangs of children roaming the streets. One day, a young girl, Emily, is brought to her house by a stranger and left in her care. A strange, precocious adolescent, drawn to the tribal streetlife and its barbaric rituals, Emily is unafraid of the harsh world outside, while our narrator retreats into her own hidden world where reality fades and the past is revisited...

Lessing Doris May  
The Kite Ribbon (chinese) Wang Meng  
обложка книги The Satanic Verses The Satanic Verses

No book in modern times has matched the uproar sparked by Salman Rushdie's The Satanic Verses, which earned its author a death sentence. Furor aside, it is a marvelously erudite study of good and evil, a feast of language served up by a writer at the height of his powers, and a rollicking comic fable. The book begins with two Indians, Gibreel Farishta ("for fifteen years the biggest star in the history of the Indian movies") and Saladin Chamcha, a Bombay expatriate returning from his first visit to his homeland in 15 years, plummeting from the sky after the explosion of their jetliner, and proceeds through a series of metamorphoses, dreams and revelations. Rushdie's powers of invention are astonishing in this Whitbread Prize winner.


From Publishers Weekly

Banned in India before publication, this immense novel by Booker Prize-winner Rushdie ( Midnight's Children ) pits Good against Evil in a whimsical and fantastic tale. Two actors from India, "prancing" Gibreel Farishta and "buttony, pursed" Saladin Chamcha, are flying across the English Channel when the first of many implausible events occurs: the jet explodes. As the two men plummet to the earth, "like titbits of tobacco from a broken old cigar," they argue, sing and are transformed. When they are found on an English beach, the only survivors of the blast, Gibreel has sprouted a halo while Saladin has developed hooves, hairy legs and the beginnings of what seem like horns. What follows is a series of allegorical tales that challenges assumptions about both human and divine nature. Rushdie's fanciful language is as concentrated and overwhelming as a paisley pattern. Angels are demonic and demons are angelic as we are propelled through one illuminating episode after another. The narrative is somewhat burdened by self-consciousness that borders on preciosity, but for Rushdie fans this is a splendid feast.


Review

"A glittering novelist – one with startling imagination and intellectual resources, a master of perpetual storytelling." – V.S. Pritchett, The New Yorker

"Abundant in enchanting narratives and amazingly peopled, The Satanic Verses is both a philosophy and an Arabian nights entertainment. What wit, what real warmth in Rushdie’s thousand-eyed perceptions of the inferno within us and the vainglory of our aspirations! His ambitions are huge, and his creativity triumphantly matches them...A staggering achievement, brilliantly enjoyable." – Nadine Gordimer

"A masterpiece." – Bill Bruford, TheSunday Times

"Swift's Gulliver's Travels, Voltaire's Candide, Sterne's Tristam Shandy.... Salman Rushdie, it seems to me, is very much a latter day member of their company." – New York Times Book Review

"Further evidence of Rushdie’s stature as one of the most original, imaginative, perplexing, and important writers of our time." –Publishers Weekly

"A novel of metamorphoses, hauntings, hallucinations, revelations, advertising jingles jokes… Rushdie has the power of description, and we succumb." – Victoria Glendinning, The Times

"An exhilarating… populous, loquacious, sometimes hilarious, extraordinary contemporary novel… a roller coaster ride over a vast majority of the imagination" – Angela Carter, The Guarduan

"A truly original novel…sustained at headlong pace by the author whose powers of invention and construction, command of every variety of English and Anglo-Indian idiom, sense of desperate comedy, and within of intellectual reference have been well-exercised before, but neber on such a scale." – Hyam Maccoby, The Sunday Telegraph

Rushdie Salman  
The Ghost Who Came to Say He Was Sorry Palahniuk Chuck  
The Dead Astronaut Ballard James Graham  
The Garden Of Time Ballard James Graham  
обложка книги The Penelopiad: The Myth of Penelope and Odysseus The Penelopiad: The Myth of Penelope and Odysseus

In Homer’s account in The Odyssey, Penelope—wife of Odysseus and cousin of the beautiful Helen of Troy—is portrayed as the quintessential faithful wife, her story a salutary lesson through the ages. Left alone for twenty years when Odysseus goes off to fight in the Trojan war after the abduction of Helen, Penelope manages, in the face of scandalous rumours, to maintain the kingdom of Ithaca, bring up her wayward son, and keep over a hundred suitors at bay, simultaneously. When Odysseus finally comes home after enduring hardships, overcoming monsters and sleeping with goddesses, he kills her suitors and—curiously—twelve of her maids.

In a splendid contemporary twist to the ancient story, Margaret Atwood has chosen to give the telling of it to Penelope and to her twelve hanged Maids, asking: ‘What led to the hanging of the maids, and what was Penelope really up to?’ In Atwood’s dazzling, playful retelling, the story becomes as wise and compassionate as it is haunting, and as wildly entertaining as it is disturbing

With wit and verve, drawing on the storytelling and poetic talent for which she herself is renowned, she gives Penelope new life and reality—and sets out to provide an answer to an ancient mystery.

Atwood Margaret  
обложка книги Theft: A Love Story Theft: A Love Story

Ferocious and funny, penetrating and exuberant, Theft is two-time Booker Prize-winner Peter Carey's master class on the things people will do for art, for love . . . and for money.

“I don't know if my story is grand enough to be a tragedy, although a lot of shitty stuff did happen. It is certainly a love story but that did not begin until midway through the shitty stuff, by which time I had not only lost my eight-year-old son, but also my house and studio in Sydney where I had once been famous as a painter could expect in his own backyard. . .”

So begins Peter Carey's highly charged and lewdly funny new novel. Told by the twin voices of the artist, Butcher Bones, and his “damaged two-hundred-and-twenty-pound brother” Hugh, it recounts their adventures and troubles after Butcher's plummeting prices and spiralling drink problem force them to retreat to New South Wales. Here the formerly famous artist is reduced to being a caretaker for his biggest collector, as well as nurse to his erratic brother.

Then the mysterious Marlene turns up in Manolo Blahniks one stormy night. Claiming that the brothers' friend and neighbour owns an original Jacques Liebovitz, she soon sets in motion a chain of events that could be the making or ruin of them all.

Displaying Carey's extraordinary flare for language, Theft is a love poem of a very different kind. Ranging from the rural wilds of Australia to Manhattan via Tokyo - and exploring themes of art, fraud, responsibility and redemption - this great novel will make you laugh out loud.

Carey Peter  
обложка книги The Robber Bride The Robber Bride

WINNER OF THE 2000 BOOKER PRIZE


Even Zenia’s name is enough to provoke the old sense of outrage, of humiliation and confused pain. The truth is that at certain times—early mornings, the middle of the night—she finds it hard to believe that Zenia is really dead.’ Zenia is beautiful, smart and greedy; by turns manipulative and vulnerable, needy and ruthless; a man’s dream and a woman’s nightmare. She is also dead. Just to make absolutely sure Tony, Roz and Charis are there for the funeral. But five years on, as the three women share a sisterly lunch, the impossible happens: ‘with waves of ill will flowing out of her like cosmic radiation’, Zenia is back ...

This is the wise, unsettling, drastic story of three women whose lives share a common wound: Zenia, a woman they first met as university students in the sixties. Zenia is smart and beautiful, by turns manipulative, vulnerable—and irresistible. She has entered into their separate lives to ensnare their sympathy, betray their trust, and exploit their weaknesses. Now Zenia, thought dead, has suddenly reappeared. In this richly layered narrative, Atwood skilfully evokes the decades of the past as she retraces three women’s lives, until we are back in the present—where it’s yet to be discovered whether Zenia’s ‘pure, free-wheeling malevolence’ can still wreak havoc. The Robber Bride reports from the farthest reaches of the sex wars and is one of Margaret Atwood’s most intricate and subversive novels yet.

Exploring the paradox of female villainy, this tale of three fascinating women is another peerless display of literary virtuosity by the supremely gifted author of Cat's Eye and The Handmaid's Tale. Roz, Charis and Tony all share a wound, and her name is Zenia. Beautiful, smart and hungry, by turns manipulative and vulnerable, needy and ruthless, Zenia is the turbulent center of her own neverending saga. She entered their lives in the sixties, when they were in college. Over the three decades since, she has damaged each of them badly, ensnaring their sympathy, betraying their trust, and treating their men as loot. Then Zenia dies, or at any rate the three women—with much relief -- attend her funeral. But as The Robber Bride begins, Roz, Charis and Tony have come together at a trendy restaraunt for their monthly lunch when in walks the seemingly resurrected Zenia...

 In this consistently entertaining and profound new novel, Margaret Atwood reports from the farthest reaches of the war between the sexes with her characteristic well-crafted prose, rich and devious humor, and compassion.

Atwood Margaret  
обложка книги The Gargoyle The Gargoyle

The narrator of THE GARGOYLE is a very contemporary cynic, physically beautiful and sexually adept, who dwells in the moral vacuum that is modern life. As the book opens, he is driving along a dark road when he is distracted by what seems to be a flight of arrows. He crashes into a ravine and suffers horrible burns over much of his body. As he recovers in a burn ward, undergoing the tortures of the damned, he awaits the day when he can leave the hospital and commit carefully planned suicide - for he is now a monster in appearance as well as in soul.

A beautiful and compelling, but clearly unhinged, sculptress of gargoyles by the name of Marianne Engel appears at the foot of his bed and tells him that they were once lovers in medieval Germany. In her telling, he was a badly injured mercenary and she was a nun and scribe in the famed monastery of Engelthal who nursed him back to health. As she spins their tale in Scheherazade fashion and relates equally mesmerizing stories of deathless love in Japan, Iceland, Italy, and England, he finds himself drawn back to life - and finally in love. He is released into Marianne's care and takes up residence in her huge stone house. But all is not well. For one thing, the pull of his past sins becomes ever more powerful as the morphine he is prescribed becomes ever more addictive. For another, Marianne receives word from God that she only has twenty-seven sculptures left to complete - and her time on earth will be finished.

Already an international literary sensation, THE GARGOYLE is an Inferno for our time. It will have you believing in the impossible.

Davidson Andrew  
обложка книги The офис The офис

Они добровольно и всерьез принимают правила игры в жизнь: в качестве паразитов в корпоративном брюхе, где сверхценность – подачка в виде годового бонуса, а потеря работы – страшная трагедия. Хотя, как ни странно, жизнь героев сборника – водителей, бухгалтеров и топ-менеджеров – не лишена некоторой романтики, а местами – секса.

В общем, если кто-то узнает в героях книги себя – у него либо начнется депрессивный психоз, либо он станет долго хохотать и зачитывать целые абзацы своим коллегам.

Сергей Минаев

Донцов Андрей  
обложка книги The Class The Class

From world-renowed author Erich Segal comes a powerful and moving saga of five extraordinary members of the Harvard class of 1958 and the women with whom their lives are intertwined. Their explosive story begins in a time of innocence and spans a turbulent quarter century, culminating in their dramatic twenty-five reunion at which they confront their classmates-and the balance sheet of their own lives. Always at the center; amid the passion, laughter, and glory, stands Harvard-the symbol of who they are and who they will be. They were a generation who made the rules-then broke them-whose glittering successes, heartfelt tragedies, and unbridled ambitons would stun the world.

Segal Erich  
обложка книги Tres Metros Sobre El Cielo Tres Metros Sobre El Cielo

En Roma, como en cualquier otra ciudad del mundo, los adolescentes quieren volar, buscan caminar `tres metros sobre el cielo`. Las chicas como Babi se esmeran en sus estudios, hablan del último grito en moda y se preparan para encontrar al amor de sus vidas: los chicos como Step prefieren la velocidad, la violencia, el riesgo y la camaradería de las bandas, pero todos ellos se implican en la vida como si cada segundo fuera el último.

Moccia Federico  
обложка книги Tristano muere Tristano muere

Una casa de campo en alguna parte de la Toscana. La canícula del mes de agosto, en el último año del siglo XX. Tristano, un hombre que ha combatido por la libertad de su país bajo ese nombre, tomado de un personaje de Leopardi, llama a la cabecera de su cama a un escritor que, aparentemente, en otro tiempo se inspiró en él para escribir una novela. Pero ¿es posible inscribir en el cuadro de un relato la geometría ambigua de la vida, hecha de contradicciones, dudas, omisiones, deseos incumplidos, recuerdos falsos o imaginados? El destino personal de un héroe como Tristano, cargado de esperanza y desolación, puede tener, además matices imperceptibles: un centímetro a la izquierda o a la derecha en la mirilla de un fusil.

Tabucchi Antonio  
обложка книги The Yacoubian Building The Yacoubian Building Al Aswany Alaa  
обложка книги The People’s Republic of Desire The People’s Republic of Desire

Those who know little to nothing about Chinese culture will receive an eye-opening experience of how China was and how China is now through Annie Wang’s novel The People’s Republic of Desire.

Wang takes readers on a journey with four cosmopolitan women learning to live life in the new China. Niuniu, the book’s narrator, is a Chinese American woman, who spent seven years living in the States obtaining her degree in journalism. In the book, Niuniu is now considered a “returnee” when she goes back to China to get over a broken heart. What she meets upon return to her homeland is not the traditional Confucian values she left, but a new modern China where Western culture seems to have taken over – to an extreme.

Niuniu, the narrator of the book, is called a “Jia Yangguiz” which means a “fake foreign devil” because of her Westernized values. Her friend Beibei is the owner of her own entertainment company and is married to a man who cheats, so Beibei deals with his infidelity by finding her own young lovers. Lulu is a fashion magazine editor who has been having a long-term affair with a married man, and thinks nothing of having several abortions to show her devotion to him. CC, also a returnee, struggles with her identity between Chinese and English.

In The People’s Republic of Desire the days of the 1989 idealism and the Tiananamen Sqaure protests seem forgotten to this new world when making a fast yuan, looking younger, more beautiful, and acting important seems to be of the most concern to this generation.

Wang uses these four woman to make humorous and sometimes sarcastic observations of the new China and accurately describes how Western culture has not only infiltrated China, but is taken to the extreme by those who have experienced a world outside the Confucian values. What was once a China consumed with political passions, nepotism, unspoken occurrences, and taboos is now a world filled with all those things once discouraged – sex, divorce, pornography, and desire for material goods. It’s taken the phrase “keeping up with the Joneses” to an all-time high.

Wang offers a glimpse of modern day Beijing and what it would take for any woman – returnee or otherwise – to move forward and conquer dilemmas in the fast-moving Chinese culture. The characters joke that “nowadays, the world is for bad girls” and all the values of their youth have been lost to this new modern generation of faking their identity, origin, and accent. It seems that such a cultural shock would be displeasing to those who knew the old China, but instead these young women seem to be enjoying the newfound liberties.

If you’re looking for a quick read with a plot, you won’t find it in The People’s Republic of Desire. Each of the 101 chapters read like individual short stories, separate stories about friends, family, and other individuals who Niuniu is acquainted with or meets and through which Wang weaves a humorous and often sarcastic trip into Beijing, China.

The book is filled with topics of family, friends, Internet dating, infidelity, rich, poor, and many of the same ideals most cultures worry themselves about. Many of the chapters end with popular phrases that give the reader an insight into Chinese culture and language. Wang does seem to use Niuniu’s journalistic background to intertwine the other characters and come to a somewhat significant conclusion.

As the press release states, “Wang paints an arresting portrait of a generation suffocating in desire. For love. For success. For security. For self actualization. And for the most elusive aspiration of all: happiness.”

With The People’s Republic of Desire, Wang does just that. She speaks not only of the new culture but also of the old ways and how China used to be. She may have educated readers about the new China with her knowledge of the Western and Chinese culture, but also Wang hits the nail on the head when it comes to showing most people’s needs. After all, aren’t most human beings striving for many of these same elusive dreams?

Joanne D. Kiggins

***

From Publishers Weekly

As Wang reveals in intimate detail, today's affluent Beijing women – educated, ambitious, coddled only children enamored of all things Western – are a generation unto themselves. The hyperobservant narrator of this fascinating novel (after Lili: A Novel of Tiananmen) is 20-something Niuniu, a journalist who was born in the United States but grew up in China and returned to America for college and graduate school. Now she's back in Beijing nursing a broken heart and discovering "what it means to be Chinese" in a money- and status-obsessed city altered by economic and sexual liberalization. Supporting Niuniu – and downing a few drinks with her – are her best buddies: entrepreneurial entertainment agent Beibei, sexy fashion mag editor Lulu and Oxford-educated CC. Sounds like the cast of Sex in the Forbidden City, but the thick cultural descriptions distinguish the novel from commercial women's fiction. A nonnative English speaker, Wang observes gender politics among the nouveau riche in careful, reportorial prose. Though Niuniu's romantic backstory forms a tenuous thread between the chapters, and the novel – based on Wang's newspaper column of the same title – doesn't finally hold together, this is a trenchant, readable account of a society in flux.

Wang Annie  
обложка книги The People’s Republic of Desire The People’s Republic of Desire

Those who know little to nothing about Chinese culture will receive an eye-opening experience of how China was and how China is now through Annie Wang’s novel The People’s Republic of Desire.

Wang takes readers on a journey with four cosmopolitan women learning to live life in the new China. Niuniu, the book’s narrator, is a Chinese American woman, who spent seven years living in the States obtaining her degree in journalism. In the book, Niuniu is now considered a “returnee” when she goes back to China to get over a broken heart. What she meets upon return to her homeland is not the traditional Confucian values she left, but a new modern China where Western culture seems to have taken over – to an extreme.

Niuniu, the narrator of the book, is called a “Jia Yangguiz” which means a “fake foreign devil” because of her Westernized values. Her friend Beibei is the owner of her own entertainment company and is married to a man who cheats, so Beibei deals with his infidelity by finding her own young lovers. Lulu is a fashion magazine editor who has been having a long-term affair with a married man, and thinks nothing of having several abortions to show her devotion to him. CC, also a returnee, struggles with her identity between Chinese and English.

In The People’s Republic of Desire the days of the 1989 idealism and the Tiananamen Sqaure protests seem forgotten to this new world when making a fast yuan, looking younger, more beautiful, and acting important seems to be of the most concern to this generation.

Wang uses these four woman to make humorous and sometimes sarcastic observations of the new China and accurately describes how Western culture has not only infiltrated China, but is taken to the extreme by those who have experienced a world outside the Confucian values. What was once a China consumed with political passions, nepotism, unspoken occurrences, and taboos is now a world filled with all those things once discouraged – sex, divorce, pornography, and desire for material goods. It’s taken the phrase “keeping up with the Joneses” to an all-time high.

Wang offers a glimpse of modern day Beijing and what it would take for any woman – returnee or otherwise – to move forward and conquer dilemmas in the fast-moving Chinese culture. The characters joke that “nowadays, the world is for bad girls” and all the values of their youth have been lost to this new modern generation of faking their identity, origin, and accent. It seems that such a cultural shock would be displeasing to those who knew the old China, but instead these young women seem to be enjoying the newfound liberties.

If you’re looking for a quick read with a plot, you won’t find it in The People’s Republic of Desire. Each of the 101 chapters read like individual short stories, separate stories about friends, family, and other individuals who Niuniu is acquainted with or meets and through which Wang weaves a humorous and often sarcastic trip into Beijing, China.

The book is filled with topics of family, friends, Internet dating, infidelity, rich, poor, and many of the same ideals most cultures worry themselves about. Many of the chapters end with popular phrases that give the reader an insight into Chinese culture and language. Wang does seem to use Niuniu’s journalistic background to intertwine the other characters and come to a somewhat significant conclusion.

As the press release states, “Wang paints an arresting portrait of a generation suffocating in desire. For love. For success. For security. For self actualization. And for the most elusive aspiration of all: happiness.”

With The People’s Republic of Desire, Wang does just that. She speaks not only of the new culture but also of the old ways and how China used to be. She may have educated readers about the new China with her knowledge of the Western and Chinese culture, but also Wang hits the nail on the head when it comes to showing most people’s needs. After all, aren’t most human beings striving for many of these same elusive dreams?

Joanne D. Kiggins

***

From Publishers Weekly

As Wang reveals in intimate detail, today's affluent Beijing women – educated, ambitious, coddled only children enamored of all things Western – are a generation unto themselves. The hyperobservant narrator of this fascinating novel (after Lili: A Novel of Tiananmen) is 20-something Niuniu, a journalist who was born in the United States but grew up in China and returned to America for college and graduate school. Now she's back in Beijing nursing a broken heart and discovering "what it means to be Chinese" in a money- and status-obsessed city altered by economic and sexual liberalization. Supporting Niuniu – and downing a few drinks with her – are her best buddies: entrepreneurial entertainment agent Beibei, sexy fashion mag editor Lulu and Oxford-educated CC. Sounds like the cast of Sex in the Forbidden City, but the thick cultural descriptions distinguish the novel from commercial women's fiction. A nonnative English speaker, Wang observes gender politics among the nouveau riche in careful, reportorial prose. Though Niuniu's romantic backstory forms a tenuous thread between the chapters, and the novel – based on Wang's newspaper column of the same title – doesn't finally hold together, this is a trenchant, readable account of a society in flux.

Wang Annie  
обложка книги The Ballad of Peckham Rye The Ballad of Peckham Rye

A reissue of the 1960 novel which revolves around Dougal Douglas, evil genius and charmer who turns an entire South London community on its head. Murial Spark is the author of more than 15 novels including "The Prime of Miss Jean Brodie" and "Girls of Slender Means".

Spark Muriel  
обложка книги The Man with the Golden Arm The Man with the Golden Arm

National Book Award for Fiction

Seven Stories Press is proud to release the first critical edition of Nelson Algren's masterpiece on the 50th anniversary of its publication in November 1949. Considered Algren's finest work, The Man with the Golden Arm recounts one man's self-destruction in Chicago's Polish ghetto. The novel's protagonist, Frankie Machine, remains a tragic American hero half a century after Algren created this gritty and relentlessly dark tale of modern urban society.

***

‘Powerful, grisly, antic, horrifying, poetic, compassionate… [there is] virtually nothing more that one could ask.’ – New York Times Book Review

‘A thriller that packs more of a punch than Pulp Fiction and more grittiness than either Raymond Chandler or Dashiell Hammett, The Man with the Golden Arm is incredibly lyrical, as poetic as it is dramatic, combining the brutal dialogue of guys and broads with dreamlike images, and puncturing the harrowing narrative with revelations that flesh out every tragic figure into a fully-realised, complex character.’ – The Scotsman

‘Algren is an artist whose sympathy is as large as Victor Hugo’s, an artist who ranks, with this novel, among our best American authors.’ – Chicago Sun Times

‘A stirring hard-boiled read.’ – Maxim

‘An extraordinary piece of fiction… If the Bridget Jones brigade somehow drifted Nelson Algren’s way the world would undoubtedly be a better place and Rebel Inc’s bottom line invisible without a telescope. Keep my dream alive and buy this book.’ – The Crack

‘A true novelists triumph.’ – Time

‘This is a man writing and you should not read it if you cannot take a punch… Mr Algren can hit with both hands and move around and he will kill you if you are not awfully careful… Mr Algren, boy, you are good.’ – Ernest Hemingway

‘The finest American novel published since the war.’ – Washington Post Book World

‘I was going to write a war novel. But it turned out to be this Golden Arm thing. I mean, the war kind of slipped away, and those people with the hypos came crawling along and that was it.’ – Nelson Algren

‘Profound and richly atmospheric.’- The Guardian

Algren Nelson  
обложка книги The Brief Wondrous Life of Oscar Wao The Brief Wondrous Life of Oscar Wao

This is the long-awaited first novel from one of the most original and memorable writers working today.

Things have never been easy for Oscar, a sweet but disastrously overweight, lovesick Dominican ghetto nerd. From his home in New Jersey, where he lives with his old-world mother and rebellious sister, Oscar dreams of becoming the Dominican J. R. R. Tolkien and, most of all, of finding love. But he may never get what he wants, thanks to the Fukú—the curse that has haunted the Oscar’s family for generations, dooming them to prison, torture, tragic accidents, and, above all, ill-starred love. Oscar, still waiting for his first kiss, is just its most recent victim.

Díaz immerses us in the tumultuous life of Oscar and the history of the family at large, rendering with genuine warmth and dazzling energy, humor, and insight the Dominican-American experience, and, ultimately, the endless human capacity to persevere in the face of heartbreak and loss. A true literary triumph, The Brief Wondrous Life of Oscar Wao confirms Junot Díaz as one of the best and most exciting voices of our time.

íaz Junot  
обложка книги The Book And The Brotherhood The Book And The Brotherhood

Many years ago Gerard Hernshaw and his friends 'commissioned' one of their number to write a political book. Time passes and opinions change. 'Why should we go on supporting a book which we detest?' Rose Curtland asks. 'The brotherhood of Western intellectuals versus the book of history,' Jenkin Riderhood suggests. The theft of a wife further embroils the situation. Moral indignation must be separated from political disagreement. Tamar Hernshaw has a different trouble and a terrible secret. Can one die of shame? In another quarter a suicide pact seems the solution. Duncan Cambus thinks that, since it is a tragedy, someone must die. Someone dies. Rose, who has gone on loving without hope, at least deserves a reward.

Murdoch Iris  
обложка книги The Bell The Bell

"A distinguished novelist of a rare kind." – Kingsley Amis

A lay community of thoroughly mixed-up people is encamped outside Imber Abbey, home of an order of sequestered nuns. A new bell is being installed when suddenly the old bell, a legendary symbol of religion and magic, is rediscovered. And then things begin to change. Meanwhile the wise old Abbess watches and prays and exercises discreet authority. And everyone, or almost everyone, hopes to be saved, whatever that may mean. Originally published in 1958, this funny, sad, and moving novel is about religion, sex, and the fight between good and evil.

Murdoch Iris  
обложка книги The Sea, the Sea The Sea, the Sea

The Man Booker Prize

Charles Arrowby, leading light of England's theatrical set, retires from glittering London to an isolated home by the sea. He plans to write a memoir about his great love affair with Clement Makin, his mentor, both professionally and personally, and amuse himself with Lizzie, an actress he has strung along for many years. None of his plans work out, and his memoir evolves into a riveting chronicle of the strange events and unexpected visitors-some real, some spectral-that disrupt his world and shake his oversized ego to its very core.

Murdoch Iris  
обложка книги The Butterfly's Way: Voices from the Haitian Dyaspora in the United States The Butterfly's Way: Voices from the Haitian Dyaspora in the United States

In four sections-Childhood, Migration, First Generation, and Return-the contributors to this anthology write powerfully, often hauntingly, of their lives in Haiti and the United States. Jean-Robert Cadet's description of his Haitian childhood as a restavec-a child slave-in Port-au-Prince contrasts with Dany Laferriere's account of a ten-year-old boy and his beloved grandmother in Petit-Gove. We read of Marie Helene Laforest's realization that while she was white in Haiti, in the United States she is black. Patricia Benoit tells us of a Haitian woman refugee in a detention center who has a simple need for a red dress-dignity. The reaction of a man who has married the woman he loves is the theme of Gary Pierre-Pierre's "The White Wife"; the feeling of alienation is explored in "Made Outside" by Francie Latour. The frustration of trying to help those who have remained in Haiti and of the do-gooders who do more for themselves than the Haitians is described in Babette Wainwright's "Do Something for Your Soul, Go to Haiti." The variations and permutations of the divided self of the Haitian emigrant are poignantly conveyed in this unique anthology.

, Danticat Edwidge, Sylvain Patrick, Christophe Marc, Hyppolite Joanne, Cadet Jean-Robert, Laforest Marie-Helene, Benoit Jean-Pierre, Saint Assotto, Sanon Barbara, Georges Danielle Legros, Laferriere Dany, Dreyfuss Joel, Benoit Patricia, Payen Nikol, Ketsia Marie, Heurtelou Maude, Pierre-Pierre Garry, Bury Martine, Ulysse Katia, Phipps Marilene, Etienne Phebus, Latour Francie, Calypso Anthony, Neptune Miriam, Casimir Leslie, Gregoire Annie, Cantave Sophia, Pierre Marie Nadine, Alexandre Sandy, Chassagne Leslie, Trouillot Michel-Rolph, Wainwright Babette, Ulysse Gina, Chancy Myriam J A  
обложка книги The Dog Who Came In From The Cold The Dog Who Came In From The Cold

Following on from the huge success of the '44 Scotland Street' series, Alexander McCall Smith has 'moved house' to a crumbling four-storey mansion in Pimlico - Corduroy Mansions. It is inhabited by a glorious assortment of characters: among them, Oedipus Snark, the first every nasty Lib Dem MP, who is so detestable his own mother, Berthea, is writing an unauthorised biography about him; and one small vegetarian dog, Freddie de la Hay, who has the ability to fasten his own seatbelt. (Although Corduroy Mansions is a fictional name, the address is now registered by the Post Office).

Alexander McCall Smith is one of the world's most prolific and most popular authors. For many years he was a professor of Medical Law, then, after the publication of his highly successful No 1 Ladies' Detective Agency series, which has sold over fifteen million copies, he devoted his time to the writing of fiction and has seen his various series of books translated into over 40 languages and become bestsellers throughout the world. These include the Scotland Street novels, first published as a serial novel in The Scotsman, the Isabel Dalhousie novels, and the Von Igelfeld series.

McCall Smith Alexander Corduroy Mansions  
обложка книги The White Garden: A Novel of Virginia Woolf The White Garden: A Novel of Virginia Woolf

In March 1941, Virginia Woolf filled her pockets with stones and drowned herself in England's River Ouse. Her body was found three weeks later. What seemed like a tragic ending at the time was, in fact, just the beginning of a mystery.

Six decades after Virginia Woolf's death, landscape designer Jo Bellamy has come to Sissinghurst Castle for two reasons: to study the celebrated White Garden created by Woolf's lover Vita Sackville-West and to recover from the terrible wound of her grandfather's unexplained suicide. In the shadow of one of England's most famous castles, Jo makes a shocking find: Woolf's last diary, its first entry dated the day after she allegedly killed herself.

If authenticated, Jo's discovery could shatter everything historians believe about Woolf's final hours. But when the Woolf diary is suddenly stolen, Jo's quest to uncover the truth will lead her on a perilous journey into the tumultuous inner life of a literary icon whose connection to the White Garden ultimately proved devastating.

Rich with historical detail, The White Garden is an enthralling novel of literary suspense that explores the many ways the past haunts the present — and the dark secrets that lurk beneath the surface of the most carefully tended garden.

Баррон Стефани  
обложка книги The Boy In The Striped Pyjamas The Boy In The Striped Pyjamas

Berlin 1942 – when Bruno returns home from school one day, he discovers that his belongings are being packed in crates. His father has received a promotion and the family must move from their home to a new house far far away, where there is no one to play with and nothing to do. A tall fence running alongside stretches as far as the eye can see and cuts him off from the strange people he can see in the distance. But Bruno longs to be an explorer and decides that there must be more to this desolate new place than meets the eye. While exploring his new environment, he meets another boy whose life and circumstances are very different to his own, and their meeting results in a friendship that has devastating consequences.

Boyne John  
обложка книги Todo el amor y casi toda la muerte Todo el amor y casi toda la muerte

Premio Primavera de Novela 2010.

Una novela sobre la fuerza del deseo y la oscuridad de los sentimientos que redefine la literatura amorosa y el thriller psicológico a través de las historias de dos hombres unidos por una misma maldición.

Principios del siglo xx: Gabriel, infortunado poeta itinerante, vive atrapado en la pasión por una mujer que no existe, y tal obsesión condicionará su amor por Leonor, mujer de carne y hueso cuyo destino está trágicamente unido al del atormentado indiano Tomás Montaña.

Principios del siglo xxi: Sebastián, un hombre corriente en el punto de mira de una terrorífica banda criminal, se ve obligado a hacerse desaparecer a sí mismo para luego renacer bajo una identidad falsa. Pero no podrá superar el deseo que, como una condena a muerte, lo atrae sin remedio hacia Vera, insólita femme fatale que desapareció misteriosamente de su vida tiempo atrás.

ías Fernando  
обложка книги The Death of Artemio Cruz The Death of Artemio Cruz

A panoramic novel covering four generations of Mexican history, as recalled by a dying industrialist.

Fuentes Carlos  
обложка книги The O Henry Prize Stories 2005 The O Henry Prize Stories 2005

Usually, this is where the rhapsody would begin; strings would swell; breasts would be clasped with great feeling: The short story isn't dead; it lives!

I will abstain. If you're interested in The O. Henry Prize Stories 2005 at all, you're already an adherent of short prose, and know that it's alive and flourishing (as long as you can track it down on the smaller and smaller presses to which it's often relegated).

If the short story's cachet has evinced some decline over the course of the past century, it's a decline in public exposure and lucrative potential, not in quality. In terms of sales and public profile, the short story collection can't keep apace with the novel or pop nonfiction, but it's still absolutely kicking poetry's ass on all fronts, and, like poetry, remains in general more adventurous, fluid, and vitally modern than its novelistic big brother.

To review these stories in terms of their quality seems redundant – that they're terrific is a no-brainer. Entering its eighty-fifth year, The O. Henry Prize Stories consistently collects – I won't say the finest short fiction, but it collects inarguably exquisite short fiction published in the U.S. and Canada. We'll concede that there may be better stories out there, simmering under the radar or even (gasp!) unpublished, which does nothing to detract from the eminence of the ones collected here. This is a damn good read.

