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 Название  Автор  Серия
Triste la ville Кастильо Абелярдо  
обложка книги The Urban Book of the Dead The Urban Book of the Dead

Urban Book of the dead is my second book to be published, after 'The Unrequited Zombie'. It is a rather less experimental work, though still unusual, vivid, and descriptive. I would describe the book as both psychedelic and surreal, being rather pedantic about the use of those two words. That is, if it were surreal I would be dealing with a psychological work, something that looked towards expanding knowledge of the Id, that primitive part of our nature that is repressed by social conventions and the need to plan to get what we want. It is, in that it is self gratifying without recourse to opinion, it is every animalistic urge that can only be released through art, because to do it any other way would have terrible repercussions. Having said that, next to my early work, it is not particularly arty or deep. It is psychedelic because it looks to reaching a higher consciousness by through creativity, to reach a state beyond the normal level of seeing things, it is also psychedelic and surreal in the commonly understood sense, it is 'trippy' and sometimes deals with drugs. It starts like this… "I floated above my body, I was a bubble fit to burst, I squeezed and struggled with my form, my clothes gripping and distorting my figure with their relative solidity, were the same ghost like material as the rest of me. Down below my face stared back at me; distorted and grotesque as the spirit shapes on the bark of trees, I felt my ghost face and it was etched there too, deforming me, chiselled by a million molecules of heroin, I had my wings, hung as from a pin, spread and feathered, and spanning the whole nicotine ceiling. I stared at the blue marbled arm; growing out like the gnarled branch of a tree, the fingers gesturing me towards it, and hanging from it, the syringe full of bubbles, blood and a quicksand of powdered death whirling like a vortex. A spoon lay on the floor and a small bit of cigarette filter in it, all having served a purely symbolic process. It seemed years of injecting powders and stuff flicked down to a dirty lemonade had paid off, perhaps a bubble could kill you after all." The book is I think taking one thing at least to a new level in literature, egomania. That is because the concept of the book is I the authors fight with god who is defeated, whilst at the same time dealing with my real life struggles as I go back through things that really actually happened to me in my drug filled and violent life as a drug dealer and through prison etcetera, and, changing them. I say egomania but again I mean the Id, the ego compromises, the Id does not. It is a very angry book because I am taking back the control that was taken from me, in that, to a very large extent I did not choose my life but it was forced on me, as with all the mishaps of all my dead friends who did not survive, through suicide, alcoholism, heroin overdose and murder. Enter God. God then is a symbol for society, capitalism, and the state, and also, plain bad luck. So is God then not God, is the book not satanic? My interest in black magic personally does not extend to believing in it, or God in any accepted sense either. I believe in magic as will, that Hitler could gain power through will is magic, that people can realise the future not through clairvoyance but precognition, taking in the world around them and understanding consciously or unconsciously where it is all going to lead, that kind of magic I believe, the other sort I only have a fair knowledge of as an interest and I am not a Satanist, that would be a misplacement of effort. "The noise got louder, but lower, rather than higher, so it travelled further and vibrated the walls. Crack's appeared in the walls in the form of a hundred distorted faces of people I had known, adventured and suffered with. A fragment of glass from a picture of 'Judith with the head of Hollerfernes' hit me in my eye, almost bursting my substance, which it settled in like a bloody monocle, magnifying the African tribal Fang mask in the centre of the wall, with its pale long wooden nose and owl like brow, its jutting chin; appeared to grow eyes that searched with the deepest hideous depth around my room and the dead body of me whose 'nakedness' I wanted to cover from the gaze. The mask bowed and came out of the wall, after it a huge body wearing the blue pinstripes of my wall paper and looking every bit the business man, come to settle my accounts, I was not about to make it easy. The scrambled voices became one, the word "Jonathan!" boomed. This was God, this was the confrontation I had been waiting for my whole life." The meaning of that is obvious in the pinstriped suit I think, but also a little later the meaning and symbolism is made totally obvious. "God spoke "I am the unity, I am the morals and the law, think like me and my triumphs will be your triumphs because there will be no difference, surrender all self generated thought of conflict, all difference is imaginary, it is not held and is alien to mind." I replied simply, my head turned to him from my place on the ceiling, "I am my desire." -A little later it gets really obvious. "With haste I flew forward and stabbed God in the eyes with my fingers, which flattened against the harder substance of Gods eyes, I cried out "This is for poverty, this is for the atomisation of life, this is for your prisons and the police, for all my friends who are lost yet alive, and all those you sent to hell which is a place on Earth. This is for everything." Soon events from the past unfold, and people I knew come into the picture such as Jay. Jay was a traveller; that is he moved from town to town, lived rough and begged. He had the unnerving attribute of being both friendly, warm, and a complete psychopath, loyal and perverse, he was a real good character for a book. I meet Jay again fishing in Hell. "I dropped my line in the molten lead from my rod. Immediately the rod bent almost double, despite its thickness. It pulled so hard I estimated that what ever was on the end must have been over two hundred pounds. I reeled in my rod and a giant fish splashed on the end of it, it looked like some kind of gigantic roach, its tail splashing molten lead at me as its body curved in the waves trying to get away. I landed the fish in the boat and it suffocated there its mouth open and body heaving, I marvelled at the square scales on its silver body, bigger than my hands. As I stood fascinated, the body of the fish, distorted as if something inside was trying to push its way out, a fist punched its way through, then two hands, pulled the fish apart, then before me was the crouched naked body of Jay, covered in a stinky fish slime, he held his nose and spoke nasally. "Hello Monster!" he said smoothly. Jay stood up tall, rocking only slightly; and threw chunks of fish in the water, now without the protection of its tough outer layers, the bits of fish flamed up as they entered the sea, with puffs of flame and billows of smoke. He held the rest of the carcass above his head, his arms at full length, and chucked that in after it; there was a huge flaming that threatened to engulf the boat, but it went out fast. I was pleased to see Jay, I had him picked out as my right hand man, there was something about him that persuaded you to trust him at the same time as acknowledging he wasn't entirely trust worthy, a slightly sly warmth, a look in the eyes that said he was tough and dependable, but somehow self centred. But, however he was useful, very handy; a good person to know. I asked a searching question. "How are you here? As far as I know you're still alive." Jay looked at me long and hard "Doesn't bloody look like it does it Monster. In Hell as well. What did I do to deserve that? A few fights, drug dealing, a couple of rich burglaries, fucking a tree on LSD, underage sex and a sexual assault in McDonalds that was nothing but feeling some ones leg, and I'm in Hell." Yes, he was really like that and he did all those things. The character of Jay is a rich part of the book, to which I am indebted to knowing him, not that many people will ever read it, but I live to write, quite literally. Another theme of the book is the yearning for togetherness, community, against the very real need for individuality, adventure and subjectivity. The two themes run through every religion, philosophy and form of politics to a varying degree of scientific application. It is not as simple as one or the other and both sides in the book take both approaches. There is no answer in human nature between the two, it is irreconcilable and all we can do is draw attention theoretically to the issue between fascism and anarchism, individuality and togetherness, though we do find more honest and liveable conditions in libertarianism than dictatorial politics. The problem between wanting togetherness and a shared identity, but being repulsed at having to give up subjectivity so pervades the book that many characters rebel against the human form, whilst not giving up the need for community, and become many headed monsters. But, the book insists, the need for adventure is the unifying theory that makes sense of our misery and creates a symbiosis between the conflicting forces. "As the ship rowed closer I realised it was the rule of these creatures, my brave men which is what they were, to reject the human form given by God for those of their own imagination, and to conjoin like the ultimate pack of animals, or; what I had seen in human riots when a crowd does indeed become a single and very different animal than the sum of its parts. I saw men who had formed their joints together to form the bodies of double kneed, twelve-foot men with two heads. Two had done that. The dragon with seven necks and six heads was also there, waiting in futility for my strange communion, for I was still attached to the human form, it still represented for me a thing of beauty and free autonomy." The book is all about conflict, but as Buddhists say, all conflict is imaginary, so I think, we are all in a state of symbiosis in a world where assistance between organisms is the norm even when it appears in the form of its opposite. That's all I want to say about the book.

Cottam Jonathan  
обложка книги The Tent The Tent

One of the world’s most celebrated authors, Margaret Atwood has penned a collection of smart and entertaining fictional essays, in the genre of her popular books Good Bones and Murder in the Dark, punctuated with wonderful illustrations by the author. Chilling and witty, prescient and personal, delectable and tart, these highly imaginative, vintage Atwoodian mini-fictions speak on a broad range of subjects, reflecting the times we live in with deadly accuracy and knife-edge precision.

In pieces ranging in length from a mere paragraph to several pages, Atwood gives a sly pep talk to the ambitious young; writes about the disconcerting experience of looking at old photos of ourselves; gives us Horatio's real views on Hamlet; and examines the boons and banes of orphanhood. “Bring Back Mom: An Invocation” explores what life was really like for the “perfect” homemakers of days gone by, and in “The Animals Reject Their Names,” she runs history backward, with surprising results.

Chilling and witty, prescient and personal, delectable and tart, The Tent is vintage Atwood. Enhanced by the author’s delightful drawings, it is perfect for Valentine’s Day, and any other occasion that demands a special, out-of-the-ordinary gift.

Atwood Margaret  
обложка книги The Innocent Man The Innocent Man

Ronald Keith Williamson's early life appeared charmed. A successful school and college baseball player, he seemed to have a world of opportunity at his feet. But, after injury put paid to his sporting career, he slowly began to show signs of mental illness, and drifted into a life of petty crime and misdemeanour. When in 1982 a local girl was found raped and murdered, he was in prison serving time for kiting cheques. Whilst there, another prisoner, looking for release, alleged he had overheard him confessing to the killing, and Williamson was arrested for the crime. What followed was one of the most appalling cases of a miscarriage of justice America has ever seen. From the point of his arrest, Williamson was taunted by prison guards who held back the medicines he was prescribed to control his psychiatric problems, meaning that when it came to trial he was distressed and not lucid. At the trial itself he was never given fair representation – his lawyer was not only blind, but had also never handled a criminal case before, and never entered a plea on Williamson's behalf, that he was not fit to stand trial. Williamson was found guilty, and sentenced to death. Despite many appeals, he was final given a date for his execution – Sept 24th 1994. It was only due to the last minute intervention by a group of appellate lawyers working on his behalf, who sought a writ from the district court judge, that he was given a stay of execution of five days. Here, for the first time, Grisham delves into this story, tracing the man, the case and the trial, and showing how, thanks to this team of dedicated legal professionals, the real truth about the case came to light. Evidence surfaced to completely exonerate Williamson, and he was freed in April 1999. He later won a settlement in court for his conviction, but sadly passed away last year.

Grisham John  
обложка книги The Perfect Murder The Perfect Murder

For more than a year, Sebastian Costas has been trying to unravel the truth behind the murder of his ex-wife and son. Despite overwhelming evidence to the contrary, he's convinced that her second husband – a cop – committed both murders, then faked his own death. Now Sebastian has followed the slimmest of leads to Sacramento.and that's where he finally gets the break he needs. Jane Burke, an investigator with The Last Stand, calls him in connection with a separate crime – a crime that could lead him straight to the man he's been looking for.

Once married to a serial killer, Jane has spent the past five years rebuilding her life. And with Sebastian she finally has a chance at happiness. But the man they're after is after them, too. For him this has become a personal battle, one he's determined to win. Whatever it takes.

Novak Brenda  
обложка книги The Tunnel The Tunnel

The Swiss writer Friedrich Dürrenmatt (1921–90) was one of the most important literary figures of the second half of the twentieth century. During the years of the cold war, arguably only Beckett, Camus, Sartre, and Brecht rivaled him as a presence in European letters. Yet outside Europe, this prolific author is primarily known for only one work, The Visit. With these long-awaited translations of his plays, fictions, and essays, Dürrenmatt becomes available again in all his brilliance to the English-speaking world.

This second volume of Selected Writings reveals a writer who may stand as Kafka’s greatest heir. Dürrenmatt’s novellas and short stories are searing, tragicomic explorations of the ironies of justice and the corruptibility of institutions. Apart from The Pledge, a requiem to the detective story that was made into a film starring Jack Nicholson, none of the works in this volume are available elsewhere in English. Among the most evocative fictions included here are two novellas: The Assignment and Traps. The Assignment tells the story of a woman filmmaker investigating a mysterious murder in an unnamed Arab country and has been hailed by Sven Birkerts as “a parable of hell for an age consumed by images.” Traps, meanwhile, is a chilling comic novella about a traveling salesman who agrees to play the role of the defendant in a mock trial among dinner companions—and then pays the ultimate penalty.

Dürrenmatt has long been considered a great writer—but one unfairly neglected in the modern world of letters. With these elegantly conceived and expertly translated volumes, a new generation of readers will rediscover his greatest works.

ürrenmatt Friedrich  
обложка книги The sky is falling The sky is falling

Dana Evans, who made her first appearance in Sidney Sheldon's The Best Laid Plans, is a spunky, good-looking, young Washington TV journalist who's recently returned to the nation's capital from the Balkans, where she adopted a handicapped war orphan who's having trouble adjusting to life in America. But that doesn't keep Dana from following a story all over the world, from Washington to Aspen, Nice, Juneau, Düsseldorf, Rome, Brussels, Moscow, and Siberia. Each of these brief visits is like a postcard--a local landmark or two, an interesting local restaurant (at least in the European venues), and another piece of the puzzle, which has to do with why every member of a venerable, old Washington dynasty has died a violent death in the last year. It seems strange that in a media-savvy city like Washington, no one but Dana has noticed there's a pattern in the rapid extinction of the Winthrops or even whispered the words family vendetta. But that's why pretty, young girl TV reporters were invented, at least by Sheldon.

As Dana sets out to investigate the distinguished career of the Winthrop family patriarch, her lover Jeff, a sports anchor at her station, is called away to administer aid and succor to his former wife, a beautiful model who's realized, too little and too late, that she never should have dumped him. And Kemal, the 12-year-old orphan, is being drugged by his baby sitter, who's in cahoots with at least one set of bad guys. Dana hasn't noticed how tractable the temperamental boy has become recently because she's been dressing up like a two-bit Russian tramp to infiltrate a secret weapons base in Siberia... Do you hear the words movie locations? But all's well that ends well, as it usually does for Sheldon's heroines, and in the meantime you've learned where the five-star hotels are and what to order in a famous restaurant in Rome. A slick, commercial, slightly thin tale told by a craftsman of the genre.

Sheldon Sidney  
обложка книги Three Stories Three Stories

The short stories included in this book are the following:

• The Ocean Full of Bowling Balls

• Birthday Boy

• Paula (also known as Mrs. Hincher)

Additionally, there is a letter from J. D. Salinger himself to a John Woodman.

Salinger J D  
обложка книги The Children's Story The Children's Story

James Clavell, the author of Nobel House and Shogun presents a chilling tale of how patriotism can be reshaped in a person’s mind with a few simple and resonable explanations. Both disturbing and enthralling, this short and stunning story asks many questions, yet leaves the answers up to the reader.

Clavell James  
The Dark Фаулер Карен Джой  
обложка книги The Visitor The Visitor Brennan Maeve  
обложка книги The Other Horseman The Other Horseman

A novel of America’s isolationist attitudes before the Second World War.

Wylie Philip  
обложка книги The Liar The Liar Вулф Тобиас  
обложка книги The New Men The New Men

It is the onset of World War II in the fifth in the Strangers and Brothers series. A group of Cambridge scientists are working on atomic fission. But there are consequences for the men who are affected by it. Hiroshima also causes mixed personal reactions.

Snow Charles Percy Strangers & Brothers  
обложка книги The Sleep of Reason The Sleep of Reason

The penultimate novel in the Strangers and Brothers series takes Goya's theme of monsters that appear in our sleep. The sleep of reason here is embodied in the ghastly murders of children that involve torture and sadism.

Snow Charles Percy Strangers & Brothers  
обложка книги The Masters The Masters

The fourth in the Strangers and Brothers series begins with the dying Master of a Cambridge college. His imminent demise causes intense rivalry and jealousy amongst the other fellows. Former friends become enemies as the election looms.

Snow Charles Percy Strangers & Brothers  
обложка книги The Light and the Dark The Light and the Dark

The Light and the Dark is the second in the Strangers and Brothers series. The story is set in Cambridge, but the plot also moves to Monte Carlo, Berlin and Switzerland. Lewis Eliot narrates the career of a childhood friend. Roy Calvert is a brilliant but controversial linguist who is about to be elected to a fellowship.

Snow Charles Percy Strangers & Brothers  
обложка книги The Conscience of the Rich The Conscience of the Rich

Seventh in the Strangers and Brothers series, this is a novel of conflict exploring the world of the great Anglo-Jewish banking families between the two World Wars. Charles March is heir to one of these families and is beginning to make a name for himself at the Bar. When he wishes to change his way of life and do something useful he is forced into a quarrel with his father, his family and his religion.

Snow Charles Percy Strangers & Brothers  
обложка книги The Affair The Affair

In the eighth in the Strangers and Brothers series Donald Howard, a young science Fellow is charged with scientific fraud and dismissed from his college. This novel, which became a successful West End play, describes a miscarriage of justice in the same Cambridge college which served as a setting for The Masters. In the eighth in the Strangers and Brothers series Donald Howard, a young science Fellow is charged with scientific fraud and dismissed from his college. This novel, which became a successful West End play, describes a miscarriage of justice in the same Cambridge college which served as a setting for The Masters.

Snow Charles Percy Strangers & Brothers  
The Second Story Man Синклер Эптон  
The Faithful Companion at Forty Фаулер Карен Джой  
обложка книги The Lost World The Lost World Conan Doyle Arthur Ignatius Professor Challenger Stories  
обложка книги The Complete Stories Of Evelyn Waugh The Complete Stories Of Evelyn Waugh

A collection of thirty-nine stories spans the entire career of the literary master and comic genius, from his earliest character sketches and barbed portraits of the British upper class to "Brideshead Revisited" and "Black Mischief".

Waugh Evelyn  





Tulk. Aleksandrs Čaks

Noskannējis grāmatu un FB2 failu izveidojis Imants Ločmelis

The Monk and the Hangman's Daughter Bierce Ambrose, de Castro Adolphe Danziger  
обложка книги The Trimmed Lamp The Trimmed Lamp

Other Stories of the Four Million: A Madison Square Arabian Night; The Rubaiyat of a Scotch Highball; The Pendulum; Two Thanksgiving Day Gentlemen; The Assessor of Success; The Buyer from Cactus City; The Badge of Policeman O'Roon; Brickdust Row; The Making of a New Yorker; Vanity and Some Sables; The Social Triangle; The Purple Dress; The Foreign Policy of Company 99; The Lost Blend; A Harlem Tragedy; The Guilty Party — an East Side Tragedy; According to their Lights; A Midsummer Knight's Dream; The Last Leaf; The Count and the Wedding Guest; The Country of Elusion; The Ferry of Unfulfilment; The Tale of a Tainted Tenner; Elsie in New York; and the title story.