This year's edition was edited and introduced by Laura Furman, with a jury consisting of celebrated writers Cristina Garcia, Ann Patchett and Richard Russo. It's dedicated to Chekov upon the centenary of his death, which is forgivably predictable, given his pervasive influence on the short form. Besides illuminating notes from the writers on their work, the 2005 edition contains an essay by each of the judges on their favorite story, and a glossary of literary journals big and small that will be a valuable resource for writers and readers alike.

If quality is a given, it seems the best utility a review of the The O. Henry Prize Stories can have is to pick out the affinities between them and see (a) what writers were compelled to write about in the past year, (b) what editors were compelled to publish, and (c) which literary organs are currently in vogue. Word to the wise: If you'd like to win an O. Henry Prize, relentlessly submit to the New Yorker, which originally published no less than six of the twenty stories here, comfortably vanquishing silver-medallists The Kenyon Review and Zoetrope, who clock in with an admirable (if measly by comparison) two stories apiece.

No less than four stories in the volume revolve around music, all of which are deeply appreciative, none entirely trusting. Michael Palmer's atmospheric tale, "The Golden Era of Heartbreak", is haunted by a lovelorn trucker's song that carries everywhere in a town flattened by the departure of the narrator's wife. "My house filled to the eaves with this song," he states in his spare, lyrical tone, and the story is filled with it as well: The prose, like the town, is "flat as an envelope," and the trucker's song stretches spectrally across it.

A personal favorite of mine, Ben Fountain's "Fantasy for Eleven Fingers", is an elliptical, richly detailed character sketch in the vein of Millhauser or Hemon, about the intertwined destinies of two eleven-fingered pianists in nineteenth century Vienna, steeped in all the paranoia, political and ethnic tensions, and obsolete superstitions of the day.

In Timothy Crouse's "Sphinxes", a remarkably confident and unclassifiable tale, piano lessons, love affairs and subtle emotional maneuvering are braided together with increasing complexity until they become indistinguishable. In each of these stories, music is salvation and undoing, pure force and calculated metaphor: a paradox, a chimera, a sphinx.

And Gail Jones's "Desolation" is about a primal, alienating sexual encounter at a Death in Vegas concert, although it cross-references with the second type of story that heavily informs this year's volume, the community / exile story, which we're coming to just now.

Many stories in The O. Henry Prize Stories 2005 revolve around issues of community, but not the traditional, fixed community – these stories are about the provisional communities that arise in times of crisis, and the communities forged by travelers, strangers, souls in spiritual and physical exile.

Judge favorite "Mudlavia", a coming of age tale by Elizabeth Stuckey-French, finds a young boy and his mother in a health resort filled with questionable, exciting characters of colorful mien and shady provenance – slowly, away from their domineering father and husband, we watch them come alive to their own desires, desires that this alien context was necessary to draw out.

Another judge favorite, Ruth Prawer Jhabvala's period piece "Exile in London", evokes the faded aura of postwar London by way of the young narrator's recollections of the ragged diaspora in her aunt's boarding house. And Nell Freudenberger's "The Tutor" details the tensions, both sexual and cultural, between a prototypically American teenager in Bombay and her native Indian tutor.

But the finest story in The O. Henry Prize Stories 2005 has to be Sherman Alexie's "What You Pawn I Will Redeem", which describes the plight of a homeless, admittedly "crazy" Spokane Native American as he embarks on a day-long quest to raise one-thousand dollars to buy back his Grandmother's tribal regalia from a pawn shop. That the story's themes are large and poignant is obvious; what's remarkable is that it manages funny, hopeful, angry, and redemptive at once. The narrator's refusal to lapse into self-pity or misanthropy at his pathetic plight is counterintuitive yet rings true, and by the time the story reaches its conclusion, not-at-all inevitable and uncommonly generous of spirit, one feels every inch of his joy.

In the end, this is the short-story function that trumps all the others: The ability to vault the reader into realms of unanticipated joy. While not all the stories in The O. Henry Prize Stories 2005 achieve this as viscerally as Alexie's fable, each one loudly debunks any nonsense about the short story's obsolescence.

Rash Ron, Brockmeier Kevin, Hadley Tessa, Peebles Frances de Pontes, Parker Michael, Furman Laura, Stuckey-French Elizabeth, Berry Wendell, Freudenberger Nell, Fountain Ben, ’Ambrosio Charles, Jones Gail, Jones Edward P, Peck Dale, Crouse Timothy, Fox Paula, Ward Liza, Reisman Nancy, Macy Caitlin, Jhabvala Ruth Prawer, Alexie Sherman  
обложка книги The O. Henry Prize Stories 2011 The O. Henry Prize Stories 2011

The PEN/O. Henry Prize Stories 2011 contains twenty unforgettable stories selected from hundreds of literary magazines. The winning tales take place in such far-flung locales as Madagascar, Nantucket, a Midwestern meth lab, Antarctica, and a post-apocalyptic England, and feature a fascinating array of characters: aging jazzmen, avalanche researchers, a South African wild child, and a mute actor in silent films. Also included are essays from the eminent jurors on their favorite stories, observations from the winners on what inspired them, and an extensive resource list of magazines.

Evenson Brian, Adrian Chris, Shepard Jim, Furman Laura, Simpson Helen, Doenges Judy, Calhoun Kenneth, Dobozy Tamas, Tuck Lily, Crucet Jennine ó, Means David, Minot Susan, Watson Brad, Delury Jane, Foulds Adam, Parry Leslie, Slouka Mark, Ostlund Lori, Freed Lynn, Tallent Elizabeth, Null Matthew Neill  
обложка книги The Kitchen Boy The Kitchen Boy

Taut with suspense and rich in historical detail, The Kitchen Boy chronicles in an entirely new light the brutal slaying of Czar Nicholas II and his family. It was a crime to horrify, fascinate, and mystify the ages. On the night of July 16, 1918, Bolshevik revolutionaries murdered the entire Russian royal family in a hail of gunfire. No one survived who might bear witness to what really happened on that mysterious and bloody night. Or so it was thought. In masterful historical detail and breathtaking suspense, Robert Alexander carries the reader through the entire heartrending story as told through the eyes of a real but forgotten witness, the kitchen boy. Narrated by the sole witness to the basement execution, The Kitchen Boy is historical fiction at its best. But more than that, the accessible style and intricately woven plot – with a stunning revelation at its end – will keep readers guessing throughout.

Alexander Robert  
обложка книги Thirteen Reasons Why Thirteen Reasons Why

Clay Jenkins returns home from school to find a mysterious box with his name on it lying on his porch. Inside he discovers 13 cassette tapes recorded by Hannah Baker-his classmate and crush-who committed suicide two weeks earlier.

On tape, Hannah explains that there are thirteen reasons why she decided to end her life. Clay is one of them. If he listens, he'll find out how he made the list.

Through Hannah and Clay's dual narratives, debut author Jay Asher weaves an intricate and heartrending story of confusion and desperation that will deeply affect teen readers.

Asher Jay  
The Right Stuff Wolfe Tom  
Trans-Atlantyk

Jedyny w swoim rodzaju utwór-wyzwanie, utwór-prowokacja, kapitalna rozprawa Gombrowicza z polskością, z podtrzymywanymi przez tradycję stereotypami narodowymi. Genialny humor i cudowny język, zadziwiające wykorzystanie przez pisarza form gawędy szlacheckiej, nie milknące pytania, które w każdym pokoleniu powinniśmy sobie zadawać.

„Trans-Atlantyk”, wydany po raz pierwszy na emigracji (1953), dość szybko doczekał się krajowej edycji. Do księgarń powieść wyklętego przez komunistyczne władze Gombrowicza trafiła już cztery lata po paryskiej premierze, na fali Października. Peerelowscy włodarze liczyli może, iż odbiorcy odczytają utwór jako krytykę Polski sanacyjnej, tym cenniejszą, ze napisaną przez autora uznanego już przed wojną, potomka szlacheckiego rodu i emigranta. Paradoksalnie, interpretacja „Trans-Atlantyku” jako satyry na II Rzeczpospolitą i apologię narodowej zdrady zrobiła sporą karierę w konserwatywnych kręgach polskiej emigracji na Zachodzie i ściągnęła na pisarza lawinę obelg.

Dziś nikt nie widzi w „Trans-Atlantyku” pamfletu na międzywojnie. Napisana stylizowanym barokowym językiem, parodiująca „Pana Tadeusza” powieść uznawana jest w Polsce za rozrachunek z tradycją narodową; w świecie czyta się ją jako uniwersalny manifest wolności, kierowany przeciwko wszelkim systemom opresji, z jaką spotykają się w społeczeństwie outsiderzy i „odmieńcy”.

W powieści system taki tworzą przedstawiciele polskiej emigracji, których u progu II wojny światowej bohater – pisarz z kraju – spotyka w Buenos Aires. Ich karykaturalne spory, układy, spiski, rauty, polowania kojarzą sarmacki obyczaj z patriotycznym terrorem romantyków. Bohater-literat zostaje uwikłany w gierki argentyńskiego milionera, który dybie na wdzięki niewinnego młodzieńca Ignaca, syna majora Wojska Polskiego, wzorowego żołnierza, obywatela i patrioty. Lawiruje między stronami, nie mogąc się zdecydować, czyją ostatecznie wziąć stronę: „Ojczyzny” czy „Synczyzny”. Finał intrygi będzie naprawdę zaskakujący.

Wydawnictwo Literackie, Kraków 2005 – Kolekcja Gazety Wyborczej

Gombrowicz Witold  
обложка книги The Glass Menagerie The Glass Menagerie

No play in the modern theatre has so captured the imagination and heart of the American public as Tennessee Williams’s The Glass Menagerie. Menagerie was Williams’s first popular success and launched the brilliant, if somewhat controversial, career of our pre-eminent lyric playwright. Since its premiere in Chicago in 1944, with the legendary Laurette Taylor in the role of Amanda, the play has been the bravura piece for great actresses from Jessica Tandy to Joanne Woodward, and is studied and performed in classrooms and theatres around the world. The Glass Menagerie (in the reading text the author preferred) is now available only in its New Directions Paperbook edition. A new introduction by prominent Williams scholar Robert Bray, editor of The Tennessee Williams Annual Review, reappraises the play more than half a century after it won the New York Drama Critics Circle Award: “More than fifty years after telling his story of a family whose lives form a triangle of quiet desperation, Williams’s mellifluous voice still resonates deeply and universally.” This edition of The Glass Menagerie also includes Williams’s essay on the impact of sudden fame on a struggling writer, “The Catastrophe of Success,” as well as a short section of Williams’s own “Production Notes.” The cover features the classic line drawing by Alvin Lustig, originally done for the 1949 New Directions edition.

Williams Tennessee  
обложка книги The Left Hand of God The Left Hand of God

'Listen. The Sanctuary of the Redeemers on Shotover Scarp is named after a damned lie for there is no redemption that goes on there and less sanctuary'. The Sanctuary of the Redeemers is a vast and desolate place – a place without joy or hope. Most of its occupants were taken there as boys and for years have endured the brutal regime of the Lord Redeemers whose cruelty and violence have one singular purpose – to serve in the name of the One True Faith. In one of the Sanctuary's vast and twisting maze of corridors stands a boy. He is perhaps fourteen or fifteen years old – he is not sure and neither is anyone else. He has long-forgotten his real name, but now they call him Thomas Cale. He is strange and secretive, witty and charming, violent and profoundly bloody-minded. He is so used to the cruelty that he seems immune, but soon he will open the wrong door at the wrong time and witness an act so terrible that he will have to leave this place, or die. His only hope of survival is to escape across the arid Scablands to Memphis, a city the opposite of the Sanctuary in every way: breathtakingly beautiful, infinitely Godless, and deeply corrupt. But the Redeemers want Cale back at any price…not because of the secret he now knows but because of a much more terrifying secret he does not.

Hoffman Paul  
обложка книги The Bookseller of Kabul The Bookseller of Kabul

‘Honestly and intelligently written… offers lessons to those who choose to heed it on the folly of trying to make simple diagnoses or to apply simple remedies in Afghanistan’ Isabel Hilton, Daily Telegraph

‘A colourful portrait of people struggling to survive in the most brutal circumstances… bears witness to the power of literature to withstand even the most repressive regime’ Michael Arditti, Daily Mail

‘A compelling picture of a country which tragically continues to tear itself apart’ Sunday Telegraph

‘A triumph. From the terrors and complexities of courtship through the perilous cross-country pilgrimage by a guilt-addled son to the agonising fate of a thieving carpenter, these are compelling little dramas, mined from the resource of “every day life”… and peopled by characters who bristle with life and emotion and individuality…while their stories delight with the freshness of something foreign, they are both universal and intimately personal… [the] work’s outward simplicity is matched by a subtle and complex understanding: the quality of truth’ Scotsman

‘Magnificent… Beautifully written, it dares to bestride incompatible worlds. It is the best outsider tale I have read from within the bounds of Islamic life since Sarah Hobson’s Through Persia in Disguise, published twenty-nine years ago’ Scotland on Sunday

‘A unique insight into another world’ Daily Mirror

‘Moving and utterly gripping’ Big Issue in the North

‘A closely observed, affecting account… an admirable, revealing portrait of daily life in a country that Washington claims to have liberated but does not begin to understand’ Washington Post

‘Astounding… an international bestseller, it will likely stand as one of the best books of reportage of Afghan life after the fall of the Taliban’ Publishers Weekly

***

"In The Bookseller of Kabul, Asne Seierstad tries to answer the question: What kind of lives do Afghani men, women and children lead after the fall of the Taliban? She does this through a case study of one family. Economically, the Khans are not a typical Afghani family. The head, Sultan, owns bookstores in the country's capitol, and he is modestly wealthy. When the author, Asne Seierstad, first meets him, she is impressed by his seemingly liberal way of thinking, especially with respect to women. Seierstad thinks she might have struck a cultural anomaly in the male-dominated Afghan society and arranges to live with Sultan and his family to develop her story on life in Afghanistan.

During her four month stay with the Khans, Seierstad interviewed dozens of family members, went on a religious pilgrimage, and attended weddings. Through her interviews and experiences, she found that her first impression of Sultan was somewhat incorrect. While Sultan generally supposed women's rights, capitolism and other social liberties in his conversations with outsiders, he still keeps a firm, patriarchial grip on his family. Despite being wealthier that most Afghanis, Sultan refuses to send his sons to school, and instead forces them to work at his bookstore. He marries a second wife and exiled his

first wife to Pakistan where she had to live alone and keep his second house. Sultan's ruling arm also extended over his youngest sister, Lelia, whom he keeps in his home as a servant.

Each chapter of The Bookseller of Kabul focuses on a different member of the Khan family or a different event in the family's collective life. Through these individual stories, Seierstad creates her collage of what it is like to be a man, woman or child in Kabul, Afghanistan."

Seierstad Åsne  
обложка книги The Whole World The Whole World

At once a sensual and irresistible mystery and a haunting work of psychological insight and emotional depth, The Whole World marks the beginning of a brilliant literary career for Emily Winslow, a superb, limitlessly gifted author.

Set in the richly evoked pathways and environs of Cambridge, England, The Whole World unearths the desperate secrets kept by its many complex characters – students, professors, detectives, husbands, mothers – secrets that lead to explosive consequences.

Two Americans studying at Cambridge University, Polly and Liv, both strangers to their new home, both survivors of past mistakes, become quick friends. They find a common interest in Nick, a handsome, charming, seemingly guileless graduate student. For a time, the three engage in harmless flirtation, growing closer while doing research for professor Gretchen Paul, the blind daughter of a famed novelist. But a betrayal, followed by Nick's inexplicable disappearance, brings long-buried histories to the surface.

The investigation raises countless questions, and the newspapers report all the most salacious details – from the crime that scars Polly's past to the searing truths concealed in photographs Gretchen cannot see. Soon the three young lovers will discover how little they know about one another, and how devastating the ripples of long-ago actions can be.

Winslow Emily  
обложка книги Tajemna historia Moskwy Tajemna historia Moskwy

Każde miasto ma swoje sekretne miejsca. Wieki pełne mrocznych historii sprawiły, że stolica Rosji ma takich miejsc wyjątkowo dużo. Współczesność przenika się tu z przeszłością w sposób subtelny i magiczny. Mieszkańcy Moskwy szukając schronienia przed problemami współczesnego życia mogą czasem trafić do niezwykłych miejsc. Wystarczy jeden nieostrożny krok, żeby znaleźć się w mrocznym, baśniowym świecie pełnym magii, płaczących drzew, gadających ptaków, wygnanych wieki temu pogańskich bóstw i baśniowych stworzeń. Tu można usłyszeć najdziwniejsze z opowieści. Trzeba tylko cierpliwie nadstawiać uszu. Ekaterina Sedia napisała książkę niezwykłą o zderzeniu dwóch światów. Kapitalistycznej i nowoczesnej Moskwy z magicznym światem starorosyjskich baśni. Tuż pod powierzchnią szarej rzeczywistości kryje się inny świat. Mroczny, niebezpieczny, ale i zarazem piękny. Tu wszystko jest możliwe. Niepokojący klimat powieści porównywany jest przez krytyków z dziełami Bułhakowa. Ta książka to jedna z najważniejszych pozycji współczesnej literatury rosyjskiej. Główną bohaterką powieści jest Galina, młoda kobieta mająca na głowie zwyczajne problemy codziennego życia. Zostaje zaplątana w wir tajemniczych wydarzeń i razem z milicjantem prowadzącym śledztwo w sprawie tajemniczych zaginięć musi na nowo poznać otaczający ją świat. Wspólne poszukiwania prowadzą ich do podziemnego królestwa, do krainy zawieszonej między rzeczywistością i fantazją. Do świata, gdzie honor ma znaczenie, a dobro i zło są tym, czym były u zarania dziejów. Ekaterina Sedia urodziła się i wychowała w Moskwie. Po studiach przeniosła się do Stanów Zjednoczonych. Obecnie mieszka w New Jersey razem z mężem i dwoma kotami. Wykłada botanikę i ekologię. W chwilach wolnych uprawia ogródek i pisze książki. Jej najnowszy bestseller to "Tajemna Historia Moskwy".

Ekaterina Sedia  
обложка книги The Crying of Lot 49 The Crying of Lot 49

Short, straightforward in narrative, and relatively linear in plot, The Crying of Lot 49 is considered by many to be Pynchon's most accessible novel, and is therefore the one most commonly read, whether to fulfill the syllabus of a literature course or simply for pleasure. Nevertheless, it remains an enigmatic book that has been analyzed, discussed, and dissected almost as much as Gravity's Rainbow. Even thirty years after publication it is still considered quite open to interpretation: some critics feel that it is ultimately meaningless and impossible to interpret, while others have found it to be rather cohesive, and even possessed by a set of ethical directives. Others, as J. Grant remarks, perhaps mindful of Oedipa's notion that "excluded middles" are "bad shit," have worked to find a functional interface between book and reader. All, however, agree that it is a vital work and a postmodern classic.

Pynchon Thomas  
Trip-2. Лондонский сип

От автора: «Данная повесть не является автобиографической вещью. Кое-что из изложенного, действительно имело место в реальности, а некоторые сцены были придуманы. Что касается названия, то слово „сип“ придумал я. Если быть точнее, это производное понятие от выражения „дать сипа“, которое, как нетрудно догадаться, значит „дать по голове“.

События повести происходят в 2000 году. Все написанное ниже вполне можно было вписать в роман «TRIP».

Повесть о Лондоне, алкоголе, наркотиках, футболе и депрессивной безнадеге.»

Факофский Дмитрий  
обложка книги The Secret History of Moscow The Secret History of Moscow

Sedia (According to Crow) applies urban fantasy templates to her Russian setting with mixed success in her second stand-alone novel. Masha, the cheerfully normal sister of vision-prone translator Galina, turns into a jackdaw and flies off, leaving her just-born child behind. Joined by police detective Yakov Richards, Galina tracks the missing Masha into an underground milieu where lost souls mingle with beings out of Russian folklore. A host of secondary characters rapidly clutter the narrative and cloud its focus, and Sedia's persistently curt prose favors contemporary atmosphere over mythic resonance, diminishing Koschey the Deathless and Zemun the Celestial Cow to near-mundane status. Modern blue-collar Moscow is pitch-perfect, however: bustling yet seedy, disorganized and none too respectable. While undeniably authentic, the cynical tone may alienate many Western readers before they reach the startling but well-grounded climax. On the whole, this wholeheartedly Russian tale is most compelling as social commentary.

Sedia Ekaterina  
The Earth And Sky Of Jacques Dorme

After a problematic start, Andrei Makine is getting better with every new book. His earlier setbacks were partly due to the snobbery of the French, who did not believe that a Russian could write better than they could in their own language. When he pretended his novels had been translated, they began to earn high accolades and won a couple of prestigious prizes.

Yet the tone of these earlier triumphs was sometimes too dependent on mystique, as if cashing in on the much-vaunted but dubious "Russian soul", a quality eminently exploitable by crass publishers like the one who allowed Makine's Once on the River Amur (a Siberian waterway) to be rendered as Once Upon the River Love.

Makine then found his true and necessary metier in a series of apparently slight novels that disclose profound insights into Russia's recent history. Requiem for the East and A Life's Music, his two most recent books, have given us a poignant and privileged understanding of what it was to be a Russian caught up in the Second World War.

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The rather awkwardly named The Earth and Sky of Jacques Dorme (it sounds no better in French) continues to piece together this mosaic, much in the way that the novels of Solzhenitsyn, when read in chronological order, bear witness to the terrible march of the Soviet regime.

But there the resemblance ends. Makine proceeds by glimpse and allusion; we don't realise, when we witness the vivid, stormy atmospherics of the first page, that this couple somewhere out on the steppe, swept away by urgent love-making in a strange bedroom that lacks a far wall, have seized a few precious hours from the Battle of Stalingrad raging 70 miles away.

We don't know who they are, how they came together, or why they talk about France. The stateless man, who is piloting a Red plane, remarks mysteriously: "As for the English, I don't know whether we can count on them. But you know, it's like a battle in the air. It's not always the number of planes that decides it, nor even how good they are. How to explain? It's the air. Yes, the air. Sometimes you feel the air is supporting you, playing on your side. The air or heaven itself."

With these few words you realise this is no ordinary war story. Genre-wise, it turns out to be partly a quest novel: the woman goes on to befriend a little boy from an orphanage and beguiles him with tales about her French provenance, her Russian destiny and the few days of desperate love. The boy feels intimately connected to that tempestuous night and 50 years later determines to find the plane in which the man crashed and died.

His quest fulfilled, the boy, who has grown up to be a writer, tries to have an account of it published. His first encounter with a representative of the industry is bewildering and galling and leads, after his precipitous exit, to a superb meditation on the relationship of truth to fiction. Some historians, he reflects, dismissed the whole of War and Peace on the grounds that Tolstoy muddled some of the details regarding the Battle of Borodino. Makine's rebuttal lies precisely in the story he concocts, a factional tour de force brilliantly and incontrovertibly grounded in some of the most monumental events of the last century, yet fragmentary, impressionistic, and touchingly, passionately human in the telling. It is not only an exquisite pleasure to read, it is the best, because it is the most human kind of history.

Makine Andrei  
The Crime Of Olga Arbyelina

Olga Arbyelina is a princess who fled Russia during the revolution; now she lives in a town near Paris tending to her hemophiliac son, keeping ghosts at bay-an existence hollowed out by history. The town gossips obsess over her, making her into the prime character in their "game of a thousand voices." They "had a fleeting dream of figuring in a poignant melodrama called The Exiled Princess." When she is found lying next to a dead man on the local riverbank, her fame only increases. The Crime of Olga Arbyelina begins with this grim discovery and moves backward, trying to find the erotic transgressions and terrible secrets that separate this exile from the tired and ordinary world.

Andrei Makine resembles his heroine in that he is a kind of runaway; born in 1958, he fled the Soviet Union for France. There he wrote about his homeland in his adopted tongue. The well-received novels Once Upon the River Love and Dreams of My Russian Summers first appeared in French and have since been translated widely. Perhaps it is all these layers of language and memory that make his prose so thick and difficult; clearly there is a great clumsiness in this particular translation, which is rife with sentences like "She was breathing jerkily," and "A thought struck her with the painfulness and beauty of its truth." Ultimately, such writing sabotages The Crime of Olga Arbyelina, fogging up the book's exotic landscape. Translations can work two ways: they can transport you into a world of strange new music, or they can feel like schoolwork. This book is definitely the latter: you know it's supposed to be a learning experience, but the difficult, self-serious prose makes you want to resist, stare at the clock, play hooky.

Makine Andrei  
Truismes

«Le directeur a été très gentil avec moi le jour de mon embauche. J'ai eu la permission de gérer ma parfumerie toute seule. Ça marchait bien. Seulement, quand les premiers symptômes sont apparus, j'ai dû quitter la parfumerie. Ce n'était pas une histoire de décence ni rien; c'est juste que tout devenait trop compliqué. Heureusement, j'ai rencontré Edgar, et Edgar, comme vous le savez, est devenu président de la République. C'était moi, l'égérie d'Edgar. Mais personne ne m'a reconnue. J'avais trop changé. Est-ce que j'avais raté la chance de ma vie? En tout cas, je ne comprenais toujours pas très bien ce qui m'arrivait. C'était surtout ce bleu sous le sein droit qui m'inquiétait…»

Premier roman de Marie Darrieussecq. Truismes a connu un grand succès. Il a été traduit dans plus de quarante pays.

Darrieussecq Marie  
The Known World

Amazon.com Review

Set in Manchester County, Virginia, 20 years before the Civil War began, Edward P. Jones's debut novel, The Known World, is a masterpiece of overlapping plot lines, time shifts, and heartbreaking details of life under slavery. Caldonia Townsend is an educated black slaveowner, the widow of a well-loved young farmer named Henry, whose parents had bought their own freedom, and then freed their son, only to watch him buy himself a slave as soon as he had saved enough money. Although a fair and gentle master by the standards of the day, Henry Townsend had learned from former master about the proper distance to keep from one's property. After his death, his slaves wonder if Caldonia will free them. When she fails to do so, but instead breaches the code that keeps them separate from her, a little piece of Manchester County begins to unravel. Impossible to rush through, The Known World is a complex, beautifully written novel with a large cast of characters, rewarding the patient reader with unexpected connections, some reaching into the present day.

From Publishers Weekly

In a crabbed, powerful follow-up to his National Book Award-nominated short story collection (Lost in the City), Jones explores an oft-neglected chapter of American history, the world of blacks who owned blacks in the antebellum South. His fictional examination of this unusual phenomenon starts with the dying 31-year-old Henry Townsend, a former slave-now master of 33 slaves of his own and more than 50 acres of land in Manchester County, Va.-worried about the fate of his holdings upon his early death. As a slave in his youth, Henry makes himself indispensable to his master, William Robbins. Even after Henry's parents purchase the family's freedom, Henry retains his allegiance to Robbins, who patronizes him when he sets up shop as a shoemaker and helps him buy his first slaves and his plantation. Jones's thorough knowledge of the legal and social intricacies of slaveholding allows him to paint a complex, often startling picture of life in the region. His richest characterizations-of Robbins and Henry-are particularly revealing. Though he is a cruel master to his slaves, Robbins is desperately in love with a black woman and feels as much fondness for Henry as for his own children; Henry, meanwhile, reads Milton, but beats his slaves as readily as Robbins does. Henry's wife, Caldonia, is not as disciplined as her husband, and when he dies, his worst fears are realized: the plantation falls into chaos. Jones's prose can be rather static and his phrasings ponderous, but his narrative achieves crushing momentum through sheer accumulation of detail, unusual historical insight and generous character writing.

Jones Edward P  
The Shipping News

WINNER OF THE 1994 PULITZER PRIZE FOR FICTION

WINNER OF THE 1993 NATIONAL BOOK AWARD FOR FICTION

WINNER OF THE IRISH TIMES INTERNATIONAL FICTION PRIZE

Named one of the notable books of the year by The New York Times

Winner of the Chicago Tribune Heartland Award

“Ms. Proulx blends Newfoundland argot, savage history, impressively diverse characters, fine descriptions of weather and scenery, and comic horseplay without ever lessening the reader’s interest.” – The Atlantic

“Vigorous, quirky… displays Ms. Proulx’s surreal humor and her zest for the strange foibles of humanity.” – Howard Norman, The New York Times Book Review

“An exciting, beautifully written novel of great feeling about hot people in the northern ice.” – Grace Paley

“The Shipping News … is a wildly comic, heart-thumping romance… Here is a novel that gives us a hero for our times.” – Sandra Scofield, The Washington Post Book World

“The reader is assaulted by a rich, down-in-the-dirt, up-in-the-skies prose full of portents, repetitions, hold metaphors, brusque dialogues and set pieces of great beauty.” – Nicci Gerrard, The Observer (London)

“A funny-tragic Gothic tale, with a speed boat of a plot, overflowing with Black-comic characters. But it’s also that contemporary rarity, a tale of redemption and healing, a celebration of the resilience of the human spirit, and most rare of all perhaps, a sweet and tender romance.” – Sandra Gwynn, The Toronto Star

Proulx E Annie  
The Amazing Adventures of Kavalier & Clay

In the Pulitzer Prize-winning novel The Amazing Adventures of Kavalier and Clay, prose magician Michael Chabon conjured up the golden age of comic books – intertwining history, legend, and storytelling verve. In The Final Solution, he has condensed his boundless vision to craft a short, suspenseful tale of compassion and wit that reimagines the classic nineteenth-century detective story.

In deep retirement in the English country-side, an eighty-nine-year-old man, vaguely recollected by locals as a once-famous detective, is more concerned with his beekeeping than with his fellow man. Into his life wanders Linus Steinman, nine years old and mute, who has escaped from Nazi Germany with his sole companion: an African gray parrot. What is the meaning of the mysterious strings of German numbers the bird spews out – a top-secret SS code? The keys to a series of Swiss bank accounts perhaps? Or something more sinister? Is the solution to this last case – the real explanation of the mysterious boy and his parrot – beyond even the reach of the once-famed sleuth?

Subtle revelations lead the reader to a wrenching resolution. This brilliant homage, which won the 2004 Aga Khan Prize for fiction, is the work of a master storyteller at the height of his powers.

Chabon Michael  
обложка книги The Mysteries Of Pittsburgh The Mysteries Of Pittsburgh

A story of adolescence and of the dawning realization that childhood is a country you can never return to.

Chabon Michael  
Take It With Me. (Ладонь, протянутая от сердца - 2).

После известных событий в ru.net, связанных с некоторыми блогами, Автор вынужден ПРЕДУПРЕДИТЬ, что все события, обстоятельства, действующие лица и их имена в этом ХУДОЖЕСТВЕННОМ ЛИТЕРАТУРНОМ ПРОИЗВЕДЕНИИ являются ВЫМЫШЛЕННЫМИ и существуют лишь в воображении Автора, а всякое совпадение с реальной действительностью СЛУЧАЙНО и НЕПРЕДНАМЕРЕННО

Игнатьев Илья  
обложка книги Two Caravans Two Caravans

From the author of the international bestseller A Short History of Tractors in Ukrainian comes a tender and hilarious novel about a crew of migrant workers from three continents who are forced to flee their English strawberry field for a journey across all of England in pursuit of their various dreams of a better future.

Somewhere in the heart of the green and pleasant land called England is a valley filled with strawberries. A group of migrant workers, who hail from Eastern Europe, China, and Africa have come here to harvest them for delivery to British supermarkets, and end up living in two small trailer homes, a men’s trailer and a woman’s trailer. They are all seeking a better life (and in their different ways they are also, of course, looking for love) and they’ve come to England, some legally, some illegally, to find it. They are supervised-some would say exploited-by Farmer Leaping, a red-faced Englishman who treats everyone equally except for the Polish woman named Yola, the boss of the crew, who favors him with her charms in exchange for something a little extra on the side. But the two are discreet, and all is harmonious in this cozy vale-until the evening when Farmer Leaping’s wife comes upon him and Yola and does what any woman would do in this situation: She runs him down in her red sports car. By the time the police arrive the migrant workers have piled into one of the trailer homes and hightailed it out of their little arcadia, thus setting off one of the most enchanting, merry, and moving picaresque journeys across the length and breadth of England since Chaucer’s pilgrims set off to Canterbury.

Along the way, the workers’ fantasies about England keep rudely bumping into the ignominious, brutal, and sometimes dangerous realities of life on the margins for Ĺ˝migrĹ˝s in the new globalized labor market. Some of them meet terrible ends, some give up and go back home, but for those who manage to hang in for the full course of this madcap ride, the rewards-like the strawberries-prove awfully sweet-especially for the young Ukrainians from opposite sides of the tracks, Andriy and Irina, whose initial mutual irritation blossoms into love.

Lewycka Marina  
обложка книги The Patience Stone The Patience Stone

Rahimi (Earth and Ashes) won the 2008 Prix Goncourt for this brief, melodramatic novel set amid factional violence somewhere in Afghanistan or elsewhere. It follows the circumscribed movements of a Muslim woman largely confined to the house where she nurses her comatose husband, who's been shot by a fellow jihadist. A humorless, inflammatory mullah pays the woman unwelcome visits, and sexually menacing soldiers break into her house. Though such events generate tension and drama, the novel's cultural and historical milieu lacks specificity, and Rahimi may have erred in sketching the story's political context vaguely. For some readers, his intimate attention to objects and spaces may compensate for the grating confessional tenor that develops later, when the narrator divulges damning secrets to her husband's unresponsive body and fulfilling the book's premise a little too obviously by referring to him as her patience stone. McLean 's translation is faultless, but the narrator's reminiscences feel stilted; the patience-stone conceit borders on gimmickry; and incidents of a violent or sexual nature seem overdetermined.

Rahimi Atiq  
обложка книги The Shack The Shack

Mackenzie Allen Philips' youngest daughter, Missy, has been abducted during a family vacation and evidence that she may have been brutally murdered is found in an abandoned shack deep in the Oregon wilderness. Four years later in the midst of his Great Sadness, Mack receives a suspicious note, apparently from God, inviting him back to that shack for a weekend. Against his better judgment he arrives at the shack on a wintry afternoon and walks back into his darkest nightmare. What he finds there will change Mack's world forever. In a world where religion seems to grow increasingly irrelevant "The Shack" wrestles with the timeless question, "Where is God in a world so filled with unspeakable pain?" The answers Mack gets will astound you and perhaps transform you as much as it did him. You'll want everyone you know to read this book!

Young William P  
обложка книги The Unit The Unit

Only a Scandinavian dystopia would unravel in a setting “furnished in a modern style and tastefully decorated in muted colors” such as “eggshell white.” And only a Scandinavian dystopia, perhaps, would see mandatory paternal leave as a slippery slope to compulsory childcare and then to compulsory parenthood and the criminalization of traditional gender roles. This is a dystopia for a shrinking country. In The Unit, all childless women over fifty and childless men over sixty are classified as “dispensable” and removed to facilities where they take part in scientific experiments and eventually donate all of their organs to “needed” individuals.

The Unit uncannily echoes its organ-donation-dystopia predecessor, Kazuo Ishiguro’s Never Let Me Go (2005); both imagine societies of extreme utilitarianism that plunder their margins for body parts, and both raise the prospect of art for art’s sake, and love for love’s, as weapons against such thinking. The Unit’s heroine, Dorrit, has chosen not to have children and thus “spill over like rising bread dough”; at the book’s opening, Dorrit’s independence has just earned her incarceration in the Unit, a death camp puzzlingly replete with art galleries and gourmet restaurants where her individualism seems to lapse into passivity.

Through flashbacks, we learn of all Dorrit has lost-her career as a novelist, her beloved dog, the small house she owned herself, the opportunities to save herself by becoming “useful” to society. These snippets of memory are interspersed with descriptions of the eponymous unit and its dying inhabitants, descriptions so matter-of-fact they lull. The novel grips toward the end when Dorrit finds love-and with it a potential escape-and makes a startling choice.

Dorrit’s play-by-play narration can be clunky in translation, but the spare, cumulative prose effectively reveals a character whose story can barely ward off the disintegration of the self it relates. Holmqvist cleverly makes that very self unreliable; The Unit is the latest in a trend of anti-heroic dystopias such as Never Let Me Go and P.D. James’s The Children of Men. In these novels of bad futures, the trustworthy memories of protagonists such as Nineteen Eighty-Four’s Winston Smith (“Airstrip One… had been called England or Britain, though London, [Winston] felt fairly certain, had always been called London”) are replaced by the self-delusions of narrators who mislead the reader and themselves lose control of the stories they are telling. In these novels, rebellion must be expressed obliquely. Like Kathy, the complacent carer of Never Let Me Go, who survives her childhood friends, nursing them as they donate all their organs, Dorrit displaces her anger onto a clearer-eyed friend who calls the Unit what it is, a “luxury slaughterhouse.”

While Holmqvist builds a powerfully imaginative scenario around the concept of killing off the childless, her message on gender roles is clumsy and unconvincing. In Dorrit’s world, flirting and other “typically male” behavior has been criminalized, and retrograde domestic fantasies have to be played out in secret, making the missionary position an act of transgression. We have come a long way from the rage of Margaret Atwood’s 1985 A Handmaid’s Tale, with its neo-Biblical America in which all women are forced either to bear children or to raise them. In today’s climate of threatened reproductive rights, a critique of compulsory motherhood would be welcome, but The Unit displays the same innate conservatism that is the pitfall of Never Let Me Go-a disturbing willingness to locate tragedy not in the horror of forced organ donation and premature death, but in Kathy and Dorrit’s lost opportunities to become mothers.

Copyright 2010 Fran Bigman

Holmqvist Ninni  
обложка книги The Bloody Chamber and Other Stories The Bloody Chamber and Other Stories Картер Анджела  
обложка книги The Book of Secrets The Book of Secrets

In a snowbound village in the German mountains, a young woman discovers an extraordinary secret. Before she can reveal it, she disappears. All that survives is a picture of a mysterious medieval playing card that has perplexed scholars for centuries. Nick Ash does research for the FBI in New York. Six months ago his girlfriend Gillian walked out and broke his heart. Now he's the only person who can save her – if it's not too late. Within hours of getting her message, Nick finds himself on the run, delving deep into the past before it catches up with him. Hunted across Europe, Nick follows Gillian's trail into the heart of a five-hundred-year-old mystery. But across the centuries, powerful forces are closing around him. There are men who have devoted their lives to keeping the secret, and they will stop at nothing to protect it.

Harper Tom  
обложка книги Transition Transition

A world that hangs suspended between triumph and catastrophe, between the dismantling of the Wall and the fall of the Twin Towers, frozen in the shadow of suicide terrorism and global financial collapse, such a world requires a firm hand and a guiding light. But does it need the Concern: an all-powerful organisation with a malevolent presiding genius, pervasive influence and numberless invisible operatives in possession of extraordinary powers? On the Concern's books are Temudjin Oh, an un-killable assassin who journeys between the peaks of Nepal, a version of Victorian London and the dark palaces of Venice; and a nameless, faceless torturer known only as the Philosopher. And then there's the renegade Mrs Mulverhill, who recruits rebels to her side; and Patient 8262, hiding out from a dirty past in a forgotten hospital ward. As these vivid, strange and sensuous worlds circle and collide, the implications of turning traitor to the Concern become horribly apparent, and an unstable universe is set on a dizzying course.

Banks Iain M  
обложка книги The Love Of A Good Woman The Love Of A Good Woman

A collection of eight stories about what people will do for love and the unexpected routes their passion will force them to take.

Munro Alice  
обложка книги The Year of the Flood The Year of the Flood

An epic of biblical proportions, The Year of the Flood is a feast of imagination and a journey to the end of the world. Adam One is the leader of the God's Gardeners, a religious group devoted to living under the command of the natural world. They wear beige cloth-sacks, cultivate mushrooms, harvest honey and curse each other by shouting: Pig-Eater! Their community is only tolerated by the CorpSeCorps, the ruling power, because they are not perceived as threatening. But, this is a world where gene-splicing is the norm; where lions and lambs have become Liobams and pigs have human DNA. The times, and species, are changing at a rapid rate, and with loyalites as thin as environmental stability, the future is a dangerous place. And, if the Waterless Flood does indeed arrive, as predicted by the Gardeners, will there even be a future to contemplate? Ren is a trapeze dancer at Scales and Tails, and can work a plank just as well. After a rip in her biofilm she is placed in solitary confinement until they can guarantee she is without disease. Her story is one part of our gateway into this uniquely constructed world. The other is Toby, an ex-counter-girl at SecretBurger ('Because we all love a Secret'), a natural cynic and source of extensive homeopathic knowledge; she knows her aminatas from her puffballs. Their stories weave beneath the holy teachings and saintly-songs of Adam One to create a truly apocalyptic vision, a world that harnesses Atwood's wit, dystopic imagination and sharp insight. The result is a collective blast of a novel and one that will remain with you until the Waterless Flood comes.

Atwood Margaret  
обложка книги The Master The Master

It's a bold writer indeed who dares to put himself inside the mind of novelist Henry James, but that is what Tóibín, highly talented Irish author of The Heather Blazing and The Blackwater Lightship, has ventured here, with a remarkable degree of success. The book is a fictionalized study, based on many biographical materials and family accounts, of the novelist's interior life from the moment in London in 1895 when James's hope to succeed in the theater rather than on the printed page was eclipsed by the towering success of his younger contemporary Oscar Wilde. Thereafter the book ranges seamlessly back and forth over James's life, from his memories of his prominent Brahmin family in the States-including the suicide of his father and the tragic early death of his troubled sister Alice-to his settling in England, in a cherished house of his own choosing in Rye. Along the way it offers hints, no more, of James's troubled sexual identity, including his fascination with a young English manservant, his (apparently platonic) night in bed with Oliver Wendell Holmes and his curious obsession with a dashing Scandinavian sculptor of little talent but huge charisma. Another recurrent motif is James's absorption in the lives of spirited, highly intelligent but unhappy young women who die prematurely, which helped to inform some of his strongest fiction. The subtlety and empathy with which Tóibín inhabits James's psyche and captures the fleeting emotional nuances of his world are beyond praise, and even the echoes of the master's style ring true. Far more than a stunt, this is a riveting, if inevitably somewhat evasive, portrait of the creative life.

From The Washington Post

Say, with due reverence, "the Master" and any serious novel-reader instantly knows you are referring to Henry James (1843-1916). No one else in American or English literature comes close to matching James in his austere dedication to the writer's life. From the time of his first story – about adultery, published in 1865 – he elected to follow a path of essential loneliness. James mingled with society, dined with the great and the good on two continents, and listened and observed with guarded intensity. He made himself into the most sensitive possible register of social nuance, unspoken yearnings, hidden liaisons. But he remained apart from the fray, looking on the tumultuous, sorrowful human comedy with a pity tempered by compassionate understanding for our failings, sins and wounding misjudgments. Tout comprendre, c'est tout pardonner might almost be James's artistic motto. All his own joys were, to the eyes of the world, muted, perhaps nonexistent. In one of his novels a character proclaims: "Live life. Live all you can. It's a mistake not to," and yet the Master himself seems never to have heeded this liberating affirmation and instead funneled all his animal vitality into the making of such masterpieces as The Portrait of a Lady, "The Turn of the Screw," "The Aspern Papers," The Ambassadors, and that greatest of all accounts of a missed life, "The Beast in the Jungle."

Colm Toibin alludes to each of these novels, novellas and stories (and several others) in this moving portrait of the artist in late middle age. Here the Irish novelist – hitherto best known for The Blackwater Lightship, which was short-listed for the Booker Prize – builds on the research and speculations of numerous scholars to construct a novel about James's interior life. This requires the utmost delicacy. In one sense, The Master might almost be viewed as an extreme example of what the French call the vie romancée, a highly embellished form of biography that goes beyond austere scholarship to adopt the exuberance and methods of fiction. Henri Troyat's Tolstoy, for instance, was faulted for being too exciting, too artful, too much like a Tolstoy novel. Similar charges have been leveled at the work of Peter Ackroyd on Dickens and Edmund Morris on Ronald Reagan. Readers tend to grow uneasy when they start to wonder where the facts stop and the artistic license begins.

But Toibin's impersonation of James works beautifully. The prose is appropriately grave and wistful, the sentences stately without being ponderous, the descriptions at once precise and evocative. The action, such as it is, moves smoothly from a time of temporary desolation to memories of horrible physical and mental suffering to angst-filled comedy (James dithering about how to deal with two drunken servants, James uncertain about how to dispose of the dresses of a dead woman). Toibin focuses on his subject in the years between 1895, when James's play "Guy Domville" was hooted on its opening night, and 1899, when his elder brother William came to visit at Lamb House, his beloved residence in Rye. But in between Toibin recreates scenes from James's childhood, offers a subtle interpretation of the apparent back injury – the so-called great "vastation" – that kept him out of the Civil War and helped make him an artist, and systematically introduces many of the people important in the writer's life. Most of these are women: his protective mother; his bitterly witty invalid sister Alice; the life-enhancing Minny Temple, adored by all the young men at Harvard, including Oliver Wendell Holmes Jr., and – most heartbreaking of all – the novelist Constance Fenimore Woolson, who quietly fell in love with James and then killed herself when it seemed he had abandoned her. All these figure as agents who help him determine his artistic destiny or as temptations to relinquish it for a more human existence. Toibin does suggest that James's fundamental nature was homosexual, if largely unexpressed: He is notably fine in evoking the erotic tension between the novelist and a servant named Hammond (presumably fictional) and the "bewitched confusion" James feels for the sculptor Hendrik Andersen, portrayed here as muscular, ambitious, rather stupid and blindly selfish. One never knows where love will strike.

Toibin's masterly prose excels particularly in an easy-going command of the style indirect libre, which conveys a character's mental processes in the third person: "He wished that he was halfway through a book, with no need to finish until the spring when serialization would begin. He wished he could work quietly in his study with the haunting gray morning light of the London winter filtered through the windows. He wished for solitude and for the comfort of knowing that his life depended not on the multitude but on remaining himself." James himself specialized in this technique – he preferred to avoid dialogue as much as possible – because it allowed for the gradual unspooling of a thought, the patient dissection of an emotion or a motive. In The Master, Toibin uses it not only to enter James's mind but also as a means of giving us his reflections on his vocation. Though a novel, The Master is almost a breviary of the religion of art. Consider these three different, but equally striking, passages:

"Once it became more solid, the emerging story and all its ramifications and possibilities lifted him out of the gloom of his failure. He grew determined that he would become more hardworking now. He took up his pen again – the pen of all his unforgettable efforts and sacred struggles. It was now, he believed, that he would do the work of his life. He was ready to begin again, to return to the old high art of fiction with ambitions now too deep and pure for any utterance."

"And in one of those letters [to John Gray] she had written the words which… Henry thought now maybe meant more to him than any others, including all the words he had written himself, or anyone else had written. Her words haunted him so that saying them now, whispering them in the silence of the night brought her exacting presence close to him. The words constituted one sentence. Minny had written: 'You must tell me something that you are sure is true.' That, he thought, was what she wanted when she was alive and happy, as much as when she was dying… The words came to him in her sweet voice, and as he sat on his terrace in the darkness he wondered how he would have answered her if she had written the sentence to him."

"As an artist, he recognized, Andersen might know, or at least fathom the possibility, that each book he had written, each scene described or character created, had become an aspect of him, had entered into his driven spirit and lay there much as the years themselves had done. His relationship with Constance would be hard to explain; Andersen was perhaps too young to know how memory and regret can mingle, how much sorrow can be held within, and how nothing seems to have any shape or meaning until it is well past and lost and, even then, how much, under the weight of pure determination, can be forgotten and left aside only to return in the night as piercing pain." There are many other wise, if often rather doleful, observations in The Master, for the book seeks, in part, to show how a novelist transmutes his own experiences into something rich and strange and true: So, Minny Temple and Alice James are reimagined, in part, as Isabel Archer or Daisy Miller. Sometimes one feels a little too strongly that Toibin is plumping down the "real" events and figures behind the better known fictive ones. Sometimes it seems that he veers close to the besetting fault of so much historical fiction, that of having the hero mention or meet virtually every famous figure of the time. For instance, in the final pages of the book, in a single conversation, he presents William James outlining the lectures that will become The Varieties of Religious Experience, Henry James describing his current projects – clearly "The Beast in the Jungle" and The Ambassadors – and their visitor Edmund Gosse announcing that he's been mulling over a book about his childhood, one that will obviously become the only thing people still read by him, the wonderful Father and Son. Excessive? Perhaps. But such great works are the final justification for lives spent thinking and writing about the nature of human experience.

The Master is hardly a typical summer book, but it is convincing and enthralling. Those of an investigative bent might read it with an occasional glance through some of the biographical scholarship that Toibin cites in his acknowledgments. Others, new to James, might go on to look at the Master's actual work, starting perhaps with John Auchard's recently revised Portable Henry James (Penguin), an exceptional work of selection and distillation. But you don't need to do either of these. Colm Toibin has written a superb novel about a great artist, and done it in just the right way. It is worth reading just for itself – and for insights like this one: At Harvard, we are told, the young Henry James suddenly understood "the idea of style itself, of thinking as a kind of style, and the writing of essays not as a conclusive call to duty or an earnest effort at self-location, but as play, as the wielding of tone." That is something I am sure is true.

Copyright 2004, The Washington Post Co. All Rights Reserved.

óibín Colm  
обложка книги Truoc-nog Truoc-nog

On le sait, chaque automne depuis cent ans, le Goncourt est attribué au livre le plus insignifiant de la rentrée.

Si l'utilité de ce prix repoussoir n'est plus à prouver - il montre à nos jeunes écrivains les voies littéraires sans avenir -, il ne faut pas oublier trop vite les goncourables, ces malheureux qui passent deux mois dans une grande détresse morale à attendre le verdict. Ils sont chair et tripes, ces gens-là, et ils ont mal à l'amour-propre. Peu de supplices sont comparables a ceux d'un pauvre bougre en sursis du Goncourt !

Gran Iegor  
обложка книги Tatiana y Alexander Tatiana y Alexander

Tatiana, embarazada y viuda a sus dieciocho años, huye de un Leningrado en ruinas para empezar una nueva vida en Estados Unidos. Pero los fantasmas del pasado no descansan: todavía cree que Alexander, su marido y comandante del Ejército Rojo, está vivo. Entre tanto, en la Unión Soviética Alexander se salva en el último momento de una ejecución.

Tatiana viajará hasta Europa como enfermera de la Cruz Roja y se enfrentará al horror de la guerra para encontrar al hombre de su vida… Dolor y esperanza, amistad y traición se mezclan en esta conmovedora novela protagonizada por dos personajes entrañables y llenos de coraje, capaces de desafiar por amor al destino más cruel.

Simons Paullina  
The Potato Factory

This crime-laden novel is full of deceitful characters, illegal monies and lots of booze. Bryce Courtenay’s The Potato Factory concerns the notorious criminal Ikey Solomon who is the undisputed king rat. While he is on top of the underworld, he is only fearful of his ambitious and resentful wife Hannah. Together they share a safe with plenty of money in it, yet they each only have half the combination. So when Hannah and Mary, Ikey’s razor sharp mistress, are deported to the penal colony in Van…

Courtenay Bryce  
обложка книги The Prestige The Prestige

Flyleaf:

After ten years of quietude, author Christopher Priest (nominated one of the Best of Young British Novelists in 1983) returns with a triumphant tale of dueling prestidigitators and impossible acts.

In 1878, two young stage magicians clash in a darkened salon during the course of a fraudulent sйance. From this moment, their lives spin webs of deceit and exposure as they feud to outwit each other. Their rivalry takes them both to the peak of their careers, but with terrible consequences. It is not enough that blood will be spilt — their legacy is one that will pass on for generations.

The Prestige is a chimerical triumph of storytelling magic, a fiercely compelling tale of revenge and illusion. Awarded Britain's prestigious James Tait Black Memorial Prize and nominated also for the Arthur C. Clarke Award, The Prestige is a masterpiece of imaginative storytelling.

Priest Christopher  
обложка книги The Fat Years The Fat Years

TRUTH IS NOT AN OPTION…

Beijing, sometime in the near future: a month has gone missing from official records. No one has any memory of it, and no one can care less. Except for a small circle of friends, who will stop at nothing to get to the bottom of the sinister cheerfulness and amnesia that has possessed the Chinese nation. When they kidnap a high-ranking official and force him to reveal all, what they learn – not only about their leaders, but also about their own people – stuns them to the core. It is a message that will rock the world…

Terrifying methods of cunning, deception and terror are unveiled by the truth-seekers in this thriller-expose of the Communist Party's stranglehold on China today.

Koonchung Chan  
обложка книги The Call The Call

"This is a wonderful novel. Original, suspenseful, funny, and profoundly moving. It's about family, community, the human bond with animals, and – oh yeah – spaceships. I am in awe of Yannick Murphy's achievement and I plan to recommend it to everyone I know." – Geraldine Brooks

The daily rhythm of a veterinarian's family in rural New England is shaken when a hunting accident leaves their eldest son in a coma. With the lives of his loved ones unhinged, the veterinarian struggles to maintain stability while searching for the man responsible. But in the midst of their great trial an unexpected visitor arrives, requesting a favor that will have profound consequences – testing a loving father's patience, humor, and resolve and forcing husband and wife to come to terms with what 'family' truly means.

The Call is a gift from one of the most talented and extraordinary voices in contemporary fiction – a unique and heartfelt portrait of a family, poignant and rich in humor and imagination.

Murphy Yannick  
обложка книги The Englishman’s Boy The Englishman’s Boy

“A stunning performance. Hugely enjoyable. I couldn’t put it down.” – Mordecai Richler

“The canvas is broad, the writing is vivid, and the two story-lines are deftly interwoven to contrast cinematic ‘truth’ with history as it happened. An intense and original piece of writing.” – The Bookseller (U.K.)

“A richly textured epic that passes with flying colors every test that could be applied for good storytelling.” – Saskatoon StarPhoenix

“Characters and landscapes are inscribed on the mind’s eye in language both startling and lustrous.” – Globe and Mail

“Vanderhaeghe succeeds at a daring act: he juggles styles and stories with the skill of a master…” – Financial Post

“There isn’t a dull moment.” – Toronto Sun

“A fine piece of storytelling, which, like all serious works of literature, as it tells its tale connects us to timeless human themes.” – Winnipeg Sun

“The Great Canadian Western.” – Canadian Forum

“Thematically, this is a big book, an important book, about history and truth, brutality and lies.” – Georgia Straight

“A compelling read.” – Halifax Daily News

“Vanderhaeghe shows himself to be as fine a stylist as there is writing today.” – Ottawa Citizen

A parallel narrative set in the American West in the 1870s and Hollywood in the era of the silent films. A struggling writer wishes to make an epic of the American West and believes an old-time Western actor will provide authentic content. However, the actor tells his own, different story.

Vanderhaeghe Guy  
обложка книги The Forgotten Waltz The Forgotten Waltz

The Forgotten Waltz is a memory of desire: a recollection of the bewildering speed of attraction, the irreparable slip into longing, that reads with breathtaking immediacy. In Terenure, a pleasant suburb of Dublin, in the winter of 2009, it has snowed. A woman recalls the trail of lust and happenstance that brought her to fall for "the love of her life." As the city outside comes to a halt, she remembers the days of their affair in one hotel room or another: long afternoons made blank by bliss and denial. Now, as the silent streets and the stillness and vertigo of the falling snow make the day luminous and full of possibility, she awaits the arrival on her doorstep of his fragile, twelve-year-old daughter, Evie. In The Forgotten Waltz, Enright is at the height of her powers. This is Anne Enright's tour de force, a novel of intelligence, passion, and real distinction.

Enright Anne  
THREE SINGLES TO ADVENTURE Durrell Gerald Malcolm  
The Bafut Beagles Durrell Gerald Malcolm  
Tara Road Binchy Maeve  
обложка книги The Gambling Man The Gambling Man

Rory Connor was a gambling man and he had a gambler’s luck. From the day he was born, his mother had known that Rory would be the one to make something of his life. At seven years old he was earning money from odd jobs and by fourteen, he was in full-time work. By the time he was nineteen, he had escaped the factory to become a rent-collector.


Now, at twenty-three, ambition was in full flow and he was always looking to bigger and better games to play. He feared nothing and nobody, not even the unscrupulous landlord he collected for. For an ordinary working lad, he was doing well – until one day, his luck changed and suddenly, things did not go as smoothly as he was used to . . .

Cookson Catherine  
Todos los nombres

“Todos los nombres” es la historia de amor más intensa de la literatura portuguesa de todos los tiempos.” Eduardo Loureno

“Todos los nombres” es el relato de aventuras de un José “sin nombre”, aunque el suyo sea el único que figure en la historia.

En su aparente humildad, en su auténtica soledad, en su falta de bienes materiales y afectivos y, sobre todo, en su inalienable dignidad humana, este don José es pariente próximo de otros personajes literarios: Bouvard y Pécuchet, los copistas enciclopédicos de Flaubert; el obstinado Bartleby de Melville; el metafísico Bernardo Soares de Pessoa…

“Don José comienza cultivando la afición inocente de coleccionar noticias sobre personas famosas.

Pero, para otorgarles fiabilidad, decide completarlas con los documentos del Registro Civil donde trabaja. Ello lo obliga a cometer infracciones al reglamento y a protagonizar aventuras de las que nunca se había creído capaz”.

“Saramago opta por la subversión individual contra la opresión de las autoridades catalogadoras, por el desorden de la vida contra el desorden de la muerte. Y todo con un estilo que parece haber alcanzado, en la cima de la simplicidad, la cima de la sutileza.

“Todos los nombres” es uno de esos pocos libros que todavía merecen ser definidos como un clásico.”

José Saramago (1922) es uno de los novelistas portugueses modernos más conocidos y apreciados en el mundo entero. En España, la publicación en 1985 de “El año de la muerte de Ricardo Reis” es el inicio de un éxito que ha ido creciendo con cada novela. Otros títulos importantes son: “Manuel de pintura y caligrafía” (1977), “Alzado del suelo” (1980), “Memorial del convento” (1982), “La bolsa de piedra” (1986), “Historia del cerco de Lisboa” (1989), “El evangelio según Jesucristo” (1991), “Ensayo sobre la ceguera (1996) y “Cuadernos de Lanzarote” (1997).

Vive actualmente en Lanzarote, desde donde participa activamente en la vida cultural española.

Saramago é  
The Madonnas Of Leningrad

This is a brilliant and moving debut novel about one woman’s struggle to preserve an artistic heritage from the horrors and destruction of World War II. In this extraordinary first novel by Debra Dean, the siege of Leningrad by German troops in World War Two is echoed by the destructive siege against the mind and memory of an elderly Russian woman. Marina, the woman in question, was a guide at Leningrad ’s famous Hermitage Museum. In the late autumn of 1941, the Luftwaffe roared over and around Leningrad, she and her colleagues were set the task of taking the thousands of priceless paintings, sculptures and objets d’art out of the grand galleries of the former Tsarist Palace and storing them safely against the German bombardment and seemingly inevitable invasion. The German assault threatened to destroy a large part of Europe’s artistic history: if Leningrad fell to the Germans, everything that was not destroyed would be looted and given to the Nazis. Marina, whose own parents had disappeared during Stalin’s 1930s’ purges of intellectuals, clings to her hope of becoming an art historian herself through her job at the Hermitage. The novel shifts between Marina ’s experiences at the Hermitage during the siege of Leningrad and her current existence as a very old lady in America whose mind has begun to fray. The shifts are masterfully done: Debra Dean depicts, with subtle skill, the way Marina’s mind, already ravaged by disease, picks up some incident, object or person at the wedding she’s been brought to, and flips back to the dreadful year-and-a-half in Leningrad which has informed her life ever since. This is an evocative and deeply moving novel about memory itself.

Advance Praise for The Madonnas of Leningrad

“An unforgettable story of love, survival, and the power of imagination in the most tragic circumstances. Elegant and poetic, the rare kind of book that you want to keep but you have to share.” – Isabel Allende, New York Times bestselling author

“The Madonnas of Leningrad is an extraordinary debut, a deeply lovely novel that evokes with uncommon deftness the terrible, heartbreaking beauty that is life in wartime. Like the glorious ghosts of the paintings in the Hermitage that lie at the heart of the story, Dean’s exquisite prose shimmers with a haunting glow, illuminating for us the notion that art itself is perhaps our most necessary nourishment. A superbly graceful novel.” – Chang-Rae Lee, New York Times bestselling author of Aloft and Native Speaker

Dean Debra  
The Handmaid’s Tale

Reviewed by Kathleen A. Cameron, Justice Studies, Social Sciences Department, Pittsburg State University. Email: kcameron [at] pittstate.edu.

Imagine a society where a sign in red paint reads, “We warn against not wearing a headscarf and wearing makeup. Those who do not abide by this will be punished. God is our witness, we have notified you.” Imagine a society where women are tortured and killed for disobeying this law – a society where religious beliefs, the political structure, and female sexual identity are so intertwined as to justify and require the control of women’s freedom, the sexual victimization of women, and the torture and murder of women who do not comply. Imagine a society where a woman is accused by religious police of being a witch and is sentenced to death by beheading.

Margaret Atwood imagines this society in her futuristic, dystopian novel, THE HANDMAID’S TALE. While the excerpt above is a non-fictional description of present-day Iraq and Saudi Arabia, Atwood’s vision of a fictional theocratic regime that reduces the value of women to reproductive commodities is a disturbingly accurate account of the status of women in the Middle East and other parts of the world, and is in many ways reflected in political, legal, and cultural doctrines, ideologies, and practices in the U.S.

Numerous reviews of this most profound and telling work by Atwood have been written since its publication in 1986. Written in a similar vein to Huxley’s BRAVE NEW WORLD (1932), Orwell’s 1984 (1949), and Burgess’ A CLOCKWORK ORANGE (1962), but with the mysogynistic focus of Piercy’s WOMAN ON THE EDGE OF TIME (1976), it is one of the two most popular Atwood works for use in university classrooms (along with Atwood’s SURFACING (1972)). Rich with symbolism and textured with irony, it relies on a feminist methodology of the narrative, the primary way individuals make sense of experience. As such, it provides an ideal source for generating dialogue, teaching, and learning in courses that have typically included courses in the humanities and social sciences. This review illustrates the use of this work in a course on Women, Crime and Justice, and includes a student paper excerpt in the brief summary of THE HANDMAID’S TALE that follows. The student contributor to the summary below writes, “I am finding The Handmaid’s Tale to be a heart-breaking, yet inspiring novel… I could not stop reading.” Adaptations include a film, an opera, and an unabridged audio book.

The story is set in the futuristic United States of America in the fictional town of Gilead, a puritanical society in which dress codes are used as a way to subjugate women. The tale opens with the narrator, Offred (Of-Fred) remembering a time when she was held against her will in an old gymnasium, [*299] known as the Red Center. Women here are trained to become Handmaids, surrogate mothers for powerful military families, who are ordered to wear red dresses with white veils to signify their importance to the cause (having the Commanders’ children). Gilead is a theocracy run by Christian extremists in which women are not allowed to hold jobs, read, or use money. The chief function of women is to bear children since the decline in the birth rate. Women of lower status, the “econowives” wear striped dresses to signify that their husbands are not yet Commanders.

Throughout the novel, Offred narrates from remembering past times to the present. She is a Handmaid who lives in a Commander’s house but she remembers a time when she was married to a man named Luke and they had a child together. Offred has no idea what happened to either her child or Luke, but she recalls that her child was taken from her because she was deemed “unfit.” In the new world of Gilead (once the United States), the Constitution has been suspended and a Christian theocracy has replaced a democratic government. To address the declining birth rate caused by pollution and chemical poisoning, the government has created Handmaids who are placed in the households of Commanders whose wives can no longer bear children. Handmaids are under constant surveillance, subject to strict rules and regulations, and suffer extreme punishment or death if they defy the Gileadean regime.

While words such as “engaging,” “well-structured,” and “suspenseful” have been used to describe the work, THE HANDMAID’S TALE offers a myriad of themes for pedagogy much more profound than its value as a compelling read and its use in discussions of literature and creative writing. More specifically, the work lends itself to an examination of the politics of female sexuality as inextricably linked to female criminality. As the tale unravels, the boundaries between Atwood’s fictional characters of Gilead and the historical oppression and subjugation of women in the U.S. and the world become increasingly blurred. Students are given the opportunity to uncover ways in which political ideologies have given rise to structures of power that connect the personal to the political. The practices and beliefs in the fictional Republic of Gilead can be used to expose the roots of a non-fictional political campaign to control women that can be seen as early as the 15th century in Europe, when control of women’s reproductive issues and control over women’s bodies fueled a theocratic movement against women as the Roman Catholic church defined their healing practices as the crime of “witchcraft” and led to beliefs that female sexuality was the downfall of man.

This theme of woman as the “sexual temptress” is brought to light once again in the current political regime in Saudi Arabia. In today’s news, where a Saudi woman has been sentenced to death for the crime of witchcraft, the color red has been banned as testament that, in the words of one Atwood reviewer, “dehumanization of women is not just a custom but actually the law.” In THE HANDMAID’S TALE, we see the symbolism of the color red. As one student explains, “Red is a scandalous, racy color, defining the Handmaids as such. Everything associated with the [*300] Handmaids is red.” The novel’s protagonist, Offred, states, “Everything except the wings around my face is red: the color of blood, which defines us.” (Atwood, p. 8) Atwood uses the symbology of color to represent social status (Commanders dress in black and drive black cars) for characters as well as the political structure of the society (“ Red Center ”).

The seamless blend of political power, ideological structures, and criminal justice practices is artistically woven into the tapestry of Atwood’s social commentary on the oppression of women. Throughout the novel’s fabric, we find threads of the objectification of women in the control of female sexuality; the value of women defined by reproduction; the victim/criminal continuum and the politics of female victimization and female criminality; the female criminality link to structural dislocation; and the feminist methodology of personal voice, experience, and the power of the narrative.

Any crime can result in an execution and a public hanging on “The Wall,” but just being female is suspect enough. Atwood resists painting a picture of Offred as a victim; on the contrary, Offred is intelligent, courageous, and defiant in the face of her life under siege. Ironically, when it is more common for survivors of sexual crimes and political torture to remain silent, it is Offred’s narrative that empowers the reader to champion her eventual uprising against the family and government that hold her captive. While rape survivors and other women who are victims of crimes of power often find it difficult to talk about their experiences and resist naming them, it is precisely her narrative and the naming of her world that carries Offred to rise above the Giladean regime. The political identity that has been inflicted upon her is ultimately unable to destroy her personal identity and she emerges as a heroine rather than a Handmaid.