Henry O  
Toda la belleza del mundo

Jaroslav Seifert

(Rep. Checa, 1901-1986)

Poeta checo, premio Nobel en 1984. Su obra, plena de sencillez y sensualidad, fue repetidamente censurada en su país por la negativa de Seifert a abrazar la ortodoxia política. Nació en un barrio obrero de Praga. Sin llegar a terminar sus estudios, pero ya muy conocedor de la historia y cultura de su país, comenzó a escribir, de arte sobre todo, en distintos periódicos y revistas. En 1921 apareció su primer libro de poemas, La ciudad en llamas, en la línea vanguardista del grupo Devetsil, que él mismo contribuyó a fundar. Le seguirían El amor mismo (1923), su transición al poetismo (movimiento poético checo influido por el futurismo y el surrealismo europeos y el marxismo), y En las ondas (1926). En Paloma mensajera (1929) domina lo cotidiano y, estilísticamente, un clasicismo abundante en imágenes naturales y parco en metáforas, alejado del tono, más dramático y tenebroso, de compañeros de generación como Vladímir Holan o Frantisek Halas. Seifert, que fue miembro fundador del Partido Comunista Checoslovaco, rompió sus relaciones con él en 1929, después de un viaje que realizó a la antigua Unión Soviética y de haberse negado a rechazar el gobierno democráticamente elegido, para adoptar una actitud independiente, siempre en defensa de las libertades. Durante la II Guerra Mundial recuperó, por un tiempo, el favor del partido por su oposición encarnizada a los ocupantes nazis. Estas ideas están presentes en los poemas de tono patriótico de Casco de tierra (1945) y Mano y llama (1948). En 1950 se puso otra vez en una situación muy comprometida al defender a su amigo Frantisek Halas acusado, como él, de subjetivismo. En 1956, como consecuencia de un discurso en el que criticaba la política cultural del estalinismo y también de una larga enfermedad, dejó de publicar. Su obra se reanudó en 1965 con Concierto en la isla y en 1966, con un gesto típico de la esquizofrenia reinante en la época, fue nombrado artista nacional. Entre 1968 y 1970 asumió la dirección de la Unión de Escritores Checos, desde la que condenó duramente la invasión soviética de 1968 y firmó la Declaración de las 2.000 palabras, pidiendo a la dirección del partido la continuidad del proceso democratizador que se había iniciado. A partir de 1977, en gran parte por su postura en defensa de los Derechos Humanos en Checoslovaquia, volvió a tener dificultades para publicar y sus dos siguientes libros, La columna de la peste (1977) y El paraguas de Picadilly (1979), con duras advertencias sobre el neoestalinismo, se editaron en Alemania. Sus memorias, Toda la belleza del mundo, aparecieron simultáneamente en Checoslovaquia y Alemania, en 1983, año en el que también se editó su último libro de poemas, Ser poeta. Se le concedió el Premio Nobel en 1984. Seifert es, junto con Holan, Halas y Nezval, una de las voces esenciales de la poesía checa del siglo XX.

Seifert Jaroslav  

Relato corto en el que el autor revela la profundidad y la comprensión que tiene sobre el pueblo y la historia guatemaltecas.

Asturias Miguel Ángel  
The System of Doctor Tarr and Professor Fether Poe Edgar Allan  
The Tell-Tale Heart Poe Edgar Allan  
The Thousand-and-Second Tale of Scheherazade Poe Edgar Allan  
"Thou Art the Man" Poe Edgar Allan  
Three Sundays in a Week Poe Edgar Allan  
обложка книги The Old Man and the Sea The Old Man and the Sea

The last novel Ernest Hemingway saw published, The Old Man and the Sea has proved itself to be one of the enduring works of American fiction. It is the story of an old Cuban fisherman and his supreme ordeal: a relentless, agonizing battle with a giant marlin far out in the Gulf Stream. Using the simple, powerful language of a fable, Hemingway takes the timeless themes of courage in the face of defeat and personal triumph won from loss and transforms them into a magnificent twentieth-century classic.

Hemingway Ernest  
обложка книги The Sun Also Rises The Sun Also Rises

Published in 1926 to explosive acclaim, The Sun Also Rises stands as perhaps the most impressive first novel ever written by an American writer. A roman а clef about a group of American and English expatriates on an excursion from Paris’s Left Bank to Pamplona for the July fiesta and its climactic bull fight, a journey from the center of a civilization spirtually bankrupted by the First World War to a vital, God-haunted world in which faith and honor have yet to lose their currency, the novel captured for the generation that would come to be called “Lost” the spirit of its age, and marked Ernest Hemingway as the preeminent writer of his time.

Hemingway Ernest  
Terre Des Hommes éry Antoine de  
обложка книги The Diary of a Nobody The Diary of a Nobody

Weedon Grossmith's 1892 book presents the details of English suburban life through the anxious and accident-prone character of Charles Porter. Porter's diary chronicles his daily routine, which includes small parties, minor embarrassments, home improvements, and his relationship with a troublesome son. The small minded but essentially decent suburban world he inhabits is both hilarious and painfully familiar. This edition features Weedon Grossmith's illustrations and an introduction which discusses the story's social context.

Grossmith George, Grossmith Weedon  
обложка книги The Mill on the Floss The Mill on the Floss

The novel details the lives of Tom and Maggie Tulliver, a brother and sister growing up at Dorlcote Mill on the River Floss at its junction with the more minor River Ripple near the village of St. Ogg's in England, probably in the 1820s after the Napoleonic Wars but before the Reform Act of 1832. Both the river and the village are fictional.

The novel spans a period of 10 to 15 years, from Tom’s and Maggie’s childhood up until their deaths in a flood on the Floss. The book is fictional autobiography in part, reflecting the disgrace that George Eliot (Mary Ann Evans) herself had while in a lengthy relationship with a married man, George Henry Lewes. (Wikipedia)

Классический "роман характеров" Джордж Элиот "Мельница на Флоссе" — один из лучших романов писательницы. Обаятельная Мэгги Талливер не вписывается в окружение, к которому принадлежит по рождению, не может быть понята даже самыми близкими людьми. Особую боль Мэгги причиняет её необыкновенно прочная привязанность к брату Тому, представляющему собой полную противоположность сестре… (И.И.Бурова в кн.: Сидорченко Л.В. и др. — История западноевропейской литературы. XIX век: Англия. СПб, 2004)

Элиот Джордж  
обложка книги Tri Noveloj Tri Noveloj

The Project Gutenberg EBook of Tri Noveloj by Washington Irving

Irving Washington  
обложка книги The Adventures of Oliver Twist The Adventures of Oliver Twist Dickens Charles  
обложка книги The Sound and the Fury The Sound and the Fury Faulkner William  
The Power of Words Poe Edgar Allan  
The Premature Burial Poe Edgar Allan  
The Purloined Letter Poe Edgar Allan  
The Spectacles Poe Edgar Allan  
The Sphinx Poe Edgar Allan  
Tales of the Fish Patrol London Jack  
The Game London Jack  
The House of Pride London Jack  
The Iron Heel London Jack  
The Jacket (The Star-Rover) London Jack  
Tri noveloj Hawthorne Nathaniel  
To the Lighthouse


One does not have to read very much of To the Lighthouse before one realizes that Woolf has chosen here a very particular style, a way of telling the story which exerts a strange and compelling effect upon the reader. In this lecture I wish to focus upon some aspects of this style in order to consider some of the ways in which a few very important aspects of what this novel has to reveal are directly linked to the author's decisions about point of view and language.

One of my major purposes in this lecture is to offer some suggestions about why we might consider Woolf a major modernist writer and link her to other modernist artists we have been considering in Liberal Studies, even to those who, at first glance perhaps, don't seem to share quite the same style: Kafka, Eliot, and certain modern painters.

I shall be trying to establish as my major point the idea that what does link Woolf to these other modernists is the way in which her style compels us to recognize a fundamental problem of modern life: the deep and apparently unbridgeable dichotomy between the fragmented inner world of the self and any sense of coherent order to the world beyond the self, that is, the world of human relationships, of nature, of society as a totality.

The Power of Style: An Example

However, before moving to such large concerns, I would like to consider a particular example, selected almost at random, from an early part of the book. This particular example is part of a description of Mrs Ramsay; it occurs on p. 15 of our edition:

All she could do now was to admire the refrigerator, and turn the pages of the Stores list in the hope that she might come upon something like a rake, or a mowing machine, which, with its prongs and its handles, would need the greatest skill and care in cutting out. All these young men parodied her husband, she reflected; he said it would rain; they said it would be a positive tornado.

But here, as she turned the page, suddenly her search for the picture of a rake or a mowing-machine was interrupted. The gruff murmur, irregularly broken by the taking out of pipes and the putting in of pipes which had kept on assuring her, though she could not hear what was said (as she sat in the window which opened on the terrace), that the men were happily talking; this sound, which had lasted now half an hour and had taken its place soothingly in the scale of sounds pressing on top of her, such as the tap of balls upon bats, the sharp, sudden bark now and then, "How's that? How's that?" of the children playing cricket, had ceased; so that the monotonous fall of the waves on the beach, which for the most part beat a measured and soothing tattoo to her thoughts and seemed consolingly to repeat over and over again as she sat with the children the words of some old cradle song, murmured by nature, "I am guarding you-I am your support," but at other times suddenly and unexpectedly, especially when her mind raised itself slightly from the task actually in hand, had no such kindly meaning, but like a ghostly roll of drums remorselessly beat the measure of life, made one think of the destruction of the island and its engulfment in the sea, and warned her whose day had slipped past in one quick doing after another that it was all ephemeral as a rainbow-this sound which had been obscured and concealed under the other sounds suddenly thundered hollow in her ears and made her look up with an impulse of terror.

The first thing we notice about this style, I suspect, is the extraordinary sentence structure. The second paragraph contains a sentence of 260 words, a sentence which, in effect, is a single complex sentence of 32 words enormously embellished by parenthetical phrases and clauses, modifying phrases, and a whole rich array of various grammatical constructions. These hold up the full meaning of the sentence and transform it from something clear and straightforward into something delayed, qualified, uncertain, and (for the reader) much more difficult to assimilate.

If we examine closely the structure of that long sentence, we see that the main clause begins with an indication of the subject (the gruff murmur) but that any further development of that clause is held up for nine lines, so that we get a range of associations and modifying phrases describing that murmur. Thus, by the time we get to the main verb (had ceased) we have gone through a range of emotional associations connected to the initial subject. The meanings of the words and, most important, the rhythm of the sentence establish the extent to which Mrs Ramsay's mood is dependent upon the semi-conscious absorption of what is going on around her. She cannot hear what people are saying, but the very presence of the regular activity provides for her a comforting reassurance of domestic order.

Thus, the structure of the sentence itself presents the central issue of Mrs Ramsay's character, that she is constantly dependent upon the existence of family rituals all around her, that, although she may not participate directly in them or even be fully aware of what is going on, she relies upon such a background sense of ongoing domestic order to sustain her tranquil mood. The strongest word in the entire sentence is the final word terror. It injects into what has seemed a slow meandering through a number of quotidian details a sudden emotional urgency.

We can ask ourselves an obvious question: Why does Woolf not simply present the main clauses and thus deliver the full thought much more simply? After all, isn't the main point here that Mrs Ramsay's mood changes suddenly in an unwelcome way? It's clear, of course, what would be lost immediately, namely, the sense that the subject (Mrs Ramsay) is not, any more than anyone else is, capable of such a firm declarative thought process. What goes on in her mind, from one moment to the next, is something much more complex than any such simple declaration would illustrate. More about this later.

We notice, too, how almost all the details of this style focus our attention upon what is going on in Mrs Ramsay's mind. We do learn some external details about what she is doing and where she is sitting, but these details are clearly subordinated to the most obvious content of the sentences: the details passing through Mrs Ramsay's consciousness as she sits and stares at a magazine, half-listening to the children playing and the men talking nearby. In other words, there's an interplay here between the external world and Mrs Ramsay's inner consciousness of that world, but the emphasis is very much on the latter rather than on the former. That is clear from the fact that, although we have a very clear idea of what Mrs Ramsay is feeling, we have no exact idea of her position, so exact that we could paint the scene with more or less the same shared details. Such a style, in other words, forces us to recognize the preeminence of the inner life in the ongoing drama of a human existence.

Many readers comment that this style is wonderful because that's how people in fact think. But of course this is nonsense. No one thinks in such superbly polished prose, taking care, clause by clause or phrase by phrase, that all the antecedents are appropriately positioned and the modifiers clear. No, if people thought like this, then English teachers would be out of a job.

What Woolf is attempting here clearly is not to reproduce the thought process itself but to develop a symbolic equivalent of thought, to use her command of English prose style to create for us in the rhythm, structure, and accumulation of detail in the sentence an emotional illumination of Mrs Ramsay's consciousness.

A comparison here with symbolist painting may be in order. It's clear that many symbolist painters justified their style with reference to dreams and dream analysis. But no one dreams a symbolist painting. What the symbolist (like, say, Dali) is doing is using his art to create for the viewer the emotional equivalent of dreams, to get us to recognize in the art something analogous to a dream experience. But in creating such symbols, the painter, like Woolf, is doing something very sophisticated and simply beyond the world of how people really think and how they dream.

The structure of the sentence, of course, does a good deal more than simply emphasize the importance of the inner life of Mrs Ramsay. It also characterizes that inner life in a curious way that is sustained for all of the characters in the novel. We can summarize this briefly by observing that characteristically the people in this novel, as in the above example, cannot complete a simple and coherent thought without a host of other impressions, memories, feelings, images, qualifications, and possibilities crowding in upon the mind.

In this one sentence, for example, we are taken from the initial sense that something has happened (the opening of that sentence) through all of Mrs Ramsay's impressions of what is going on around her with her family into her sense of nature beyond the family-a sense that includes the contradictory sensations of solace and dread and leads to some momentary impression of the nature of life itself as ephemeral, subject only to the cruel dictates of time. Thus, before the sentence closes, the details have placed this thought amid a welter of other thoughts crowding Mrs Ramsay's mind for attention. And in an instant, the peaceful scene has been transformed into one characterized by the last word: terror. Nothing we recognize as very significant has changed in the external scene, but that isn't the point. The essential quality of life here is inner, and in that inner world the emotional changes can be abrupt, unexpected, and extreme.

There is nothing particularly dramatic in the external scene; it is about as tranquil and unthreatening as a domestic scene might be-a family at play and rest. Yet there is an intense inner drama amid all this mundane detail. Woolf does not tell us that the real drama of life is inner, but the structure of the sentences forces us to acknowledge that as the major fact of life: one can go from security to dread in an instant for reasons one cannot fully comprehend.

This style also indicates that the succession of thoughts is not in Mrs Ramsay's control. The style is, of course, beautifully controlled, but its effect on the reader is a constant feeling of surprise, complexity, and lack of control on the part of Mrs Ramsay. What the next qualifying clause is going to add to the accumulating details neither she nor the reader can tell. In the mind, as in the sentence, things happen "suddenly and unexpectedly," and the mood may shift from something as consoling as a cradle song to something as ominous as a "ghostly roll of drums remorselessly beat[ing] the measure of life," full of a sense of "destruction of the island and its engulfment in the sea." The terror she feels at the end of the clause does not arise from any decision she has consciously made or from anything terrifying she has experienced. The slightest change in her external environment has altered her mood in an instant.

In this sense, too, we get a feeling from the structure of the sentence of the ruthless forward thrusting effects of time. For the thought process here cannot rest; there are further qualifications, modifying clauses, appositive phrases which insist on being heard in succession. And every piece added to the accumulating string further complicates, changes, and, in a sense, harasses the personality of the thinker. We learn explicitly enough, especially in Part II, of the corrosive effects of time on whatever there is of value in the world. But long before that section, the style itself insist upon the restless forward-driving, unsettling nature of the inner life. Tranquility, if it comes, is momentary. There is no closure here.

Thus, Woolf's style, I would suggest, not only creates a sense of the primacy of the inner life, of the extent to which the drama of everyday is determined by the complex succession of thoughts and feelings arising for reasons incommensurate with any external causes, but also characterizes that inner life as one over which the subject has relatively little control. Mrs. Ramsay, like others in the novel, can react emotionally to what is going on in her imagination; but people cannot do very much to order or control that world.

The Modernity of the Style

This aspect of the novel, I would suggest, is its most noteworthy feature and the one which, more than anything else, gives the work its distinctly modernist flavour. To make this point a little more clearly, I would first like to discuss some of the other works we have studied and then return to Woolf's characters.

To appreciate the significance of what Woolf is doing we might think for a moment about the relationship in other books we have read between the inner world of the characters and their perceptions of the outer world. In Homer, for example, the characters have a firm confidence in the external world. It may be unpredictable and often brutal, but they are confident that they understand why it is so (the gods, everyone agrees, are in charge). Hence, nature and society have a certain stability of meaning, and human beings can understand themselves with reference to that natural order. So in Homer, we see again and again, the characters declare how they think and feel with constant reference to the nature of things, and there is thus little tension between the inner world of the characters (which is generally not all that interesting) and the external world in which they move.

We see the same thing in, say, Hildegard. She is overwhelmingly confident that nature is everywhere evidence of God's handiwork, so that she has no difficulty in using natural imagery to explore the nature of human feelings and purposes. Once again, there is no tension between her inner sense of herself and the natural order beyond her, and so she can easily urge us to understand ourselves in terms of God's work, the manifestations of which are present in every flower or tree.

To these thinkers, then, there is a certain solidity to life, a reassuring certainty in the order of things, so that they can reassure whatever inner doubts they have against the stability which they see in the world around them. Hence, their conceptions of themselves take on something of the solidity of that world.

This is not to say that they can have no doubts but rather that there is a way of dealing with and resolving those doubts with reference to a system of order, the evidence for which is all around them: in nature, in social relationships, in the tasks they have to do, in their past and future.

However, as we have seen already, this great confidence in the congruence of inner and outer sources of meaning was decisively challenged in the seventeenth century. In our reading we encountered this most clearly in the work of Descartes, who urges us to distrust all contact with the external world, to direct our attentions inward, and to build whatever we can know upon a ruthless self-examination. Only if we do that, can we come to any serious understanding of ourselves and the world (and even with that method, certain meanings we might want to have are not available).

Descartes is confident that, taking this inward turn, one can construct a more certain sense of the world around one and remain secure in the sense of one's relationship to God. Hence, his Meditations strives to create the beginnings of a suitable link between the inner self and the outer world of the natural order. And Descartes is clearly confident that such a project can be continued.

Now, this inward turn, as we have discussed, creates a dichotomy between the inner self and the outer world, between mind and matter, between the thinking, feeling subject and the perceived objects of experience, and calls into question the traditional faith in understanding the self in terms of a wider natural order given by God. The sense of a separation between the self and such an order we called, in our discussions of Marx, alienation, which, in the most general sense, refers to a feeling that one's full identity as imagined inside is not part, or not sufficiently part of one's real existence in the given world. And we have looked at various attempts (by, most notably, Rousseau and Marx and Wordsworth) to overcome this feeling.

We also saw in the novel The Red and the Black, which is in some ways a very interesting anticipation of To the Lighthouse, how the central tensions in the life of Julien Sorel arose from this sense of separation and from his inability satisfactorily to deal with it. We did argue a good deal about whether the conclusion of that novel represents such a resolution, but, that aside, it is clear that in most of the rest of the novel, we are dealing with a character who knows himself so poorly and whose sense of the values of life are so inadequate that, for all his skills and intelligence, he blunders through life creating unhappiness for himself and for others.

It's not that Julien doesn't long for personal fulfillment or even at times have a clear image of what that might involve. But he has two major problems realizing that longing: in the first place, his inner sense of himself is fragile and changing, racked with doubts and insecurities; in the second place, the world he confronts and which insists on treating him as an object offers him no suitable avenue for him to pursue in quest of his fullest identity (except perhaps in the nostalgic images of the Napoleonic past)-thus he lacks, say, the integrity of someone like Jane Eyre, in some senses equally Romantic, but with a much firmer and more consistent sense of her own self.

Now, one characteristic feature of a good deal of Modernist art which we have already considered is the recognition that such an attempt to resolve the question of alienation is futile. The self has become so fractured and the world has become so unknowable or so strange that the possibilities for connecting a sense of who I am as a human being with some wider purpose for life itself no longer exist. I may yearn for such a resolution, and I may even momentarily carry an image of what that fulfillment might actually mean. I might even sense, like Prufrock, that without such fulfillment my life is going to be radically unsatisfactory. But if I set out, like Prufrock, to obtain what my life needs, I am going to be defeated because the world does not answer to such a request and, more important, my own consciousness, my own integrity, such as it is, is not up to the task.

And one way in which the modernist writers we have read evoke this sense of an unbreachable barrier between a fragmented inner self and a menacing and unknowable world is by creating a discrepancy between the style of narration and the external events being described, so that the reader is confronted with a constant tension between style and subject matter, and this tension becomes one of the major symbolic means of generating a sense of the anxiety of modern life.

We talked about this a little bit in connection with Kafka's prose in The Metamorphosis. There the weird and horrific events are given to us, largely from the point of view of Gregor's own mind, in a flat, unemotional, and prosaic style quite at odds with the strangeness of the situation. One wants what one finds in, say, Shakespeare, some style commensurate to the situation. But we don't get that. One effect of this is to underscore just how inadequate Gregor's mind is to gain any sense of the reality of the situation he or any of his family is in, and, beyond Gregor, a sense of how language itself cannot capture the full meaning of these events. There is, as we observed, no closure.

And we dealt with something of the same issue in dealing with the character of Prufrock. Here, as in the Waste Land, the contrast is between the richness of the past or of the occasional inner vision up against the sterile, ugly, poverty of the outside world (like an argument of insidious intent or a rat's alley). Prufrock has, we can see, potentially a rich imagination, and he is certainly intelligent enough to sense what is wrong with his life. But whatever values life offers exist only in his inner imagination: the world outside does not match these images, and his attempt to realize them somehow (for he knows life will be meaningless unless he can realize them) are futile. This becomes most apparent in the closing lines of the poem, in which we learn that Prufrock does indeed understand in his mind what the full beauty, vitality, and purpose of life might involve. But these images exist only in his dreams. When human voices wake him, he drowns. The chasm between his inner life and the world around him is something he cannot bridge.

Woolf is, in a sense, doing the same thing. Here the events surrounding the characters are anything but weird-this novel is full of what should be cozy domesticity: a family holiday in a beautiful setting, full of friends, children, communal get-togethers, drinks, dinners, walks along the beach. But the style is wholly inappropriate to such a view of the events, for the style insists upon the dramatic complexity, unpredictability, painful tensions, and dangers inherent in every minor social turn.

Like Gregor, Mrs Ramsay and others in the novel want closure. Big questions keep insisting on raising themselves: What is the meaning of life? But the thought processes, as revealed in the style, show that no answer to such a question is possible, since no quiet and complete thinking is possible. There are always the interruptions from outside, from the memory, from associations, from buried feelings. How can one achieve any form of closure, when the personality who is asking the questions is incapable of holding onto a firm sense of itself, of controlling what is going on? Even Mr Ramsay, famous throughout the country for the power of his logical mind, cannot control his own sense of himself and is as subject as everyone else to the sudden terrors of an unexpected thought or feeling which, as often as not, is resolved equally unexpectedly.

Another way of making this point is to stress that these modernist characters experience life as a flux, a disordered succession of inner thoughts, ambitions, hopes, desires, fears, something over which they exercise no firm control. In a moment there is time for decisions and revisions which a minute will reverse.

Having no reassuring sense of a permanent order, they have nothing to measure themselves against, no firm model of who they are, socially or individually. Thus, they are defined by the emotions and memories and impressions of each passing moment. And they are helpless in front of the major questions of life, like "What is the purpose of life?" or "What have I done with my life?" or "What is happening to me?" They cannot face these questions because they cannot deal with life as a totality, since they experience it as a ceaseless flux of often dissociated impressions, unwelcome memories, desires (many of which go unsatisfied), and fears.

So we get the sense of characters, isolated individuals, who endlessly introspect, wondering about their identity, the meaning of their lives, the significance of their feelings. Often they raise these questions only on the inside, sometimes in the midst of the most mundane activities (like Mrs Ramsay). Generally, the questions don't get taken into anything like a community forum, simply because there isn't such a forum, and in some cases, as in Gregor's, such communication is impossible; in others, like Prufrock's and Mrs Ramsay's, social conventions stand in the way of an open confession about one's deepest concerns before others (who in any case would probably be incapable of assisting, because they are wrestling in the same inner space with the same questions).

The result is that they seem to live much of their lives picking away at the leaves of their own psyches, searching for some final significance. The effect, to borrow a metaphor from Ibsen's Peer Gynt, is like peeling an onion. Every layer one removes reveals another one underneath; and if one persists to the very centre, there's nothing there but empty space.

The Fragmented Self

This sense of what I have called the "fragmented self" is a particular concern of Modernist writers. It's clear that there is no possibility in their world of the old social self, since the shared communal understanding of value upon which that depends has disappeared. It's true that Mrs Ramsay devotes her whole life to a project of conferring social value on people, seeking always to place people in appropriate traditional social arrangements, like guests at her home or table or partners in a marriage. But her society is too complex, too transitory, too vulnerable to provide any more, as it does in Homer or Shakespeare, a firm grounding for one's sense of who one is. In that sense, Mrs Ramsay is clearly a figure from the past, whose understanding of life, whose grasp on events, is shaped entirely by her ability as a social being to establish meaningful relationships among people.

We can appreciate this quality in her by noting the difficulty Mrs Ramsay has in dealing with anyone or anything which does not fall immediately within her social orbit. People whom she does not have to care for as guests or family or as charitable cases, people who are beyond her social control, such people she does not like to think about; they make her uneasy (like her old friends the Mannings). And, as we saw in that sample sentence with which I started, any sudden change in the quotidian daily environment fills her at once with a sense of terror, just as any reminder of his own potential mediocrity fills her husband with a sense of total inadequacy and mortality. The point is that even if someone like Mrs Ramsay would like to live in a society firm in its shared beliefs, that world is no longer available to her, except to a very limited and temporary extent.

And the alternative, the Enlightenment project for the creation of the "independent self," the goal of Wollstonecraft, Rousseau, Kant, and Marx seems equally impossible. For what is the modern self? It is a welter of confusing and often contradictory images, held together by a personality ruled, as much as anything, by anxiety, uncertainty, and a vague dread. We see all this in Eliot's "Love Song of J. Alfred Prufrock," and there's a good deal of a sense of that in Woolf's novel as well.

In an external world where young men are blown up in an instant and young women noted for their beauty die in childbirth and the sea airs eventually destroy all domestic arrangements, what is left of any social self? And in an internal world which is incapable of making any firm, lasting connections to the outer world and which is the prey of all sorts of transitory impressions and feelings, who can construct a firm sense of who one is? And without that, where is any answer to the value of life to be found?

Of course, in earlier times young women died in childbirth, and young men were killed in war. But because there was a structure of meaning to the world and because people understood themselves in terms of that structure they could understand the events within a given system of order, and that understanding was expressed in terms of the shared social rituals which conferred meaning on the events of daily life. In the world of Gregor Samsa, J. Alfred Prufrock, and the Ramsays and their guests there are no longer any shared social rituals capable of withstanding the corroding effects of time and the constant shifting of the individual's perceptions, thoughts, and feelings. And thus any attempt to discover a meaning in the flux of experience, inner or outer, is bound to fail. Death and decay remain the great mysteries of life, but now individuals stand before them isolated, confused, and anxious.

So in a sense these modernists writers, Woolf prominent among them, are taking direct aim at one of the highest goals of the Enlightenment, the desire for a fully integrated, independent self, the autonomous individual who does not require a traditional social identity because she has learned through reason how to organize and direct her life. Emancipating individuals from traditional social rituals, in these modernist works, seems to have resulted in something very different from what Rousseau or Kant or Wollstonecraft hoped for. It has made them fragmented, anxious, weary, and confused about everything from their relationship to other people to their own sense of themselves.

Some Final Comments

Now, I've been focusing on just one aspect of the novel, and I don't want to suggest that's all there is to it. For this novel is, I think, in places a good deal more optimistic and joyful than either The Metamorphosis or "Prufrock." All that I have said may indeed be in the novel, and it may well be insisted upon throughout by the characteristic style Woolf uses to guide the reader through the events. But there is something else, and I'd just like to refer to these before closing.

It may be true that in this world there is no final meaning available, that the fragmented self in a disordered and rapidly changing world is not going to have its hopes for closure, for an end to alienation, satisfied. But things are not entirely hopeless. For life does grant moments of insight, flashes of meaning, in which something important is caught in the imagination, as if in the glare of the lighthouse beam. And if that moment inevitably passes by almost as soon as it has been realized, something has been discovered which one can at least remember. In this sense, there is a Wordsworthian quality to parts of this novel, a sense that we can affirm things about life, even if what we affirm will never amount to anything like a statement about the meaning of the experience.

The dinner party, for example, at the end of Part 1, or Lily Briscoe's painting, or the eventual trip to the lighthouse-these events confer value on life. Something important is accomplished. And if in themselves they cannot withstand the power of time to destroy all, if the painting ends up as junk in someone's attic, if those at the dinner party end up with a bad marriage or dead a few years later, that does not entirely negate the moment in which something was seen and felt to make life more than just a welter of inner ideas, impressions, fears, hopes, and feelings piling up in a linear sequence like so many stacked up grammatical constructions in a complex sentence without an ending. That may, indeed, be the general condition of life, but there are moments when something is affirmed.

Now she need not listen. I could not last, she knew, but at the moment her eyes were so clear that they seemed to go round the table unveiling each of these people, and their thoughts and their feelings, without effort like a light stealing under water so that its ripples and the reeds in it and the minnows balancing themselves, and the sudden silent trout are all lit up hanging, trembling. So she saw them; she heard them; but whatever they said had also this quality, as if what they said was like the movement of a trout when, at the same time, one can see the ripple and the gravel, something to the right, something to the left; and the whole is held together; for whereas in active life she would be netting and separating one thing from another; she would be saying she liked the Waverley novels or had not read them; she would be urging herself forward; now she said nothing. For the moment she hung suspended.

With a sudden intensity, as if she saw it clear for a second, she drew a line there, in the centre. It was done; it was finished. Yes, she thought, laying down her brush in extreme fatigue, I have had my vision.

Woolf Virginia  
обложка книги The Fountainhead The Fountainhead

The Fountainhead has become an enduring piece of literature, more popular now than when published in 1943. On the surface, it is a story of one man, Howard Roark, and his struggles as an architect in the face of a successful rival, Peter Keating, and a newspaper columnist, Ellsworth Toohey. But the book addresses a number of universal themes: the strength of the individual, the tug between good and evil, the threat of fascism. The confrontation of those themes, along with the amazing stroke of Rand's writing, combine to give this book its enduring influence.

Rand Ayn  
The Faith of Men London Jack  
Tarass Boulba

Chevauchées héroïques, combats furieux, mêlées sanglantes, têtes et corps fracassés, démembrés, uniformes rutilants, tonnerre des canonnades, bannières, cimiers et cris farouches déployés au vent de la steppe, rien ne manque à cette épopée russe à la manière de Walter Scott. Pas même l'amour fatal d'un beau cosaque pour sa princesse polonaise. Mais quel rapport entretient donc ce Tarass Boulba flamboyant avec la modernité kafkaïenne des Âmes mortes ou du Manteau? Son thème secret, développé comme dans une tragédie cornélienne: le doute, qui sans cesse déstabilise l'artiste dans sa quête d'absolu. Plusieurs fois trahi, à commencer par son propre fils, le vieux Tarass s'obstine à poursuivre un idéal menacé: sa religion, son peuple, la terre de ses ancêtres. Incarnant ainsi pour Gogol une sorte de fidélité invivable, qui ne peut se résoudre que dans la mort.

Tarass Boulba est un Cosaque ukrainien, fier, vaillant, belliqueux – un Cosaque pour qui seules comptent sa foi orthodoxe, sa terre et la lutte immémoriale contre les Polonais. Il accueille ses deux fils, Ostap et Andreï, qui rentrent de Kiev, ayant terminé leurs études à l’université, et les conduit très vite à la "Setch", le campement militaire des Cosaques. Mais Andreï, le cadet, tombe amoureux d’une belle Polonaise et passe à l’ennemi! Incapable de supporter cette trahison, son père le tue de ses mains. L’aîné, Ostap, est fait prisonnier. Dès lors Tarass Boulba n’a plus qu’une idée: le venger… Gogol écrit la première version de Tarass Boulba à vingt-six ans et met toute la fougue de sa jeunesse dans cette superbe exaltation du peuple cosaque qu’il a connu dans l’enfance: avec Tarass Boulba, on chevauche au vent de la steppe, on se bat avec héroïsme et férocité, on ripaille, on chante, bref on découvre la truculence de l’épopée à la russe, immortalisée au cinéma par Yul Brunner et Harry Baur.

Gogol ï Vassilievitch  
обложка книги The Grapes of Wrath The Grapes of Wrath

The Grapes of Wrath is a novel published in 1939 and written by John Steinbeck, who was awarded the Pulitzer Prize in 1940 and the Nobel Prize for Literature in 1962. Set during the Great Depression, the novel focuses on a poor family of sharecroppers, the Joads, driven from their Oklahoma home by drought, economic hardship, and changes in the agriculture industry. In a nearly hopeless situation, partly because they were trapped in the Dust Bowl, they set out for California along with thousands of other “Okies” in search of land, jobs and dignity. When preparing to write the novel, Steinbeck wrote: “I want to put a tag of shame on the greedy bastards who are responsible for this [the Great Depression and its effects].” The book won Steinbeck a large following amongst ordinary people and the working class, partly due to the book's sympathy to the worker's movement and its accessible style.

The Grapes of Wrath is frequently read in American high school and college literature classes. A celebrated Hollywood film version, starring Henry Fonda and directed by John Ford, was made in 1940; the endings of the book and the movie differ greatly.

Steinbeck John Ernst  
The Real Life of Sebastian Knight Набоков Владимир  
Transparent things Nabokov Vladimir  

Thaïs était née de parents libres et pauvres, adonnés à l'idolâtrie. Du temps qu'elle était petite, son père gouvernait, à Alexandrie, proche de la porte de la Lune, un cabaret que fréquentaient les matelots. Certains souvenirs vifs et détachés lui restaient de sa première enfance. Elle revoyait son père assis à l'angle du foyer, les jambes croisées, grand, redoutable et tranquille, tel qu'un de ces vieux Pharaons que célèbrent les complaintes chantées par les aveugles dans les carrefours…

Thaïs, courtisane d'Alexandrie, est convertie au christianisme par le moine Paphnuce. Mais est-ce vraiment l'amour divin qui inspire cet homme de Dieu?

France Anatole  
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The Longest Journey by E. M. Forster is an inverted bildungsroman following the lame Rickie Elliott from Cambridge to a career as a struggling writer and then to a post as a schoolmaster, married to the unappetising Agnes Pembroke. In a series of scenes on the hills of Wiltshire which introduce Rickie's wild half-brother Stephen Wonham, Forster attempts a kind of sublime related to those of Thomas Hardy and D. H. Lawrence.

Forster Edward Morgan  




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The Shadow On The Dial, and Other Essays Bierce Ambrose  
обложка книги The True Story of Ah-Q The True Story of Ah-Q

Considered a masterpiece, this story was written in 1921, and is set in the China of 1911: the period of the old-democratic revolution. It concerns the tragedy of Ah Q, a farm laborer who suffers a lifetime of humiliation and persecution, dreams of revolution, and ends up on the execution ground. The story colorfully reflects the rural conditions in semi-feudal and semi-colonial China, and brings to life the time's sharp class contradictions and the peasant masses' demand for revolution. Its simplicity and directness of style, and the beauty of Lu Hsun's language, place The True Story of Ah Q high among literary works of the time for both content and style.

Xun Lu  
обложка книги The True Story of Ah Q (chinese) The True Story of Ah Q (chinese)

Considered a masterpiece, this story was written in 1921, and is set in the China of 1911: the period of the old-democratic revolution. It concerns the tragedy of Ah Q, a farm laborer who suffers a lifetime of humiliation and persecution, dreams of revolution, and ends up on the execution ground. The story colorfully reflects the rural conditions in semi-feudal and semi-colonial China, and brings to life the time's sharp class contradictions and the peasant masses' demand for revolution. Its simplicity and directness of style, and the beauty of Lu Hsun's language, place The True Story of Ah Q high among literary works of the time for both content and style.

Xun Lu  
обложка книги The Natural The Natural

The Natural, Bernard Malamud's first novel. published in 1952, is also the first — and some would say still the best — literary novel written about baseball. In it Malamud, usually appreciated for his unerring portrayals ot postwar Jewish life, takes on very different material — the story of a superbly gifted "natural' at play in the fields of the old daylight baseball era — and invests it with the hardscrabble poetry, at once grand and altogether believable, that runs through all his best work. Four decades after the novel's publication, Alfred Kazin's comment still holds true: "Malamud has done something which — now that he has done it! — looks as if we have been waiting for it all our lives. He has really raised the whole passion and craziness and fanaticism of baseball as a popular spectacle to its ordained place in mythology".