As a pedagogical palette, THE HANDMAID’S TALE is rich in possibilities for analyzing the intersection between crimes against women, crimes by women, and the politics of female sexuality. In this tenth anniversary year of “The Vagina Monologues” and the V-Day movement to end violence against women, we read news accounts daily such as those described in the opening statements of this review -- Iraqi women being tortured and killed for contradicting the requirements of Islam demanding that women cover their heads and Saudi women being executed by political regimes in the name of religion. As a feminist pedagogy and methodology, the power of giving voice to women and naming personal experience is the power of THE HANDMAID’S TALE.

Atwood Margaret  
обложка книги The guns of Navaronne The guns of Navaronne

The classic World War II thriller from the acclaimed master of action and suspense. Now issued for the first time as an e-book.Twelve hundred British soldiers isolated on the small island of Kheros off the Turkish coast, waiting to die. Twelve hundred lives in jeopardy, lives that could be saved if only the guns could be silenced. The guns of Navarone, vigilant, savage and catastrophically accurate. Navarone itself, grim bastion of narrow straits manned by a mixed garrison of Germans and Italians, an apparently impregnable iron fortress. To Captain Keith Mallory, skllled saboteur, trained mountaineer, fell the task of leading the small party detailed to scale the vast, impossible precipice of Navarone and to blow up the guns. The Guns of Navarone is the story of that mission, the tale of a calculated risk taken in the time of war…

Maclean Alistair  
Tell me your dreams

Meet Ashley Patterson, the brainy, babelicious "computer whiz" and confused heroine of Tell Me Your Dreams. Although she has a cushy job at Global Computer Graphics, a fast-growing start-up in Silicon Valley, her life falls short of fulfilling. She's lonely, shy, and absolutely convinced she's being stalked. What's worse, the only sympathetic ear around is her father, Dr. Patterson, the heartless heart surgeon, who has the charm of an electric eel and the compassion of a tarantula. Given her options, Ashley looks to the heavens for support and offers up an ultimatum to the Almighty: "I'll make a deal with you, God. If it doesn't rain, it means that everything is all right, that I've been imagining everything." Of course, it starts raining buckets just paragraphs later, setting off a car alarm of an omen about our computer cutie's fate.

Enter Toni Prescott and Alette Peters. They both work with Ashley at Global Computer Graphics, but the similarities end there. Toni is a saucy, British vixen with a penchant for Internet dating and discotheques. La bella Italiana Alette, on the other hand, is a wannabe artist who prefers quiet, dreamy weekends with beefcake painters. Reminiscent of junior high school, Toni and Alette do their best to keep Ashley out of their cool clique, but find it difficult when a string of murders irrevocably binds them together. Based on a true story and laden with realistic details--not to mention a whopper of an ending--Tell Me Your Dreams is vintage Sheldon. However, there is one necessary caveat: avoid moviegoer types who insist on telling you the entire plot before you have a chance to see it. You should be doing this anyway, but take extra care with this book. Once the surprise ending is blown, so is the fun in reading it. --Rebekah Warren --This text refers to an out of print or unavailable edition of this title.

Sheldon Sidney  
The Doomsday Conspiracy

Sheldon spices his latest thriller, a 17-week PW bestseller in cloth, with science fiction, including aliens who arrive from another planet on an enviromentalist mission.

Sheldon Sidney  
обложка книги The Ice Queen The Ice Queen

A woman who leads a quiet life, keeping other people at a cool distance, one day utters an idle wish to be struck by lightning — and her wish is granted. Instead of killing her, this cataclysmic event marks a strange and powerful new beginning. As the woman soon finds herself drawn into a passionate relationship with another survivor of a lightning strike, a mysterious stranger who harbors dark secrets. Their affair becomes the center of a riveting story of loss, love, and redemption. Here is a novel that reveals Alice Hoffman at the very height of her powers.

Hoffman Alice  
Treinta y seis Tarjetas de San Valentín

Susannah Ballister había sido una de las más populares debutantes de la temporada anterior, hasta que el hombre que todos creían que le propondría matrimonio se casó con otra. De la noche a la mañana, ella se convirtió en alguien a quien compadecer y sobre quien cuchichear, de modo que se marchó al campo para recuperarse.

De vuelta en Londres de nuevo, a Susannah se le hace difícil sonreír siendo objeto de los rumores y debiendo conformarse con su nuevo papel de desdeñada. David Mann-Formsby, conde de Renminster es el hermano del hombre que la despreció. Socialmente influyente, realiza un acto de amabilidad que sirve para que Susannah recupere su lugar en la sociedad. Pero entonces David descubre que lo que le impulsa a hacerlo es más que amabilidad… él desea a Susannah. Aunque pensaba que no era la mujer apropiada para su hermano, se da cuenta de que es completamente apropiada para él mismo, pero ahora debe convencer a Susannah de ello. Por su parte, Susannah está confundida por la ayuda de David, de quien sabe que no la aprobaba, y llega a la conclusión de que debe ser piedad, o al menos simpatía lo que le motiva. Ahora David debe dar un gran paso para mostrarle que no es la piedad lo que le impulsa, sino el amor.

Quinn Julia  
Tratado De Culinaria Para Mujeres Tristes

Tratado de culinaria para mujeres tristes: Los apetitos de la imaginación.

Esta singular obra es un conjunto de textos breves dirigidos a unas interlocutoras anónimas a quienes formula para aliviarlas de las cargas de la existencia. Cerca de setenta recetas componen el tratado que el autor ofrece a ese tú femenino que espera anhelante la fórmula salvadora de la tristeza, de los celos, de los cambios de temperamento, de las desventuras orgánicas del sexo, de las tentaciones de las mujeres casadas, de los antojos, de la soltería, del luto, etc.

No todas las recetas tienen el componente gastronómico que inventa este chef del espíritu. Algunas son consejos para salir de aprietos existenciales o sentimentales, pero dados en un tono conciliador que hace parte del remedio, pues el experto destila comprensión, acercamiento, dulzura. He aquí una receta que posee ingredientes naturales: `Si está nerviosa, aún sirve manzanilla, más no debes cortarla con limón ni con dulce. No funciona si lo que te preocupa es más fuerte que tú. Y si es así, conviene estar nerviosa`.

En cambio, éste, vuelve el interés hacia sí mismo. Se trata de una autoreceta: `Muchas veces, al borde hallar la receta de la inmortalidad, me distrajo la presencia de la muerte`.

Faciolince éctor Abad  
Tam, gdzie spadają anioły

Każdy chyba człowiek, choć raz w swoim życiu zastanawiał się nad mechanizmami kierującymi jego losem. Co powoduje, że pijany kierowca wybierze akurat tę samą ulicę, przez którą mam przejść? Że nagle, bez powodu zapadnę na straszną chorobę, lub nie zrealizują się moje marzenia? Takie wydarzenia każą powątpiewać w ciągi przyczynowo – skutkowe i powiedzenia, że "każdy jest kowalem własnego losu". Niestety, nieszczęścia często zdarzają się bez przyczyny. Gdzie podziewa się wtedy Anioł Stróż? "Tam gdzie spadają anioły" jest szóstą książką Doroty Terakowskiej i trzecią, wyróżnioną nagrodą Polskiej Sekcji Światowego Kuratorium dla Młodzieży (IBBY). Autorka przedstawia w niej wizję świata, w którym odwieczną walkę toczą dobro i zło.

Pewnego dnia, mała Ewa jest świadkiem dziwnej sceny, rozgrywającej się na niebie. Obserwuje walkę białych i czarnych postaci ze skrzydłami. Jedna z tych świetlistych istot zostaje pokonana i spada w gąszcz pobliskiego lasu. Na nieszczęście dziewczynki jest to jej Anioł Stróż. Rodzice (wyznawcy szkiełka i oka) nie chcą uwierzyć w fantastyczną opowieść dziewczynki. Zajęci pracą, brak czasu refundują jej zabawkami. Jednak nawet oni nie mogą pozostać obojętni wobec niewytłumaczalnego pecha, który zaczyna prześladować ich dziecko. Złamania, choroby i potłuczenia zdarzają się Ewie wyjątkowo często. Tylko babcia, która zdaje się patrzeć na świat bardziej sercem niż rozumem, podejrzewa nadnaturalną przyczynę tych nieszczęść. W końcu przychodzi czas na najgorsze. Trzynastoletnia już dziewczynka zapada na nieuleczalna białaczkę. Rodzice wtrąceni w mrok rozpaczy muszą odrzucić pancerz racjonalizmu i zaakceptować istnienie sił nie dających się wytłumaczyć rozumem. Zadziwiający ciąg przypadków kieruje ich nadzieje ku Aniołom. A jeden z nich jest całkiem blisko… strącony i okaleczony niebiański opiekun Ewy – Ave – przyjął postać miejscowego, upośledzonego bezdomnego. Pozbawiony anielskich skrzydeł, opuszczony i zrozpaczony musi się ukrywać przed ludźmi. Jego jedynym towarzyszem jest czarny anioł – Vea, z którym Ave prowadzi rozmowę na temat tego, co ich (a zarazem całe dobro i zło) łączy i dzieli. Vea twierdzi, że tylko współistnienie bieli i czerni warunkuje porządek świata. Mówi o nierozerwalnym związku dobra i zła, światła i ciemności, dobroczynienia i grzechu.

Czy Ewie uda się odnaleźć i przywrócić niebu swojego okaleczonego anioła? Czy będzie w stanie zwalczyć trawiącą ją śmiertelną chorobę i pomóc demonowi zła znaleźć nić porozumienia z jego anielskim bratem?

Dorota Terakowska buduje syntetyczny obraz współczesnego świata, ogarnia wiele problemów właściwych schyłkowi tysiąclecia ale i ponadczasowych. Są to m.in. problemy samotności człowieka, cierpienia, śmierci, bezdomności i odpowiedzialności. Wiele jest trafnych spostrzeżeń dotyczących związków rodzinnych i sąsiedzkich. Wspaniała narracja i dialogi nie pozwalają oderwać się od lektury. I chociaż nie jest to książka akcji, losy bohaterów śledzi się z zapartym tchem.

Powieść można interpretować na wiele sposobów. Warto zwrócić uwagę na znaczące imiona bohaterów. Dobry Ave, zły Vea i Ewa – istota ludzka, nosząca i łącząca w sobie pierwiastek dobra i zła. (imię dziewczynki można odwołać do Pramatki, a więc los Ewy jest poniekąd metaforą losu człowieka). Taki obraz świata, przedstawiony przez autorkę, nie jest nowy. Symbolizuje go taoistyczna mandala. Pojawia się także w światopoglądach manichejskich.

Wnikliwy czytelnik otrzyma od powieści wszystko to, co powinien: zachętę do refleksji, ciekawą fabułę, możliwość własnej interpretacji zdarzeń. To wspaniała książka zarówno dla młodzieży jak i dorosłych.

Adam Skubiszewski

Terakowska Dorota  
Trás-os-Montes: Un viaje portugués Llamazares Julio  
The Captain Is Out to Lunch

"I am not in a contest. I never wanted fame or money. I wanted to get the word down the way I wanted it, that's all. And I had to get the words down or be overcome by something worse than death." So writes the late Charles Bukowski in his entry for 6/23/92 (12:34 AM). The Captain Is Out To Lunch And The Sailors Have Taken Over The Ship, a delightful, posthumous gathering of excerpts from Bukowski notebooks, is loaded with such direct ruminations about writing, death, money, humanity, and how the author located meaning and value in his daily life and work. Richly illustrated with gritty drawings by Robert Crumb, Bukowski's legions of readers will want to add this prose volume to their collections. Autograph seekers, race track habitués and the dull thud of the nags ("I go to the track almost reluctantly. I am too idiotic to figure out any other place to go...I guess getting my ass out of here forces me to look at Humanity and when you look at Humanity you've GOT to react." p.66), Hollywood types, classical music and classy authors, poets and poseurs, all subjects frequently addressed by Bukowski over the course of his long, productive career, shape the book's contents. One observes Bukowski at home, going to the mall with wife Linda, driving the LA freeways, at his computer mulling over what does and doesn't add up. Charles Bukowski scrapped and fought for his rewards and, as "The Captain Is Out To Lunch" makes indelibly clear, it was honest writing and its publication, not money or fame, that empowered him. Ultimately he achieved acclaim and a fair measure of financial success, after establishing a beneficial relationship with John Martin of Black Sparrow Press, a committed independent publisher who enabled him to reach a world-wide audience of readers. They valued his work during his lifetime and continue to anticipate the thinning stream of books still coming out several years after his death.

Bukowski Charles  
Tres Pájaros De Cuenta Y Tres Cuentos Olvidados

El cuco, la granjilla y el cárabo, tres pájaros de cuenta, son los protagonistas de otras tantas historias vividas por Miguel Delibes, en las que el escritor aborda uno de los temas constantes en su obra: la naturaleza. Un castellano rico y preciso, unido a una extraordinaria capacidad de observación, hacen de estos relatos tres pequeñas obras maestras. Tres cuentos más, de muy distinto signo, completan este volumen `La vocación`, `Bodas de Plata` y `El otro hombre` vieron la luz a comienzos de la década de los cincuenta, pero es ésta la primera vez que se publican en forma de libro. Tres personajes bien distintos -un niño de once años en el que ya está prefigurado Daniel, el Mochuelo, protagonista de El camino, un médico rural con veinticinco años de servicio, y una mujer recién casada que aún no ha cumplido los treinta- protagonizan estos tres `cuentos olvidados`, escritos en los primeros años de su trayectoria como escritor, pero en los que la maestría narrativa de Miguel Delibes es ya una realidad.

Delibes Miguel  
Triste, solitario y final

La historia comienza cuando Stan Laurel (el actor cómico de la famosa serie del Gordo y el Flaco) acude al detective Philip Marlowe (el personaje creado por el escritor Raymond Chandler), también en el ocaso de su esplendor, para que averigüe por qué ya nadie lo llama para trabajar. Parodiando al conocido y esquemático cine norteamericano, la narración origina acontecimientos en los que el propio Soriano aparece como personaje para volverse cómplice de Marlowe y enfrentar así a las figuras más detestables de Hollywood.

Soriano Osvaldo  
Teniente Bravo

Una Barcelona que se eleva sórdida e intrigante. El mítico cine Roxy, que en su tiempo alivió la miseria de posguerra con sus leyendas de celuloide. El mundo de este gran escritor desfila por estos relatos.

En este libro Juan Marsé reúne tres historias magistrales. En «Historia de detectives», cuatro muchachos, encerrados en un Lincoln abollado y herrumbroso, dan alas a su fantasía. Mezclados con el humo azul de sus aromáticos cigarrillos de regaliz, los relatos de crímenes y viudas peligrosas llenan el interior del automóvil. La crítica mordaz, irónica, patética y a menudo divertida de la bravura obcecada de un militar franquista en «Teniente Bravo» constituye uno de los hitos en la historia de la narración breve de las letras hispanas. Y finalmente, en «El fantasma del Cine Roxy», los mitos del celuloide conviven con la realidad del presente, encarnada en un banco construido sobre las ruinas de un antiguo cine de barrio cuyos héroes se resisten a desaparecer.

«Marsé bucea en los fondos abisales de su inconsciente para sacar a flote experiencias lejanas que transforma en material literario.»

MÀRIUS CAROL

«Lo grande de un escritor como Marsé es saber crear personajes con entidad.»

FERNANDO TRUEBA.

é Juan  
обложка книги The Imperfectionists The Imperfectionists

Set against the gorgeous backdrop of Rome, Tom Rachman's wry, vibrant debut follows the topsy-turvy private lives of the reporters, editors, and executives of an international English language newspaper as they struggle to keep it – and themselves – afloat.

Fifty years and many changes have ensued since the paper was founded by an enigmatic millionaire, and now, amid the stained carpeting and dingy office furniture, the staff's personal dramas seem far more important than the daily headlines. Kathleen, the imperious editor in chief, is smarting from a betrayal in her open marriage; Arthur, the lazy obituary writer, is transformed by a personal tragedy; Abby, the embattled financial officer, discovers that her job cuts and her love life are intertwined in a most unexpected way. Out in the field, a veteran Paris freelancer goes to desperate lengths for his next byline, while the new Cairo stringer is mercilessly manipulated by an outrageous war correspondent with an outsize ego. And in the shadows is the isolated young publisher who pays more attention to his prized basset hound, Schopenhauer, than to the fate of his family's quirky newspaper.

As the era of print news gives way to the Internet age and this imperfect crew stumbles toward an uncertain future, the paper's rich history is revealed, including the surprising truth about its founder's intentions.

Spirited, moving, and highly original, The Imperfectionists will establish Tom Rachman as one of our most perceptive, assured literary talents.

Rachman Tom  
обложка книги The Ask The Ask

Milo Burke, a development officer at a third-tier university, has 'not been developing': after a run-in with a well-connected undergrad, he finds himself among the burgeoning class of the newly unemployed. Grasping after odd jobs to support his wife and child, Milo is offered one last chance by his former employer: he must reel in a potential donor – a major 'ask' – who, mysteriously, has requested Milo 's involvement. But it turns out that the ask is Milo 's sinister college classmate Purdy Stuart. And the 'give' won't come cheap. Probing many themes – or, perhaps, anxieties – including work, war, sex, class, child rearing, romantic comedies, Benjamin Franklin, cooking shows on death row, and the eroticization of chicken wire, The Ask is a burst of genius by a young American master who has already demonstrated that the truly provocative and important fictions are often the funniest ones.

Lipsyte Sam  
обложка книги The InvisibleBridge The InvisibleBridge

Julie Orringer's astonishing first novel – eagerly awaited since the publication of her heralded best-selling short-story collection, How to Breathe Underwater ('Fiercely beautiful' – The New York Times) – is a grand love story and an epic tale of three brothers whose lives are torn apart by war.

Paris, 1937. Andras Lévi, a Hungarian Jewish architecture student, arrives from Budapest with a scholarship, a single suitcase, and a mysterious letter he has promised to deliver to C. Morgenstern on the rue de Sévigné. As he becomes involved with the letter's recipient, his elder brother takes up medical studies in Modena, their younger brother leaves school for the stage – and Europe 's unfolding tragedy sends each of their lives into terrifying uncertainty. From the Hungarian village of Konyár to the grand opera houses of Budapest and Paris, from the lonely chill of Andras's garret to the enduring passion he discovers on the rue de Sévigné, from the despair of a Carpathian winter to an unimaginable life in forced labor camps and beyond, The Invisible Bridge tells the unforgettable story of brothers bound by history and love, of a marriage tested by disaster, of a Jewish family's struggle against annihilation, and of the dangerous power of art in a time of war.

Orringer Julie  
обложка книги The Good Son The Good Son

New York Times bestselling author Michael Gruber, a member of "the elite ranks of those who can both chill the blood and challenge the mind" (The Denver Post), delivers a taut, multilayered, riveting novel of suspense

Somewhere in Pakistan, Sonia Laghari and eight fellow members of a symposium on peace are being held captive by armed terrorists. Sonia, a deeply religious woman as well as a Jungian psychologist, has become the de facto leader of the kidnapped group. While her son Theo, an ex-Delta soldier, uses his military connections to find and free the victims, Sonia tries to keep them all alive by working her way into the kidnappers' psyches and interpreting their dreams. With her knowledge of their language, her familiarity with their religion, and her Jungian training, Sonia confounds her captors with her insights and beliefs. Meanwhile, when the kidnappers decide to kill their captives, one by one, in retaliation for perceived crimes against their country, Theo races against the clock to try and save their lives.

Gruber Michael  
обложка книги Tremor of Intent Tremor of Intent

From the author of A Clockwork Orange, a brilliantly funny spy novel.

Has more wit and comic invention than the books which it so boisterously ridicules. – New Republic

Burgess Anthony  
обложка книги The Book of Air and Shadows The Book of Air and Shadows

A distinguished Shakespearean scholar found tortured to death…

A lost manuscript and its secrets buried for centuries…

An encrypted map that leads to incalculable wealth…

The Washington Post called Michael Gruber's previous work "a miracle of intelligent fiction and among the essential novels of recent years." Now comes his most intellectually provocative and compulsively readable novel yet.

Tap-tapping the keys and out come the words on this little screen, and who will read them I hardly know. I could be dead by the time anyone actually gets to read them, as dead as, say, Tolstoy. Or Shakespeare. Does it matter, when you read, if the person who wrote still lives?

These are the words of Jake Mishkin, whose seemingly innocent job as an intellectual property lawyer has put him at the center of a deadly conspiracy and a chase to find a priceless treasure involving William Shakespeare. As he awaits a killer-or killers-unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began when a fire in an antiquarian bookstore revealed the hiding place of letters containing a shocking secret, concealed for four hundred years. In a frantic race from New York to England and Switzerland, Jake finds himself matching wits with a shadowy figure who seems to anticipate his every move. What at first seems like a thrilling puzzle waiting to be deciphered soon turns into a dangerous game of cat-and-mouse, where no one-not family, not friends, not lovers-is to be trusted.

Moving between twenty-first-century America and seventeenth-century England, The Book of Air and Shadows is a modern thriller that brilliantly re-creates William Shakespeare's life at the turn of the seventeenth century and combines an ingenious and intricately layered plot with a devastating portrait of a contemporary man on the brink of self-discovery… or self-destruction.

Gruber Michael  
обложка книги The Anthologist The Anthologist

Maine author Nicholson Baker (Vox, The Mezzanine, Human Smoke) has tackled some diverse topics in his esteemed literary career, and his new novel adds to the list. The Anthologist is the story of aging poet Paul Chowder, selected to write an introduction to a new anthology of verse. The novel follows his starts and stops, becoming a wildly tangential journey through the world of poetry. While Chowder may not be the most diligent worker, his active mind and keen eye reveal him to be one of the most satisfying narrators in recent memory.

Baker Nicholson  
обложка книги Timeout, или Вечерняя Москва Timeout, или Вечерняя Москва Пелевин Виктор Олегович  
обложка книги The Hawkline Monster: A Gothic Western The Hawkline Monster: A Gothic Western

The time is 1902, the setting eastern Oregon. Magic Child, a fifteen-year-old Indian girl, wanders into the wrong whorehouse looking for the right men to kill the monster that lives in the ice caves under the basement of Miss Hawkline's yellow house. What follows is a series of wild, witty, and bizarre encounters.

Brautigan Richard  
обложка книги The Sense of an Ending The Sense of an Ending

Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they would navigate the girl-less sixth form together, trading in affectations, in-jokes, rumour and wit. Maybe Adrian was a little more serious than the others, certainly more intelligent, but they all swore to stay friends for life.

Now Tony is retired. He’s had a career and a single marriage, a calm divorce. He’s certainly never tried to hurt anybody. Memory, though, is imperfect. It can always throw up surprises as a lawyer’s letter is about to prove.

The Sense of an Ending is the story of one man coming to terms with the mutable past. Laced with trademark precision, dexterity and insight, it is the work of one of the world’s most distinguished writers.

Barnes Julian  
обложка книги The Abortion: An Historical Romance 1966 The Abortion: An Historical Romance 1966

A reclusive young man works in a San Francisco library for unpublishable books. Life's losers, an astonishing number of whom seem to be writers, can bring their manuscripts to the library, where they will be welcomed, registered and shelved. They will not be read, but they will be cherished. In comes Vida, with her manuscript. Her book is about her gorgeous body in which she feels uncomfortable. The librarian makes her feel comfortable, and together they live in the back of the library until a trip to Tijuana changes them in ways neither of them had ever expected.

Brautigan Richard  
обложка книги Tres Vidas de Santos Tres Vidas de Santos

Tres magníficos relatos de Eduardo Mendoza, narrados con el inconfundible y personalísimo estilo del autor. Una combinación perfecta de seriedad e ironía. Los tres relatos que comprenden este volumen guardan un rasgo común. En ellos hay personajes que podrían califi carse de santos: no son mártires ni anacoretas, pero son santos en la medida en que están dispuestos a renunciar a todo por una idea, que cultivan sus obsesiones en su relación con los demás.

La ballena es el relato más cercano a las crónicas barcelonesas que han hecho célebre a Eduardo Mendoza, y se inicia en el Congreso Eucarístico de 1952; El final de Dubslav, ambientado en África, es una intensa narración con un final impresionante; y por último, El malentendido es una profunda reflexión sobre la creación literaria y el difícil diálogo entre clases sociales, además de una variación seria del personaje del lumpen que inspira al detective sin nombre de El misterio de la cripta embrujada, El laberinto de las aceitunas y La aventura del tocador de señoras.

Hay en Eduardo Mendoza dos facetas como narrador: una paródica, y una perfectamente seria, siempre con detalles irónicos o claramente humorísticos. Tres vidas de santos Mendoza se expresa con voz parecida a la de sus relatos paródicos, pero invirtiendo la proporción entre broma y gravedad.

Mendoza Eduardo  
обложка книги The Book of Dead Days The Book of Dead Days

The days between Christmas and New Year's Eve are dead days, when spirits roam and magic shifts restlessly just beneath the surface of our lives. A lot can happen in the dead days.

There is a magician called Valerian who must save his own life, or pay the price for the pact he made with evil so many years ago. But alchemy and sorcery are no match against the demonic power pursuing him. Helping him is his servant Boy, a child with no name and no past, given to Valerian by Fate when he fell from his hiding place in an old church. And the quick-witted Willow is with them as they dig in death-fields at midnight, and are swept into the sprawling blackness of a subterranean city on a journey from which there is no escape. Unknown to any of them it is Boy who holds the key to all their destinies. His revelations will be shocking.

Set in dark, dangerous cities and in the frozen countryside of a distant time and place The Book of Dead Days, beautifully evoked and dramatic, conjures a spell-binding story of power, corruption and desperate magic.

Sedgwick Marcus  
обложка книги The Gin and Chowder Club The Gin and Chowder Club

Set against the beautiful backdrop of Cape Cod, "The Gin Chowder Club" is an eloquent, tender story of friendship, longing, and the enduring power of love…The friendship between the Coleman and Shepherd families is as old and comfortable as the neighbouring houses they occupy each summer on Cape Cod. Samuel and Sarah Coleman love those warm months by the water; the evenings spent on their porch, enjoying gin and tonics, good conversation and homemade clam chowder. Here they've watched their sons, Isaac and Asa, grow into fine young men, and watched, too, as Nate Shepherd, aching with grief at the loss of his first wife, finally found love again with the much younger Noelle. But beyond the surface of these idyllic gatherings, the growing attraction between Noelle and handsome, college-bound Asa threatens to upend everything. In spite of her guilt and misgivings, Noelle is drawn into a reckless secret affair with far-reaching consequences. And over the course of one bittersweet, unforgettable summer, Asa will learn more than he ever expected about love – the joys and heartache it awakens in us, the lengths we'll go to keep it, and the countless ways it can change our lives forever…

Rossiter Nan  
обложка книги The Hotel New Hampshire The Hotel New Hampshire

John living was born in Exeter, New Hampshire, in 1942, and he once admitted that he was a “grim” child. Although he excelled in English at school and knew by the time he graduated that he wanted to write novels, it was not until he met a young Southern novelist named John Yount, at the University of New Hampshire, that he received encouragement. “It was so simple,” he remembers. “Yount was the first person to point out that anything I did except writing was going to be vaguely unsatisfying.”


In 1963, Irving enrolled at the Institute of European Studies in Vienna, and he later worked as a university lecturer. His first novel, Setting Free the Bears, about a plot to release all the animals from the Vienna Zoo, was followed by The Water-Method Man, a comic tale of a man with a urinary complaint, and The 158-Pound Marriage, which exposes the complications of spouse-swapping. Irving achieved international recognition with The World According to Garp, which he hoped would “cause a few smiles among the tough-minded and break a few softer hearts.”


The Hotel New Hampshire is a startlingly original family saga, and The Cider House Rules is the story of Doctor Wilbur Larch—saint, obstetrician, founder of an orphanage, ether addict and abortionist—and of his favourite orphan, Homer Wells, who is never adopted. A Prayer for Owen Meany features the most unforgettable character he has yet created. A Son of the Circus is an extraordinary evocation of modern day India. John Irvin’ latest and most ambitious novel is A Widow for One Year.

Copyright © Garp Enterprises Ltd 1981



“A Birthday Candle” Copyright © 1957 by Donald Justice. This poem first appeared in The New Yorker.

“On the death of Friends and Childhood” Copyright © 1959 by Donald Justice.

“Love Stratagems” Copyright © 1958 by Donald Justice. This poem first appeared in The New Yorker.

“To a Ten-Months’ Child” Copyright © 1960 by Donald Justice.

“Tales from a Family Album” Copyright © 1957 by Donald Justice. These poems reprinted from The Summer Anniversaries by permission of Wesleyan University Press.

“The Evening of the Mind” Copyright © 1965 by Donald Justice. This poem first appeared in Poetry.

“The Tourist from Syracuse” Copyright © 1965 by Donald Justice.

“Men of Forty” Copyright © 1966 by Donald Justice. This poem first appeared in Poetry. These poems reprinted from Night Light by permission of Wesleyan University Press.

“I Forgot To Forget” Copyright © by permission of Stanley Kesler; Highlow Music Inc. 639 Madison Avenue, Memphis, Tn. 38130.

“I Love You Because” by Leon Payne Copyright © 1949 by Fred Rose Music, Inc. Used by permission of the Publisher. All rights reserved.


The novelist is indebted to the following works and wishes to express his gratitude to the authors: Fin-de-Siècle Vienna, by Carl E. Schorske; A Nervous Splendor, by Frederic Morton; Vienna Inside-Out, by J. Sydney Jones; Vienna, by David Pryce-Jones and the Editors of Time-Life Books; Lucia di Lammermoor, by Gaetano Donizetti, the Dover Opera Guide and Libretto Series, (introduced and translated by Ellen H. Bleiler); and The Interpretation of Dreams, by Sigmund Freud.

With special thanks to Donald Justice. And with special thanks and special affection—to Lesley Claire and the Sonoma County Rape Crisis Center of Santa Rosa, California.

On July 18, 1980 the Stanhope Hotel on Eighty-first and Fifth Avenue changed management and ownership and became the American Stanhope—a fine hotel currently not beset by the problems of the Stanhope described in this fiction.

Irving John  
обложка книги También Las Vaqueras Sienten Melancolía También Las Vaqueras Sienten Melancolía

TAMBIÉN LAS VAQUERAS SIENTEN MELANCOLÍA es una visión hilarante de la década del sesenta y principios del setenta en los Estados Unidos. La tragicomedia sienta sus reales en un territorio donde los jóvenes han querido trastocar los valores tradicionales de la sociedad. En medio de un ambiente de hilaridad, sarcasmos e imaginación, nuestra protagonista, Sissy Hankshaw, se convierte en una leyenda viva del autostop. Sus descomunales pulgares le abren las puertas de cuanto vehículo motorizado se apresura por las autopistas, carreteras y caminos del continente norteamericano. Y a su paso, empiezan a aparecer personajes memorables salidos del vasto sueño nacional: allí está Julián, piel roja neoyorkino, pintor abstracto, intelectual, snob, asmático, hipocondríaco; y está el psiquiatra doctor Robbins, el alter ego del autor, enamorado de su paciente – protagonista; y está Delores del Rubi, con su misteriosa leyenda a cuestas y sus botas y su látigo, amante del peyote y de una secreta Revolución Universal; y está Bonanza Jellybean, quien de niña decidió ser vaquera y de mayor negó la absurda posubilidad de que las vaqueras no pudieran existir en el mundo. Y están las grullas chilladoras: el rancho “Rosa de goma”, primer rancho en la historia de la civilización occidental regentado únicamente por mujeres vaqueras; el Pueblo Reloj, la tribu anarquista de pieles rojas que viven a la espera de que resuene su hora en este mundo o en el próximo; y está el Chink, el ermitaño sin par, el antiguru de la montaña sagrada… Los personajes y las situaciones se suceden con el ritmo frenético de nuestro tiempo. El torbellino incesante parece carecer de dirección. Es entonces cuando los personajes (quizás nosotros mismos) se dan cuenta de que la única posibilidad de vida es el retorno a los valores más básicos, menos intelectuales u ortodoxos, es decir, los simples sentimientos humanos. A partir de ellos, se puede volver a respirar sin que la contaminación ambiental y social los disgregue y aniquile. Sissy es la encarnación viviente de estos valores inocentes y eternos. La novela termina siendo una gran alegoría de nuestro tiempo y una visión refrescante del mundo y de la condición humana.

“La precisión y la elegancia de la prosa de Robbins nos recuerda a Nabokov, a Borges, a Joyce…” Play Boy

Robbins Tom  
обложка книги The Unbearable Lightness of Being The Unbearable Lightness of Being

A novel of irreconcilable loves and infidelities, which embraces all aspects of human existence, and addresses the nature of twentieth-century 'Being'.

Kundera Milan  
обложка книги The Last Chapter The Last Chapter

The Cartel has come full circle with this fast-paced, groundbreaking novel, the finale to the hit series by New York Times bestsellers Ashley JaQuavis. Miamor is fighting for her life in the belly of the beast. She's been kidnapped, and she's staring death in the eye. Is the reign over for the head of the Murda Mamas? Carter is in federal custody and leaves the Diamond Empire to Zyir and Mecca. When the past comes back to haunt Mecca and the truth finally comes to light, will The Cartel rise or fall? Breeze is in the clutches of the crazed Ma'tee, and she desperately searches for a way out. Will she escape, or die his love slave? The answers to these questions lie inside the pages of Cartel 3: The Final Chapter. Open it to discover the shocking truth, and prepare yourself for the unpredictable conclusion of one of the best street series of all time.