Маламуд Бернард  
обложка книги The First Man The First Man ONeill Eugene  
The Landscape Garden Poe Edgar Allan  
The Man of the Crowd Poe Edgar Allan  
The Literary Life of Thingum Bob, Esq. Poe Edgar Allan  
The Man That Was Used Up Poe Edgar Allan  
The Masque of the Red Death Poe Edgar Allan  
The Mystery of Marie Rogêt Poe Edgar Allan  
The Oblong Box Poe Edgar Allan  
The Pit and the Pendulum Poe Edgar Allan  
The World Set Free Wells H G  
The Story of the Good Little Boy Twain Mark  
The Voice of the City OHenry  
обложка книги The Day of the Locust The Day of the Locust

Novel by Nathanael West about the savagery lurking beneath the Hollywood dream. Published in 1939, it is one of the most striking examples of the " Hollywood novel" in American fiction. Tod Hackett, a set designer, becomes involved in the lives of several individuals who have been warped by their proximity to the artificial world of Hollywood. Hackett's completion of his painting "The Burning of Los Angeles" coincides with the explosion of the other characters' unfulfilled dreams in a conflagration of riot and murder.

West Nathanael  
The strange case of Dr. Jekyll and Mr. Hyde Stevenson Robert Louis  
обложка книги The Great Gatsby The Great Gatsby

Set in the post-Great War Long Island/New York world of the rich. The narrator, Nick Carraway, sympathetically records the pathos of Gatsby’s romantic dream which founders on the reality of corruption, the insulated selfishness of Tom and Daisy, and the cutting edge of violence.

Fitzgerald Francis Scott Key  
обложка книги The Dark Tower The Dark Tower

From The Project Gutenberg (http://www.gutenberg.org) eBook archive (#25829).

Produced by David Edwards, Alicia Williams, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net

FictionBook (FB2.1) variant: DeKson Publishing.

Bottome Phyllis  
обложка книги The house of God The house of God

Now a classic! The hilarious novel of the healing arts that reveals everything your doctor never wanted you to know. Six eager interns — they saw themselves as modern saviors-to-be. They came from the top of their medical school class to the bottom of the hospital staff to serve a year in the time-honored tradition, racing to answer the flash of on-duty call lights and nubile nurses. But only the Fat Man —the Clam, all-knowing resident — could sustain them in their struggle to survive, to stay sane, to love-and even to be doctors when their harrowing year was done.

Shem Samuel  
The Magician Maugham Somerset  
The Moon and Sixpence Maugham Somerset  
обложка книги The Wreck of the Titan Or Futility The Wreck of the Titan Or Futility

Futility, or the Wreck of the Titan is a novel which was originally written and published in 1898 by Morgan Robertson. This novel is the story of an ocean liner, called the Titan, which sinks in the North Atlantic ocean after hitting an iceberg.

There are many similarities between this novel and the facts in the sinking of the Titanic fourteen years later.

Morgan Robertson revised his work in 1912 after the sinking of the Titanic and made the ship larger as well as changing the ending of the story.

“...Exciting marine adventure that apparently predicted Titanic disaster 14 years before it actually had happened. 14 years before Titanic gone down this book predicted it to the very smallest technical details (number of propellers, number of funnels, size, tonnage, engine size, number of passengers, etc., etc., etc.). The only differences were: the name was Titan and not Titanic, 3rd and not the 1st Atlantic crossing and it collided with iceberg on the return way from America...”

Robertson Morgan  
обложка книги The Wreck of the Titan Or Futility The Wreck of the Titan Or Futility

Futility, or the Wreck of the Titan is a novel which was originally written and published in 1898 by Morgan Robertson. This novel is the story of an ocean liner, called the Titan, which sinks in the North Atlantic ocean after hitting an iceberg.

There are many similarities between this novel and the facts in the sinking of the Titanic fourteen years later.

Morgan Robertson revised his work in 1912 after the sinking of the Titanic and made the ship larger as well as changing the ending of the story.

“...Exciting marine adventure that apparently predicted Titanic disaster 14 years before it actually had happened. 14 years before Titanic gone down this book predicted it to the very smallest technical details (number of propellers, number of funnels, size, tonnage, engine size, number of passengers, etc., etc., etc.). The only differences were: the name was Titan and not Titanic, 3rd and not the 1st Atlantic crossing and it collided with iceberg on the return way from America...”

Робертсон Морган  
The White Monkey

From preface: In naming this second part of The Forsyte Chronicles "A Modern Comedy" the word Comedy is stretched, perhaps as far as the word Saga was stretched to cover the first part. And yet, what but a comedic view can be taken, what but comedic significance gleaned, of so restive a period as that in which we have lived since the war? An Age which knows not what it wants, yet is intensely preoccupied with getting it, must evoke a smile, if rather a sad one.

Голсуорси Джон A Modern Comedy  
The Silver Spoon

From preface: In naming this second part of The Forsyte Chronicles "A Modern Comedy" the word Comedy is stretched, perhaps as far as the word Saga was stretched to cover the first part. And yet, what but a comedic view can be taken, what but comedic significance gleaned, of so restive a period as that in which we have lived since the war? An Age which knows not what it wants, yet is intensely preoccupied with getting it, must evoke a smile, if rather a sad one.

Голсуорси Джон A Modern Comedy  
обложка книги The Happy Prince The Happy Prince Уайлд Оскар  
The Nightingale and the Rose

Введите сюда краткую аннотацию

Уайлд Оскар  
обложка книги The Hotel New Hampshire The Hotel New Hampshire

John living was born in Exeter, New Hampshire, in 1942, and he once admitted that he was a “grim” child. Although he excelled in English at school and knew by the time he graduated that he wanted to write novels, it was not until he met a young Southern novelist named John Yount, at the University of New Hampshire, that he received encouragement. “It was so simple,” he remembers. “Yount was the first person to point out that anything I did except writing was going to be vaguely unsatisfying.”

In 1963, Irving enrolled at the Institute of European Studies in Vienna, and he later worked as a university lecturer. His first novel, Setting Free the Bears, about a plot to release all the animals from the Vienna Zoo, was followed by The Water-Method Man, a comic tale of a man with a urinary complaint, and The 158-Pound Marriage, which exposes the complications of spouse-swapping. Irving achieved international recognition with The World According to Garp, which he hoped would “cause a few smiles among the tough-minded and break a few softer hearts.”

The Hotel New Hampshire is a startlingly original family saga, and The Cider House Rules is the story of Doctor Wilbur Larch—saint, obstetrician, founder of an orphanage, ether addict and abortionist—and of his favourite orphan, Homer Wells, who is never adopted. A Prayer for Owen Meany features the most unforgettable character he has yet created. A Son of the Circus is an extraordinary evocation of modern day India. John Irvin’ latest and most ambitious novel is A Widow for One Year.

Copyright © Garp Enterprises Ltd 1981

“A Birthday Candle” Copyright © 1957 by Donald Justice. This poem first appeared in The New Yorker.

“On the death of Friends and Childhood” Copyright © 1959 by Donald Justice.

“Love Stratagems” Copyright © 1958 by Donald Justice. This poem first appeared in The New Yorker.

“To a Ten-Months’ Child” Copyright © 1960 by Donald Justice.

“Tales from a Family Album” Copyright © 1957 by Donald Justice. These poems reprinted from The Summer Anniversaries by permission of Wesleyan University Press.

“The Evening of the Mind” Copyright © 1965 by Donald Justice. This poem first appeared in Poetry.

“The Tourist from Syracuse” Copyright © 1965 by Donald Justice.

“Men of Forty” Copyright © 1966 by Donald Justice. This poem first appeared in Poetry. These poems reprinted from Night Light by permission of Wesleyan University Press.

“I Forgot To Forget” Copyright © by permission of Stanley Kesler; Highlow Music Inc. 639 Madison Avenue, Memphis, Tn. 38130.

“I Love You Because” by Leon Payne Copyright © 1949 by Fred Rose Music, Inc. Used by permission of the Publisher. All rights reserved.

The novelist is indebted to the following works and wishes to express his gratitude to the authors: Fin-de-Siècle Vienna, by Carl E. Schorske; A Nervous Splendor, by Frederic Morton; Vienna Inside-Out, by J. Sydney Jones; Vienna, by David Pryce-Jones and the Editors of Time-Life Books; Lucia di Lammermoor, by Gaetano Donizetti, the Dover Opera Guide and Libretto Series, (introduced and translated by Ellen H. Bleiler); and The Interpretation of Dreams, by Sigmund Freud.

With special thanks to Donald Justice. And with special thanks and special affection—to Lesley Claire and the Sonoma County Rape Crisis Center of Santa Rosa, California.

On July 18, 1980 the Stanhope Hotel on Eighty-first and Fifth Avenue changed management and ownership and became the American Stanhope—a fine hotel currently not beset by the problems of the Stanhope described in this fiction.

Irving John  
The Stoic Dreiser Theodore Trilogy of Desire  
The Financier Dreiser Theodore Trilogy of Desire  
The Titan Dreiser Theodore Trilogy of Desire  
The Collected Works of Ambrose Bierce, Volume 1 Bierce Ambrose  
The Collected Works of Ambrose Bierce — Volume II: In the Midst of Life: Tales of Soldiers and Civilians Bierce Ambrose  
обложка книги The Collected Works of Ambrose Bierce, Volume 8 / Epigrams, On With the Dance, Negligible Tales The Collected Works of Ambrose Bierce, Volume 8 / Epigrams, On With the Dance, Negligible Tales Bierce Ambrose  
The Fiend's Delight Bierce Ambrose  
обложка книги The Complete Short Stories of L.P. Hartley The Complete Short Stories of L.P. Hartley

For the first time, the complete short fiction of L.P. Hartley is included in one volume. A novelist whose work has been acclaimed for its consistent quality, he also produced a number of masterly executed short stories. Those stories, written under the collection titles of The Travelling Grave, The White Wand, Two for the River, and Mrs. Carteret Receives are in this edition, as is the flawless novella Simonetta Perkins.

Leslie Poles Hartley was born in 1895 and died in 1972. Of his eighteen novels, the best known are The Shrimp and the Anemone, Eustace and Hilda, The Go-Between, The Boat, The Hireling, The Brickfield, Poor Clare, The Love Adept, and My Sisters’ Keeper. The Go-Between, when filmed, was an international success, and the film version of The Hireling won the principal award at the 1973 Cannes festival.

Hartley Leslie Poles  
The April Witch

Рассказ вошёл в сборники:

The Golden Apples of the Sun (Золотые яблоки солнца)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Брэдбери Рэй  
The Crowd

Рассказ вошёл в сборники:

Dark Carnival (Тёмный карнавал)

The October Country (Октябрьская страна)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Брэдбери Рэй  
The Best of All Possible Worlds

Рассказ вошёл в сборники:

The Machineries of Joy (Механизмы радости)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Брэдбери Рэй  
The Cistern

Рассказ вошёл в сборники:

Dark Carnival (Тёмный карнавал)

The October Country (Октябрьская страна)

Bradbury Stories: 100 of His Most Celebrated Tales (Сборник ста лучших рассказов)

Брэдбери Рэй  
The Dog in the Red Bandana

Рассказ был впервые опубликован в журнале Гильдии сценаристов Америки "Written By" (writtenby.com), в летнем номере 2010-го года.

Брэдбери Рэй  
The Dragon

Рассказ вошёл в сборники:

A Medicine For Melancholy (Лекарство от меланхолии)

R Is For Rocket (Р — значит ракета)

Bradbury Stories: 100 of His Most Celebrated Tales (Сборник ста лучших рассказов)

Брэдбери Рэй  
The Dwarf

Рассказ вошёл в сборники:

The October Country (Октябрьская страна)

The Vintage Bradbury (Классический Брэдбери)

Bradbury Stories: 100 of His Most Celebrated Tales (Сборник ста лучших рассказов)

Брэдбери Рэй  
The Electrocution

Рассказ вошёл в сборники:

Quicker Than The Eye (В мгновение ока)

Брэдбери Рэй  
The Emissary

Рассказ вошёл в сборники:

Dark Carnival (Тёмный карнавал)

The October Country (Октябрьская страна)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Брэдбери Рэй  
The End of the Beginning

Рассказ вошёл в сборники:

A Medicine For Melancholy (Лекарство от меланхолии)

R Is For Rocket (Р — значит ракета)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Брэдбери Рэй  
The Exiles

Рассказ вошёл в сборники:

The Illustrated Man (Человек в картинках)

R Is For Rocket (Р — значит ракета)

Bradbury Stories: 100 of His Most Celebrated Tales (Сборник ста лучших рассказов)

Сборник редких рассказов (Замри, умри, воскресни!)

Брэдбери Рэй  
The Finnegan

Рассказ вошёл в сборники:

Quicker Than The Eye (В мгновение ока)

Bradbury Stories: 100 of His Most Celebrated Tales (Сборник ста лучших рассказов)

Брэдбери Рэй  
The Flying Machine

Рассказ вошёл в сборники:

The Golden Apples of the Sun (Золотые яблоки солнца)

S Is For Space (К значит Космос)

Bradbury Stories: 100 of His Most Celebrated Tales (Сборник ста лучших рассказов)

Брэдбери Рэй  
The Fog Horn

Рассказ вошёл в сборники:

The Golden Apples of the Sun (Золотые яблоки солнца)

R Is For Rocket (Р — значит ракета)

The Vintage Bradbury (Классический Брэдбери)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Брэдбери Рэй  
The Fox and the Forest

Рассказ вошёл в сборники:

The Illustrated Man (Человек в картинках)

The Vintage Bradbury (Классический Брэдбери)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Брэдбери Рэй  
The Garbage Collector

Рассказ вошёл в сборники:

The Golden Apples of the Sun (Золотые яблоки солнца)

Bradbury Stories: 100 of His Most Celebrated Tales (Сборник ста лучших рассказов)

Брэдбери Рэй  
The Golden Apples of the Sun

Рассказ вошёл в сборники:

The Golden Apples of the Sun (Золотые яблоки солнца)

R Is For Rocket (Р — значит ракета)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Брэдбери Рэй  
The Ghost in the Machine

Рассказ вошёл в сборники:

Quicker Than The Eye (В мгновение ока)

Брэдбери Рэй  
The Golden Kite, The Silver Wind

Рассказ вошёл в сборники:

The Machineries of Joy (Механизмы радости)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Брэдбери Рэй  
The Homecoming

Рассказ вошёл в сборники:

Dark Carnival (Тёмный карнавал)

The October Country (Октябрьская страна)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Брэдбери Рэй  
The Jar

Рассказ вошёл в сборники:

Dark Carnival (Тёмный карнавал)

The October Country (Октябрьская страна)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Брэдбери Рэй  
The Lake

Рассказ вошёл в сборники:

Dark Carnival (Тёмный карнавал)

The October Country (Октябрьская страна)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Брэдбери Рэй  
The Little Mice

Рассказ вошёл в сборники:

A Medicine For Melancholy (Лекарство от меланхолии)

The Vintage Bradbury (Классический Брэдбери)

Брэдбери Рэй  
The Machineries of Joy

Рассказ вошёл в сборники:

The Machineries of Joy (Механизмы радости)

Bradbury Stories: 100 of His Most Celebrated Tales (Сборник ста лучших рассказов)

Брэдбери Рэй  
The Man Upstairs

Рассказ вошёл в сборники:

Dark Carnival (Тёмный карнавал)

The October Country (Октябрьская страна)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Брэдбери Рэй  
The Messiah

Рассказ вошёл в сборники:

Long After Midnight (Далеко за полночь)

Bradbury Stories: 100 of His Most Celebrated Tales (Сборник ста лучших рассказов)

Брэдбери Рэй  
The Miracles of Jamie

Рассказ вошёл в сборники:

Long After Midnight (Далеко за полночь)

Bradbury Stories: 100 of His Most Celebrated Tales (Сборник ста лучших рассказов)

Брэдбери Рэй  
The Murderer

Рассказ вошёл в сборники:

The Golden Apples of the Sun (Золотые яблоки солнца)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Брэдбери Рэй  
The Next in Line

Рассказ вошёл в сборники:

Dark Carnival (Тёмный карнавал)

The October Country (Октябрьская страна)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Брэдбери Рэй  
The October Game

Рассказ вошёл в сборники:

Long After Midnight (Далеко за полночь)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Брэдбери Рэй  
The One Who Waits

Рассказ вошёл в сборники:

The Machineries of Joy (Механизмы радости)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Брэдбери Рэй  
The Other Highway

Рассказ вошёл в сборники:

Quicker Than The Eye (В мгновение ока)

Брэдбери Рэй  
The Pedestrian

Рассказ вошёл в сборники:

The Golden Apples of the Sun (Золотые яблоки солнца)

S Is For Space (К значит Космос)

Bradbury Stories: 100 of His Most Celebrated Tales (Сборник ста лучших рассказов)

Брэдбери Рэй  
The Pumpernickel

Рассказ вошёл в сборники:

Long After Midnight (Далеко за полночь)

Bradbury Stories: 100 of His Most Celebrated Tales (Сборник ста лучших рассказов)

Summer Morning, Summer Night (Летнее утро, летняя ночь)

Брэдбери Рэй  
The Rocket Man

Рассказ вошёл в сборники:

The Illustrated Man (Человек в картинках)

R Is For Rocket (Р — значит ракета)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Брэдбери Рэй  
The Rocket

Рассказ вошёл в сборники:

The Illustrated Man (Человек в картинках)

R Is For Rocket (Р — значит ракета)

Bradbury Stories: 100 of His Most Celebrated Tales (Сборник ста лучших рассказов)

Брэдбери Рэй  
The Scythe

Рассказ вошёл в сборники:

Dark Carnival (Тёмный карнавал)

The October Country (Октябрьская страна)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Брэдбери Рэй  
The Small Assassin

Рассказ вошёл в сборники:

Dark Carnival (Тёмный карнавал)

The October Country (Октябрьская страна)

The Vintage Bradbury (Классический Брэдбери)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

A Memory of Murder (Воспоминание об убийстве)

Брэдбери Рэй  
The Smile

Рассказ вошёл в сборники:

A Medicine For Melancholy (Лекарство от меланхолии)

S Is For Space (К значит Космос)

Bradbury Stories: 100 of His Most Celebrated Tales (Сборник ста лучших рассказов)

Брэдбери Рэй  

Рассказ вошёл в сборники:

One More for the Road (На посошок)

Брэдбери Рэй  
That Woman on the Lawn

Рассказ вошёл в сборники:

Quicker Than The Eye (В мгновение ока)

Bradbury Stories: 100 of His Most Celebrated Tales (Сборник ста лучших рассказов)

Брэдбери Рэй  
There Was an Old Woman

Рассказ вошёл в сборники:

Dark Carnival (Тёмный карнавал)

The October Country (Октябрьская страна)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Брэдбери Рэй  
Tomorrow's Child

Рассказ вошёл в сборники:

I Sing the Body Electric (Электрическое тело пою)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Брэдбери Рэй  
The Town Where No One Got Off

Рассказ вошёл в сборники:

A Medicine For Melancholy (Лекарство от меланхолии)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Брэдбери Рэй  
Touched with Fire

Рассказ вошёл в сборники:

The October Country (Октябрьская страна)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Брэдбери Рэй  
The Veldt

Рассказ вошёл в сборники:

The Illustrated Man (Человек в картинках)

The Vintage Bradbury (Классический Брэдбери)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Брэдбери Рэй  
The Very Gentle Murders

Рассказ вошёл в сборники:

Quicker Than The Eye (В мгновение ока)

Брэдбери Рэй  
The Watchful Poker Chip of H. Matisse

Рассказ вошёл в сборники:

The October Country (Октябрьская страна)

The Vintage Bradbury (Классический Брэдбери)

Bradbury Stories: 100 of His Most Celebrated Tales (Сборник ста лучших рассказов)

Брэдбери Рэй  
The Wilderness

Рассказ вошёл в сборники:

The Golden Apples of the Sun (Золотые яблоки солнца)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

Брэдбери Рэй  
The Wind

Рассказ вошёл в сборники:

Dark Carnival (Тёмный карнавал)

The October Country (Октябрьская страна)

Bradbury Stories: 100 of His Most Celebrated Tales (Сборник ста лучших рассказов)

Брэдбери Рэй  
The Witch Door

Рассказ вошёл в сборники:

Quicker Than The Eye (В мгновение ока)

Bradbury Stories: 100 of His Most Celebrated Tales (Сборник ста лучших рассказов)

Брэдбери Рэй  
The Wonderful Death of Dudley Stone

Рассказ вошёл в сборники:

The October Country (Октябрьская страна)

Bradbury Stories: 100 of His Most Celebrated Tales (Сборник ста лучших рассказов)

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The Wonderful Ice Cream Suit

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A Medicine For Melancholy (Лекарство от меланхолии)

The Vintage Bradbury (Классический Брэдбери)

The Stories of Ray Bradbury (И грянул гром: 100 рассказов)

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The Black Prince
Iris Murdoch
The Black Prince
First published in 1973
To Ernesto de Marchi
Contents Editor's Foreword Bradley Pearson's Foreword Bradley Pearson's Story Part One Part Two Part Three
Postscript by Bradley Pearson
Four Postscripts by Dramatis Personae
Editor's Postscript
Editor's Foreword
I am in more than one way responsible for the work that follows. The author of it, my friend Bradley Pearson, has placed the arrangements for publication in my hands. In this humble mechanical sense it is through my agency that these pages now reach the public. I am also the «dear friend» (and such) who is referred to and at times addressed in the book. I am not however an actor in the drama which Pearson recounts. My friendship with Bradley Pearson dates from a time in our lives posterior to the events here narrated. This has been a time of tribulation when we needed and happily found in each other the blessings of friendship. I can say indeed with confidence that were it not for the encouragement and sympathy which I was able to give to Bradley, this story would probably have remained untold. Those who cry out the truth to an indifferent world too often weary, fall silent or come to doubt their own wit. Without my help this could have been so with Bradley Pearson. He needed someone to believe him and someone to believe in him. He found me, his alter ego, at the time needful.
What follows is in its essence as well as in its contour a love story. I mean that it is deeply as well as superficially so. Man's creative struggle, his search for wisdom and truth, is a love story. What follows is ambiguous and sometimes tortuously told. Man's searchings and his strugglings are ambiguous and vowed to hidden ways. Those who live by that dark light will understand. And yet: what can be simpler than a tale of love and more charming? That art gives charm to terrible things is perhaps its glory, perhaps its curse. Art is a doom. It has been the doom of Bradley Pearson. And in a quite different way it is my own.
P. Loxias editor
Bradley Pearson's Foreword
I am aware that people often have completely distorted general ideas of what they are like. Men truly manifest themselves in the long patterns of their acts, and not in any nutshell of self-theory. This is supremely true of the artist, who appears, however much he may imagine that he hides, in the revealed extension of his work. And so am I too here exhibited, whose pitiful instinct is alas still for a concealment quite at odds with my trade. Under this cautionary rubric I shall however now attempt a general description of myself. And now I am speaking, as I explained, in the persona of the self of several years ago, the often inglorious «hero» of the tale that follows. I am fifty-eight years old. I am a writer. «A writer» is indeed the simplest and also the most accurate general description of me. In so far as I am also a psychologist, an amateur philosopher, a student of human affairs, I am so because these things are a part of being the kind of writer that I am. I have always been a seeker. And my seeking has taken the form of that attempt to tell truth of which I have just spoken. I have, I hope and I believe, kept my gift pure. This means, among other things, that I have never been a successful writer. I have never tried to please at the expense of truth. I have known, for long periods, the torture of a life without self-expression. The most potent and sacred command which can be laid upon any artist is the command: wait. Art has its martyrs, not least those who have preserved their silence. There are, I hazard, saints of art who have simply waited mutely all their lives rather than profane the purity of a single page with anything less than what is perfectly appropriate and beautiful, that is to say, with anything less than what is true.
As is well known, I have published very little. I say «as is well known,» relying here for my fame upon publicity deriving from my adventures outside the purlieus of art. My name is not unknown, but this alas is not because I am a writer. As a writer I have reached and doubtless will reach only a perceptive few. The paradox perhaps of my whole life, and it is an absurdity upon which I do not cease to meditate, is that the dramatic story which follows, so unlike the rest of my work, may well prove to be my only «best seller.» There are undoubtedly here the elements of crude drama, the «fabulous» events which simple people love to hear of. And indeed I have had, in this connection, my own good share of being front-page news.»
I shall describe myself a little more. My parents kept a shop. This is important, though not as important as Francis Marloe thinks, and certainly not in the way that he thinks. I mention Francis first of any of my «players» not because he is the most important: Francis is not important at all and has no deep connection with the course of these events. He is a subsidiary, a sidesman, in the story as I fear he is generally in life. Poor Francis will never be the hero of anything. He would make an excellent fifth wheel to any coach. But I make him as it were the mascot of the tale, partly because in a purely mechanical sense he opens it, and if on a certain day he had not, and so on, I might never, and so on. There is another paradox. One must constantly meditate upon the absurdities of chance, a subject even more edifying than the subject of death. Partly too I give a special place to Francis because he is, of the main actors in this drama, probably the only one who believes that I am not a liar. My gratitude to you, Francis Marloe, if you are still among the living and should chance to see these words. That another, later, believed me has proved of infinitely greater value. But you were then the only one who saw and understood. Across the aeons of time which have passed since that tragedy, I salute you, Francis.
My parents kept a shop, a sort of paper shop, down in Croydon. The shop sold daily papers and magazines, writing paper and so on, and horrible «gifts.» My sister, Priscilla, and I lived in this shop. I do not mean that we actually ate and slept in the shop. We did in fact often have our tea there, and I have a «memory» of sleeping under the counter. But the shop was the house and the mythical domain of our childhood. Some fortunate children have a garden, a landscape, as the «local habitation» of their early years. We had the shop: its drawers, its shelves, its smells, its endless empty cardboard boxes, its particular dirt. It was a shabby unsuccessful shop. Our parents were shabby unsuccessful people. They both died when I was in my thirties, my father first, my mother not long after. They lived to see my first book published. They were proud of me. My mother filled me with exasperation and shame but I loved her. (Be quiet, Francis Marloe.) My father I simply disliked. Or perhaps I have forgotten my affection for him. One can forget love, as you will perceive that I shortly find out.
I will not go on about the shop. I still dream about it at least once a week. Francis Marloe thought this very significant when I told him once. But Francis belongs to that sad crew of semi-educated theorizers who prefer any general blunted «symbolic» explanation to the horror of confronting a unique human history. Francis wanted to «explain» me. In my moment of fame, a number of other and much cleverer people attempted this also. But any human person is infinitely more complex than this type of explanation. By «infinitely» (or should I say «almost infinitely»? Alas I am no philosopher) I mean that there are not only more details, but more kinds of details with more kinds of relations than these diminishers can dream of. You might as well try to «explain» a Michelangelo on a piece of graph paper. Only art explains, and that cannot itself be explained. We and art are made for each other, and where that bond fails human life fails. Only this analogy holds, only this mirror shows a just image. Of course we have an «unconscious mind» and this is partly what my book is about. But there is no general chart of that lost continent. Certainly not a «scientific» one.
I am not, then, proposing to describe my life as a «taxman.» For some reason which I cannot fully understand the profession of «taxman,» like the profession of «dentist,» seems to excite laughter. But this laughter is, I suspect, uneasy. Both taxman and dentist only too readily image forth the deeper horrors of human life: that we must pay, perhaps ruinously, for our pleasures, that our resources are lent, not given, and that our most irreplaceable faculties decay even as they grow. And in an immediate sense, what makes a man more obsessively miserable than income tax or the toothache? No doubt this accounts for the defensive covertly hostile mockery with which one is greeted when confessing to either of these trades. I used to think however that no one but fools like Francis Marloe actually believed that tax inspectors chose their profession out of secret sadism. I cannot think anyone less sadistic than myself. I am gentle to timidity. Yet latterly even my quiet and respectable calling has been used as evidence against me.
When this story starts-and I will not much longer delay its inception-I had already retired, at an earlier age than is usual, from the tax office. I worked as an Inspector of Taxes because I had to earn a living which I knew I should never earn as a writer. I retired when I had at last saved enough money to assure myself a modest annuity. I have lived, as I say, until latterly, without drama, but with unfailing purpose. I looked forward to and I toiled for my freedom to devote all my time to writing. Yet on the other hand, I did manage to write, and without more than occasional repining, during my years of bondage, and I would not, as some unsatisfied writers do, blame my lack of productivity upon my lack of time. I have been on the whole a lucky man. And I would say that even now. Perhaps especially I would say it now.
The shock of leaving the office was greater than I had anticipated. Hartbourne warned me that it would be so. I did not believe him. Perhaps I am, more than I realized, a creature of routine. Perhaps too, with scarcely pardonable stupidity, I imagined that inspiration would come with freedom. I did not expect the complete withdrawal of my gift. In the years before, I worked steadily. That is, I wrote steadily and I destroyed steadily. I will not say how many pages I have destroyed, the number is immense. There was pride in this as well as sorrow. Sometimes I felt at a (terrible phrase) dead end. But I never despaired of excellence. Hope and faith and absolute devotion kept me plodding onward, ageing, living alone with my emotions. And at least I found that I could always write something.
But when I had given up the tax office and could sit at my desk at home every morning and think any thoughts I pleased, I found I had no thoughts at all. This too I suffered with my bitterest patience. I waited. I tried to develop a new routine: monotony, out of which value springs. I waited, I listened. I live, as I shall explain soon at more length, in a noisy part of London, a seedy region that was once genteel. I suppose I have myself, together with my neighbourhood, made my pilgrimage away from gentility. Noise, which had never distressed me before, began to do so. For the first time in my life I urgently wanted silence.
Of course, as might be pointed out with barbed humour, I had always in a sense been a devotee of silence. Arnold Baffin once said something like this to me, laughing, and hurt me. Three short books in forty years of sustained literary effort is not exactly garrulity. And indeed if I understand anything that is precious, I did understand how important it was to keep one's mouth shut until the right moment even if this meant a totally voiceless life. Writing is like getting married. One should never commit oneself until one is amazed at one's luck. I hate, in any context, an intemperate flux of words. Contrary to what is modishly thought, the negative is stronger than the positive and its master. What I needed now however was literal silence.
As I now read this Foreward through I see how meagrely it conveys me. How little perhaps can words convey except in the hands of a genius. Though I am a creative person, I am a puritan rather than an aesthete. I know that human life is horrible. I know that it is utterly unlike art. I have no religion except my own task of being. Conventional religions are dream stuff. Always a world of fear and horror lies but a millimetre away. Any man, even the greatest, can be broken in a moment and has no refuge. Any theory which denies this is a lie. For myself, I have no theories. True politics is simply the drying of tears and the endless fight for freedom. Without freedom there is no art and no truth. I revere great artists and the men who say no to tyrants.
It remains to record a dedication.
A celebration of love
Part one
I lived then and had long lived in a ground-floor flat in a small shabby pretty court of terrace houses in North Soho, not far from the Post Office Tower, an area of perpetual seedy brouhaha. I preferred this genteel metropolitan poverty to the styleless suburban affluence favoured by the Baffins. My «rooms» were all at the back. My bedroom looked onto dustbins and a fire escape. My sitting– room onto a plain brick wall caked with muck. The sitting-room, half a room really (the other half, stripped and degraded, was the bedroom), had wooden panels of that powdery dignified shade of green which can only be achieved by about fifty years of fading. This place I had crammed with too much furniture, with Victorian and Oriental bric-a-brac, with tiny heterogeneous objets d'art, little cushions, inlaid trays, velvet cloths, antimacassars even, lace even. I amass rather than collect. I am also meticulously tidy though resigned to dust. A sunless and cosy womb my flat was, with a highly wrought interior and no outside. Only from the front door of the house, which was not my front door, could one squint up at sky over tall buildings and see above the serene austere erection of the Post Office Tower.
So it was that I deliberately delayed my departure. What if I had not done so? I was proposing to disappear for the whole summer, to a place incidentally which I had never seen but had adopted blind. I had not told Arnold where I was going. I had mystified him. Why, I wonder? Out of some sort of obscure spite? Mystery always bulks larger. I had told him with a firm vagueness that I should be travelling abroad, no address. Why these lies? I suppose I did it partly to surprise him. I was a man who never went anywhere. Perhaps I felt it was time I gave Arnold a surprise. Neither had I informed my sister, Priscilla, that I was leaving London. There was nothing odd in that. She lived in Bristol with a husband whom I found distasteful. Suppose I had left the house before Francis Marloe knocked on the door? Suppose the tram had arrived at the tram stop and taken Prinzip away before the Archduke's car came round the corner?
Then the front doorbell (already too long delayed by my rambling narrative) rang.
The person who stood outside (within the front door of the house, but without my subsidiary front door) was strange to me. He seemed to be trembling, perhaps from the recent attentions of the wind, perhaps from nerves or alcohol. He wore a very old blue raincoat and a stringy fawn scarf of the throttling variety. He was stout (the raincoat failed to button) and not tall, with copious greyish longish frizzy hair and a round face and a slightly hooked nose and big very red lips and eyes set very close together. He looked, I later thought, rather like a caricature of a bear. Real bears, I believe, have eyes rather wide apart, but caricatured bears usually have close eyes, possibly to indicate bad temper or cunning. I did not like the look of him at all. Something significantly ill-omened which I could not yet define emanated from him. And 1 could smell him from where he stood.
Perhaps I might pause here yet again for a moment to describe myself. I am thin and tall, just over six feet, fairish and not yet bald, with light fine silky rather faded straight hair. I have a bland diffident nervous sensitive face and thin lips and blue eyes. I do not wear glasses. I look considerably younger than my age.
The Black Prince

Iris Murdoch

The Black Prince

First published in 1973

To Ernesto de Marchi

Murdoch Iris  
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Wilde Oscar  
обложка книги The Catcher in the Rye The Catcher in the Rye

Since his debut in 1951 as The Catcher in the Rye, Holden Caulfield has been synonymous with “cynical adolescent.” Holden narrates the story of a couple of days in his sixteen-year-old life, just after he’s been expelled from prep school, in a slang that sounds edgy even today and keeps this novel on banned book lists. It begins,

“If you really want to hear about it, the first thing you’ll probably want to know is where I was born and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it, if you want to know the truth. In the first place, that stuff bores me, and in the second place, my parents would have about two hemorrhages apiece if I told anything pretty personal about them.”

His constant wry observations about what he encounters, from teachers to phonies (the two of course are not mutually exclusive) capture the essence of the eternal teenage experience of alienation.

Salinger Jerome David  
Tyrannosaurus Rex

Тервиллиджер — режиссер нового фильма о динозаврах — пытается создать подходящий образ Tyrannosaurus Rex, который угодил бы продюсеру. В итоге в чертах динозавра появляется все больше от лица продюсера. Что из этого вышло — читайте.

Брэдбери Рэй  
The Queen Of Spades Pushkin Aleksandr Sergeevich  
обложка книги The Last Letter Home The Last Letter Home

Considered one of Sweden's greatest 20th-century writers, Vilhelm Moberg created Karl Oskar and Kristina Nilsson to portray the joys and tragedies of daily life for early Swedish pioneers in America. His consistently faithful depiction of these humble people's lives is a major strength of the Emigrant Novels. Moberg's extensive research in the papers of Swedish emigrants in archival collections, including the Minnesota Historical Society, enabled him to incorporate many details of pioneer life. First published between 1949 and 1959 in Swedish, these four books were considered a single work by Moberg, who intended that they be read as documentary novels. These new editions contain introductions written by Roger McKnight, Gustavus Adolphus College, and restore Moberg's bibliography not included in earlier English editions.Book 4 portrays the Nilsson family during the turmoil of living through the era of the Civil War and Dakota Conflict and their prospering in the midst of Minnesota's growing Swedish community of the 1860s-90s."It's important to have Moberg's Emigrant Novels available for another generation of readers."-Bruce Karstadt, American Swedish Institute

Moberg Vilhelm The Emigrants  
обложка книги The Settlers The Settlers

Considered one of Sweden's greatest 20th-century writers, Vilhelm Moberg created Karl Oskar and Kristina Nilsson to portray the joys and tragedies of daily life for early Swedish pioneers in America. His consistently faithful depiction of these humble people's lives is a major strength of the Emigrant Novels. Moberg's extensive research in the papers of Swedish emigrants in archival collections, including the Minnesota Historical Society, enabled him to incorporate many details of pioneer life. First published between 1949 and 1959 in Swedish, these four books were considered a single work by Moberg, who intended that they be read as documentary novels. These new editions contain introductions written by Roger McKnight, Gustavus Adolphus College, and restore Moberg's bibliography not included in earlier English editions.Book 3 focuses on Karl Oskar and Kristina as they adapt to their new homeland and struggle to survive on their new farm."It's important to have Moberg's Emigrant Novels available for another generation of readers."-Bruce Karstadt, American Swedish Institute

Moberg Vilhelm The Emigrants  
обложка книги The Emigrants The Emigrants

This title introduces Karl Oskar and Kristina Nilsson, their 3 young children, and 11 others who make up a resolute party of Swedes fleeing the poverty, religious persecution, and social oppression of Smaland in 1850.

Moberg Vilhelm The Emigrants  
обложка книги The Hidden Force The Hidden Force

A mystical Javan prince and a promiscuous wife are twin challenges to Commissioner Van Oudijck's seemingly impregnable authority. As he struggles to maintain control of his district in the Dutch East Indies, as well as of his family, ancient local traditions reassert their influence and colonial power begins to disintegrate.

Couperus Louis  
The Shadow of a Shade Hood Tom  
The Early Ayn Rand

"Writers are made, not born," Ayn Rand wrote in another context. "To be exact, writers are self-made." In this fascinating collection of Ayn Rand's earliest work — including a previously unpublished piece, "The Night King" — her own career proves her point. We see here not only the budding of the philosophy that would seal her reputation as a champion of the individual, but also the emergence of a great narrative stylist whose fiction would place her among the most towering figures in the history of American literature.