Ashley, JaQuavis  
обложка книги The Spell The Spell

Alan Hollinghurst’s tour-de-force debut, The Swimming-Pool Library, was a literary sensation. Edmund White called it “the best book on gay life yet written by an English author.” The Village Voice described it as “buoyant, smart, irrepressibly sexy…[with the] heft and resonance of a classic modernist novel.” The New York Times Book Review raved about its “shimmering elegance” and “camp-fired wit.” The New York Review of Books dubbed his second book, The Folding Star, a “miniature Remembrance of Things Past…an expanded Death in Venice…a homosexual Lolita.” The Spell is Hollinghurst’s most polished and entertaining novel to date. Here he marries Jane Austen’s delicious social asperity with a sly eroticism in a story as romantic and surprising as anything he has written. Set in London and the idyllic countryside, the narrative tracks the interlocking passions of four men. As each character falls successively under the spell of love or drugs, country living or urban glamour, The Spell unfurls into a richly witty picture of modern gay life…and of all human affairs of the heart.

Hollinghurst Alan  
обложка книги The Stranger’s Child The Stranger’s Child

Alan Hollinghurst's first novel in seven years is a magnificent, century-spanning saga about a love triangle that spawns a myth – and a family mystery – across generations.

In 1913, George Sawle brings charming, handsome Cecil Valance to his family's modest home outside London for a summer weekend. George is enthralled by his Cambridge schoolmate, and soon his sixteen-year-old sister, Daphne, is equally besotted by both Cecil and the stories he tells about Corley Court, the country estate he is heir to. But what Cecil writes in Daphne's autograph album will change their and their families' lives forever: a poem that, after Cecil is killed in the Great War and his reputation burnished, will be recited by every schoolchild in England. Over time, a tragic love story is spun, even as other secrets lie buried – until, decades later, an ambitious biographer threatens to unearth them.

Rich with the author's signature gifts – haunting sensuality, wicked humor, and exquisite lyricism – The Stranger's Child is a tour de force: a masterly novel about the lingering power of desire, and about how the heart creates its own history.

Hollinghurst Alan  
обложка книги The Line of Beauty The Line of Beauty

A New York Times Bestseller

A Los Angeles Times Bestseller

A Book Sense National Bestseller

A Northern California Bestseller

A Sunday Times Bestseller

A New York Times Notable Book of the Year

And chosen as one of the best books of 2004 by:

Entertainment Weekly • Washington Post • San Francisco Chronicle • Newsday • Seattle Times • Salon.com • Boston Globe • New York Sun • Miami Herald • Dallas Morning News • San Jose Mercury News • Publishers Weekly

"In this saga about the Thatcher years Alan Hollinghurst writes harsh but deeply informed social satire from within, just as Proust did. Hollinghurst is never mocking or caricatural but subtly observant and completely participant. He writes the best prose we have today. He brings the eloquence of a George Eliot together with the sexiness and visual acuity of a Nabokov."-Edmund White

"An affecting work of art."-Michiko Kakutani, New York Times

"Hollinghurst's prose is a genuine achievement-lavish, poised, sinuously alert… The Line of Beauty is an ample and sophisticated delight, charged with hundreds of delicate impressions and insights, and scores of vital and lovely sentences. It is at once domestic and political, psychological and historical. It is funny, moving, and finally despairing."-New Republic

"His finest novel to date."-Geoff Dyer

"Line for line, Hollinghurst's novel about London during the 1980s is the most exquisitely written book I've read in years. Witty observations about politics, society, and family open like little revelations on every page."-Christian Science Monitor

"A rueful, snapshot-accurate portrait of this era."-Seattle Times

"An intoxicating read…each sentence in this book rings as perfect and true as a Schubert sonata."-Hartford Courant

"[A] masterpiece with a skillfully rendered social panorama, a Proustian alertness to social nuance and a stylistic precision that recalls [James]."-Newsday

"The Line of Beauty is itself a thing of beauty-an elegant and seductive novel…readers will hang on every bracing word. The Line of Beauty may perhaps be the author's most mature and accomplished work to date. It might also be his best."-Philadelphia City Paper

"A deliciously snarky portrait of Thatcherite Britain, but Hollinghurst also makes you believe in his characters, and nobody produced better prose this year."-San Jose Mercury News

Hollinghurst Alan  
обложка книги Twelve Red Herrings Twelve Red Herrings

These twelve stories feature people under pressure: how do they react when there is an opportunity to seize, a crucial problem to solve, a danger to avoid? Each tale has its twist, each its diversion — a red herring to uncover, while the last one provides a choice of endings.

Archer Jeffrey  
обложка книги The Thing Around Your Neck The Thing Around Your Neck

From Chimamanda Ngozi Adichie, the Orange Prize-winning author of Half of a Yellow Sun, come twelve dazzling stories in which she turns her penetrating eye on the ties that bind men and women, parents and children, Nigeria and the West.In 'A Private Experience,' a medical student hides from a violent riot with a poor Muslim woman whose dignity and faith force her to confront the realities and fears she's been pushing away. In 'Tomorrow Is Too Far,' a woman unlocks the devastating secret that surrounds her brother's death. The young mother at the center of 'Imitation' finds her comfortable life threatened when she learns that her husband back in Lagos has moved his mistress into their home. And the title story depicts the choking loneliness of a Nigerian girl who moves to an America that turns out to be nothing like the country she expected; though falling in love brings her desires nearly within reach, a death in her homeland forces her to re-examine them.Searing and profound, suffused with beauty, sorrow and longing, this collection is a resounding confirmation of Chimamanda Ngozi Adichie's prodigious storytelling powers.

Adichi Chimamanda Ngozi  
обложка книги The Years with Laura Diaz The Years with Laura Diaz

A radiant family saga set in a century of Mexican history, by one of the world's greatest writers.Carlos Fuentes's hope-filled new novel sees the twentieth century through the eyes of Laura D'az, a woman who becomes as much a part of our history as of the Mexican history she observes and helps to create. Born in 1898, this extraordinary woman grows into a wife and mother, becomes the lover of great men, and, before her death in 1972, is celebrated as a politically committed artist. A complicated and alluring heroine, she lives a happy life despite the tragedies and losses she experiences, for she has borne witness to great changes in her country's life, and she has loved and understood with unflinching honesty.In his most important novel in decades, Carlos Fuentes has created a world filled with brilliantly colored scenes and heartbreaking dramas. The result is a novel of subtle, penetrating insight and immense power.

Fuentes Carlos  
обложка книги The Delicate Prey: And Other Stories The Delicate Prey: And Other Stories

Exemplary stories that reveal the bizarre, the disturbing, the perilous, and the wise in other civilizations -- from one of America's most important writers of the twentieth century.

Bowles Paul  
обложка книги Tanatunauci Tanatunauci

Po oszałamiającym i bezprecedensowym sukcesie Mrówek, które okazały się światowym bestsellerem wydanym w wielomilionowych nakładach od Stanów Zjednoczonych po Koreę o przetłumaczonym na siedemnaście języków, Bernard Werber proponuje nam tym razem Tanatonautów, kolejną niezwykłą powieść i wielką współczesną epopeję, w której podjęta zostaje próba przeniknięcia tajemnicy śmierci.

Opierając się na wielu nieznanych dotąd informacjach naukowych, przywołując najbardziej tajemne techniki inicjacyjne należące do różnych religii i wierzeń, Bernard Weber zaprasza nas do eksploracji ostatecznego kontynentu, który rozpościera się dalej niż sięga nasza wyobraźnia. Zanurzycie się w dziwnym, mistycznym i nieprzeniknionym do tej pory świecie, w którym ukryty jest sekret, który ludzkość pragnie przeniknąć od zarania dziejów.

Nikt jeszcze nigdy nie dotarł w tej wędrówce tak daleko jak Tanatonauci. Podejmują oni próbę zbadania tego, czym jest życie po życiu. Najbardziej niesamowita Odyseja w historii ludzkości.

Werber Bernard  
обложка книги Tu rostro mañana: 3 Veneno y sombra y adiós Tu rostro mañana: 3 Veneno y sombra y adiós

«Uno no lo desea, pero prefiere siempre que muera el que está a su lado, en una misión o una batalla, en una escuadrilla aérea o bajo un bombardeo o en la trinchera cuando las había, en un asalto callejero o en un atraco a una tienda o en un secuestro de turistas, en un terremoto, una explosión, un atentado, un incendio, da lo mismo: el compañero, el hermano, el padre o incluso el hijo, aunque sea niño. Y también la amada, también la amada, antes que uno mismo.»

Así arranca `Veneno y sombra y adiós`, el tercer y último volumen de `Tu rostro mañana`, la grandiosa novela de Javier Marías que, por fin completa, y como ya ha anticipado la crítica extranjera, se revela como una de las cumbres literarias de nuestro tiempo. El narrador y protagonista, Jacques o Jaime o Jacobo Deza, acaba por conocer aquí los inesperados rostros de quienes lo rodean y también el suyo propio, y descubre que, bajo el mundo más o menos apaciguado en que vivimos los occidentales, siempre late una necesidad de traición y violencia que se nos inocula como un veneno. Con sus nuevos y cruciales episodios en Londres, Madrid y Oxford, con su desenlace sobrecogedor, se cierra aquí una historia que es mucho más que una historia apasionante, contada con la maestría de uno de los mejores novelistas contemporáneos, y tal vez el más profundo y arriesgado.

ías Javier  
обложка книги The Collector of Names The Collector of Names

Night on an island. A well-behaved demon will come from the woods and ask you your name. Answer, and you are left nameless. But can anybody live without a name, even through one single night?

Mazzini Miha  
обложка книги The World According to Garp The World According to Garp

This is the life and times of T. S. Garp, the bastard son of Jenny Fields—a feminist leader ahead of her times This is the life and death of a famous mother and her almost-famous son; theirs is a world of sexual extremes—even of sexual assassinations. It is a novel rich with “lunacy and sorrow”; yet the dark, violent events of the story do not undermine a comedy both ribald and robust. In more than thirty languages, in more than forty countries—with more than ten million copies in print—this novel provides almost cheerful, even hilarious evidence of its famous last line: “In the world according to Garp, we are all terminal cases.”

Irving John Winslow  
обложка книги The Fourth Hand The Fourth Hand

The Fourth Hand asks an interesting question: “How can anyone identify a dream of the future?” The answer: “Destiny is not imaginable, except in dreams or to those in love.”

While reporting a story from India, a New York television journalist has his left hand eaten by a lion; millions of TV viewers witness the accident. In Boston, a renowned hand surgeon awaits the opportunity to perform the nation’s first hand transplant; meanwhile, in the distracting aftermath of an acrimonious divorce, the surgeon is seduced by his housekeeper. A married woman in Wisconsin wants to give the one-handed reporter her husband's left hand-that is, after her husband dies. But the husband is alive, relatively young, and healthy.

This is how John Irving’s tenth novel begins; it seems, at first, to be a comedy, perhaps a satire, almost certainly a sexual farce. Yet, in the end, The Fourth Hand is as realistic and emotionally moving as any of Mr. Irving’s previous novels-including The World According to Garp, A Prayer for Owen Meany, and A Widow for One Year—or his Oscar-winning screenplay of The Cider House Rules.

The Fourth Hand is characteristic of John Irving’s seamless storytelling and further explores some of the author’s recurring themes—loss, grief, love as redemption. But this novel also breaks new ground; it offers a penetrating look at the power of second chances and the will to change.

Irving John Winslow  
обложка книги The Forgery of Venus The Forgery of Venus

Chaz Wilmot is a painter born outside his time. He possesses a virtuosic command of the techniques of the old masters. He can paint like Leonardo, Goya, Gainsborough-artists whose works sell for millions-but this style of painting is no longer popular, and he refuses to shape his talent to fit the fashion of the day. So Wilmot makes his living cranking out parodies for ads and magazine covers. A break comes when an art dealer obtains for him a commission to restore a Venetian palace fresco by the eighteenth-century master Tiepolo, for a disreputable Italian businessman. Once there, Wilmot discovers that it is not a restoration but a re-creation, indeed a forgery. At first skeptical of the job, he then throws himself into the creative challenge and does the job brilliantly. No one can tell the modern work from something done more than two hundred years ago.

This feat attracts the attention of Werner Krebs, an art dealer with a dark past and shadier present who becomes Wilmot's friend and patron. Wilmot is suddenly working with a fervor he hasn't felt in years, but his burst of creative activity is accompanied by strange interludes: Without warning, he finds himself reliving moments from his past-not as memories but as if they are happening all over again. Soon, it is no longer his own past he's revisiting; he believes he can travel back to the seventeenth century, where he lived as the Spanish artist Diego Rodríguez de Silva Velázquez, one of the most famous painters in history. Wilmot begins to fantasize that as Velázquez, he has created a masterpiece, a stunning portrait of a nude. When the painting actually turns up, he doesn't know if he painted it or if he imagined the whole thing.

Little by little, Wilmot enters a mirror house of illusions and hallucinations that propels him into a secret world of gangsters, greed, and murder, with his mystery patron at the center of it all, either as the mastermind behind a plot to forge a painting worth hundreds of millions, or as the man who will save Wilmot from obscurity and madness.

In Chaz Wilmot, we meet the rarest breed of literary hero, one for whom the reader feels almost personally responsible. By turns brutally honest and self-deceptive, scornful of the world while yearning to make his mark on it, Wilmot comes astonishingly alive for the reader, and his perilous journey toward the truth becomes our own.

The Forgery of Venus, a blend of erudition, unflagging narrative brio, and emotional depth, brings us inexorably toward the intersection where genius and insanity collide. Miraculously inventive, this book cements Gruber's reputation as one of the most imaginative and gifted writers of our time.

Gruber Michael  
обложка книги Tuesdays with Morrie: an old man, a young man, and life’s greatest lesson Tuesdays with Morrie: an old man, a young man, and life’s greatest lesson

Maybe it was a grandparent, or a teacher. Someone older who understood you when you were young and searching, who helped you see the world as a more profound place, and gave you advice to help you make your way through it. For Mitch Albom, that person was Morrie Schwartz, his college professor from nearly twenty years ago.

Maybe, like Mitch, you lost track of your mentor as you made your way, and the insights faded, and the world seemed colder. Wouldn’t you like to see that person again, ask the bigger questions that still haunt you?

Mitch Albom had that second chance. He rediscovered Morrie in the last months of the older man’s life. Knowing he was dying, Morrie visited with Mitch in his study every Tuesday, just as they used to back in college.

Tuesdays With Morrie is a magical chronicle of their time together, through which Mitch shares Morrie’s lasting gift to the world.

Albom Mitch  
обложка книги The Five People You Meet in Heaven The Five People You Meet in Heaven

Albom Mitch  
обложка книги The Prague Orgy The Prague Orgy

In quest of the unpublished manuscript of a martyred Yiddish writer, the American novelist Nathan Zuckerman travels to Soviet-occupied Prague in the mid-1970s. There, in a nation straightjacketed by totalitarian Communism, he discovers a literary predicament, marked by institutionalized oppression, that is rather different from his own. He also discovers, among the oppressed writers with whom he quickly becomes embroiled in a series of bizarre and poignant adventures, an appealingly perverse kind of heroism.

The Prague Orgy, consisting of entries from protagonist Nathan Zuckerman's notebooks recording his sojourn among these outcast artists, completes the trilogy and epilogue Zuckerman bound. It provides a startling ending to Roth's intricately designed magnum opus on the unforeseen consequences of art.

This Vintage edition is the first paperback publication of the epilogue.

Roth Philip  
обложка книги The Temple-Goers The Temple-Goers

A young man returns home to Delhi after several years abroad and resumes his place among the city's cosmopolitan elite – a world of fashion designers, media moguls and the idle rich. But everything around him has changed – new roads, new restaurants, new money, new crime – everything, that is, except for the people, who are the same, only maybe slightly worse. Then he meets Aakash, a charismatic and unpredictable young man on the make, who introduces him to the squalid underside of this sprawling city. Together they get drunk and work out, visit temples and a prostitute, and our narrator finds himself disturbingly attracted to Aakash's world. But when Aakash is arrested for murder, the two of them are suddenly swept up in a politically sensitive investigation that exposes the true corruption at the heart of this new and ruthless society. In a voice that is both cruel and tender, "The Temple-goers" brings to life the dazzling story of a city quietly burning with rage.

Taseer Aatish  
The Nice and the Good Мердок Айрис  
обложка книги The Sad Tale of the Brothers Grossbart The Sad Tale of the Brothers Grossbart

Hegel and Manfried Grossbart may not consider themselves bad men – but death still stalks them through the dark woods of medieval Europe.

The year is 1364, and the brothers Grossbart have embarked on a naïve quest for fortune. Descended from a long line of graverobbers, they are determined to follow their family's footsteps to the fabled crypts of Gyptland. To get there, they will have to brave dangerous and unknown lands and keep company with all manner of desperate travelers-merchants, priests, and scoundrels alike. For theirs is a world both familiar and distant; a world of living saints and livelier demons, of monsters and madmen.

The Brothers Grossbart are about to discover that all legends have their truths, and worse fates than death await those who would take the red road of villainy.

Bullington Jesse  
обложка книги Tenth Grade Bleeds Tenth Grade Bleeds

Grade 6-10-Vladimir Tod just wants to be a normal teen. Unfortunately that is impossible for a vampire who is the only one "living" in the small town of Bathory. Now starting 10th grade, he faces some typical teen problems. His friend Henry seems to be dumping him to hang out with the popular crowd. Pesky Eddie is determined to expose him, thinking this will bring him the popularity and fame he desires. Meredith has agreed to be his girlfriend, and he can't believe someone so perfect would want to be with him. He is troubled by terrible nightmares, and the need for human blood is growing extremely difficult to resist, putting Aunt Nelly, Henry, and Meredith at risk. The wicked vampire D'Ablo is determined to get rid of him and steal his powers for himself. Vlad needs to act fast if he is going to save himself and everything he holds dear. The plot is full of twists and turns, but the tone is darker and more intense than in the earlier books as Vlad struggles to overcome the obstacles thrown in his path and come to grips with who and what he really is. The stakes are high and the ending leaves readers dying for more.

Brewer Heather  
обложка книги The bad еврей The bad еврей Берг Михаил  
обложка книги The Woman in the Dunes The Woman in the Dunes

Kobo Abe (1924–1993) is a Japanese writer who has been compared to German writer Franz Kafka. Abe's The Women in the Dunes is one of the premier Japanese novels of the twentieth century. It combines the essence of myth, suspense, and the existential novel.

The main character, schoolteacher Niki Jumpei, travels to a remote seaside village to collect insects for his research. In the evening, he misses the bus back to the nearest city, however. The villages then find a place for him to stay with a young woman in a shack at the bottom of a vast sand pit. The walls of the pit are so steep that Jumpei must climb down a rope ladder to enter the home. The mysterious woman spends each night shoveling the ever-advancing sand dunes that threaten her shack and the village. She places the sand in buckets which the villages retrieve using ropes. The villages then sell the sand to construction companies for concrete production. In return, the villages provide food and water for the woman. Jumpei is rather perplex at the woman's way of life. He asks her «Are you shoveling to survive, or surviving to shovel?» The next morning, Jumpei awakes to find that the rope ladder is gone. He frantically realizes that he is being held captive. Jumpei is pressed against his will into helping the woman in the Sisyphus-like task of shoveling the sand. He initially fights against his surreal predicament and makes numerous unsuccessful attempts to escape.At one point, Jumpei even ties up the woman to prevent her from shoveling the sand. Jumpei undergoes cycles of fear, despair, pride, and sexual desire until he finally succumbs to and accepts his circumstances. The theme of the novel is that freedom is an illusion and that one has to create his own meaning in life.

Abe Cobo  
обложка книги The Book of Freedom The Book of Freedom
Wisdom of future, present and past
Now we are releasing at the long last.
Let's celebrate now, sing and dance
Of those, awakening at once.
Piercing fast other's anger and fear,
Book will be born in required year.
Let then each one dive in himself –
Him Book will aid in finding true self.
Whether is matter where it came from ?
Let it be called as the «Book of the Freedom».

Having become free, you will see fetters of others. Trying to remove these fetters, you will create hatred. Fetters can be broken only by those realized them.

Truly free is reasonable, yet not clever.

Truly free is innocent, yet not a child.

Truly free is capable to trust, but himself.

Truly free has no dreams.

Truly free is free to aid sleeping ones awake.


Such is the truly free one.

Lightbringer Timong  
обложка книги To the People of Now [prose] To the People of Now [prose]

The collection of stories

Lightbringer Timong  
обложка книги The Reconstructionist The Reconstructionist

One instant can change an entire lifetime.

As a boy, Ellis Barstow heard the sound of the collision that killed Christopher, his older half brother – an accident that would haunt him for years. A decade later, searching for purpose after college, Ellis takes a job as a forensic reconstructionist, investigating and re-creating the details of fatal car accidents – under the guidance of the irascible John Boggs, who married Christopher's girlfriend. Ellis takes naturally to the work, fascinated by the task of trying to find reason, and justice, within the seemingly random chaos of smashed glass and broken lives. But Ellis is harboring secrets of his own – not only his memory of the car crash that killed his brother but also his feelings for Boggs's wife, Heather, which soon lead to a full-blown affair. And when Boggs inexplicably disappears, Ellis sets out to find him… and to try to make sense of the crash site his own life has become.

Raising a host of universal questions – Can science ever explain matters of the heart? Can we ever escape the gravitational pull of the past? – Nick Arvin's novel is at once deeply moving and compulsively readable.

Arvin Nick  
обложка книги The shawl The shawl Ozick Cynthia  
обложка книги The surrendered The surrendered

A brilliant, haunting story about beauty, loyalty, memory, and war-an unforgettable novel that returns to themes of expatriatism and Korean culture that first made Chang-rae Lee's reputation.

The bestselling and award-winning author of Native Speaker, A Gesture Life, and Aloft returns with a masterful new novel. A spellbinding story, startling in its insights and impact, The Surrendered amplifies the gifts we have seen in Lee's previous works, and, written in the third person, evokes a whole new narrative power.

In The Surrendered, the lasting memory of the Korean War changes the lives of two of its survivors-a Korean girl and an American vet-as well as the lives of those who come to know them. Hector Brennan was a handsome GI stationed in Korea during the war. June Han was a girl orphaned by the fighting. For a season of wartime existence, their lives overlapped at a missionary-run orphanage. Now, thirty years later, they are reunited in the United States in an unusual mission that will force them to come to terms with their individual experiences of that time, but also the secret they share. As Chang-rae Lee moves back and forth between 195 0s Korea and 198 0s New York, New Jersey, and Italy, he weaves a stunning, layered story-exploring issues of class, identity, cultural memory, loyalty, betrayal, and personal reinvention-in the subtly emotional way that readers have come to expect. Building to a powerful revelation of the novel's captivating mystery, this is a beautiful, mesmerizing work, elegantly suspenseful and deeply affecting.

Lee Chang-Rae  
обложка книги The Woman who Went to Bed for a Year The Woman who Went to Bed for a Year

The day her children leave home, Eva climbs into bed and stays there. She's had enough – of her kids' carelessness, her husband's thoughtlessness and of the world's general indifference. Brian can't believe his wife is doing this. Who is going to make dinner? Taking it badly, he rings Eva's mother – but she's busy having her hair done. So he rings his mother – she isn't surprised. Eva, she says, is probably drunk. Let her sleep it off. But Eva won't budge. She makes new friends – Mark the window cleaner and Alexander, a very sexy handyman. She discovers Brian's been having an affair. And Eva realizes to her horror that everyone has been taking her for granted – including herself. Though Eva's refusal to behave like a dutiful wife and mother soon upsets everyone from medical authorities to her neighbours she insists on staying in bed. And from this odd but comforting place she begins to see both the world and herself very, very differently…

"The Woman Who Went to Bed for a Year" is a funny and touching novel about what happens when someone refuses to be the person everyone expects them to be. Sue Townsend, Britain's funniest writer for over three decades, has written a brilliant novel that hilariously deconstructs modern family life.

Townsend Sue  
обложка книги The Brentford Chainstore Massacre The Brentford Chainstore Massacre

There is nothing more powerful than a bad idea whose time has come. And there can be few ideas less bad or more potentially apocalyptic than that hatched by genetic scientist Dr Stephen Malone. Using DNA strands extracted from the dried blood on the Turin Shroud, Dr Malone is cloning Jesus.

Rankin Robert  
обложка книги The Antipope The Antipope

This story uncovers suburbia's darkest secrets – mostly in The Flying Swan, a cosmic Rovers Return where Neville the barman and Archroy, owner of five magic beans, do battle with beasts of the occult and in particular the rather unpleasant Pope Alexander VI, the last of the Borgias.

Rankin Robert  
обложка книги Thin Air Thin Air

After preventing Mother Earth from destroying the planet, Joanne Baldwin lost her memories thanks to Ashan the djinn-and they will remain lost forever unless Joanne can recover her identity-and destroy the demon who is impersonating her, fabulous shoes and all…

Caine Rachel  
обложка книги The Wave The Wave

THE WAVE IS SWEEPING THROUGH THE ENTIRE SCHOOL — AND IT IS OUT OF CONTROL...

It had begun as a simple history experiment to liven up their World War II studies, but, before long, Laurie Saunders sees her classmates change into chanting, saluting fanatics, caught up in a new organization called The Wave.

Laurie is afraid, but realizes that she must do something to stop it before it's too late...

A compelling novel based on a true incident that occurred in a high school history class in California.

Рю Мортон  
обложка книги Tata, One I Ja Tata, One I Ja

Osadzona we współczesnych polskich realiach, a jednocześnie baśniowa opowieść o dwóch dziewczynkach wychowywanych przez samego ojca. Ciepła i krzepiąca – dowodzi, że nawet najtrudniejszy problem można rozwiązać, uciekając się do inteligencji i poczucia humoru. Zwariowane, dowcipne dialogi, niesamowite przygody, o których jednak się-wie-że-się-dobrze-skończą, osadzone w pejzażu podwarszawskiej miejscowości. Do tego przewijające się przez dom taty tabuny panienek, z których każda miałaby ochotę zostać na zawsze, ale nic-z-tego, i czuwająca nad dziewczynkami z Warszawy babcia Fredzia – niezrównana: mądra i szalona, złośliwa i serdeczna. Jak ta książka.

Kalicka Manula  
обложка книги The Missing The Missing

The author of The Clearing now surpasses himself with a story whose range and cast of characters is broader still, with the fate of a stolen child looming throughout.

After World War I, Sam Simoneaux returns to New Orleans determined to leave mayhem and destruction behind, and to start anew with his wife years after losing a son to illness. But when a little girl disappears from the department store where he works, he has no recourse but to join her musician parents on a Mississippi excursion steamboat, hoping to unearth clues somewhere along the river. Though ill-prepared for this rough trade in hamlets where neither civilization nor law is familiar, he enforces tolerable behavior on board and ventures ashore to piece together what happened to the girl – making a discovery that not only endangers everyone involved but also sheds new light on the murder of his own family decades before.

Against this vivid evocation of a ragged frontier nation, a man fights to redeem himself, parents contend with horrific loss, and others consider kidnapping either another job or a dream come true. The suspense – and the web of violence linking Sam to complete strangers – is relentless, compelling, and moving, the finest demonstration yet of Gautreaux's understanding of landscape, history, and human travail and hope.

Gautreaux Tim  
обложка книги The Gravedigger’s Daughter The Gravedigger’s Daughter

In 1936 the Schwarts, an immigrant family desperate to escape Nazi Germany, settle in a small town in upstate New York, where the father, a former high school teacher, is demeaned by the only job he can get: gravedigger and cemetery caretaker. After local prejudice and the family's own emotional frailty result in unspeakable tragedy, the gravedigger's daughter, Rebecca, begins her astonishing pilgrimage into America, an odyssey of erotic risk and imaginative daring, ingenious self-invention, and, in the end, a bittersweet-but very "American"-triumph. "You are born here, they will not hurt you"-so the gravedigger has predicted for his daughter, which will turn out to be true.

In The Gravedigger's Daughter, Oates has created a masterpiece of domestic yet mythic realism, at once emotionally engaging and intellectually provocative: an intimately observed testimony to the resilience of the individual to set beside such predecessors as The Falls, Blonde, and We Were the Mulvaneys.

Oates Joyce Carol  
обложка книги The Savage Detectives The Savage Detectives

The late Chilean writer Roberto Bolaño has been called the García Marquez of his generation, but his novel The Savage Detectives is a lot closer to Y Tu Mamá También than it is to One Hundred Years of Solitude . Hilarious and sexy, meandering and melancholy, full of inside jokes about Latin American

literati that you don't have to understand to enjoy, The Savage Detectives is a companionable and complicated road trip through Mexico City, Barcelona, Israel, Liberia, and finally the desert of northern Mexico. It's the first of Bolaño's two giant masterpieces to be translated into English (the second, 2666, is due out next year), and you can see how he's influenced an era.

ño Roberto  
обложка книги t t

 Мастер боевых искусств граф Т. пробирается в Оптину Пустынь. На пути ему встречается каббалистический демон Ариэль, который утверждает, что создал мир и самого графа Т. И это очень похоже на правду...

Пелевин Виктор Олегович  
The Temptation of Jack Orkney Lessing Doris May  
The History Man Bradbury Malcolm  
обложка книги The Politician The Politician

“The greatest political saga, the one that has it all, that gets to the real heart of American politics, is the John Edwards story… This isn’t just politics, it’s literature. It’s the great American novel, the kind that isn’t written anymore.” -Michael Wolff on John Edwards's trajectory, on VanityFair.com

The underside of modern American politics – raw ambition, manipulation, and deception – are revealed in detail by Andrew Young’s riveting account of a presidential hopeful’s meteoric rise and scandalous fall. Like a non-fiction version of All the King’s Men, The Politician offers a truly disturbing, even shocking perspective on the risks taken and tactics employed by a man determined to rule the most powerful nation on earth.

Idealistic and ambitious, Andrew Young volunteered for the John Edwards campaign for Senate in 1998 and quickly became the candidate’s right hand man. As the senator became a national star, Young’s responsibilities grew. For a decade he was this politician’s confidant and he was assured he was ‘like family.” In time, however, Young was drawn into a series of questionable assignments that culminated with Edwards asking him to help conceal the Senator’s ongoing adultery. Days before the 2008 presidential primaries began, Young gained international notoriety when he told the world that he was the father of a child being carried by a woman named Rielle Hunter, who was actually the senator’s mistress. While Young began a life on the run, hiding from the press with his family and alleged mistress, John Edwards continued to pursue the presidency and then the Vice Presidency in the future Obama administration.

Young had been the senator’s closest aide and most trusted friend. He believed that John Edwards could be a great president, and was assured throughout the cover-up that his boss and friend would ultimately step forward to both tell the truth and protect his aide’s career. Neither promise was kept. Not only a moving personal account of Andrew Young’s political education, THE POLITICIAN offers a look at the trajectory which made John Edwards the ideal Democratic candidate for president, and the hubris which brought him down, leaving his career, his marriage and his dreams in ashes.

Young Andrew  
The Corrections Franzen Jonathan  
обложка книги Tideland Tideland Cullin Mitch  
The Allegra Biscotti Collection

She doesn't want her turn on the catwalk-she'd rather be behind the scenes creating fabulous outfits! So when a famous fashionista discovers Emma's designs and offers her the opportunity of a lifetime-a feature in Madison magazine (squeal!)-Emma sort of, well, panics. She has only one option: to create a secret identity.

And so Allegra Biscotti is born.

Allegra is worldly, sophisticated, and bold-everything Emma is not. But the pressure is on. And Emma quickly discovers juggling school, a new crush, friends, and a secret identity might not be as glamorous as she thought.

Bennett Olivia  
обложка книги The Russian Concubine The Russian Concubine

Kate Furnivall was inspired by her mother’s story to write this book. The Russian Concubine contains fictional characters and events, but makes use of the extraordinary situation that was her mother’s childhood experience – that of two White Russian refugees, a mother and daughter, stuck without money or papers in an International Settlement in China. Kate Furnivall and her husband live by the sea in the beautiful county of Devon.

***

A sweeping novel set in war-torn 1928 China, with a star-crossed love story at its center.

In a city full of thieves and Communists, danger and death, spirited young Lydia Ivanova has lived a hard life. Always looking over her shoulder, the sixteen-year-old must steal to feed herself and her mother, Valentina, who numbered among the Russian elite until Bolsheviks murdered most of them, including her husband. As exiles, Lydia and Valentina have learned to survive in a foreign land.

Often, Lydia steals away to meet with the handsome young freedom fighter Chang An Lo. But they face danger: Chiang Kai Shek's troops are headed toward Junchow to kill Reds like Chang, who has in his possession the jewels of a tsarina, meant as a gift for the despot's wife. The young pair's all-consuming love can only bring shame and peril upon them, from both sides. Those in power will do anything to quell it. But Lydia and Chang are powerless to end it.

Furnivall Kate  
обложка книги The Concubine's Secret The Concubine's Secret

An epic journey of love and discovery from the national bestselling author of The Russian Concubine and The Red Scarf.

China, 1929. For years Lydia Ivanova believed her father was killed by the Bolsheviks. But when she learns he is imprisoned in Stalin-controlled Russia, the fiery girl is willing to leave everything behind – even her Chinese lover, Chang An Lo.

Lydia begins a dangerous search, journeying to Moscow with her half-brother Alexei. But when Alexei abruptly disappears, Lydia is left alone, penniless in Soviet Russia.

All seems lost, but Chang An Lo has not forgotten Lydia. He knows things about her father that she does not. And while he races to protect her, she is prepared to risk treacherous consequences to discover the truth.

Furnivall Kate  
обложка книги Tuya Tuya

Un corazón dibujado con rouge, cruzado por un "te quiero" y firmado "Tuya" le revela a Inés que su marido la engaña.

Lo que sigue a continuación no sólo es un policial vertiginoso y atrapante, sino un retrato implacable de la vida familiar de la clase media.

Claudia Piñeiro capta con genialidad los tonos de las voces de la sociedad argentina.

Y entre ellas la de un ama de casa dispuesta a todo con tal de conservar su matrimonio y las buenas apariencias.

"Claudia Piñeiro arrancó con una perla rara, Tuya, un policial negro duro, pero de mujer, que usa con acelerador los elementos del género: la violencia, el engaño, los cruces complicados." Elvio E. Gandolfo

"Tuya es un policial magníficamente armado, con vueltas de tuerca sorpresivas que van apareciendo en la trama, y con un cierre perfecto."

ñeiro Claudia  
обложка книги The Night Circus The Night Circus

"The Night Circus made me happy. Playful and intensely imaginative, Erin Morgenstern has created the circus I have always longed for and she has populated it with dueling love-struck magicians, precocious kittens, hyper-elegant displays of beauty and complicated clocks. This is a marvelous book." – Audrey Niffenegger

The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night.

But behind the scenes, a fierce competition is underway – a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them, this is a game in which only one can be left standing, and the circus is but the stage for a remarkable battle of imagination and will. Despite themselves, however, Celia and Marco tumble headfirst into love – a deep, magical love that makes the lights flicker and the room grow warm whenever they so much as brush hands.

True love or not, the game must play out, and the fates of everyone involved, from the cast of extraordinary circus performers to the patrons, hang in the balance, suspended as precariously as the daring acrobats overhead.

Written in rich, seductive prose, this spell-casting novel is a feast for the senses and the heart.

Morgenstern Erin  
The Sound of Glass Breaking

A mainstream story about that moment when you realize the walls are thin, the streets are dark, and there's no way you can protect what you love.

Gregory Daryl  
обложка книги The Coincidence Engine The Coincidence Engine

A hurricane sweeps off the Gulf of Mexico and in, the back-country of Alabama, assembles a passenger jet out of old bean-cans and junkyard waste. An eccentric mathematician – last heard of investigating the physics of free will and ranting about the devil – vanishes in the French Pyrenees. And the thuggish operatives of a multinational arms conglomerate are closing in on Alex Smart – a harmless Cambridge postgraduate who has set off with hope in his heart and a ring in his pocket to ask his American girlfriend to marry him. At the Directorate of the Extremely Improbable – an organisation so secret that many of its operatives aren't 100 per cent sure it exists – Red Queen takes an interest. What ensues is a chaotic chase across an imaginary America, haunted by madness, murder, mistaken identity, and a very large number of unhealthy but delicious snacks. The Coincidence Engine exists. And it has started to work. "The Coincidence Engine" is consistently engaging – one of the most enjoyable, entertaining debut novels you'll come across for ages.

Leith Sam  
обложка книги Tinta roja Tinta roja

Uno tras otro, los hechos de sangre que Alfonso, un joven periodista en práctica reporta como en una alucinante secuencia cinematográfica, van configurando el mapa de una ciudad desesperada y violenta, ésa que día a día es recreada en las páginas de la crónica roja. Bajo el sol de verano, la camioneta amarilla del diario El Clamor recorre con sus cuatro ocupantes: Alfonso, Escalona, el Camión y Faúndez, gran seductor de viudas recientes y maestro del sensacionalismo, este otro rostro, sórdido y tragicómico, de un Santiago habitado por personajes siempre al filo del patetismo o el humor negro. Entre suicidios, accidentes, comilonas y asesinatos, el diálogo incesante de los protagonistas de Tinta roja está poblado de anécdotas que mezclan el sexo con la droga, la fatalidad con la nostalgia, la filosofía de la vida diaria con los crímenes más espeluznantes o las pequeñas corrupciones cotidianas. En esta electrizante novela Alberto Fuguet explora nuevos dialectos y territorios, desvelando desde ángulos no habituales los conflictos del aprendizaje, la iniciación, la amistad y la compleja relación padre/hijo.

Fuguet Alberto  
обложка книги The Curious Incident of the Dog in the Night-Time The Curious Incident of the Dog in the Night-Time

Christopher John Francis Boone knows all the countries of the world and their capitals and every prime number up to 7,057. He relates well to animals but has no understanding of human emotions. He cannot stand to be touched. Although gifted with a superbly logical brain, Christopher is autistic. Everyday interactions and admonishments have little meaning for him. Routine, order and predictability shelter him from the messy, wider world. Then, at fifteen, Christopher’s carefully constructed world falls apart when he finds his neighbor’s dog, Wellington, impaled on a garden fork, and he is initially blamed for the killing.

Christopher decides that he will track down the real killer and turns to his favorite fictional character, the impeccably logical Sherlock Holmes, for inspiration. But the investigation leads him down some unexpected paths and ultimately brings him face to face with the dissolution of his parents’ marriage. As he tries to deal with the crisis within his own family, we are drawn into the workings of Christopher’s mind.

And herein lies the key to the brilliance of Mark Haddon’s choice of narrator—the most wrenching of emotional moments are chronicled by a boy who cannot fathom emotion. The effect is dazzling, making for a novel that is deeply funny, poignant, and fascinating in its portrayal of a person whose curse and blessing is a mind that perceives the world literally.

The Curious Incident of the Dog in the Night-Time is one of the freshest debuts in years—a comedy, a heartbreaker, a mystery story, a novel of exceptional literary merit that is great fun to read.

Haddon Mark  
обложка книги The Good Man Jesus and the Scoundrel Christ The Good Man Jesus and the Scoundrel Christ

From the writer of The Golden Compass – controversial for its depiction of a patriarchal and inhumane Catholic-like institution – comes an articulation of his belief through the "myth" of the life of Jesus Christ.

Does for the Gospels what Wicked did for The Wizard of Oz. The book covers similar themes to Timothy Findley's Not Wanted on the Voyage and Barbara Kingsolver's The Poisonwood Bible.

Pullman Philip  
обложка книги The Road The Road

A searing, postapocalyptic novel destined to become Cormac McCarthy's masterpiece.

A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. They sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food – and each other.

The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.

The prose is quintessentially McCarthy: spare, desolate, unemotional, reserved of both unnecessary vocabulary and punctuation (he recognized the necessary evil of periods denoting the end of a sentence. Some contractions are so designated with an apostrophe, some not. Exclamation points are avoided with the same vigilance as would be shown to beanies with propellers). Although most English teachers I've been a captive audience to would consider him Satan incarnate, he still can turn a phrase of almost unbearable beauty.

McCarthy Cormac  
обложка книги To Kill a Mockingbird To Kill a Mockingbird

To Kill a Mockingbird is a Pulitzer Prize-winning novel by Harper Lee published in 1960. It was instantly successful and has become a classic of modern American fiction. The novel is loosely based on the author's observations of her family and neighbors, as well as on an event that occurred near her hometown in 1936, when she was 10 years old.

The novel is renowned for its warmth and humor, despite dealing with serious issues of rape and racial inequality.

Harper Lee  
обложка книги The Sound of Building Coffins The Sound of Building Coffins

It is 1891 in New Orleans, and young Typhus Morningstar cycles under the light of the half-moon to fulfill his calling, re-birthing aborted foetuses in the fecund waters of the Mississippi River. He cannot know that nearby, events are unfolding that will change his life forever – events that were set in motion by a Vodou curse gone wrong, forty years before he was born. In the humble home of Sicilian immigrants, a one-year-old boy has been possessed by a demon. His father dead, lynched by a mob, his distraught mother at her wits' end, this baby who yesterday could only crawl and gurgle is now walking, dancing, and talking – in a voice impossibly deep. The doctor has fled, and several men of the cloth have come and gone, including Typhus' father, warned off directly by the clear voice of his Savoir. A newspaper man, shamed by the part he played in inciting the lynch mob that cost this boy his father, appalled by what he sees, goes in search of help. Seven will be persuaded, will try to help…and all seven will be profoundly affected by what takes place in that one-room house that dark night. Not all will leave alive, and all will be irrevocably changed by this demonic struggle, and by the sound of the first notes blown of a new musical form: jazz.

Maistros Louis  
обложка книги The Dream Life of Sukhanov The Dream Life of Sukhanov

At fifty-six, Anatoly Sukhanov has everything a man could want. Nearly twenty-five years ago, he traded his precarious existence as a brilliant underground artist for the perks and comforts of a high-ranking Soviet apparatchik. Once he created art; now he censors it.


But a series of increasingly bizarre events transforms Sukhanov's perfect world into a nightmare. Buried dreams return to haunt him, long-repressed figures from his past surface to torment him, new political alignments threaten to undo him, and his once loving family and loyal comrades grow distant. As he stumbles through the dark corridors of memory, his life begins to unravel, and he finds himself losing everything he sold his soul to gain.


Olga Grushin tells the story of Sukhanov's betrayal of his talent, his friends, and his principles in dream sequences that may be real and in real time that may be nightmare, effortlessly shifting the borders between the two. Her masterly play with voice, time, and reality makes this often surreal exploration of self-dissolution and faithlessness an extraordinary reading experience. And her subtle transformation of Sukhanov from an arrogant and self-absorbed member of the ruling class to a terrified beggar in his own private hell is nothing short of miraculous. The Dream Life of Sukhanov is a virtuoso performance, original, startling, haunting.

Grushin Olga  
обложка книги The Collector The Collector

The novel is about a lonely young man, Frederick Clegg, who works as a clerk in a city hall, and collects butterflies in his spare time. Clegg is obsessed with Miranda Grey, a middle-class art student at the Slade School of Fine Art. He admires her from a distance, but is unable to make any contact with her because of his nonexistent social skills.

There have been numerous presentations and adaptations of The Collector, including film and theatre. The Collector also appears in various songs, television episodes, and books.

Fowles John  
обложка книги The Sins of the Father The Sins of the Father

International bestselling author Jeffrey Archer returns with his most ambitious work of epic storytelling – a multi-generational saga of fate, fortune, and redemption that began with ONLY TIME WILL TELL.

On the heels of the international bestseller ONLY TIME WILL TELL, Jeffrey Archer picks up the sweeping story of the Clifton Chronicles.

Only days before Britain declares war on Germany, Harry Clifton, hoping to escape the consequences of long-buried family secrets recently revealed, and forced to admit that his wish to marry Emma Barrington will never be fulfilled, has joined the Merchant Navy. But his ship is sunk in the Atlantic by a German U-boat, drowning almost the entire crew. An American cruise liner, the SS Kansas Star, rescues a handful of sailors, among them Harry and the third officer, an American named Tom Bradshaw. When Bradshaw dies in the night, Harry seizes on the chance to escape his tangled past and assumes his identity.

But on landing in America, he quickly learns the risks of such a scheme, when he discovers what is awaiting Bradshaw in New York. Without any way of proving his true identity, Harry Clifton is now chained to a past that might be far worse than the one he had hoped to escape.

Archer Jeffrey  
обложка книги The Brothers The Brothers

The Brothers by Asko Sahlberg is set at the end of The Finnish War, fought between Sweden and the Russian Empire (Feb’ 1808 – Sept’ 1809) the result of this war was that the eastern third of Sweden was established as the autonomous Grand Duchy of Finland within the Russian Empire. The book starts with the brothers, who have fought on opposing sides, returning to their family farmhouse. With their return old scars resurface, old conflicts born out of past tragedies. The elder brother, Henrik, is embittered, having long been alienated from his family after first being cheated by a neighbour and then his younger brother Erik. This book manages within it’s 122 pages to cover all those epic themes of treachery conflict, whether through sexual tensions or those family secrets that simmer below the surface or whether contrasting the politics of war with those of family.

As this tale unfolds, each character takes their turn in revealing more of the story in a series of dramatic monologues, that made me think of Alan Bennett’s TV show Talking Heads, (written for BBC television -1988) creating a multiple narrative that’s dark and full of a foreboding that is as dark and chilling as winter. In fact this whole book is as dark and dense as wading through deep snow, and like traipsing through this landscape, you feel you’ve been traipsing for ages and nothing has changed until you look up and find you’ve journeyed miles. This is a small book that portrays grand themes and yet does so by focusing it’s lens on this family and it’s brooding tale, where the passion burns bitter, another way it reminded me was in the similar themes of death, guilt and isolation.

Sahlberg Asko  
обложка книги The Help The Help

Enter a vanished world: Jackson, Mississippi, 1962. Where black maids raise white children, but aren’t trusted not to steal the silver . . .

There’s Aibileen, raising her seventeenth white child and nursing the hurt caused by her own son’s tragic death; Minny, whose cooking is nearly as sassy as her tongue; and white Miss Skeeter, home from college, who wants to know why her beloved maid has disappeared.

Skeeter, Aibileen and Minny. No one would believe they’d be friends; fewer still would tolerate it. But as each woman finds the courage to cross boundaries, they come to depend and rely upon one another.

Each is in search of a truth. And together they have an extraordinary story to tell . . .

Stockett Kathryn  
обложка книги The Телки. Повесть о ненастоящей любви The Телки. Повесть о ненастоящей любви

В новой книге «Тhе Телки» Сергей Минаев возвращается к манере своего культового романа «Духless». Только сейчас его главный герой Андрей Миркин — классический представитель поколения двадцатипятилетних жителей российских мегаполисов. Он светский журналист, активный тусовщик и ловелас. Андрей одновременно крутит два романа, ловко манипулируя девушками. Они ищут любви — он ищет развлечений в интерьерах московских клубов, ресторанов, офисов и спален. Но однажды все вокруг начинает рушиться и жизнь, казавшаяся такой яркой и успешной, внезапно превращается в триллер.

А главная героиня книги — Любовь. Она может простить все. Или почти все. Когда же Любовь мстит, она не задумывается о последствиях. Как женщина, которую однажды предал возлюбленный…

Минаев Сергей  
обложка книги The Angel's Game The Angel's Game

The Angel's Game opens in Barcelona in the 1920s. David Martin is a young man working in a newspaper office. But late one night the editor of the paper has a crisis – they have just had to drop six pages from the weekend edition and he has only a matter of hours to fill them. With most of the staff already home, he turns to David and asks if he can write a short story. If it is good, he will publish more. The resulting story is a huge success and becomes David's first step on the path to a career as an author. As David's books gain a certain recognition, he receives a mysterious letter from a French editor called Andreas Corelli who wants to help him achieve his ambitions. But the character is not all that he seems and soon David has entered a pact that will lead him question everything he values. He is also befriended by the bookseller Sempere (the grandfather of Daniel from Shadow) who introduces him to the strange world of the Cemetery of Forgotten Books. The Angel's Game is a tale of lost souls and literary intrigue; a book steeped in the world of writing, with references to Dr Jekyll and Mr Hyde and Great Expectations.It is about the demons a writer faces; but also a page-turning mystery and a love story set against the creaking mansions and mysterious alleyways at the dark heart of Barcelona.

ón Carlos Ruiz  
обложка книги The Savage Detectives The Savage Detectives

The late Chilean writer Roberto Bolaño has been called the García Marquez of his generation, but his novel The Savage Detectives is a lot closer to Y Tu Mamá También than it is to One Hundred Years of Solitude . Hilarious and sexy, meandering and melancholy, full of inside jokes about Latin American

literati that you don't have to understand to enjoy, The Savage Detectives is a companionable and complicated road trip through Mexico City, Barcelona, Israel, Liberia, and finally the desert of northern Mexico. It's the first of Bolaño's two giant masterpieces to be translated into English (the second, 2666, is due out next year), and you can see how he's influenced an era.

ño Roberto  
обложка книги That Old CapeMagic That Old CapeMagic

Following Bridge of Sighs – a national best seller hailed by The Boston Globe as 'an astounding achievement… a masterpiece' – Richard Russo now tells the story of a marriage, and all the other ties that bind, from parents and in-laws to children and the promises of youth.

Thirty years ago, on their Cape Cod honeymoon, Jack and Joy Griffin made a plan for their future that has largely been fulfilled. He left Los Angeles behind for the sort of New England college his parents had aspired to, and now the two of them are back on the Cape – where he'd also spent his childhood vacations – to celebrate the marriage of their daughter Laura's best friend. Sure, Jack's been driving around with his father's ashes in the trunk, though his mother's very much alive and often on his cell phone. Laura's boyfriend seems promising, but be careful what you pray for, especially if it happens to come true. A year later, at her wedding, Jack has another urn in the car, and both he and Joy have brought new dates. Full of every family feeling imaginable, wonderfully comic and profoundly involving, That Old Cape Magic is surprising, uplifting and unlike anything this Pulitzer Prize winner has ever written.

Russo Richard  
обложка книги The Zero The Zero

What's left of a place when you take the ground away?

Answer: The Zero.

Brian Remy has no idea how he got here. It’s been only five days since his city was attacked, and Remy is experiencing gaps in his life – as if he were a stone skipping across water. He has a self-inflicted gunshot wound he doesn’t remember inflicting. His son wears a black armband and refuses to acknowledge that Remy is still alive. He seems to be going blind. He has a beautiful new girlfriend whose name he doesn’t know. And his old partner in the police department, who may well be the only person crazier than Remy, has just gotten his picture on a box of First Responder cereal.

And these are the good things in Brian Remy’s life. While smoke still hangs over the city, Remy is recruited by a mysterious government agency that is assigned to gather all of the paper that was scattered in the attacks. As he slowly begins to realize that he’s working for a shadowy operation, Remy stumbles across a dangerous plot, and soon realizes he’s got to track down the most elusive target of them all – himself. And the only way to do that is to return to that place where everything started falling apart.

From a young novelist of astounding talent, The Zero is an extraordinary story of searing humor and sublime horror, of blindness, bewilderment, and that achingly familiar feeling that the world has suddenly stopped making sense.

Walter Jess  
обложка книги Todo es silencio Todo es silencio

En Brétema, en la costa atlántica, hubo un tiempo en que las redes del contrabando, reconvertidas al narcotráfico, alcanzaron tanta influencia que estuvieron muy cerca de controlarlo todo: el poder social, las instituciones, la vida de sus gentes. Fins, Leda y Brinco exploran la costa a la búsqueda de lo que el mar arroja tras algún naufragio, el mar es para ellos un espacio de continuo descubrimiento. El destino de estos jóvenes estará marcado por la sombra odiosa y fascinante a un tiempo del omnipresente Mariscal, dueño de casi todo en Brétema.

Rivas Manuel  
обложка книги The Apple Tree: a short novel & several long stories The Apple Tree: a short novel & several long stories

A collection of sinister and macabre short stories by Daphne du Maurier, including "The Birds" on which Hitchcock famously based his film of the same name.

du Maurier Daphne  
обложка книги Timbuktu Timbuktu

Mr. Bones, the canine hero of Paul Auster’s astonishing new book, is the sidekick and confidant of Willy G. Christmas, a brilliant and troubled homeless man from Brooklyn. As Willy’s body slowly expires, he sets off with Mr. Bones for Baltimore in search of his high school English teacher and a new home for his companion. Mr. Bones is our witness during their journey, and out of his thoughts, Paul Auster has spun one of the richest, most compelling tales in American fiction.

Auster Paul  
обложка книги Travels in the Scriptorium Travels in the Scriptorium

A man pieces together clues to his past—and the identity of his captors—in this fantastic, labyrinthine novel

An old man awakens, disoriented, in an unfamiliar chamber. With no memory of who he is or how he has arrived there, he pores over the relics on the desk, examining the circumstances of his confinement and searching his own hazy mind for clues.

Determining that he is locked in, the man—identified only as Mr. Blank—begins reading a manuscript he finds on the desk, the story of another prisoner, set in an alternate world the man doesn’t recognize. Nevertheless, the pages seem to have been left for him, along with a haunting set of photographs. As the day passes, various characters call on the man in his cell—vaguely familiar people, some who seem to resent him for crimes he can’t remember—and each brings frustrating hints of his identity and his past. All the while an overhead camera clicks and clicks, recording his movements, and a microphone records every sound in the room. Someone is watching.

Auster Paul  
обложка книги The Old Chief Mshlanga The Old Chief Mshlanga

Дорис Лессинг (родилась в 1919 году) — прогрессивная английская писательница, автор двух романов и сборника новелл. Детство и юность провела в Южной Родезии (Юго-Восточная Африка). После окончания колледжа работала на телефонной станции, в конторах и пр. В 1950 году вышел первый роман Д. Лессинг — «Поющая трава», привлёкший внимание к молодой писательнице. Одна из основных тем её творчества — жизнь и быт негритянского населения Южной Родезии, угнетаемого белыми колонизаторами. В настоящее время Д. Лессинг живёт в Англии, участвует в движении сторонников мира, сотрудничает в прогрессивных изданиях. В прошлом году [1952] вместе с группой английских писателей побывала в Советском Союзе. (Из Предуведомления к публикации рассказа "Старый вождь Мшланга" в журнале "Новый мир".)

Lessing Doris May  
The Godfather returns

Even before you open the book, the stark red, white and black cover sparks the strains of Nino Rota's "The Godfather Waltz" begin playing in your mind. Mark Winegardner has been granted to task of writing a sequel to Mario Puzo's essential 1969 novel The Godfather, a novel which not only must pick up the story of that book, but must also fit the characters and situations Puzo, Francis Ford Coppola, Al Pacino, and others traced through three epic films. The result in The Godfather Returns.

Perhaps most of Winegardner's readers will be more familiar with the films than with the novel, which followed several different characters, many of whom, such as Johnny Fontane or Lucy Mancini, are only peripheral to the films. Winegardner returns to Puzo's novel to follow several different characters. Taking a technique for the second film, however, he also moves through time to present Michael Corleone's story before the first film, between the first two films, and between the second and third films.

Winegardner's decisions to fill in the blanks between the films is one of the weaknesses of The Godfather Returns. The films left out much of the empire building Michael had to do between them in his attempt to go legitimate. While Winegardner manages to add interesting layers of intrigue to Michaels' quest, and to the characters who surround him, the novel really works best when the characters are engaging in mafioso wheeling and dealing.

One of the strengths of Puzo's work was the characters he made come to life, and Winegardner does an excellent job not only with the lives of Puzo's characters, but with his own. Just as Puzo eventually picked up the story of Santino's son, Vincent, in "The Godfather, Part III," Winegardner also elects to follow Santino's offspring, in this case his twin daughters, as they take their first steps at breaking from the family business. Fredo, a pivotal character in the first two films, is actually fleshed out in The Godfather Returns, in which Winegardner adds to the appetites he exhibits in the first films and gives a deeper look into his need to become his own man and gain his older brother's approval.

The central character to the novel, however, is Nick Geraci, a member of the Corleone family who, Winegardner reveals, becomes the button man who killed Sal Tessio, his mentor. After proving his loyalty to the Corleones, it is clear that Geraci will eventually turn on the family as he tries to strike out on his own, setting up an eventual confrontation with Michael. Although it is clear Michael will be victorious, the cost of his victory helps build tension.

In many ways, Winegardner manages to recapture the style and spirit of Puzo's original novel. Nevertheless, there is the feeling that something is missing from The Godfather Returns. Winegardner successfully captures every individual aspect of Puzo's work, whether in the original novel or the films, but there is a magic beneath it that is missing. Despite missing the Puzo magic, The Godfather Returns is a welcome reintroduction to the Corleone clan.

Steven H Silver

Winegardner Mark  
The Chosen

With dramatic force, with a simplicity that seizes the heart, The Chosen illumines-for us, for now-the eternal, powerful bonds of love and pain that join father and son, and the ways in which these bonds are, and must be, broken if the boy is to become a man.

The novel opens in the 1940's, in the Williamsburg neighborhood of Brooklyn. Two boys who have grown up within a few blocks of each other, but in two entirely different worlds, meet for the first time in a bizarre and explosive encounter-a baseball game between two Jewish parochial schools that turns into a holy war.

The assailant is Danny Saunders-moody, brilliant, magnetic-who is driven to violence by his pent-up torment, who feels imprisoned by the tradition that destines him to succeed his awesome father in an unbroken line of great Hasidic rabbis, while his own restless intelligence is beginning to reach out into forbidden areas of secular knowledge.

The astonished victim of Danny's rage is Reuven Malther, the gentle son of a gentle scholar-one of the merely Orthodox Jews whom the Hasids regard as little better than infidels.

From the moment of their first furious meeting, the lives of Danny and Reuven become more and more intertwined. In a hospital room their hatred turns toward friendship. In his synagogue, before the assembled congregation, the formidable Rabbi Saunders makes deliberated mistakes in Talmudic discourse to test his son and his son's new friend. Through strange evenings at Danny's house it becomes increasingly apparent that it is only through Reuven that Danny's father can speak his heart to his own son and spiritual heir. And it is through the intensifying friendship between the two boys that the visions their fathers embody-the mystic and the rationalist-are brought into confrontation, and the mystery of Danny's cruelly austere upbringing "in silence" is gradually unraveled.

In scene after wonderfully compelling scene-in sun-splashed rooms of modest homes, in dark schoolboy battles that echo the passions of the distant war-life is created. As the novel moves toward its climax of revelation, all is experienced, all is felt: the love of fathers and sons, the communions and quarrels of friendship, the true religionist's love of God, the scholar's love of knowledge, the tumults and abrasions by which the human heart is made human-and how, despite the tensions between youth and age, a moral heritage is passed on from one generation to another.

Potok Chaim  
The Last Friend

The Last Friend, the novel from internationally acclaimed author Tahar Ben Jelloun, winner of the 2004 International Dublin/IMPAC award, is a Rashamon-like tale of friendship and betrayal set in twentieth century Tangier. Written in Ben Jelloun's inimitable and powerfully direct style, the novel explores the twists and turns of an intense thirty-year friendship between two young men struggling to find their identities and sexual fulfillment in Morocco in the late 1950s, a complex and contradictory society both modern and archaic.

From their carefree university days through their brutal imprisonment and ultimate release, the two rely on each other for physical and psychological survival, forging bonds not easily broken. Each narrator tells his version of the story, painting a vivid portrait of life lived within and in opposition to the moral strictures of North Africa.

Set against a backdrop of repression and disillusionment, The Last Friend is a tale of loss of innocence and a nation's coming of age.

"In his affecting new novel, Moroccan-French novelist Ben Jalloun (This Blinding Absence of Light) eloquently portrays postcolonial political unrest in Morocco through the long, ultimately ruptured friendship between two men. The novel is set over 40 years of Moroccan history, beginning in 1960 (a few years after Moroccan independence from France), when the two friends, Ali and Mamed, attend a French school in Tangier. The story tracks their joint political activism and imprisonment in the mid-'60s, professional and romantic successes, and marital disappointment. The two voices share the narrative evenly: first, Ali, an academic, tells his side of their falling-out. Mamed, a doctor who in later years moves with his family to Sweden, ails from a 'strange, neurotic relationship with [his] homeland' and, eventually, from lung cancer. Mamed precipitates a self-protective rift with Ali before dying. A long posthumous letter to Ali explains that Mamed had hoped to spare their friendship from the ravages of death – and yet, has Mamed acted finally from jealousy and spite? Their friendship becomes a journey through their Moroccan heritage, skillfully navigated by Ben Jalloun." Publishers Weekly

Ben Jelloun Tahar  
The Thirteenth Tale

The Thirteenth Tale by Diane Setterfield is a rich story about secrets, ghosts, winter, books and family. The Thirteenth Tale is a book lover's book, with much of the action taking place in libraries and book stores, and the line between fact and fiction constantly blurred. It is hard to believe this is Setterfield's debut novel, for she makes the words come to life with such skill that some passages even gave me chills. With a mug of cocoa and The Thirteenth Tale, contentment isn't far away.

Setterfield Diane  
The Stepford Wives

The wives in Stepford are not exactly what you might call feisty, but they do keep nice homes. They wax and vacuum, and clean and dust all day long and late into the evenings, but they never complain. They are rather pleasing to look at too these Stepford ladies. They are round and shapely in all of the right places and in many ways they are model wives.

When the Eberharts move to Stepford Joanna finds it hard to settle in the town. She finds the town's women weird. Not one of them ever seems to have time to pop over for a cup of coffee. They are much too busy keeping house. They do find time to go out every once in a while though, to do the shopping, and even that is done neatly; every item is perfectly stacked in their trolleys.

Fortunately Joanna does manage to find a couple of friends who are normal. In fact one of them, Bobbie, is refreshingly slob-like. The other one, Charmaine, exudes elegance and is obsessed with tennis. She even has her own court in the garden, and so things are not, perhaps, so bad in Stepford after all. Or so it seems. But when Charmaine suddenly sacks her maid, and dons the pinny herself, Joanna is shocked. And when she discovers that her tennis buddy is ripping up her tennis court so that her husband can have his own putting green, Joanna realizes – for a fact – that something very strange indeed is going on in Stepford

The Stepford Wives is a much shorter read than I had anticipated. My copy is only 116 pages long, but it achieves a lot in those few pages and bulking out of the story would only have spoiled it. I would describe this as being a quietly scary story. The real nasty stuff always happens just out of sight, never right there in your face. If you have ever watched any really old films, you might remember how scenes sometimes ended with the loving couple closing the bedroom door. What happened next was left to the viewer's imagination. In a similar way the nasty stuff in The Stepford Wives is left to the reader's imagination. In the final pages, there is a scene where the Stepford men-folk usher Joanna into Bobbie's kitchen and Bobbie, who really doesn't seem like Bobbie anymore and is holding a knife, calls her over to the sink so that she can prove to her that she isn't a robot. What happens next in that kitchen is left to the reader's imagination. The horror is not depicted in glorious Technicolor and if the claret flows it flows unseen, but it is still a very scary scene indeed and possibly one of the best ones in the book.

Levin Ira  
The Butcher Boy

SHORTLISTED FOR THE 1992 BOOKER PRIZE

WINNER OF THE IRISH TIMES-AER LINGUS

LITERATURE PRIZE FOR FICTION

"BRILLIANT, UNIQUE. Patrick McCabe pushes your head through the book and you come out the other end gasping, admiring, and knowing that reading fiction will never be the same again. It's the best Irish novel I've read in years." – Roddy Doyle, Author, Paddy Clarke Ha Ha Ha

"STUNNING… PART HUCK FINN, PART HOLDEN CAULFIELD, PART HANNIBAL LECTER." – The New York Times Book Review

"AN ALMOST PERFECT NOVEL… A BECKETT MONOLOGUE WITH PLOT BY ALFRED HITCHCOCK… STARTLINGLY ORIGINAL." – The Washington Post Book World

"BRILLIANT… Francie is a shrewd and amusing observer… his voice is mordant, colloquial and brash as a punch in the nose." – Scott Turow

"A ROLLICKING NASTY NOVEL." – The Village Voice

"There are a number of fine novels about violent youth, and Patrick McCabe's frightening and sorrowful The Butcher Boy stands up to any of them… Francie portrays himself in every word he utters, and his language gives Patrick McCabe's The Butcher Boy its valuable dread power." – The Atlanta Journal Constitution

"A CHILLING TALE OF A CHILD'S HELL… OFTEN SCREAMINGLY FUNNY… THE BOOK HAS A COMPELLING AND TERRIBLE BEAUTY." – The Boston Globe

"A tour de force." – Kirkus Reviews

"IT'S AS BRIGHT AS IT IS DEPRESSING, AS FUNNY AS IT IS GRUESOME. We see Francie clearly as psychopath, and we ache with sympathy for him. It's almost impossible to pinpoint the moment in his growing up when the imagination of an ordinary boy shades over into something dangerously loony. The key is Francie's slangy, angry, '60s-flavored voice, which McCabe renders with a minimum of punctuation and a maximum of control." – Los Angeles Times Book Review

"AN UNRELENTING, UPBEAT STREAM OF PATTER. McCabe's acclaimed third novel… walks the path of dementia with remarkable assurance." – Entertainment Weekly

"McCABE'S FRANCIE SPEAKS IN A RICH VERNACULAR SPIRITED BY THE BRASSY AND ENDEARING RHYTHMS OF PERPETUAL DELINQUENCY; even in his gradual unhinging, Francie remains a winning raconteur. By looking so deeply into Francie's soul, McCabe subtly suggests a common source of political and personal violence – lack of love and hope." – Publishers Weekly

"PATRICK McCABE IS AN OUTSTANDING WRITER. The Butcher Boy is fearful, original, compelling and very hard to put out of your mind. American readers should pay close attention to this man." – Thomas McGuane

"A BRILLIANT BOOK SO VERY FUNNY AS WELL AS BEING HEARTRENDINGLY SAD." – J. P. Donleavy

"Written with wonderful assurance and a technical skill that is as great as it is unobtrusive… Perhaps the novel is best read as a twisted coming-of-age story; imagine Huck Finn crossed with Charlie Starkweather, and you have Francie Brady, the young narrator of The Butcher Boy." – The Washington Post Book World

"A POTENT AMALGAM OF COMEDY, HORROR AND PATHOS… The Butcher Boy is a prime slice of modern Gothic… McCabe presents a study in spiritual derangement that rivets." – The Sunday Times (London)

"DEADLY SERIOUS, TERRIFICALLY LOONY AND SCARY, AND ABSOLUTELY HILARIOUS… Francie Brady's story is reminiscent of Samuel Beckett's Molloy, Moran, Malone, and the Unnameable even, with Anthony Burgess's Alex tossed in for good measure." – James McManus

"THE MOST ASTONISHING IRISH NOVEL FOR MANY YEARS, A MASTERPIECE." – Sunday Independent

"A POWERFUL AND DEEPLY SHOCKING NOVEL where the seemingly innocent logic of a child imperceptibly turns into the manic logic of an unhinged mind. Patrick McCabe portrays 1960s small-town life from a bizarre perspective where the aliens from Outer Space on the television are as real as the emotional poverty of one child filled with unconscious envy for another." – Dermont Bolger

McCabe Patrick  
обложка книги The Book of Fathers The Book of Fathers

Twelve men – running in direct line line from father to eldest son, who in turn becomes a father – are the heroes of this wonderful family saga which runs over 300 years' panorama of Hungarian life and history. Each man also passes to his son certain unusual gifts: the ability to see the past, and in some cases to see the future too. The fathers also pass on a book in which they have left a personal record ('The Book of Fathers'). The reader is swept along by the narrative brilliance of Vamos' story. Some of his heroes are lucky, live long and are good at their trade; some are unlucky failures and their lives are cut short. Some are happily married, some have unhappy marriages – and the ability to see into the future is often a poisoned chalice. An extraordinary and brilliant generational saga, THE BOOK OF FATHERS is set to become a European classic.