Dr. Leonard Peikoff worked with Ayn Rand for thirty years; he is her legal heir and the executor of her estate.

Rand Ayn  
обложка книги The Queen's Necklace The Queen's Necklace

A witty and erudite love letter to a bygone age, from one of Europe's last great humanists.

"A sparkling slice of eighteenth-century life" Paul Bailey, Independent

In August 1785 Paris buzzed with scandal. It involved an eminent churchman, a notorious charlatan, a female fraudster, a part-time prostitute and the hated Queen herself. At its heart was the most expensive diamond necklace ever assembled and the web of fraud, folly and self-delusion it had inspired. In Szerb's last major work, a witty and often surprising account of events, the story is used as a standpoint from which to survey the entire age. Written in war-torn Hungary in the early 1940s, it constitutes a remarkable gesture of defiance against the brutal world in which the writer lived and died.

Antal Szerb (1901–1945) was born in Budapest. Though of Jewish descent, he was baptised at an early age and remained a lifelong Catholic. He rapidly established himself as a formidable scholar, through studies of Ibsen and Blake and histories of English, Hungarian and world literature. He was a prolific essayist and reviewer, ranging across all the major European languages. Debarred by successive Jewish laws from working in a university, he was subjected to increasing persecution, and finally murdered in a forced labour camp in 1945. Pushkin Press publishes his novels The Pendragon Legend, Oliver VII and his masterpiece Journey by Moonlight, as well as the historical study The Queen's Necklace and Love in a Bottle and Other Stories.

Szerb Antal  
обложка книги The Shadowy Third The Shadowy Third Glasgow Ellen  
обложка книги The Sheltered Life The Sheltered Life Glasgow Ellen  
обложка книги The Rebels The Rebels

An early novel from the great rediscovered Hungarian writer Sándor Márai, The Rebels is a haunting story of a group of alienated boys on the cusp of adult life—and possibly death—during World War I.

It is the summer of 1918, and four boys approaching graduation are living in a ghost town bereft of fathers, uncles, and older brothers, who are off fighting at the front. The boys know they will very soon be sent to join their elders, and in their final weeks of freedom they begin acting out their frustrations and fears in a series of subversive games and petty thefts. But when they attract the attention of a stranger in town—an actor with a traveling theater company—their games, and their lives, begin to move in a direction they could not have predicted and cannot control, and one that reveals them to be strangers to one another. Resisting and defying adulthood, they find themselves still subject to its baffling power even in their attempted rebellion.

Marai Sandor  
обложка книги Telegrams of the Soul Telegrams of the Soul

If it be permitted to speak of ‘love at first syllable,’ then that’s what I experienced in my first encounter with this poet of prose.” So wrote Thomas Mann of the work of Peter Altenberg. A virtuoso Fin de Siecle Viennese innovator of what he called the “telegram style” of writing, Altenberg’s signature short prose straddles the line between the lyrical and the narrative, fiction and observation, harsh verity and whimsical vignette. Inspired by the prose poems of Charles Baudelaire, the tales of Hans Christian Andersen and the Viennese Feuilleton, a light journalistic reflection current in his day, Altenberg carved out a spare, strikingly modern aesthetic that speaks with an eerie prescience to our own impatient time. Peter Wortsman’s new selection and translation reads like a sly lyrical wink from the turn-of-the-century of the telegram to the turn-of-the-millennium of e-mail.

Peter Altenberg, also known as Richard Engländer, 1859–1919, was born into a well-to-do Viennese Jewish family, lived in hotels and listed as his official address the Café Central, Vienna’s intellectual clubhouse (also the sometime haunt of Leon Trotsky and his chess partner Vladimir Ilyich Lenin). A renowned eccentric, Altenberg pioneered the very notion of loose-fitting leisure attire, designed a line of necklaces and favored sandals, walking sticks, slivovitz and the company of prostitutes. His literary admirers included Karl Kraus, Heinrich and Thomas Mann, Robert Musil and Arthur Schnitzler.

Recipient of the Beard’s Fund Short Story Award, Peter Wortsman is the author of A Modern Way To Die: Small Stories and Microtales and the play The Tattooed Man Tells All. His translations from the German include Posthumous Papers of a Living Author by Robert Musil and Peter Schlemiel: The Man Who Sold His Shadow by Adelbert von Chamisso.

Altenberg Peter  
обложка книги The Conspiracy The Conspiracy

"The Conspiracy" is the last and most acclaimed novel by French writer and activist Paul Nizan, who died two years after its publication fighting the Germans at the Battle of Dunkirk. Hailed by Jean-Paul Sartre as Nizan's masterpiece, the book centers upon the figure of Bertrand Rosenthal, a misguided philosophy student studying in pre-war Paris. Eager to foment a revolution and having little grasp of his own motives, Rosenthal draws a small group of disciples into a conspiracy both fatuous and deadly. Simultaneously, he plunges into a forbidden-and ultimately tragic-love affair as the intertwined plots move inexorably toward their twin destinations of betrayal and death.

"The Conspiracy" won the coveted Prix Interallie in 1938. This new edition includes Walter Benjamin's critique of the book, available here for the first time in English.

Nizan Paul  
обложка книги The Third Tower: Journeys in Italy The Third Tower: Journeys in Italy

In August 1936 a Hungarian writer in his mid-thirties arrives by train in Venice, on a journey overshadowed by the coming war and charged with intense personal nostalgia. Aware that he might never again visit this land whose sites and scenes had once exercised a strange and terrifying power over his imagination, he immerses himself in a stream of discoveries, reappraisals and inevitable self-revelations. From Venice, he traces the route taken by the Germanic invaders of old down to Ravenna, to stand, fulfilling a lifelong dream, before the sacred mosaics of San Vitale.

This journey into his private past brings Antal Szerb firmly, and at times painfully, up against an explosive present, producing some memorable observations on the social wonders and existential horrors of Mussolini's new Roman Imperium.

Szerb Antal  
обложка книги Tevye the Dairyman and the Railroad Stories Tevye the Dairyman and the Railroad Stories

Of all the characters in modern Jewish fiction, the most beloved is Tevye, the compassionate, irrepressible, Bible-quoting dairyman from Anatevka, who has been immortalized in the writings of Sholem Aleichem and in acclaimed and award-winning theatrical and film adaptations.

And no Yiddish writer was more beloved than Tevye’s creator, Sholem Rabinovich (1859–1916), the “Jewish Mark Twain,” who wrote under the pen name of Sholem Aleichem. Beautifully translated by Hillel Halkin, here is Sholem Aleichem’s heartwarming and poignant account of Tevye and his daughters, together with the “Railroad Stories,” twenty-one tales that examine human nature and modernity as they are perceived by men and women riding the trains from shtetl to shtetl.

Aleichem Sholem  
обложка книги Tevye the Dairyman and Motl the Cantor's Son Tevye the Dairyman and Motl the Cantor's Son

For the 150th anniversary of the birth of the “Jewish Mark Twain,” a new translation of his most famous works

Tevye the Dairyman and Motl the Canto’s Son are the most celebrated characters in all of Jewish fiction. Tevye is the lovable, Bible-quoting father of seven daughters, a modern Job whose wisdom, humor, and resilience inspired the lead character in Fiddler on the Roof. And Motl is the spirited and mischievous nine-year-old boy who accompanies his family on a journey from their Russian shtetl to New York, and whose comical, poignant, and clear-eyed observations capture with remarkable insight the struggles and hopes and triumphs of Jewish immigrants to America at the turn of the twentieth century.

Aleichem Sholem  
обложка книги The Letters of Menakhem-Mendl and Sheyne-Sheyndl and Motl, the Cantor's Son The Letters of Menakhem-Mendl and Sheyne-Sheyndl and Motl, the Cantor's Son

This volume presents an outstanding new translation of two favorite comic novels by the preeminent Yiddish writer Sholem Aleichem (1859–1916). The Letters of Menakhem Mendl and Sheyne Sheyndl portrays a tumultuous marriage through letters exchanged between the title character, an itinerant bumbler seeking his fortune in the cities of Russia before departing alone for the New World, and his scolding wife, who becomes increasingly fearful, jealous, and mystified. Motl, Peysi the Cantor’s Son is the first-person narrative of a mischievous and keenly observant boy who emigrates with his family from Russia to America. The final third of the story takes place in New York, making this Aleichem’s only major work to be set in the United States.

Motl and Menakhem Mendl are in one sense opposites: the one a clear-eyed child and the other a pathetically deluded adult. Yet both are ideal conveyors of the comic disparity of perception on which humor depends. If Motl sees more than do others around him, Menakhem Mendl has an almost infinite capacity for seeing less. Aleichem endows each character with an individual comic voice to tell in his own way the story of the collapse of traditional Jewish life in modern industrial society as well as the journey to America, where a new chapter of Jewish history begins. This volume includes a biographical and critical introduction as well as a useful glossary for English language readers.

Aleichem Sholem  
обложка книги The Mother The Mother

“Buck has never done better work than this. By a great gift of intuition she has entered into the mind, heart and spirit of the Chinese peasant woman and revealed the permanent values of life.” —The Times Literary Supplement.

Dickensian in its epic sweep, one of Buck’s finest novels centers on an unnamed peasant woman in pre-revolutionary China. Without warning, her restless husband abandons her. Shamed by the experience, she is left to work the land, raise their three children on her own, and care for her aging mother-in-law. To save face with her neighbors, she pretends her husband is traveling, and sends letters to herself signed in his name. Surrounded by poverty, despair, and a growing web of lies meant to protect the family, her children grow up and enter society with only the support of their mother’s unbreakable will. An unforgettable story of one woman’s strength and a remarkable fable about the role of mothers, this novel is a powerful achievement by a master of twentieth-century fiction.

Buck Pearl S  
обложка книги The Promise The Promise

A compelling historical novel about the tragic alliance between Chinese and English forces in Burma during World War II.

Burma is under attack from the Japanese army, and a unit of Chinese soldiers is sent to aid endangered British forces trapped behind enemy lines. China’s assistance hinges on a promise: In return, the Allies will supply China with airplanes and military equipment, much needed to protect their own civilian population. But the troops — including a young commander named Lao San, whom Buck fans will remember from Dragon Seed—are met with ingratitude on both sides. The Burmese deplore any friend of their abusive colonizers, and the prejudiced British soldiers can’t bring themselves to treat the Chinese as true allies. As the threat of disaster looms and the stakes grow higher, the relations between the British and Chinese troops become ever more fraught. A trenchant critique of colonialism and wartime betrayal, The Promise is Buck at her evocative best.

Buck Pearl S  
обложка книги The Goddess Abides The Goddess Abides

A widow’s New England peace is interrupted by her feelings for two brilliant men, one much younger and the other quite older — and the dilemma of choosing between them.

At forty-three, Edith has lost a husband, and has children who have children of their own. Living in a large Vermont house, her days are spent idly reading and playing music. But all of this is to change when two candidates for her affection arrive on the scene. The first is thirty years her senior, a philosopher named Edwin with whom she enjoys an enriching intellectual friendship. The second, Jared, is twenty years her junior: a handsome scientist, he attracts Edith in mind and body. But even if Jared shares her passion, does he have enough life experience to know whether such a union is in his best interests? In this exquisite and probing examination of desire, contrasting passions come to a head.

Buck Pearl S  
обложка книги The Dirty Dust: Cré Na Cille The Dirty Dust: Cré Na Cille

Máirtín Ó Cadhain’s irresistible and infamous novel The Dirty Dust is consistently ranked as the most important prose work in modern Irish, yet no translation for English-language readers has ever before been published. Alan Titley’s vigorous new translation, full of the brio and guts of Ó Cadhain’s original, at last brings the pleasures of this great satiric novel to the far wider audience it deserves.

In The Dirty Dust all characters lie dead in their graves. This, however, does not impair their banter or their appetite for news of aboveground happenings from the recently arrived. Told entirely in dialogue, Ó Cadhain’s daring novel listens in on the gossip, rumors, backbiting, complaining, and obsessing of the local community. In the afterlife, it seems, the same old life goes on beneath the sod. Only nothing can be done about it — apart from talk. In this merciless yet comical portrayal of a closely bound community, Ó Cadhain remains keenly attuned to the absurdity of human behavior, the lilt of Irish gab, and the nasty, deceptive magic of human connection.

Ó Cadhain áirtín  
обложка книги To the Spring Equinox and Beyond To the Spring Equinox and Beyond

Legendary Japanese novelist Soseki Natsume dissects the human personality in all its complexity in this unforgettable narrative. Keitaro, a recent college graduate, lives a life intertwined with several other characters, each carrying their own emotional baggage. Romantic, practical, and philosophical themes enable Soseki to explore the very meaning of life.

Soseki Natsume  
обложка книги The Hunting Gun The Hunting Gun

A tragedy in three letters: the masterpiece of one of Japan's greatest writers.

A lover, her daughter and the abandoned wife: three letters by three women tell the story of a love affair's tragic consequences. First Shoko, who finds out about the infidelity through reading her mother's diary; then Midori, the wife who has always known but never told; and finally the beautiful Saiko, the woman who has betrayed her best friend.Yasushi Inoue's poised, unsentimental novella is a powerful tale with universal resonance. Written from three different points of view, the story explores the impact of forbidden passion. Love, death, truth and loneliness are all intertwined in this masterpiece from one of Japan's greatest writers.

Inoue Yasushi  
обложка книги The Fairy Tales of Hermann Hesse The Fairy Tales of Hermann Hesse

A collection of twenty-two fairy tales by the Nobel Prize-winning novelist, most translated into English for the first time, show the influence of German Romanticism, psychoanalysis, and Eastern religion on his development as an author.

Hesse Hermann  
обложка книги The Emperor's Tomb The Emperor's Tomb

The Emperor’s Tomb — the last novel Joseph Roth wrote — is a haunting elegy to the vanished world of the Austro-Hungarian Empire, and a magically evocative paean to the passing of time and the loss of hope. The Emperor’s Tomb runs from 1913 to 1938, from the eve of one world war to the eve of the next, from disaster to disaster. Striped with beauty and written in short propulsive chapters — full of upheavals, reversals and abrupt twists of plot — the novel powerfully sketches a time of change and loss. Prophetic and regretful, intuitive and exact, Roth tells of one man’s foppish, sleepwalking, spoiled youth and then his struggle to come to terms with the uncongenial society of post-First World War Vienna, financial ruin, and the first intimations of Nazi barbarities.

Roth Joseph  
обложка книги Two Worlds and Their Ways Two Worlds and Their Ways

Sefton and his sister Clemence are dispatched to separate boarding schools. Their father's second marriage, their mother's economies, provide perfect opportunities for mockery, and home becomes a source of shame. More wretched is their mother's insistence that they excel. Their desperate means to please her incite adult opprobrium, but how dit the children learn to deceive?

Here staccato dialogue, brittle aphorisms and an excoriating wit are used to unparalleled and subversive effect ruthlessly to expose the wounds beneath the surface of family life.

Compton-Burnett Ivy  
обложка книги The Stars Look Down The Stars Look Down

First published in 1935, The Stars Look Down tells the story of a North Country mining community as its inhabitants make their way through the various social and political challenges of the early 20th century. Digging into workers’ rights, social change, and the relationship between labor and capitalism, the struggles of the novel’s trifecta of protagonists — politically minded miner David Fenwick, ambitious drifter Joe Gowlan, and frustrated yet meek mining-baron’s son Arthur Barras — remain compelling and relevant to readers in the 21st century.

The Stars Look Down is one of many tales of the hardships of coal-mining communities during the industrial pre-war, World War I, and interwar periods in Britain, but stands out for its unflinching prose, universal themes, and keen storytelling. The novel was adapted into a 1940 film starring Michael Redgrave as Davey Fenwick, is a New York Times Critics’ Pick, and is included in The New York Times Guide to…

Cronin Archibald Joseph  
обложка книги The Polyglots The Polyglots

The Polyglots is the story of an eccentric Belgian family living in the Far East in the uncertain years after World War I and the Russian Revolution. The tale is recounted by their dryly conceited young English relative, Captain Georges Hamlet Alexander Diabologh, who comes to stay with them during a military mission. Teeming with bizarre characters — depressives, obsessives, paranoiacs, hypochondriacs, and sex maniacs — Gerhardie paints a brilliantly absurd world where the comic and the tragic are profoundly and irrevocably entwined.

Gerhardie William  
обложка книги The Adventures of Sindbad The Adventures of Sindbad

“What you have loved remains yours.” Thus speaks the irresistible rogue Sindbad, ironic hero of these fantastic tales, who has seduced and abandoned countless women over the course of centuries but never lost one, for he returns to visit them all — ladies, actresses, housemaids — in his memories and dreams. From the bustling streets of Budapest to small provincial towns where nothing ever seems to change, this ghostly Lothario encounters his old flames wherever he goes: along the banks of the Danube; under windows where they once courted; in churches and in graveyards, where Eros and Thanatos tryst. Lies, bad behavior, and fickleness of all kinds are forgiven, and love is reaffirmed as the only thing worth persevering for, weeping for, and living for.

The Adventures of Sindbad is the Hungarian master Gyula Krúdy’s most famous book, an uncanny evocation of the autumn of the Hapsburg Empire that is enormously popular not only in Hungary but throughout Eastern Europe.

údy Gyula  

Forced to flee Rome from the barbaric rampages of the Ostrogoths, merchant Nicander meets an unlikely ally in the form of Marius, a fierce Roman legionary. Escaping to a new life in Constantinople, the two land upon its shores lonely and penniless. Needing to make money fast, they plot and plan a number of outrageous money-making schemes, until they chance upon their greatest idea yet.Armed with a wicked plan to steal precious silk seeds from the faraway land of Seres, Nicander and Marius must embark upon a terrifyingly treacherous journey across unknown lands, never before completed. But first they must deceive the powerful emperor Justinian and the rest of his formidable Byzantine Empire in order to begin their journey into the unknown…An adventurous tale of mischief, humour and deception, Nicander and Marius face danger of the highest order, where nothing in the land of the Roman Empire is quite what it seems.

Stockwin Julian  
The Comedians Грин Грэм  
Toni Мопассан Ги де  
обложка книги The Country Road The Country Road

Never before in English, Regina Ullmann's work is distinctive and otherworldly, resonant of nineteenth-century village tales and of authors such as Adalbert Stifter and her contemporary Robert Walser. In the stories of The Country Road, largely set in the Swiss countryside, the archaic and the modern collide, and "sometimes the whole world appears to be painted on porcelain, right down to the dangerous cracks." this delicate but fragile beauty, with its ominous undertones, gives Ullmann her unique voice.

Ullman Regina  
обложка книги The Lemoine Affair The Lemoine Affair

Their friend Marcel Proust had killed himself after the fall in diamond shares, a collapse that annihilated a part of his fortune.

This is the first-ever translation into English of this startling tour-de-force by one of the twentieth century’s greatest writers.

The Lemoine Affair was inspired by the real-life French scandal involving Henri Lemoine, who claimed he could manufacture diamonds from coal and convinced numerous people — including officers of the De Beers diamond mine company and Proust himself — to invest in the scheme. In a series of pastiches — imitations written in the style of other writers — Proust tells the story of the embarrassment rippling across high society Paris in the wake of the scandal, poking fun at himself (in one story, a character declares that Marcel Proust is so embarrassed he’s suicidal) while lampooning some of France’s greatest writers, including Flaubert, Balzac, and Saint-Simon.

Full of sophisticated wit and dazzling wordplay, and rife with allusions to his friend and fictional characters, many Proust scholars see the dead-on mimicry of The Lemoine Affair—written soon after Proust’s rejection of society life — as the work by which he honed his own unique, masterly voice.

Proust Marcel  
обложка книги The Leviathan The Leviathan

In the small town of Progrody, Nissen Piczenik makes his living as the most respected coral merchant of the region. Nissen has never been outside of his town, deep in the Russian interior, and fantasizes that a Leviathan watches over the coral reefs. When the sailor nephew of one of Progrody’s residents comes to visit, Nissen loses little time in befriending him for the purpose of learning about the sea. The sailor offers Nissen a once-in-a-lifetime opportunity to come to Odessa and tour his ship. Nissen leaves his business during the peak coral season, and stays in Odessa for three weeks. But upon his return to Progrody, Nissen finds that a new coral merchant has moved into the neighboring town, and his coral is quickly becoming the most sought after. As his customers dwindle, life takes an evil twist for Nissen Piczenik. And the final decider of his fate may be the devil himself.

Roth Joseph  
обложка книги The Hotel Years The Hotel Years

The Hotel Years gathers sixty-four feuilletons: on hotels; pains and pleasures; personalities; and the deteriorating international situation of the 1930s. Never before translated into English, these pieces begin in Vienna just at the end of the First World War, and end in Paris near the outbreak of the Second World War. Roth, the great journalist of his day, needed journalism to survive: in his six-volume collected works in German, there are three of fiction and three of journalism. Beginning in 1921, Roth wrote mostly for the liberal Frankfurter Zeitung who sent him on assignments throughout Germany — the inflation, the occupation, political assassinations — and abroad, to the USSR, Italy, Poland and Albania. And always: “I celebrate my return to lobby and chandelier, porter and chambermaid.”

Roth Joseph  
обложка книги The Cardboard House The Cardboard House

Published in 1928 to great acclaim when its author was just twenty years old, The Cardboard House is sweeping, kaleidoscopic, and passionate. The novel presents a stunning series of flashes — scenes, moods, dreams, and weather— as the narrator wanders through Barranco (then an exclusive seaside resort outside Lima). In one beautiful, radical passage after another, he skips from reveries of first loves, South Pole explorations, and ocean tides, to precise and unashamed notations of class and of race: an Indian woman “with her hard,shiny, damp head of hair — a mud carving,” to a gringo gobbling “synthetic milk,canned meat, hard liquor.”

Adán’s own aristocratic family was in financial freefall at the time, and, as the translator notes, The Cardboard House is as “subversive now as when it was written: Adán’s uncompromising poetic vision and the trueness and poetry of his voice constitute a heroic act against cultural colonialism.”

án ín  
обложка книги Three Generations Three Generations

Touted as one of Korea’s most important works of fiction, Three Generations (published in 1931 as a serial in Chosun Ilbo) charts the tensions in the Jo family in 1930s Japanese occupied Seoul. Yom’s keenly observant eye reveals family tensions withprofound insight. Delving deeply into each character’s history and beliefs, he illuminates the diverse pressures and impulses driving each. This Korean classic, often compared to Junichiro Tanizaki’s The Makioka Sisters, reveals the country’s situation under Japanese rule, the traditional Korean familial structure, and the battle between the modern and the traditional. The long-awaited publication of this masterpiece is a vital addition to Korean literature in English.

Sang-seop Yom  
обложка книги The Man in a Hurry The Man in a Hurry

A feverish classic from one of the modern masters of French prose.

No one can keep up with Pierre Niox, the speediest antiques dealer in Paris, although not necessarily the most competent. As he dashes about at a dizzying pace, his impatience becomes too much to bear for those around him; his manservant, his only friend and even his cat abandon him. He begins to find that while he is racing through life, it is passing him by. However, when he falls in love with the languid, unpunctual Hedwige, the man in a hurry has to learn how to slow down…

Morand Paul  
обложка книги The Beginning and the End The Beginning and the End

First published in 1956, this is a powerful portrayal of a middle-class Egyptian family confronted by material, moral, and spiritual problems during World War II.

Mahfouz Naguib  
обложка книги Tender Shoots Tender Shoots

Clarissa, Delphine, and Auroraare the titles of three short stories that Paul Morand composed during the First World War and set in London, a city of constant fascination to him. Stylish, poetic, and highly original, these urbane and witty stories boast a foreword by Marcel Proust.

Morand Paul  
обложка книги The Accident The Accident

In the tradition of Sándor Márai, Mihail Sebastian is a captivating Central European storyteller from the first half of the twentieth century whose work is being rediscovered by new generations of readers throughout Europe, Latin America, and the United States. The 2000 publication of his Journal 1935–1944: The Fascist Years introduced his writing to an English-speaking audience for the first time, garnering universal acclaim. Philip Roth wrote that Sebastian's Journal "deserves to be on the same shelf as Anne Frank's Diary and to find as huge a readership."

Outside of the English-speaking world, Sebastian's reputation rests on his fiction. This publication of The Accident marks the first appearance of the author's fiction in English. A love story set in the Bucharest art world of the 1930s and the Transylvanian mountains, it is a deeply romantic, enthralling tale of two people who meet by chance. Along snowy ski trails and among a mysterious family in a mountain cabin, Paul and Nora, united by an attraction that contains elements of repulsion, find the keys to their fate.

Sebastian Mihail  
обложка книги Tarabas Tarabas

It is Roth's special gift that, in Tarabas's fulfillment of his tragic destiny, the larger movements of history find their perfect expression in the fate of one man.

Roth Joseph  
обложка книги Three Novellas Three Novellas

Written in the final days of Roth's life, it is a novella of sparkling lucidity and humanity. "Fallmerayer the Stationmaster" and "The Bust of the Emperor" are Roth's most acclaimed works of shorter fiction.

Roth Joseph  
обложка книги The Silent Prophet The Silent Prophet

Because he is born illegitimate, Friederich Kargan lacks even a social identity. Moving to Vienna, he becomes involved both in revolutionary agitation and a love affair before he is caught by the authorities on his first trip to Russia, enduring a Siberian interlude before escaping. He eventually returns to Russia after the February Revolution, becoming leader of the Red Army, but realizes during the civil war that the revolution seems to be over before it has begun; the cause has been betrayed, yesterday’s proletariat has become today’s bourgeoisie; exile might offer the only choice. A beautifully descriptive journey from loneliness into an illusory worldliness and back into loneliness, this is a haunting study in alienation by a master of realistic imagination.

Roth Joseph  
обложка книги The Call of the Wild The Call of the Wild London Jack  
обложка книги The Road to Wigan Pier The Road to Wigan Pier

Перед вами – иной Оруэлл. Не писатель, но – философ, литературный критик и журналист (строго говоря, создатель жанра «новой журналистики»). Человек, творящий подлинно высокую публицистику – и обращающий ее в истинное искусство слова!

Эссе Оруэлла всегда умные, изысканно-злые и в чем-то парадоксальные.

Сейчас, как и в прошлом, многим они кажутся спорными и «скандальными». Почему? Да потому, что Джордж Оруэлл всегда современен!

Orwell George  
обложка книги The Pickwick Papers The Pickwick Papers

The Pickwick Papers was Charles Dickens’s first and personal favourite novel. It was serialised under the title “The Posthumous Papers of the Pickwick Club” between April 1836 and November 1837 when its author was only in his mid-twenties. Unlike some of his later works it is extremely episodic and comic. It always shows its origins in a periodical with its cliff-hangers and the way Dickens changes the story and various characters’ position in the novel as it grows and according to their popularity (such the Wellers).

Mr Samuel Pickwick is the founder and chairman of the absurd Pickwick Club which consists of Tupman, Snodgrass and Winkle who go through various amusing and often quite ridiculous adventures that are scantily interconnected and never amount to a complex sequence of events until perhaps Pickwick’s disastrous misunderstanding with Mrs Bardell.

Dickens Charles  
обложка книги The Darling Strumpet The Darling Strumpet

"[A] richly engaging portrait of the life and times of one of history's most appealing characters!" – Diana Gabaldon

A thrilling debut novel starring one of history's most famous and beloved courtesans.

From London's slums to its bawdy playhouses, The Darling Strumpet transports the reader to the tumultuous world of seventeenth-century England, charting the meteoric rise of the dazzling Nell Gwynn, who captivates the heart of King Charles II-and becomes one of the century's most famous courtesans.

Witty and beautiful, Nell was born into poverty but is drawn into the enthralling world of the theater, where her saucy humor and sensuous charm earn her a place in the King's Company. As one of the first actresses in the newly-opened playhouses, she catapults to fame, winning the affection of legions of fans-and the heart of the most powerful man in all of England, the King himself. Surrendering herself to Charles, Nell will be forced to maneuver the ruthless and shifting allegiances of the royal court-and discover a world of decadence and passion she never imagined possible.

Bagwell Gillian  



Vēsturiska romāna darbība norisinās Rīgā 17. gadsimtā zviedru kara laikā. Tā centrā trīs latviešu karakalpi Andris, Pēteris un Ērmanis, kuru dēkainie varoņdarbi iedveš bijību pat ienaidnieka pulkos. Romānā samērā reljefi iezīmēts senas Rīgas fons, tās iedzīvotāju struktūra un nodarbošanās veidi.

Vēsturisks romāns no senās Rīgas



Noskannējis grāmatu un FB2 failu izveidojis I.Ločmelis

No 1886. līdz 1961. gadam Rīgā dzīvoja rakst­nieks Rutku Tēvs un aktieris Arveds Mihelsons. Viena un tā pati persona. Par savu īsto aicinājumu uzskatīdams skatuvi, piecdesmit radoša darba gados A. Mihelsons piedalījies 5192 izrādēs un atveidojis 435 skatuves tēlus (pēc aktiera paša hronikas zi­ņām). Vaļasbrīžos Rutku Tēvs interesējās par vēs­turi, pētīja vecas hronikas un rakstīja — romānus, stāstus, lugas, dzejoļus, feļetonus, teātra vēsturi, kā arī tulkoja.

Pati nozīmīgākā Rutku Tēva daiļrades daļa — desmit vēsturiskie romāni, kas publicēti 30. gados — «Latvietis un viņa kungs», «Dumpīgā Rīga», «Ben­des meita», «Māksalas brāļi», «Klibā Skrodera iela», «Gambija», «Sumpurņu ciems», «Aklais Valentīns», «Sabas ķēniņienes pēctecis» un «Trīs vella kalpi». Astoņi no tiem iznākuši grāmatās, «Sabas ķēniņie­nes pēctecis» un «Trīs vella kalpi» publicēti perio­dikā — laikrakstā «Jaunākās Ziņas» un žurnālā «Atpūta». Rutku Tēva arhīvā palikuši arī divi nepabeigti romāni —«Pie Lielā pumpja» un «Pans Ignacs».

Pēckara periodika atkalredzēšanās ar Rutku Tēvu sākās 1976. gadā, kad iznāca izlase «Dumpīgā Rīga» (tur ievietoti romāni «Klibā Skrodera iela», «Dum­pīgā Rīga», kā arī fragmenti no teātra anekdotēm), 1981. gadā tika izdots romāns «Sumpurņu ciems» un 1985. gadā—«Latvietis un viņa kungs».

Kaut gan romāns «Trīs vella kalpi» līdz šim grāmatā publicēts nav, mākslas mīļotāji to droši vien būs iepazinuši ar kino starpniecību: 1970. gadā uz mūsu ekrāniem parādījās Rīgas kinostudijas filma «Trīs vella kalpi» un 1972. gadā—«Vella kalpi vella dzirnavās».

«Trīs vella kalpu» adresāts galvenokārt laikam gan būs dēku literatūras cienītāji. Trīs varonīgo latviešu karakalpu — Andra, Pētera un Ērmaņa piedzīvojumiem bagātās gaitas zviedru kara laikā neatstās vienaldzīgus tos. kam tīk raita notikumu attīstība, asi sižeta pavērsieni un laimīgas beigas. Mazāk paliekošu vērtību te atradīs psiholoģisko žanru piekritēji. Un tomēr — varbūt šo trīs puišu vaibstos ir kaut kas no tā latviskā gara, kas mums (āvis izdzīvot visām sērgām un kariem cauri? Var­būt tāpēc viņi ir tik neuzveicami, spējīgi iet caur uguni un ūdeni, ka tik fanātiski tic brīvībai?

обложка книги "Tobago" maina kursu "Tobago" maina kursu

„Tobago" maina kursu

Gunārs Cīrulis Anatols Imermanis


Imermanis Anatols, īrulis ārs  
обложка книги The Winter Sea The Winter Sea Kearsley Susanna  
обложка книги The Sealed Letter The Sealed Letter

Miss Emily "Fido" Faithfull is a "woman of business" and a spinster pioneer in the British women's movement, independent of mind but naively trusting of heart. Distracted from her cause by the sudden return of her once-dear friend, the unhappily wed Helen Codrington, Fido is swept up in the intimate details of Helen's failing marriage and obsessive affair with a young army officer. What begins as a loyal effort to help a friend explodes into a courtroom drama that rivals the Clinton affair – complete with stained clothing, accusations of adultery, counterclaims of rape, and a mysterious letter that could destroy more than one life.

Based on a scandalous divorce case that gripped England in 1864, The Sealed Letter is a riveting, provocative drama of friends, lovers, and divorce, Victorian style.

Donoghue Emma  
The Pillars Of The Earth

A story of passion and idealism, which describes a group of men and women in the Middle Ages whose destinies are fatefully linked with the building of a cathedral. In a country torn by civil war, two generations struggle to rise above their primitive circumstances and create something beautiful.


“KEN FOLLETT TAKES A GIANT STEP!” – San Francisco Chronicle

“With this book Follett risks all and comes out a clear winner… a historical novel of gripping readability, authentic atmosphere and memorable characterization… Beginning with a mystery that casts its shadow… the narrative is a seesaw of tension… suspense… impeccable pacing… action, intrigue, violence and passion… ambition, greed, bravery, dedication, revenge and love… A NOVEL THAT ENTERTAINS, INSTRUCTS AND SATISFIES ON A GRAND SCALE.” – Publishers Weekly

“An extraordinary epic buttressed by suspense… a mystifying puzzle involving the execution of an innocent man… the erection of a magnificent cathedral… romance, rivalry and spectacle… A MONUMENTAL MASTERPIECE… A TOWERING TRIUMPH FROM A MAJOR TALENT.” – ALA Booklist

Follett Ken  
обложка книги The Boleyn Inheritance The Boleyn Inheritance

Three Women Who Share One Fate: The Boleyn Inheritance.

Anne of Cleves: She runs from her tiny country, her hateful mother, and her abusive brother to a throne whose last three occupants are dead. King Henry VIII, her new husband, instantly dislikes her. Without friends, family, or even an understanding of the language being spoken around her, she must literally save her neck in a court ruled by a deadly game of politics and the terror of an unpredictable and vengeful king. Her Boleyn Inheritance: accusations and false witnesses.

Katherine Howard: She catches the king's eye within moments of arriving at court, setting in motion the dreadful machine of politics, intrigue, and treason that she does not understand. She only knows that she is beautiful, that men desire her, that she is young and in love – but not with the diseased old man who made her queen, beds her night after night, and killed her cousin Anne. Her Boleyn Inheritance: the threat of the axe.

Jane Rochford: She is the Boleyn girl whose testimony sent her husband and sister-in-law to their deaths. She is the trusted friend of two threatened queens, the perfectly loyal spy for her uncle, the Duke of Norfolk, and a canny survivor in the murderous court of a most dangerous king. Throughout Europe, her name is a byword for malice, jealousy, and twisted lust. Her Boleyn Inheritance: a fortune and a title, in exchange for her soul.

The Boleyn Inheritance is a novel drawn tight as a lute string about a court ruled by the gallows and three women whose positions brought them wealth, admiration, and power as well as deceit, betrayal, and terror. Once again, Philippa Gregory has brought a vanished world to life – the whisper of a silk skirt on a stone stair, the yellow glow of candlelight illuminating a hastily written note, the murmurs of the crowd gathering on Tower Green below the newly built scaffold.

Gregory Philippa  
обложка книги The Queen's Fool The Queen's Fool

A stunning novel set in the Tudor court, as the rivalry between Queen Mary and her half-sister Elizabeth is played out against a background of betrayal, conflict and passion. The savage rivalry of the daughters of Henry VIII, Mary Tudor and Elizabeth, mirrors that of their mothers, Katherine of Aragon and Anne Boleyn. Each will fight by any available means for the crown and future of the kingdom. Elizabeth’s bitter struggle to claim the throne she believes is hers by right, and the man she desires almost more than her crown, is watched by her “fool”: a girl who has been forced to leave her homeland of Spain, as a Jew fleeing the Inquisition. In a court where truth is wittily denied and lies are mere games, it is the fool who can speak plainly: in these dangerous times, a woman must choose between ambition and love. Elizabeth will not make the same mistakes as her mother.

Gregory Philippa  
обложка книги The Wise Woman The Wise Woman

Alys joins the nunnery to escape hardship and poverty but finds herself thrown back into the outside world when Henry VIII's wreckers destroy her sanctuary. She uses witchcraft to win a lover but since heresy against the new church means the stake, and witchcraft the rope, Alys's danger is mortal.

Gregory Philippa  
обложка книги The Dovekeepers The Dovekeepers Hoffman Alice  
обложка книги The Flowers of War The Flowers of War

It is December 1937 and the Japanese Imperial Army has just entered Nanking. Unable to reach the Safety Zone in Pokou, a group of schoolgirls are hiding out in the compound of the St. Mary Magdalene mission. They are looked after by Father Engelmann, an American priest who has made China his home for many years. The church is supposed to be neutral ground in the war between China and Japan, but eyewitness reports from the outside make it clear the Japanese are not obeying the international rules of engagement. As the soldiers pour through the streets of Nanking, committing unspeakable atrocities on civilians, thirteen Chinese courtesans from a nearby brothel climb over the church compound's walls seeking refuge. Their presence further jeopardizes the children's safety and what happens next will change all of their lives.

A haunting, passionate story inspired by true life events during the Nanking Massacre, this novel shows how war challenges our prejudices and that love can flourish amidst death and destruction. The Flowers of War is an unforgettable journey through the depths of the human heart.