ámos ós  
обложка книги The Catcher in the Rye The Catcher in the Rye

Since his debut in 1951 as The Catcher in the Rye, Holden Caulfield has been synonymous with “cynical adolescent.” Holden narrates the story of a couple of days in his sixteen-year-old life, just after he’s been expelled from prep school, in a slang that sounds edgy even today and keeps this novel on banned book lists. It begins,

“If you really want to hear about it, the first thing you’ll probably want to know is where I was born and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it, if you want to know the truth. In the first place, that stuff bores me, and in the second place, my parents would have about two hemorrhages apiece if I told anything pretty personal about them.”

His constant wry observations about what he encounters, from teachers to phonies (the two of course are not mutually exclusive) capture the essence of the eternal teenage experience of alienation.

Salinger Jerome David  
The Pisya N1 - How much is the fish Шумихин Иван  
обложка книги The Vintage Caper The Vintage Caper

Set in Hollywood, Paris, Bordeaux, and Marseille, Peter Mayle’s newest and most delightful novel is filled with culinary delights, sumptuous wines, and colorful characters. It’s also a lot of fun.

The story begins high above Los Angeles, at the extravagant home and equally impressive wine cellar of entertainment lawyer Danny Roth. Unfortunately, after inviting the Los Angeles Times to write an extensive profile extolling the liquid treasures of his collection, Roth finds himself the victim of a world-class wine heist.

Enter Sam Levitt, former corporate lawyer, cultivated crime expert, and wine connoisseur. Called in by Roth’s insurance company, which is now saddled with a multimillion-dollar claim, Sam follows his leads-to Bordeaux and its magnificent vineyards, and to Provence to meet an eccentric billionaire collector who might possibly have an interest in the stolen wines. Along the way, bien sûr, he is joined by a beautiful and erudite French colleague, and together they navigate many a château, pausing frequently to enjoy the countryside’s abundant pleasures.

The unraveling of the ingenious crime is threaded through with Mayle’s seductive rendering of France ’s sensory delights-from a fine Lynch-Bages and Léoville Barton to the bouillabaisse of Marseille and the young lamb of Bordeaux. Even the most sophisticated of oenophiles will learn a thing or two from this vintage work by a beloved author.

Mayle Peter  
обложка книги Tentación Tentación

Como cualquier guionista de Hollywood, David Armitage aspira convertirse en rico y famoso para huir de la mediocridad de su vida. Cuando está a punto de dar por muerta su carrera, se produce el milagro: la televisión compra uno de sus guiones y se convierte en un rotundo éxito. Pasado un tiempo, el millonario Philip Fleck le propone ir a su isla privada para trabajar en un nuevo guión cinematográfico. David se lleva una desagradable sorpresa cuando descubre que se trata de uno de sus propios guiones, escrito unos años antes, copiado palabra por palabra. Furioso, David se niega a colaborar con el millonario. Pero su decisión le costará cara…

***

«¡Esto es una novela!: flechazos, dilemas, pesares, y la certeza de que el éxito se conjuga siempre con el condicional o el imperfecto.» Le Figaro.

Kennedy Douglas  
обложка книги The Bean Trees The Bean Trees

“THE BEAN TREES IS THE WORK OF A VISIONARY.”-Los Angeles Times

“A LIVELY NOVEL… AN EASY BOOK TO ENJOY.”-The New Yorker

“LOVELY, FUNNY, TOUCHING AND HUMANE.”-Kirkus Reviews

“A SPIRITED, WARM BOOK, WRY AND AT THE SAME TIME REFRESHINGLY GUILELESS.”-Ella Leffland

***

Taylor Green becomes the guardian of an abandoned baby girl she calls Turtle. In Tucson they meet the proprietor of an auto-repair shop with a safe-house for Central American refugees upstairs and there she builds a life for herself and her child.

Kingsolver Barbara  
обложка книги The Magic of Christmas The Magic of Christmas

Another deliciously seasonal and heart-warming tale from the Sunday Times bestselling author of The Twelve Days of Christmas and Chocolate Wishes.

In the pretty Lancashire village of Middlemoss, Lizzy is on the verge of leaving her cheating husband, Tom, when tragedy strikes. Luckily she has welcome distraction in the Christmas Pudding Circle, a group of friends swapping seasonal recipes — as well as a rivalry with local cookery writer Nick over who will win Best Mince Pie at the village show…

Meanwhile, the whole village is gearing up for the annual Boxing Day Mystery Play. But who will play Adam to Lizzy’s Eve? Could it be the handsome and charismatic soap actor Ritch, or could someone closer to home win her heart? Whatever happens, it promises to be a Christmas to remember!

Previously published as Sweet Nothings, Trisha has extensively reworked the original novel with fabulous new extra material.

Ashley Trisha  
обложка книги Twelve Days of Christmas Twelve Days of Christmas

Christmas has always been a sad time for young widow Holly Brown, so when she's asked to look after a remote house on the Lancashire moors, the opportunity to hide herself away is irresistible — the perfect excuse to forget about the festivities. Sculptor, Jude Martland, is determined that this year there will be no Christmas after his brother runs off with his fiancee and he is keen to avoid the family home. However, he will have to return by the twelfth night of the festivities, when the hamlet of Little Mumming hold their historic festivities and all of his family are required to attend. Meanwhile, Holly is finding that if she wants to avoid Christmas, she has come to the wrong place. When Jude unexpectedly returns on Christmas Eve he is far from delighted to discover that Holly seems to be holding the very family party he had hoped to avoid. Suddenly, the blizzards come out of nowhere and the whole village is snowed in. With no escape, Holly and Jude get much more than they bargained for — it looks like the twelve days of Christmas are going to be very interesting indeed!

Ashley Trisha  
обложка книги The Ladies of Grace Adieu The Ladies of Grace Adieu

Following the enormous success of 2004 bestseller and critics' favorite Jonathan Strange Mr Norrell, Susanna Clarke delivers a delicious collection of ten stories set in the same fairy-crossed world of 19th-century England. With Clarke's characteristic historical detail and diction, these dark, enchanting tales unfold in a slightly distorted version of our own world, where people are bedeviled by mischievous interventions from the fairies. With appearances from beloved characters from her novel, including Jonathan Strange and Childermass, and an entirely new spin on certain historical figures, including Mary, Queen of Scots, this is a must-have for fans of Susanna Clarke's and an enticing introduction to her work for new readers. Some of these stories have never before been published; others have appeared in the New York Times or in highly regarded anthologies. In this collection, they come together to expand the reach of Clarke's land of enchantment-and anticipate her next novel (Fall 2008).

Clarke Susanna  
обложка книги The Cider House Rules The Cider House Rules

Set among the apple orchards of rural Maine, it is a perverse world in which Homer Wells' odyssey begins. As the oldest unadopted offspring at St Cloud's orphanage, he learns about the skills which, one way or another, help young and not-so-young women, from Wilbur Larch, the orphanage's founder, a man of rare compassion with an addiction to ether.

Dr Larch loves all his orphans, especially Homer Wells. It is Homer's story we follow, from his early apprenticeship in the orphanage, to his adult life running a cider-making factory and his strange relationship with the wife of his closest friend.

Irving John  
The Razor's Edge Maugham W Somerset  
обложка книги The Legacy The Legacy

La Plante Lynda Legacy  
обложка книги The Particular Sadness of Lemon Cake The Particular Sadness of Lemon Cake

"Such beautiful writing." – Jodi Picoult

The wondrous Aimee Bender conjures the lush and moving story of a girl whose magical gift is really a devastating curse.

On the eve of her ninth birthday, unassuming Rose Edelstein, a girl at the periphery of schoolyard games and her distracted parents' attention, bites into her mother's homemade lemon-chocolate cake and discovers she has a magical gift: she can taste her mother's emotions in the cake. She discovers this gift to her horror, for her mother – her cheerful, good-with-crafts, can-do mother – tastes of despair and desperation. Suddenly, and for the rest of her life, food becomes a peril and a threat to Rose.

The curse her gift has bestowed is the secret knowledge all families keep hidden – her mother's life outside the home, her father's detachment, her brother's clash with the world. Yet as Rose grows up she learns to harness her gift and becomes aware that there are secrets even her taste buds cannot discern.

The Particular Sadness of Lemon Cake is a luminous tale about the enormous difficulty of loving someone fully when you know too much about them. It is heartbreaking and funny, wise and sad, and confirms Aimee Bender's place as 'a writer who makes you grateful for the very existence of language' (San Francisco Chronicle).

Bender Aimee  
обложка книги The Girl Who Chased the Moon The Girl Who Chased the Moon

In her latest enchanting novel, New York Times bestelling author Sarah Addison Allen invites you to a quirky little Southern town with more magic than a full Carolina moon. Here two very different women discover how to find their place in the world.no matter how out of place they feel.

Emily Benedict came to Mullaby, North Carolina, hoping to solve at least some of the riddles surrounding her mother's life. For instance, why did Dulcie Shelby leave her hometown so suddenly? Why did she vow never to return? But the moment Emily enters the house where her mother grew up and meets the grandfather she never knew – a reclusive, real-life gentle giant – she realizes that mysteries aren't solved in Mullaby, they're a way of life.

Here are rooms where the wallpaper changes to suit your mood. Unexplained lights skip across the yard at midnight. And a neighbor bakes hope in the form of cakes.

Everyone in Mullaby adores Julia Winterson's cakes. She offers them to satisfy the town's sweet tooth and in the hope of bringing back the love she fears she's lost forever. In Julia, Emily may have found a link to her mother's past. But why is everyone trying to discourage Emily's growing relationship with the handsome and mysterious son of Mullaby's most prominent family? Emily came to Mullaby to get answers, but all she's found so far are more questions.

Is there really a ghost dancing in her backyard? Can a cake really bring back a lost love?

In this town of lovable misfits, maybe the right answer is the one that just feels.different.

Allen Sarah Addison  
обложка книги The Sister The Sister

Born into a long line of distinguished lepidopterists, scientists who study moths and butterflies, Ginny and Vivien grew up in a sprawling Victorian home. Forty-seven years later, Ginny lives there alone, tending to her moths and obsessions amid the ghosts of her past.

But when her sister Vivien returns to the crumbling family mansion, dark, unspoken secrets rise, disrupting Ginny's ordered life and threatening the family's fragile peace. Told in Ginny's unforgettable voice, this debut novel tells a disquieting story of two sisters and the ties that bind-sometimes a little too tightly.

Adams Poppy  
обложка книги The Famished Road The Famished Road

Winner of the 1991 Booker Prize, this phantasmagorical novel is set in the ghetto of an African city during British colonial rule, and follows the story of Azaro-a "spirit-child" who has reneged on a pact with the spirit world-and the travails of his impoverished, beleaguered family.

Okri Ben  
обложка книги Teraz i Wtedy. Od Coney Island do „Paragrafu 22” Teraz i Wtedy. Od Coney Island do „Paragrafu 22”

Autobiograficzne dzieło ukazujące życie autora od dzieciństwa spędzonego na Coney Island, poprzez służbę w lotnictwie, studia, pracę i małżeństwo aż do wielkiej kariery literackiej zapoczątkowanej spektakularnym sukcesem ''Paragrafu 22''.

Heller Joseph  
обложка книги The Book of Lies The Book of Lies

An omnibus of novels: The Notebook – The Proof – The Third Lie

These three internationally acclaimed novels have confirmed Agota Kristof's reputation as one of the most provocative exponents of new-wave European fiction. With all the stark simplicity of a fractured fairy tale, the trilogy tells the story of twin brothers, Claus and Lucas, locked in an agonizing bond that becomes a gripping allegory of the forces that have divided "brothers" in much of Europe since World War II. Kristof's postmodern saga begins with The Notebook, in which the brothers are children, lost in a country torn apart by conflict, who must learn every trick of evil and cruelty merely to survive. In The Proof, Lucas is challenging to prove his own identity and the existence of his missing brother, a defector to the "other side." The Third Lie, which closes the trilogy, is a biting parable of Eastern and Western Europe today and a deep exploration into the nature of identity, storytelling, and the truths and untruths that lie at the heart of them all. "Stark and haunting." – The San Francisco Chronicle; "A vision of considerable depth and complexity, a powerful portrait of the nobility and perversity of the human heart." – The Christian Science Monitor.

Kristof Agota  
обложка книги The Mango Season The Mango Season

From the acclaimed author of A Breath of Fresh Air, this beautiful novel takes us to modern India during the height of the summer's mango season. Heat, passion, and controversy explode as a woman is forced to decide between romance and tradition.

Every young Indian leaving the homeland for the United States is given the following orders by their parents: Don't eat any cow (It's still sacred!), don't go out too much, save (and save, and save) your money, and most important, do not marry a foreigner. Priya Rao left India when she was twenty to study in the U.S., and she's never been back. Now, seven years later, she's out of excuses. She has to return and give her family the news: She's engaged to Nick Collins, a kind, loving American man. It's going to break their hearts.

Returning to India is an overwhelming experience for Priya. When she was growing up, summer was all about mangoes-ripe, sweet mangoes, bursting with juices that dripped down your chin, hands, and neck. But after years away, she sweats as if she's never been through an Indian summer before. Everything looks dirtier than she remembered. And things that used to seem natural (a buffalo strolling down a newly laid asphalt road, for example) now feel totally chaotic.

But Priya's relatives remain the same. Her mother and father insist that it's time they arranged her marriage to a “nice Indian boy.” Her extended family talks of nothing but marriage-particularly the marriage of her uncle Anand, which still has them reeling. Not only did Anand marry a woman from another Indian state, but he also married for love. Happiness and love are not the point of her grandparents' or her parents' union. In her family's rule book, duty is at the top of the list.

Just as Priya begins to feel she can't possibly tell her family that she's engaged to an American, a secret is revealed that leaves her stunned and off-balance. Now she is forced to choose between the love of her family and Nick, the love of her life.

As sharp and intoxicating as sugarcane juice bought fresh from a market cart, The Mango Season is a delightful trip into the heart and soul of both contemporary India and a woman on the edge of a profound life change.

Malladi Amulya  
обложка книги The Blackwater Lightship The Blackwater Lightship

Helen's brother is dying, and with two of his friends she waits for the end in her grandmother's crumbling old house. Her mother and grandmother, after years of strife have come to an uneasy peace. The six of them, from different generations and beliefs, are forced to come to terms with each other.

óibín Colm  
обложка книги The Best American Short Stories 2013 The Best American Short Stories 2013

“As our vision becomes more global, our storytelling is stretching in many ways. Stories increasingly change point of view, switch location, and sometimes pack as much material as a short novel might,” writes guest editor Elizabeth Strout. “It’s the variety of voices that most indicates the increasing confluence of cultures involved in making us who we are.” The Best American Short Stories 2013 presents an impressive diversity of writers who dexterously lead us into their corners of the world.

In “Miss Lora,” Junot Díaz masterfully puts us in the mind of a teenage boy who throws aside his better sense and pursues an intimate affair with a high school teacher. Sheila Kohler tackles innocence and abuse as a child wanders away from her mother, in thrall to a stranger she believes is the “Magic Man.” Kirstin Valdez Quade’s “Nemecia” depicts the after-effects of a secret, violent family trauma. Joan Wickersham’s “The Tunnel” is a tragic love story about a mother’s declining health and her daughter’s helplessness as she struggles to balance her responsibility to her mother and her own desires. New author Callan Wink’s “Breatharians” unsettles the reader as a farm boy shoulders a grim chore in the wake of his parents’ estrangement.

“Elizabeth Strout was a wonderful reader, an author who knows well that the sound of one’s writing is just as important as and indivisible from the content,” writes series editor Heidi Pitlor. “Here are twenty compellingly told, powerfully felt stories about urgent matters with profound consequences.”

Saunders George, Munro Alice, Shepard Jim, íaz Junot, Means David, Tallent Elizabeth, Millhauser Steven, Strout Elizabeth, Pitlor Heidi, ón Daniel, Baxter Charles, Byers Michael, Greenfeld Karl Taro, Jen Gish, Johnston Bret Anthony, Kohler Sheila, Moore Lorrie, Nelson Antonya, Quade Kirstin Valdez, Rivecca Suzanne, Wickersham Joan, Wink Callan  
обложка книги The Peripatetic Coffin and Other Stories The Peripatetic Coffin and Other Stories

Alternately funny, menacing, and deeply empathetic, the wildly inventive stories in Ethan Rutherford’s The Peripatetic Coffin mark the debut of a powerful new voice in contemporary fiction

Worried about waning enrollment, the head counselor of the world’s worst summer camp leads his campers on a series of increasingly dubious escapades in an effort to revive their esprit de corps. A young boy on a sailing vacation with his father comes face-to-face with a dangerous stranger, and witnesses a wrenching act of violence. Parents estranged from their disturbed son must gird themselves for his visit, even as they cannot face each other. And in the dazzling title story, the beleaguered crew of the first Confederate submarine embarks on their final, doomed mission during the closing days of the Civil War.

Whether set aboard a Czarist-era Russian ship locked in Arctic ice, on a futuristic whaling expedition whose depredations guarantee the environmental catastrophe that is their undoing, or in a suburban basement where two grade-school friends articulate their mutual obsessions, these strange, imaginative, and refreshingly original stories explore the ways in which we experience the world: as it is, as it could be, and the dark contours that lie between.

Rutherford Ethan  
обложка книги The City of Devi The City of Devi

From the author of The Death of Vishnu, “a big, pyrotechnic… ambitious… ingenious” (Wall Street Journal) novel.

Mumbai has emptied under the threat of imminent nuclear annihilation; gangs of marauding Hindu and Muslim thugs rove the desolate streets; yet Sarita can think of only one thing: buying the last pomegranate that remains in perhaps the entire city. She is convinced that the fruit holds the key to reuniting her with her physicist husband, Karun, who has been mysteriously missing for more than a fortnight.

Searching for his own lover in the midst of this turmoil is Jaz—cocky, handsome, and glib. “The Jazter,” as he calls himself, is Muslim, but his true religion has steadfastly been sex with men. Dodging danger at every step, both he and Sarita are inexorably drawn to Devi ma, the patron goddess who has reputedly appeared in person to save her city. What they find will alter their lives more fundamentally than any apocalypse to come.

A wickedly comedic and fearlessly provocative portrayal of individuals balancing on the sharp edge of fate, The City of Devi brilliantly upends assumptions of politics, religion, and sex, and offers a terrifying yet exuberant glimpse of the end of the world.

Suri Manil  
обложка книги The Last Days of California The Last Days of California

With The Last Days of California, Mary Miller bursts into the literary world, taking up the mantle of Southern fiction and rendering it her own with wry vulnerability and contemporary urgency.

Miller’s revelatory protagonist, Jess, is fourteen years old and waiting for the world to end. Her evangelical father has packed up the family and left their Montgomery home to drive west to California, hoping to save as many souls as possible before the Second Coming. With her long-suffering mother and rebellious (and secretly pregnant) sister, Jess hands out tracts to nonbelievers at every rest stop, waffle house, and gas station along the way. As Jess’s belief frays, her teenage myopia evolves into awareness about her fracturing family.

Using deadpan humor and savage charm belying deep empathy for her characters, Miller’s debut captures the angst, sexual rivalry, and escalating self-doubt of teenage life in America while announcing Miller as a fierce new voice

Miller Mary  
обложка книги The Geography of Bliss The Geography of Bliss  
обложка книги The Mosquito Coast The Mosquito Coast

In a breathtaking adventure story, the paranoid and brilliant inventor Allie Fox takes his family to live in the Honduran jungle, determined to build a civilization better than the one they've left. Fleeing from an America he sees as mired in materialism and conformity, he hopes to rediscover a purer life. But his utopian experiment takes a dark turn when his obsessions lead the family toward unimaginable danger.

Theroux Paul  
обложка книги The Impossibly The Impossibly

"The first time we met, it was about a stapler, I think."

Deadpan delivery and a sly eye for detail characterize the anonymous secret agent in Laird Hunt's tense, funny spy noir. When the nameless narrator botches an assignment for the clandestine organization that employs him, everyone in his life — including his new girlfriend — is revealed to be either true-blue, double operative, or both.

With the literary coyness of Paul Auster and the dark absurdity of Kafka, Hunt's debut is a daring, memory-driven narrative that is as fittingly spare as a bare ceiling light — and just as pendulous. On the surface, the narrator is a simple man, fixing his washer and dryer, strolling through city parks, falling in love at an office supply store. But in The Impossibly, the mundane gives way to outrageous misconduct, and with each unexpected visitor or cryptic note, the tension reaches tantalizing heights. As the narrator frugally doles out clues about his dangerous work in an unnamed European city, the reader inevitably becomes confidante and fellow gumshoe. The narrator's final assignment — to identify his own assassin — dismantles the reader's own analysis of the evidence.

Hunt Laird  
обложка книги The Consul's File The Consul's File

The Consul’s File is a journey to post-colonial Malaysia with a young American diplomat, to a “bachelor post” at the uneasy frontier where civilization meets jungle.

Theroux Paul  
обложка книги The Black House The Black House

A reign of terror begins for Alfred and Emma Munday when they take their failing marriage to the solace of an old country house.

Theroux Paul  
обложка книги The Elephanta Suite: Three Novellas The Elephanta Suite: Three Novellas

A master of the travel narrative weaves three intertwined novellas of Westerners transformed by their sojourns in India.

This startling, far-reaching book captures the tumult, ambition, hardship, and serenity that mark today’s India. Theroux’s Westerners risk venturing far beyond the subcontinent’s well-worn paths to discover woe or truth or peace. A middle-aged couple on vacation veers heedlessly from idyll to chaos. A buttoned-up Boston lawyer finds succor in Mumbai’s reeking slums. And a young woman befriends an elephant in Bangalore.

We also meet Indian characters as singular as they are reflective of the country’s subtle ironies: an executive who yearns to become a holy beggar, an earnest young striver whose personality is rewired by acquiring an American accent, a miracle-working guru, and others.

As ever, Theroux’s portraits of people and places explode stereotypes to exhilarating effect. The Elephanta Suite urges us toward a fresh, compelling, and often inspiring notion of what India is, and what it can do to those who try to lose--or find--themselves there.

Theroux Paul  
обложка книги The Lower River The Lower River

Ellis Hock never believed that he would return to Africa. He runs an old-fashioned menswear store in a small town in Massachusetts but still dreams of his Eden, the four years he spent in Malawi with the Peace Corps, cut short when he had to return to take over the family business. When his wife leaves him, and he is on his own, he realizes that there is one place for him to go: back to his village in Malawi, on the remote Lower River, where he can be happy again.

Arriving at the dusty village, he finds it transformed: the school he built is a ruin, the church and clinic are gone, and poverty and apathy have set in among the people. They remember him — the White Man with no fear of snakes — and welcome him. But is his new life, his journey back, an escape or a trap?

Interweaving memory and desire, hope and despair, salvation and damnation, this is a hypnotic, compelling, and brilliant return to a terrain about which no one has ever written better than Theroux.

Theroux Paul  
обложка книги The Family Arsenal The Family Arsenal

Hood, a renegade American diplomat, envisions a new urban order through the opium fog of his room. His sometimes bedmate, Mayo, has stolen a Flemish painting and is negotiating for publicity with "The Times". Murf the bomb-maker leaves his mark in red whilst his girlfriend Brodie bombs Euston.

Theroux Paul  
обложка книги The Stranger at the Palazzo D'Oro The Stranger at the Palazzo D'Oro

From the best-selling author of Dark Star Safari and Hotel Honolulu, Paul Theroux's latest offers provocative tales of memory and desire. The sensual story of an unusual love affair leads the collection. The thrill and risk of pursuit and conquest mark the accompanying stories, which tell of the sexual awakening and rites of passage of a Boston boyhood, the ruin of a writer in Africa, and the bewitchment of a retiree in Hawaii. Filled with Theroux's typically exquisite yet devastating descriptions of people and places, The Stranger at the Palazzo D'Oro evokes "the complexities of matters of the heart with subtlety and grace" (People).

Theroux Paul  
обложка книги The Emerald Light in the Air The Emerald Light in the Air

Nothing is simple for the men and women in Donald Antrim’s stories. As they do the things we all do — bum a cigarette at a party, stroll with a girlfriend down Madison Avenue, take a kid to the zoo — they’re confronted with their own uncooperative selves. These artists, writers, lawyers, teachers, and actors make fools of themselves, spiral out of control, have delusions of grandeur, despair, and find it hard to imagine a future. They talk, they listen, they hope, they dream. They look for communion in a city, both beautiful and menacing, which can promise so much and yield so little. But they are hungry for life. They want to love and be loved.

These stories, all published in The New Yorker over the last fifteen years, make it clear that Antrim is one of America’s most important writers. His work has been praised by his significant contemporaries, including Jonathan Franzen, Thomas Pynchon, Jeffrey Eugenides, and George Saunders, who described The Verificationist as “one of the most pleasure-giving, funny, perverse, complicated, addictive novels of the last twenty years.” And here is Antrim’s best book yet: the story collection that reveals him as a master of the form.

Antrim Donald  
обложка книги The Great Leader The Great Leader

Author Jim Harrison has won international acclaim for his masterful body of work, including Returning to Earth, Legends of the Fall and over thirty books of fiction, nonfiction, and poetry. In his most original work to date, Harrison delivers an enthralling, witty and expertly-crafted novel following one man's hunt for an elusive cult leader, dubbed "The Great Leader.'

On the verge of retirement, Detective Sunderson begins to investigate a hedonistic cult, which has set up camp near his home in Michigan's Upper Peninsula. At first, the self-declared Great Leader seems merely a harmless oddball, but as Sunderson and his sixteen-year-old sidekick dig deeper, they find him more intelligent and sinister than they realized. Recently divorced and frequently pickled in alcohol, Sunderson tracks his quarry from the woods of Michigan to a town in Arizona, filled with criminal border-crossers, and on to Nebraska, where the Great Leader's most recent recruits have gathered to glorify his questionable religion. But Sunderson's demons are also in pursuit of him.

Rich with character and humor, The Great Leader is at once a gripping excursion through America's landscapes and the poignant story of a man grappling with age, lost love and his own darker nature.

Harrison Jim  
обложка книги The Human Stain The Human Stain

Athena College was snoozing complacently in the Berkshires until Coleman Silk — formerly “Silky Silk,” undefeated welterweight pro boxer — strode in and shook the place awake. This faculty dean sacked the deadwood, made lots of hot new hires, including Yale-spawned literary-theory wunderkind Delphine Roux, and pissed off so many people for so many decades that now, in 1998, they've all turned on him. Silk's character assassination is partly owing to what the novel's narrator, Nathan Zuckerman, calls “the Devil of the Little Place — the gossip, the jealousy, the acrimony, the boredom, the lies.”

But shocking, intensely dramatized events precipitate Silk's crisis. He remarks of two students who never showed up for class, “Do they exist or are they spooks?” They turn out to be black, and lodge a bogus charge of racism exploited by his enemies. Then, at 71, Viagra catapults Silk into “the perpetual state of emergency that is sexual intoxication,” and he ignites an affair with an illiterate janitor, Faunia Farley, 34. She's got a sharp sensibility, “the laugh of a barmaid who keeps a baseball bat at her feet in case of trouble,” and a melancholy voluptuousness. “I'm back in the tornado,” Silk exults. His campus persecutors burn him for it — and his main betrayer is Delphine Roux.

In a short space, it's tough to convey the gale-force quality of Silk's rants, or the odd effect of Zuckerman's narration, alternately retrospective and torrentially in the moment. The flashbacks to Silk's youth in New Jersey are just as important as his turbulent forced retirement, because it turns out that for his entire adult life, Silk has been covering up the fact that he is a black man. (If this seems implausible, consider that the famous New York Times book critic Anatole Broyard did the same thing.) Young Silk rejects both the racism that bars him from Woolworth's counter and the Negro solidarity of Howard University. “Neither the they of Woolworth's nor the we of Howard” is for Coleman Silk. “Instead the raw I with all its agility. Self-discovery — that was the punch to the labonz.... Self-knowledge but concealed. What is as powerful as that?”

Silk's contradictions power a great Philip Roth novel, but he's not the only character who packs a punch. Faunia, brutally abused by her Vietnam vet husband (a sketchy guy who seems to have wandered in from a lesser Russell Banks novel), scarred by the death of her kids, is one of Roth's best female characters ever. The self-serving Delphine Roux is intriguingly (and convincingly) nutty, and any number of minor characters pop in, mouth off, kick ass, and vanish, leaving a vivid sense of human passion and perversity behind. You might call it a stain.

Roth Philip  
обложка книги Theatre Theatre

Julia Lambert is in her prime, the greatest actress in England. On stage she is a true professional, in full possession of her emotions. Off stage, however, she is bored with her husband, less disciplined about her behaviour. She is at first amused by the attentions of a shy but ambitious young fan, then thrilled by his persistence—and at last wildly but dangerously in love… Although Maugham is most celebrated as a novelist and shortstory writer, it was as a playwright that he first knew success. Theatre is both a tribute to a world from which he had retired and a persuasive testimony to his enthusiasm for drama and the stage.

Maugham William Somerset  
обложка книги The Vagrants The Vagrants

Brilliant and illuminating, this astonishing debut novel by the award-winning writer Yiyun Li is set in China in the late 1970s, when Beijing was rocked by the Democratic Wall Movement, an anti-Communist groundswell designed to move China beyond the dark shadow of the Cultural Revolution toward a more enlightened and open society. In this powerful and beautiful story, we follow a group of people in a small town during this dramatic and harrowing time, the era that was a forebear of the Tiananmen Square uprising.

Morning dawns on the provincial city of Muddy River. A young woman, Gu Shan, a bold spirit and a follower of Chairman Mao, has renounced her faith in Communism. Now a political prisoner, she is to be executed for her dissent. Her distraught mother, determined to follow the custom of burning her only child’s clothing to ease her journey into the next world, is about to make another bold decision. Shan’s father, Teacher Gu, who has already, in his heart and mind, buried his rebellious daughter, begins to retreat into memories. Neither of them imagines that their daughter’s death will have profound and far-reaching effects, in Muddy River and beyond.

In luminous prose, Yiyun Li weaves together the lives of these and other unforgettable characters, including a serious seven-year-old boy, Tong; a

crippled girl named Nini; the sinister idler Bashi; and Kai, a beautiful radio news announcer who is married to a man from a powerful family. Life in a world of oppression and pain is portrayed through stories of resilience, sacrifice, perversion, courage, and belief. We read of delicate moments and acts of violence by mothers, sons, husbands, neighbors, wives, lovers, and more, as Gu Shan’s execution spurs a brutal government reaction.

Writing with profound emotion, and in the superb tradition of fiction by such writers as Orhan Pamuk and J. M. Coetzee, Yiyun Li gives us a stunning novel that is at once a picture of life in a special part of the world during a historic period, a universal portrait of human frailty and courage, and a mesmerizing work of art.

Li Yiyun  
обложка книги The Mistress's Daughter The Mistress's Daughter

An acclaimed novelist's riveting memoir about what it means to be adopted and how all of us construct our sense of self and family.

Before A.M. Homes was born, she was put up for adoption. Her birth mother was a twenty-two- year-old single woman who was having an affair with a much older married man with children of his own. The Mistress's Daughter is the story of what happened when, thirty years later, her birth parents came looking for her.

Homes, renowned for the psychological accuracy and emotional intensity of her storytelling, tells how her birth parents initially made contact with her and what happened afterward (her mother stalked her and appeared unannounced at a reading) and what she was able to reconstruct about the story of their lives and their families. Her birth mother, a complex and lonely woman, never married or had another child, and died of kidney failure in 1998; her birth father, who initially made overtures about inviting her into his family, never did.

Then the story jumps forward several years to when Homes opens the boxes of her mother's memorabilia. She had hoped to find her mother in those boxes, to know her secrets, but no relief came. She became increasingly obsessed with finding out as much as she could about all four parents and their families, hiring researchers and spending hours poring through newspaper morgues, municipal archives and genealogical Web sites. This brave, daring, and funny book is a story about what it means to be adopted, but it is also about identity and how all of us define our sense of self and family.

AHomes A M  
обложка книги Things You Should Know Things You Should Know

Things You Should Know is a collection of dazzling stories by one of the most talented and daring young American writers. Homes' distinctive narratives demonstrate how extraordinary the ordinary can be. A woman pursues an unconventional strategy for getting pregnant; a former First Lady shows despair and courage in dealing with her husband's Alzheimer's; a teacher's list of 'things you already should know but maybe are a little dumb, so you don't' becomes an obsession for someone wasn't at school the day it was given out; and adult tragedy intrudes into a childhood friendship. The stories are full of magic and strangeness and humour, but also demonstrate an uncanny emotional accuracy and compassion.

Homes A M  
обложка книги This Book Will Save Your Life This Book Will Save Your Life

Short listed for the Richard & Judy Book Club 2007. An uplifting story set in Los Angeles about one man's effort to bring himself back to life. Richard is a modern day everyman; a middle-aged divorcee trading stocks out of his home. He has done such a good job getting his life under control that he needs no one. His life has slowed almost to a standstill, until two incidents conspire to hurl him back into the world. One day he wakes up with a knotty cramp in his back, which rapidly develops into an all-consuming pain. At the same time a wide sinkhole appears outside his living room window, threatening the foundations of his house. A vivid novel about compassion and transformation, "This Book Will Save Your Life" reveals what can happen if you are willing to open up to the world around you. Since her debut in 1989, A.M. Homes has been among the boldest and most original voices of her generation, acclaimed for the psychological accuracy and unnerving emotional intensity of her storytelling. Her keen ability to explore how extraordinary the ordinary can be is at the heart of her touching and funny new novel, her first in six years.

Homes A M  
обложка книги There Is No Year There Is No Year

Butler's inventive third book is dedicated "For no one" and begins with an eerie prologue about the saturation of the world with a damaging light. Suitably forewarned, the reader is introduced to an unexceptional no-name family. All should be idyllic in their newly purchased home, but they are shadowed by an unwelcome "copy family." In the face of the copy mother, the mother sees her heretofore unrealized deterioration. Things only get worse as the father forgets how to get home from work; the mother starts hiding in the closet, plagued by an omnipresent egg; while the son gets a female "special friend" and receives a mysterious package containing photos of dead celebrities. The territory of domestic disillusion and postmodern dystopia is familiar from other tales, but Butler's an endlessly surprising, funny, and subversive writer. This subversion extends to the book's design: very short titled chapters with an abundance of white space. Not so much a novel as a literary tapestry, the book's eight parts are separated by blank gray pages. To Butler (Scorch Atlas), everything in the world, even the physical world, is gray and ever-changing, and potentially menacing.

Butler Blake  
обложка книги Three Hundred Million: A Novel Three Hundred Million: A Novel

An unforgettable novel of an American suburb devastated by a fiendish madman — the most ambitious and important work yet by “the 21st century answer to William Burroughs” (Publishers Weekly).

Blake Butler’s fiction has dazzled readers with its dystopian dreamscapes and swaggering command of language. Now, in his most topical and visceral novel yet, he ushers us into the consciousness of two men in the shadow of a bloodbath: Gretch Gravey, a cryptic psychopath with a small army of burnout followers, and E. N. Flood, the troubled police detective tasked with unpacking and understanding his mind.

A mingled simulacrum of Charles Manson, David Koresh, and Thomas Harris’s Buffalo Bill, Gravey is a sinister yet alluring God figure who enlists young metalhead followers to kidnap neighboring women and bring them to his house — where he murders them and buries their bodies in a basement crypt. Through parallel narratives, Three Hundred Million lures readers into the cloven mind of Gravey — and Darrel, his sinister alter ego — even as Flood’s secret journal chronicles his own descent into his own, eerily similar psychosis.

A portrait of American violence that conjures the shadows of Ariel Castro, David Koresh, and Adam Lanza, Three Hundred Million is a brutal and mesmerizing masterwork, a portrait of contemporary America that is difficult to turn away from, or to forget.

Butler Blake  
обложка книги That Smell and Notes From Prison That Smell and Notes From Prison

That Smell is Sonallah Ibrahim's modernist masterpiece and one of the most influential Arabic novels. Composed in the wake of a five-year prison sentence, the semi-autobiographical story follows a recently released political prisoner as he wanders through Cairo, adrift in his native city. Published in 1966, the novel was immediately banned. The original, uncensored version did not appear for another twenty years. For this edition, translator Robyn Creswell has also included an annotated selection of Notes from Prison, culled from Ibrahim's prison diary, a personal archive comprising hundreds of handwritten notes scribbled on Bafra-brand cigarette papers. These writings shed unexpected light on the sources and motives of Ibrahim's groundbreaking novel.

Ibrahim Sonallah  
обложка книги Threats Threats

David’s wife is dead. At least, he thinks she’s dead. But he can’t figure out what killed her or why she had to die, and his efforts to sort out what’s happened have been interrupted by his discovery of a series of elaborate and escalating threats hidden in strange places around his home — one buried in the sugar bag, another carved into the side of his television. These disturbing threats may be the best clues to his wife’s death:

CURL UP ON MY LAP. LET ME BRUSH YOUR HAIR WITH MY FINGERS. I AM SINGING YOU A LULLABY. I AM TESTING FOR STRUCTURAL WEAKNESS IN YOUR SKULL.

Detective Chico is also on the case, and is intent on asking David questions he doesn’t know the answers to and introducing him to people who don’t appear to have David’s or his wife’s best interests in mind. With no one to trust, David is forced to rely on his own memories and faculties — but they too are proving unreliable.

In THREATS, Amelia Gray builds a world that is bizarre yet familiar, violent yet tender. It is an electrifying story of love and loss that grabs you on the first page and never loosens its grip.

Gray Amelia  
обложка книги Two Girls, Fat and Thin Two Girls, Fat and Thin

This captivating novel shimmers with dark intensity and wicked wit. In a stunning synthesis of eroticism, rage, pathos, and humor, Gaitskill's "fine storyteller's pace and brilliant metaphors" (The New York Times Book Review) create a haunting and unforgettable journey into the dark side of contemporary life and the deepest recesses of the soul.

Gaitskill Mary  
обложка книги The Loser The Loser

Thomas Bernhard was one of the most original writers of the twentieth century. His formal innovation ranks with Beckett and Kafka, his outrageously cantankerous voice recalls Dostoevsky, but his gift for lacerating, lyrical, provocative prose is incomparably his own.One of Bernhard's most acclaimed novels, The Loser centers on a fictional relationship between piano virtuoso Glenn Gould and two of his fellow students who feel compelled to renounce their musical ambitions in the face of Gould's incomparable genius. One commits suicide, while the other- the obsessive, witty, and self-mocking narrator- has retreated into obscurity. Written as a monologue in one remarkable unbroken paragraph, The Loser is a brilliant meditation on success, failure, genius, and fame.

Bernhard Thomas  
обложка книги The Bridegroom: Stories The Bridegroom: Stories

From the remarkable Ha Jin, winner of the National Book Award for his celebrated novel Waiting, a collection of comical and deeply moving tales of contemporary China that are as warm and human as they are surprising, disturbing, and delightful.

In the title story, the head of security at a factory is shocked, first when the hansomest worker on the floor proposes marriage to his homely adopted daughter, and again when his new son-in-law is arrested for the "crime" of homosexuality. In "After Cowboy Chicken Came to Town," the workers at an American-style fast food franchise receive a hilarious crash course in marketing, deep frying, and that frustrating capitalist dictum, "the customer is always right."Ha Jin has triumphed again with his unforgettable storytelling in The Bridegroom.

Jin Ha  
обложка книги The Crazed The Crazed

Since the appearance of his first book of stories in English, Ha Jin has won the National Book Award and the PEN/Faulkner Award, and garnered comparisons to Dickens, Balzac, and Isaac Babel. "Like Babel," wrote Francine Prose in The "New York Times Book Review," "Ha Jin observes everything… yet he tells the reader only-and precisely-as much as is needed to make his deceptively simple fiction resonate on many levels."

In his luminous new novel, the author of "Waiting" deepens his portrait of contemporary Chinese society while exploring the perennial conflicts between convention and individualism, integrity and pragmatism, loyalty and betrayal. Professor Yang, a respected teacher of literature at a provincial university, has had a stroke, and his student Jian Wan-who is also engaged to Yang's daughter-has been assigned to care for him. What at first seems a simple if burdensome duty becomes treacherous when the professor begins to rave: pleading with invisible tormentors, denouncing his family, his colleagues, and a system in which a scholar is "just a piece of meat on a cutting board."

Are these just manifestations of illness, or is Yang spewing up the truth? And can the dutiful Jian avoid being irretrievably compromised? For in a China convulsed by the Tiananmen uprising, those who hear the truth are as much at risk as those who speak it. At once nuanced and fierce, earthy and humane, "The Crazed" is further evidence of Ha Jin's prodigious narrative gifts.

Jin Ha  
обложка книги The Parson The Parson

The Parson was not published in Anna Kavan’s lifetime, but found after her death in manuscript form. Thought to have been written between the mid 50s and early 60s, it presages, through its undertones and imagery, some of Kavan’s last and most enduring fiction (such as Ice). It was published finally, to wide acclaim, by Peter Owen in 1995. The Parson of the title is not a cleric, but an upright young army officer so nick-named for his apparent prudishness. On leave in his native homeland, he meets a rich and beguiling beauty, the woman of his dreams. The days that the Parson spends with Rejane, riding in and exploring the wild moorland have their own enchantment. But Rejane grows restless in this desolate land; doubtless in love with the Parson, she discourages any intimacy. Until that is, she persuades him to take her to a sinister castle situated on a treacherous headland. This is less a tale of unrequited love than exploration of divided selves, momentarily locked in an unequal embrace. Passion is revealed as a play of the senses as well as a destructive force. There have been valid comparisons to Poe, Kafka, and Thomas Hardy, but the presence of her trademark themes, cleverly juxtaposed and set in her risk-taking prose, mark The Parson as 100 % Kavan.

Kavan Anna  
обложка книги The Surf Guru The Surf Guru

A book of brilliant, adventurous stories from the award-winning Doug Dorst.

With the publication of his debut novel, Alive in Necropolis, Doug Dorst was widely celebrated as one of the most creative, original literary voices of his generation-an heir to T.C. Boyle and Denis Johnson, a northern California Haruki Murakami. Now, in his second book, The Surf Guru, his full talent is on display, revealing an ability to explore worlds and capture characters that other writers have not yet discovered.

In the title story, an old surfing-champion-turned-surfwear- entrepreneur sits on his ocean-front balcony watching a new generation of surfers come of age on the waves, all but one of whom wear wet suits emblazoned with the Surf Guru's name. An acid-tongued, pioneering botanist who has been exiled from the academy composes a series of scurrilous (and hilarious) biographical sketches of his colleagues and rivals, inadvertently telling his own story. A pair of twenty-first- century drifters course through a series of unusual adventures in their dilapidated car, chased west out of one town and into the next, dreaming of hitting the Pacific.

Dorst's characters have all successfully cultivated a particular expertise, and yet they remain intent on moving toward the horizon, seeking hope in something new. Likewise, each of Dorst's stories is a virtuoso performance balancing humor and insight, achieving a perfect pitch, pulsing with a gritty and punchy, distinctly American realism- and yet always pushing on into the unexpected, taking us some place new.

Dorst Doug  
обложка книги The Braindead Megaphone The Braindead Megaphone

The breakout book from "the funniest writer in America" — not to mention an official Genius — a trade paperback original and his first nonfiction collection ever.

George Saunders's first foray into nonfiction is composed of essays on literature, travel, and politics. At the core of this unique collection are Saunders's travel essays based on his trips to seek out the mysteries of the "Buddha Boy" of Nepal; to attempt to indulge in the extravagant pleasures of Dubai; and to join the exploits of the minutemen at the Mexican border. Saunders expertly navigates the works of Mark Twain, Kurt Vonnegut, and Esther Forbes, and leads the reader across the rocky political landscape of modern America. Emblazoned with his trademark wit and singular vision, Saunders's endeavor into the art of the essay is testament to his exceptional range and ability as a writer and thinker.

Saunders George  
обложка книги Tenth of December: Stories Tenth of December: Stories

A new story collection, the first in six years, from one of our greatest living writers, MacArthur "genius grant" recipient and New Yorker contributor George Saunders.

George Saunders, one of our most important writers, is back with a masterful, deeply felt collection that takes his literary powers to a new level. In a recent interview, when asked how he saw the role of the writer, Saunders said: "To me, the writer's main job is to make the story unscroll in such a way that the reader is snared-she's right there, seeing things happen and caring about them. And if you dedicate yourself to this job, the meanings more or less take care of themselves." In Tenth of December, the reader is always right there, and the meanings are beautiful and profound and abundant. The title story is an exquisite, moving account of the intersection, at a frozen lake in the woods, of a young misfit and a middle-aged cancer patient who goes there to commit suicide, only to end up saving the boy's life. "Home" is the often funny, often poignant account of a soldier returning from the war. And "Victory Lap" is a taut, inventive story about the attempted abduction of a teenage girl. In all, Tenth of December is George Saunders at his absolute best, a collection of stories and characters that add up to something deep, irreducible, and uniquely American.

Saunders George  
обложка книги The Whispering Muse The Whispering Muse

"An extraordinary, powerful fable — a marvel." — Alberto Manguel

"Sjón writes like a man under a spell, filled with enchantment and magic and great wit. He is a rogue of the first order." — Keith Donohue

The year is 1949 and Valdimar Haraldsson, an eccentric Icelander with elevated ideas about the influence of fish consumption on Nordic civilization, has had the singular good fortune to be invited to join a Danish merchant ship on its way to the Black Sea.

Among the crew is the mythical hero Caeneus, disguised as the second mate. Every evening after dinner he entrances his fellow travelers with the tale of how he sailed with the fabled vessel, the Argo, on the Argonauts' quest to retrieve the Golden Fleece.

Sjón is a celebrated poet, novelist, and songwriter. His novels have been translated into twenty-five languages, and include From the Mouth of the Whale and The Blue Fox (both Telegram Books). In 2005 Sjón won the Nordic Council Literary Prize, the equivalent of the Man Booker Prize, for The Blue Fox and Best Icelandic Novel for The Whispering Muse. Sjón has written lyrics for Björk, including for her most recent musical project, Biophilia. He lives in Reykjavik, Iceland.

Victoria Cribb lived in Iceland for many years. She now lives in England, where she is completing a PhD in Old Icelandic literature at the University of Cambridge. Her translations include three novels in collaboration with Olaf Olafsson.

Sjon  
обложка книги The Blue Fox The Blue Fox

The Blue Fox is a magical novel.”—Bjork

The year is 1883, and the stark Icelandic landscape is the backdrop for this spellbinding fable that is part mystery, part fairy tale. The fates of a priest, a naturalist, and a young woman with Down syndrome are intrinsically bound and gradually, surprisingly unraveled.

"Sjon's fable…describes its world with brilliant, precise, concrete colour and detail while at the same time making things and people mysterious and ungraspable…The world of 19th-century Iceland is brilliantly and economically present: the bareness of the dwellings, the roughness of the churches and congregations, the meager food…The novel is a parable, comic, and lyrical about the nature of things." — A.S. Byatt for The Times

Sjon was born in Reykjavik, Iceland, in 1962. A novelist, playwright, lyricist, and poet, he wrote the lyrics to Bjork’s hit songs “Isobel,” “Joga,” and “Bachelorette” and was nominated for an Academy Award for his lyrics to the music for the film Dancer in the Dark, directed by Lars von Trier.

Sjon  
обложка книги The End of Days The End of Days

The End of Days, by acclaimed German writer Jenny Erpenbeck, consists essentially of five books, each leading to a different death of an unnamed woman protagonist. "How could it all have gone differently?" the narrator asks in the intermezzos between. The first chapter begins with the death of a baby in the early 20th century Hapsburg Empire. In the next chapter, the same girl grows up in Vienna, but her strange relationship with a boy leads to another death. In the next scenario, she survives adolescence and moves to Russia with her husband. Both are dedicated Communists, but our heroine is sent to a labor camp. She is spared in the next chapter with the help of someone's intervention and returns to Berlin to become a respected writer.

Erpenbeck Jenny  
обложка книги The Coast of Chicago: Stories The Coast of Chicago: Stories

The stolid landscape of Chicago suddenly turns dreamlike and otherworldly in Stuart Dybek’s classic story collection. A child’s collection of bottle caps becomes the tombstones of a graveyard. A lowly rightfielder’s inexplicable death turns him into a martyr to baseball. Strains of Chopin floating down the tenement airshaft are transformed into a mysterious anthem of loss. Combining homely detail and heartbreakingly familiar voices with grand leaps of imagination, The Coast of Chicago is a masterpiece from one of America’s most highly regarded writers.

Dybek Stuart  
обложка книги The Goddess of Small Victories The Goddess of Small Victories

An internationally best-selling debut novel about the life, marriage, and legacy of one of the greatest mathematicians of the last century.

Princeton University 1980. Kurt Gödel, the most fascinating, though hermetic, mathematician of the twentieth century, has just died of anorexia. His widow, Adele, a fierce woman shunned by her husband’s colleagues because she had been a cabaret dancer, is now consigned to a nursing home. To the great annoyance of the Institute of Advanced Studies, she refuses to hand over Gödel’s precious records. Anna Roth, the timid daughter of two mathematicians who are part of the Princeton clique, is given the difficult task of befriending Adele and retrieving the documents from her. As Adele begins to notice Anna’s own estrangement from her milieu and starts to trust her, she opens the gates of her memory and together they travel back to Vienna during the Nazi era, Princeton right after the war, the pressures of McCarthyism, the end of the positivist ideal, and the advent of nuclear weapons. It is this epic story of a genius who could never quite find his place in the world, and the determination of the woman who loved him, that will eventually give Anna the courage to change her own life.

Grannec Yannick  
обложка книги The Body of Martin Aguilera The Body of Martin Aguilera

Lewis Martin, a retired college professor, stumbles upon the body of a friend of his, Martin Aguilera, when he stops by his cabin for a quick visit. When he later returns with the sheriff, the body is no longer there and there is no real evidence that anything had taken place in the cabin.

Everett Percival  
обложка книги The Weather and Women Treat Me Fair The Weather and Women Treat Me Fair

Despite the wide-ranging action, these stories are unified by spare dialogue, tight plot development and a deadpan irony which is in evidence throughout.

Everett Percival  
обложка книги The Gospel of Anarchy The Gospel of Anarchy

In landlocked Gainesville, Florida, in the hot, fraught summer of 1999, a college dropout named David sleepwalks through his life — a dull haze of office work and Internet porn — until a run-in with a lost friend jolts him from his torpor. He is drawn into the vibrant but grimy world of Fishgut, a rundown house where a loose collective of anarchists, burnouts, and libertines practice utopia outside society and the law. Some even see their lifestyle as a spiritual calling. They watch for the return of a mysterious hobo who will — they hope — transform their punk oasis into the Bethlehem of a zealous, strange new creed.

In his dark and mesmerizing debut novel, Justin Taylor ("a master of the modern snapshot" — Los Angeles Times) explores the borders between religion and politics, faith and fanaticism, desire and need — and what happens when those borders are breached.

Taylor Justin  
обложка книги The great love of Michael Duridomoff The great love of Michael Duridomoff

Майкл Дуридомов продолжает свои поиски чувственных удовольствий, начатые в предыдущем рассказе. Он стал старше и опытней, он уже почти Мастер. Лишь одна идея не дает ему покоя: соединить жизнь с соцсетью и получить максимум наслаждения.

Довлатов Марк  
обложка книги The Village on Horseback: Prose and Verse, 2003-2008 The Village on Horseback: Prose and Verse, 2003-2008

The Village on Horseback features mesmerizing new work from the author of Samedi the Deafness and The Way Through Doors, one of the New Yorker’s Best Books of 2009. This collection of new pieces by experimental writer Jesse Ball is a philosophical recasting of myth and legend. Unearthing parables from the compost heap of oral tradition, folklore, literature, and popular culture, The Village on Horseback can be read as a sort of fabulist’s compendium by an author who has been called charming, lyrical, fanciful, and "disturbingly original."

Ball Jesse  
обложка книги The great love of Michael Duridomoff The great love of Michael Duridomoff

Майкл Дуридомов продолжает свои поиски чувственных удовольствий, начатые в предыдущем рассказе. Он стал старше и опытней, он уже почти Мастер. Лишь одна идея не дает ему покоя: соединить жизнь с соцсетью и получить максимум наслаждения.

Довлатов Марк  
обложка книги The Curfew The Curfew

William and Molly lead a life of small pleasures, riddles at the kitchen table, and games of string and orange peels. All around them a city rages with war. When the uprising began, William’s wife was taken, leaving him alone with their young daughter. They keep their heads down and try to remain unnoticed as police patrol the streets, enforcing a curfew and arresting citizens. But when an old friend seeks William out, claiming to know what happened to his wife, William must risk everything. He ventures out after dark, and young Molly is left to play, reconstructing his dangerous voyage, his past, and their future. An astounding portrait of fierce love within a world of random violence, The Curfew is a mesmerizing feat of literary imagination.

Ball Jesse  
обложка книги The Devil's Larder The Devil's Larder

"The Devil's Larder" is a novel in sixty-four parts, exploring our deepest human concerns — love, hate, hopes and desires — through our relationship with food. Packed with delightful and subversive ingredients, with behaviour more suited to the bedroom than to the table, and with the most curious and idosyncratic of diners, this is a sensuous portrait of a community where meals are served with lashings of passion and recipes come spiced with unexpected challenges and hopes.

'Delicious. . the sheer quantity of inventiveness is astounding' " Mail on Sunday "

'Funny, frightening and erotic' "The Times "

Crace Jim  
обложка книги The Way Through Doors The Way Through Doors

With his debut novel, Samedi the Deafness, Jesse Ball emerged as one of our most extraordinary new writers. Now, Ball returns with this haunting tale of love and storytelling, hope and identity.

When Selah Morse sees a young woman get hit by a speeding taxicab, he rushes her to the hospital. The girl has lost her memory; she is delirious and has no identification, so Selah poses as her boyfriend. She is released into his care, but the doctor charges him to keep her awake, and to help her remember her past. Through the long night, he tells her stories, inventing and inventing, trying to get closer to what might be true, and hoping she will recognize herself in one of his tales. Offering up moments of pure insight and unexpected, exuberant humor, The Way Through Doors demonstrates Jesse Ball's great artistry and gift for and narrative.

Ball Jesse  
обложка книги The Laughing Monsters The Laughing Monsters

Denis Johnson’s The Laughing Monsters is a high-suspense tale of kaleidoscoping loyalties in the post-9/11 world that shows one of our great novelists at the top of his game.

Roland Nair calls himself Scandinavian but travels on a U.S. passport. After ten years’ absence, he returns to Freetown, Sierra Leone, to reunite with his friend Michael Adriko. They once made a lot of money here during the country’s civil war, and, curious to see whether good luck will strike twice in the same place, Nair has allowed himself to be drawn back to a region he considers hopeless.

Adriko is an African who styles himself a soldier of fortune and who claims to have served, at various times, the Ghanaian army, the Kuwaiti Emiri Guard, and the American Green Berets. He’s probably broke now, but he remains, at thirty-six, as stirred by his own doubtful schemes as he was a decade ago.

Although Nair believes some kind of money-making plan lies at the back of it all, Adriko’s stated reason for inviting his friend to Freetown is for Nair to meet Adriko’s fiancée, a grad student from Colorado named Davidia. Together the three set out to visit Adriko’s clan in the Uganda-Congo borderland — but each of these travelers is keeping secrets from the others. Their journey through a land abandoned by the future leads Nair, Adriko, and Davidia to meet themselves not in a new light, but rather in a new darkness.

Denis Johnson  
обложка книги The great love of Michael Duridomoff The great love of Michael Duridomoff

Майкл Дуридомов продолжает свои поиски чувственных удовольствий, начатые в предыдущем рассказе. Он стал старше и опытней, он уже почти Мастер. Лишь одна идея не дает ему покоя: соединить жизнь с соцсетью и получить максимум наслаждения.

Довлатов Марк  
обложка книги The Investigation The Investigation

A wild, Kafka-esque romp through a dystopian landscape, probing thedarkly comic nature of the human condition.

The Investigator is a man quite like any other. He is balding, of medium build, dresses conservatively — in short, he is unremarkable in every way. He has been assigned to conduct an Investigation of a series of suicides (twenty-two in the past eighteen months) that have taken place at the Enterprise, a huge, sprawling complex located in an unnamed Town. The Investigator's train is delayed, and when he finally arrives, there's no one to pick him up at the station. It is alternating rain and snow, it's getting late, and there are no taxis to be seen. Off sets the Investigator, alone, into the night, unsure quite how to proceed.

So begins the Investigator's series of increasingly frustrating attempts to fulfill his task. In the course of hours of wandering looking for the entrance to The Enterprise, he bumps into a stranger hurrying past and spills open his luggage, soaking his clothes. When he finally reaches the Enterprise, he is told he does not posses the proper authorization documents to enter after regular hours. Asking for directions to a hotel, he is informed "We're not the Tourist Office," and must set off to find one himself. Time and time again, regulations hamstring him, street layouts befuddle him, and all the while he senses someone watching him, recording his every movement.

In a highly original work that is both absorbing and fascinating, Claudel undertakes a sweeping critique of the contemporary world through a variety of modes. Like Kafka, Beckett, and Huxley, he has crafted a dark fable that evokes the absurdity and alienation of existence with piercing intelligence and considerable humor.

Claudel Philippe  
обложка книги Twisted Twisted

Back in the 90’s, the corrupt post-Soviet Ukraine with its faltering economy, is thrown into a devastating depression. Times are hard. Opportunities are scarce.

Three eager young sisters – Natalia, Lena and Julia – dream of a better life and weigh their options: do they stay and struggle like their parents, or join scores of their compatriots in the sex trade in glittering western European cities, who earn in a night what they’d take several months to earn at home? Naive and tempted by the allure of ‘quick’ money, the girls set off on an adventure that changes their lives forever…

For sensible, resilient and calculating Lena and Natalia, the transition to the underworld of Luxembourg’s deceptive champagne bars is eye-opening, but smooth. But for fragile, brittle Julia, haunted by a childhood assault, the change is more than just vocational. Struggling to adapt, she turns to alcohol and drugs, exposing herself to increasing danger and depravity; and, ultimately, betrayal, when a deceitful client, who claims to love her, drugs her and cleans her out.

Despite her sisters’ best efforts to intervene, she finds herself in Istanbul – culturally a world apart – in an attempt to make back the money and self-respect she’s lost. Vulnerable without the protection of Luxembourg’s champagne bars, she descends into a hell of drugs and high-risk sex until, at the novel’s terrible climax, a kidnapping, brutal assault and one-sided justice system lead to her imprisonment and a threat of deportation.

How will Natalia and Lena save Julia?

Inspired by real-life events, Twisted is a fascinating story about vulnerability, courage and the art of making a living in the sex trade…

‘TWISTED’ IS THE FIRST BOOK OF A TRILOGY. THE SECOND ONE – ‘CRAVED’ IS COMING OUT VERY SOON! To stay updated follow Lola on Facebook – or Twitter – @BookTwisted.

Smirnova Lola Twisted  
обложка книги The Compleat Memoirrhoids: 137.n The Compleat Memoirrhoids: 137.n

"[Katz] reprises the pleasure of everything he has ever written, and yet it is utterly singular. No one who cares about America's literary and art scene in the sixties should fail to read it." — R. M. Berry, author of Frank

Employing the "fine structure constant" that has tantalized physicists for decades, celebrated novelist Steve Katz conjures his life story from 137 discreet, shuffled memories of art, travels, reflections, and confusions. Here are sculpture and teepees, Western mountains, Eastern pilgrimages and, throughout, artists' lives: Kathy Acker, Philip Glass, Vladimir Nabokov, Richard Serra, and a catalog of others Katz knows and knew.

Katz Steve  
обложка книги There But For The There But For The

From the award-winning author of Hotel World and The Accidental, a dazzling, funny, and wonderfully exhilarating new novel.

At a dinner party in the posh London suburb of Greenwich, Miles Garth suddenly leaves the table midway through the meal, locks himself in an upstairs room, and refuses to leave. An eclectic group of neighbors and friends slowly gathers around the house, and Miles’s story is told from the points of view of four of them: Anna, a woman in her forties; Mark, a man in his sixties; May, a woman in her eighties; and a ten-year-old named Brooke. The thing is, none of these people knows Miles more than slightly. How much is it possible for us to know about a stranger? And what are the consequences of even the most casual, fleeting moments we share every day with one another?

Brilliantly audacious, disarmingly playful, and full of Smith’s trademark wit and puns, There but for the is a deft exploration of the human need for separation — from our pasts and from one another — and the redemptive possibilities for connection. It is a tour de force by one of our finest writers.

Smith Ali  
обложка книги The World is Moving Around Me: A Memoir of the Haiti Earthquake The World is Moving Around Me: A Memoir of the Haiti Earthquake

On January 12, 2010, novelist Dany Laferrière had just ordered dinner at a Port-au-Prince restaurant with a friend when the earthquake struck. He survived; some three hundred thousand others did not. The quake caused widespread destruction and left over one million homeless.

This moving and revelatory book is an eyewitness account of the quake and its aftermath. In a series of vignettes, Laferrière reveals the shock, rage, and grief experienced by those around him, the acts of heroism he witnessed, and his own sense of survivor guilt. At one point, his nephew, astonished at still being alive, asks his uncle not to write about "this," "this" being too horrible to give up so easily to those who were not there. But as a writer, Laferrière can't make such a promise. Still, the question is raised: to whom does this disaster belong? Who gets to talk and write about it? In this way, this book is not only the chronicle of a natural disaster; it is also a personal meditation about the responsibility and power of the written word in a manner that echoes certain post-Holocaust books.

Includes a foreword by Michaëlle Jean, UN special envoy to Haiti and the former Governor General of Canada.

Dany Laferrière was born in Port-au-Prince, Haiti, in 1953. He is the author of fourteen novels, including Heading South and How to Make Love to a Negro without Getting Tired. His awards include the Prix Médicis and the Governor General's Literary Award. He lives in Montreal, Quebec.

Laferriere Dany  
обложка книги The Return The Return

From the Prix Médicis winner comes a haunting meditation on the nature of identity.

Dany Laferrière’s most celebrated book since How to Make Love to a Negro, The Return is a bestseller in France and Quebec and the winner of many awards, including the prestigious Prix Médicis and the Grand Prix du livre de Montréal.

At age 23, the narrator, Dany, hurriedly left behind the stifling heat of Port-au-Prince for the unending winter of Montreal. It was 1976, and Baby Doc Duvalier’s regime had just killed one of his journalist colleagues. Thirty-three years later, a telephone call informs Dany of his father’s death in New York. Windsor Laferrière had fled Haiti in the 1960s, fearing persecution for his political activities. After the funeral, Dany plans to return his father to Baradères, the village in Haiti where he was born. It is not the body he will take, but the spirit.

How does one return from exile? In acutely observed details, Dany reveals his affection for his father and for the land of his birth. Translated by two-time Governor General’s Award — winner David Homel, The Return blends the gritty reality of daily life with the lush sensuality and ecstatic mystery that underlie Haitian culture. It is the novel of a great writer.

Laferriere Dany  
обложка книги The Intuitionist The Intuitionist

Verticality, architectural and social, is the lofty idea at the heart of Colson Whitehead's odd, sly, and ultimately irresistible first novel. The setting is an unnamed though obviously New Yorkish high-rise city, the time less convincingly future than deliciously other, as it combines 21st-century engineering feats with 19th-century pork-barrel politics and smoky working-class pubs. Elevators are the technological expression of the vertical idea, and Lila Mae Watson, the city's first black female elevator inspector, is its embattled token of upward mobility.

Lila Mae's good ol' boy colleagues in the Department of Elevator Inspectors are understandably jealous of the flawless record that her natural intelligence and diligence have earned, and understandably delighted when Number Eleven in the newly completed Fanny Briggs Memorial Building goes into deadly free fall just hours after Lila Mae has signed off on it, using the controversial "Intuitionist" method of ascertaining elevator safety. It is, after all, an election year in the Elevator Guild, and the Empiricists would do most anything to discredit the Intuitionist faction. Everyone on both sides assumes that Number Eleven was sabotaged and Lila Mae set up to take the fall. "So complete is Number Eleven's ruin," writes Whitehead, "that there's nothing left but the sound of the crash, rising in the shaft, a fall in opposite: a soul." Lila Mae's doom seems equally irreversible.

Whitehead evokes a world so utterly involving to its own denizens that outside reality does not impinge on its perfect solipsism. We the readers are taken hostage as Lila Mae strives to exonerate herself in this urgent adventure full of government spies, underworld hit men, and seductive double agents. Behind the action, always, is the Idea. Lila Mae's quest reveals the existence of heretofore lost writings by James Fulton, father of Intuitionism, a giant of vertical thought, whose fate is mysteriously entwined with her own. If she is able to find and reveal his plan for the Black Box, the perfect, next-generation elevator, the city as it now exists will instantly be obsolescent. The social and economic implications are huge and the denouement is elegantly philosophical. Most impressive of all is the integrity of Whitehead's prose. Eschewing mere cleverness, resisting showoff word play, he somehow manages to strike a tone that's always funny, always fierce, and always entirely respectful of his characters and their world. May the god of second novels smile as broadly on him as did the god of firsts. -Joyce Thompson

Whitehead Colson