“I have long been a fan of Geling Yan’s fiction for its power to disturb us out of our ordinary worlds… The Flowers of War is [a] riveting tale that touches us at the center of our being.”

— Amy Tan, New York Times bestselling author of The Joy Luck Club

“I will never forget some of the characters in this short novel for their amazing acceptance of their destiny and their dignity throughout. That [Yan] was able to convey this with so much authority, yet so simply, is testament to [her] splendid talent.”

The Arts Fuse
Yan Geling  
обложка книги The Red Queen The Red Queen Gregory Philippa The Cousins  
обложка книги The Jewel of St Petersburg The Jewel of St Petersburg

Russia, 1910. Young Valentina Ivanova charms St Petersburg's aristocracy with her classic Russian beauty and her talent as a pianist. She scandalises society when she begins a romance with Jens Friis, a Danish engineer. He brings to her life a passion and an intimacy she has never known. Unbending in their opposition, her parents push her into a loveless engagement with a Russian count. Valentina struggles for independence and to protect her young sister from the tumult sweeping the city, as Russia is bound for rebellion. The Tsar, the Duma and the Bolsheviks are at each other's throats. Valentina is forced to make a choice that changes her life for ever…

Furnivall Kate  
обложка книги Tim Tim

El pájaro espino, la magnífica novela de Colleen McCullough, ha sido best seller en muchos países del mundo por su notable calidad literaria y el denso contenido humano que la distingue. Tim es una novela anterior de la misma autora, que no le va en zaga en forma alguna. Plantea el viejo problema de la edad en el amor, mejor dicho, de la diferencia de edades en el amor. Tim es un joven obrero de veinticinco años, hijo de un matrimonio humilde, que posee la belleza y la perfección física de un Adonis griego. Conserva, empero, una mente infantil, poco desarrollada. Mary es una solterona de más de cuarenta años que ha encontrado su tranquilidad espiritual consagrándose a su trabajo, hasta que, inesperadamente, un día ve a Tim. Estudio penetrante de psicología humana, escrita con dignidad y sencillez, Tim es otra notable creación de Colleen McCullough.

McCullough Colleen  
обложка книги The Independence of Miss Mary Bennet The Independence of Miss Mary Bennet

Lizzy Bennet married Mr Darcy, Jane Bennet married Mr Bingley – but what became of the middle daughter, Mary? Discover what came next in the lives and loves of Jane Austen's much loved Bennet family in this Pride and Prejudice spin-off from an international bestselling author Readers of Pride and Prejudice will remember that there were five Bennet sisters. Now, twenty years on, Jane has a happy marriage and large family; Lizzy and Mr Darcy now have a formidable social reputation; Lydia has a reputation of quite another kind; Kitty is much in demand in London's parlours and ballrooms; but what of Mary? Mary is quietly celebrating her independence, having nursed her ailing mother for many years. She decides to write a book to bring the plight of the poor to everyone's attention. But with more resolve than experience, as she sets out to travel around the country, it's not only her family who are concerned about her. Marriage may be far from her mind, but what if she were to meet the one man whose own fiery articles infuriate the politicians and industrialists? And if when she starts to ask similar questions, she unwittingly places herself in great danger?

McCullough Colleen  
обложка книги The Medici Queen aka The Devil’s Queen The Medici Queen aka The Devil’s Queen

The Medici Queen traces the evolution of Catherine de Medici – the great-granddaughter of Lorenzo the Magnificent – from an unloved, timid orphan to France's most cunning monarch, often blamed for the horrific 1572 St. Bartholomew's Day Massacre. From childhood, Catherine is troubled by bloody visions of her adopted country's evil future, a future she struggles to prevent by practical and occult means. Three times she consults with the astrologer Nostradamus in an effort to learn how to prevent the coming scourge. But when she is unable to give her husband heirs to the French throne, she resorts to the darkest magic possible in order to conceive – only to discover, in the end, that her most beloved child, King Henri III, will be the author of the bloodshed she so fears unless she risks her life and kingdom to destroy him. The Medici Queen is the tale of a country torn apart by religious strife and the savage internecine wars of the royal Valois, Bourbon and Guise dynasties.

Kalogridis Jeanne  
обложка книги The Dream of Scipio The Dream of Scipio

Set in Provence during the collapse of the Roman Empire in the 5th century, the Black Death in the 14th century, and World War II, this novel follows the fortunes of three men — a Gallic aristocrat, a poet and an intellectual who joins the Vichy government.

Pears Iain  
обложка книги The Kindly Ones The Kindly Ones

A literary prize-winning epic novel that has been a record-breaking bestseller in France, Germany, Italy, and Spain, and is keenly anticipated in the English-speaking world.

The Kindly Ones won the Prix Goncourt, France's most prestigious literary award, as well as the Académie Française's Prix de Littérature. It has sold more than one million copies in Europe alone.

The Kindly Ones is the fictional memoir of Dr. Max Aue, a former Nazi officer who survived the war and has reinvented himself, many years later, as a middle-class entrepreneur and family man in northern France. Max is an intellectual steeped in philosophy, literature, and classical music. He is also a cold-blooded assassin and the consummate bureaucrat. Through the eyes of this cultivated yet monstrous man, we experience the horrors of the Second World War and the Nazi genocide of the Jews in graphic, disturbingly precise detail. During the period from June 1941 through April 1945, Max is posted to Poland, the Ukraine, and the Caucasus; he is present at the Battle of Stalingrad, at Auschwitz and Cracow; he visits occupied Paris and lives through the chaos of the final days of the Nazi regime in Berlin. Although Max is a totally imagined character, his world is peopled by real historical figures, such as Eichmann, Himmler, Göring, Speer, Heydrich, Höss, and Hitler himself.

Massive in scope, horrific in subject matter, and shocking in its protagonist, Littell's masterpiece is intense, hallucinatory, and utterly original. Critics abroad have compared this provocative and controversial work of literature to Tolstoy's War and Peace, a classic epic of war that, like The Kindly Ones, is a morally challenging read.

Littell Jonathan  
обложка книги TRĪS musketieri-1 daļa TRĪS musketieri-1 daļa

TRĪS musketieri

Romāns divās daļās

Aleksandrs Dimā (tēvs)

Kopoti raksti piecpadsmit sējumos

RIGA 1994 Firma «Genmarin». Iespiesta tipogrāfijā «Rota»,


Calman-Levy, Ēditeurs

vs) Aleksandrs  
обложка книги TRĪS MUSKETIERI -2. daļa TRĪS MUSKETIERI -2. daļa


Aleksandrs Dimā(Tēvs)

Romāns divās daļās

RIGA 1994  Firma «Genmarin». Iespiesta tipogrāfijā «Rota»,

vs) Aleksandrs  


Aleksandrs Dimā (tēvs)

Kopoti raksti piecpadsmit sējumos

Desmitais sējums

Rīgā, 1994 

tulkojis J.Garciems

vs) Aleksandrs  
обложка книги „Tobago" maina kursu „Tobago" maina kursu

„Tobago" maina kursu

Gunārs Cīrulis Anatols Imermanis


Anatols Imermanis rulis  
обложка книги The Pleasure of Eliza Lynch The Pleasure of Eliza Lynch

An exquisitely written historical epic, Anne Enright's third novel is based on the true story of the beautiful Irishwoman Eliza Lynch, who, in the 1860s, became, briefly, the richest woman in the world. The book opens in Paris, with Eliza in bed with Francisco Solano Lopez – heir to the untold wealth of Paraguay. The fruit of their congress will be extraordinary, and will send her across the Atlantic: leading a caravan of servants, clothes, jewellery and champagne on the regal voyage down the River Parana to claim her glorious future in Asuncion.

What she finds is a narrow, provincial town: a decayed nobility, contemptuous of this Irish courtesan, and the oppressed poor, yearning for self-determination. Together with Lopez, Eliza embarks on a series of disastrous wars that define the nation and demonstrate her power. She seems to carry all before her, until the moment when she discovers the true sweep of her own cruelty.

With the lavish imaginative richness of Marquez and the crazed panoramic sweep of Herzog's Fitzcarraldo, The Pleasure of Eliza Lynch is a bold and brilliantly achieved novel about sex, beauty and, corruption and the end of the old world.

Enright Anne  
обложка книги Tajemnica Królestwa Tajemnica Królestwa

Marek Mezencjusz Manilianus, obywatel rzymski, przybywa do Aleksandrii, gdzie zaczyna badać zawarte w świętych księgach przepowiednie i proroctwa różnych ludów cesarstwa. Za najbardziej intrygującą uznaje żydowską zapowiedź nadejścia odkupiciela i zbudowania Królestwa, zwłaszcza że wiele znaków i wydarzeń zdaje się świadczyć, iż czas ten właśnie nadszedł. Wyrusza w końcu do Jerozolimy i trafia na chwilę, gdy ukrzyżowany zostaje Jezus Nazarejski. Coraz bardziej zaciekawiony Marek rozpoczyna wędrówkę jego śladami…

Waltari Mika  
обложка книги The Romanov Bride The Romanov Bride

The last in the bestselling trilogy – the drama of a grand duchess and the peasant who determines her fate

As the Russia of Nicholas and Alexandra rushes toward catastrophe, the Grand Duchess Elisavyeta is ensconced in the lavish and magnificent Romanov court. In the same city, but worlds apart, Pavel is a simple village man in search of a better life. When his young wife, Shura, is shot and killed by tsarist soldiers during a political demonstration, Pavel dedicates his life to overthrowing the Romanovs. Pavel's underground group assassinates Elisavyeta's husband, the grand duke, changing her life forever.

Grief-stricken, the grand duchess gives up her wealth and becomes a nun dedicated to the poor people of Russia. When revolution finally sweeps in, Elisavyeta is the last Romanov captured, ripped from her abbey in the middle of the night and shuttled to Siberia. It is here, in a distant wood on a moonlit night, that Pavel is left to decide her fate.

The Romanov Bride is Alexander's fullest and most engaging book yet. Combining stunning writing with a keen talent for storytelling, Alexander uncovers more compelling Romanov drama and intrigue for his many readers and all fans of historical fiction.

Alexander Robert  

Toward the middle of the sixteenth century, as the Ashikaga shogunate crumbled, Japan came to resemble one huge battlefield. Rival warlords vied for dominance, but from among them three great figures emerged, like meteors streaking against the night sky. These three men, alike in their passion to control and unify Japan, were strikingly different in personality: Nobunaga, rash, decisive, brutal; Hideyoshi, unassuming, subtle, com­plex; Ieyasu, calm, patient, calculating. Their divergent philosophies have long been recalled by the Japanese in a verse known to every schoolchild:

What if the bird will not sing?

Nobunaga answers, "Kill it!"

Hideyoshi answers, "Make it want to sing."

Ieyasu answers, "Wait."

This book, Taiko (the title by which Hideyoshi is still known in Japan), is the story of the man who made the bird want to sing.

Yoshikawa Eiji  
The Art of War (chinese)

(Chinese: 孫子兵法) is a Chinese military treatise written during the 6th century BC by Sun Tzu. Composed of 13 chapters, each of which is devoted to one aspect of warfare, it has long been praised as the definitive work on military strategies and tactics of its time.The Art of War is one of the oldest books on military strategy in the world. Like a work of mathematics or science, much of the work is dedicated to defining its concepts in what has been described as a series of formulas. It is the first and one of the most successful works on strategy and has had a huge influence on Eastern and Western military thinking, business tactics, and beyond. Sun Tzu was the first to recognize the importance of positioning in strategy and that position is affected both by objective conditions in the physical environment and the subjective opinions of competitive actors in that environment. He taught that strategy was not planning in the sense of working through a to-do list, instead it requires quickly responding appropriately to changing conditions. Planning works in a controlled environment, but in a competitive environment, competing plans collide creating situations that no one plans.The book was first translated into a European language in 1782 by French Jesuit Jean Joseph Marie Amiot, and had possibly influenced Napoleon, and even the planning of Operation Desert Storm. Leaders as diverse as Mao Zedong, General Pervez Musharraf, Vo Nguyen Giap, and General Douglas MacArthur have claimed to have drawn inspiration from the work.The Art of War has also been applied, with much success, to business and managerial strategies.

Sun Tzu  
The Killer Angels

The Killer Angels (1974) is a historical novel by Michael Shaara that was awarded the Pulitzer Prize for Fiction in 1975. The book tells the story of four days of the Battle of Gettysburg in the American Civil War: June 29, 1863, as the troops of both the Union and the Confederacy move into battle around the town of Gettysburg, Pennsylvania, and July 1, July 2, and July 3, when the battle was fought. A film adaption of the novel, titled Gettysburg, was released in 1993.

Reading about the past is rarely so much fun as on these pages.

Shaara Michael  
The Ruby In Her Navel

If one had the misfortune to be born in the 12th century, then Sicily was the place to be. The Normans had conquered the island, finding it effectively divided in two, inhabited partly by Arabs, partly by Greeks. From the outset, they had given both these communities major responsibility in the government. As well as Latin and Norman French, Greek and Arabic were official languages of the developing state; and when in 1130 that state became a kingdom under Roger II, it was already an example to all Europe of cultural and religious toleration. The chief minister and head of the all-important navy was always a Greek (our word admiral derives through Norman Sicily from the Arab title of emir), while the treasury was entrusted to Arabs, whose mathematics were better than anyone else's.

Roger himself was as unlike a Norman knight as it is possible to be. Brought up in Palermo by an Italian mother in a world of Greek and Muslim tutors, he was a southerner – indeed, an oriental – through and through; and the chapel that he built in the Royal Palace is one of the wonders of the world. The ground plan is that of a western basilica; but the walls are encrusted with Byzantine mosaics as fine as any in existence, while the wooden roof, in the classical Islamic style, would do credit to Cairo or Damascus. Here as nowhere else the Norman achievement is given visual expression.

But of course it was all too good to last. The independent Norman kingdom of Sicily endured only 64 years, ending soon after the death of the last legitimate king, William the Good. But perhaps that kingdom, swallowed up by the Holy Roman Empire, carried within itself the seeds of its own destruction. It was too heterogeneous, too eclectic, too cosmopolitan. It hardly tried – or perhaps it had no time – to develop any natural traditions of its own. And it paid the price.

Here, then, is the tragedy that forms the backdrop to the Booker-longlisted The Ruby in her Navel. Nowadays the story of Norman Sicily is largely and undeservedly forgotten; knowing it and loving it as I do, I picked the book up with some trepidation (which, I may say, was hardly diminished by its appalling title). But I have long admired its author, so I plunged in – and was instantly, and almost literally, transported. Now, it is not easy to transport a reader 1,000 years into the past, into a country and cultural climate 1,000 miles away from his own; I can only say that Unsworth succeeded triumphantly. His hero, born in England of a Norman father but brought to Sicily as a child, tells his story in the first person. It begins with him working as a civil servant in the office of a high-ranking Arab; he is sent on a mission to Calabria, where he meets a troupe of travelling dancers from eastern Anatolia (one of them the owner of the eponymous navel) and where he is accidentally reunited with a childhood sweetheart, now unhappily married. There follows a somewhat picaresque story of love, betrayals and attempted regicide, all of it set against the constant rivalries of Latin and Greek, Christian and Muslim – the latter further exacerbated by the recent catastrophic second crusade.

It is a good story, which holds the attention from start to finish; but its real strength lies in the power of the author's historical imagination. He made me feel what it was actually like to live, work and travel in Norman Sicily. There is no whitewashing; almost all the characters, including the narrator himself, are to a greater or lesser degree unpleasant. But life, one feels, was never dull, if one had the misfortune to be born in the 12th century.

Unsworth Barry  
Todo bajo el Cielo

Elvira, pintora española afincada en el París de las vanguardias, recibe la noticia de que su marido, con el que está casada por amistad, ha muerto en su casa de Shanghai en extrañas circunstancias.

Acompañada por su sobrina, zarpa desde Marsella en barco para recuperar el cadáver de Remy sin saber que éste es sólo el principio de una gran aventura por China en busca del tesoro del Primer Emperador. Sin tiempo para reaccionar se verá perseguida por los mafiosos de la Banda Verde y los eunucos imperiales, y contará con la ayuda del anticuario Lao Jiang y su sabiduría oriental en un gran recorrido que les llevará desde Shanghai hasta Xián, donde se encuentra la tumba del Primer Emperador y la última pieza del tesoro mejor guardado.

Asensi Matilde  
обложка книги The Nameless Castle The Nameless Castle

The novel by the Hungarian classic gives an account of the Hungary during the war against Napoleon in 1809.

Jokai Maurus  
обложка книги Tierra Firme Tierra Firme

Mar Caribe, 1598. Tras sobrevivir a un abordaje pirata, que acaba con la vida de toda la tripulación, la joven Catalina Solís, exhausta y abatida por el brutal asesinato de su hermano durante el ataque, alcanza finalmente una isla. Después de dos años de penurias y adversidades, un navío arriba a la costa del islote. El maestre del barco decide adoptarla, y presentarla como un hijo mestizo desconocido hasta entonces para él.

A partir de ese momento, convertida en Martín Nevares, Catalina descubrirá la libertad y la lealtad en un Nuevo Mundo repleto de peligrosos contrabandistas, corsarios y extorsionadores.

Asensi Matilde  
обложка книги Thirteen Years Later Thirteen Years Later

In the summer of 1812, before the Oprichniki came to the help of Mother Russia in her fight against Napoleon, one of their number overheard a conversation between his master, Zmyeevich, and another. He learned of a feud, an unholy grievance between Zmyeevich and the rulers of Russia, the Romanovs, that began a century earlier at the time of Peter the Great. Indeed, while the Oprichniki's primary reason for journeying to Russia is to stop the French, one of them takes a different path. For he has a different agenda, he is to be the nightmare instrument of revenge on the Romanovs. But thanks to the valiant efforts of Captain Aleksei Ivanovich Danilov, this maverick monster would not be able to begin to complete his task until thirteen years later. Now that time has come: it is 1825 and Russia once more stands on the brink of anarchy, and this time the threat comes from within…

Kent Jasper  
обложка книги Twelve Twelve

Zmyeevich had remained standing and now began to speak in very precise, but very formal and strangely accented French. His voice had a darkness to it that seemed to emit not from his throat but from deep in his torso. Somewhere inside him it was as if giant millstones were turning against one another, or as though the lid were being slowly dragged aside to open a stone sarcophagus…On 12th June 1812, Napoleon's massive grande armee forded the River Niemen and so crossed the Rubicon – its invasion of Russia had begun. In the face of superior numbers and tactics, the imperial Russian army began its retreat. But a handful of Russian officers – veterans of Borodino – are charged with trying to slow the enemy's inexorable march on Moscow. Indeed, one of their number has already set the wheels of resistance in motion, having summoned the help of a band of mercenaries from the outermost fringes of Christian Europe.Comparing them to the once-feared Russian secret police – the Oprichniki – the name sticks. As rumours of plague travelling west from the Black Sea reach the Russians, the Oprichniki – but twelve in number – arrive.Preferring to work alone, and at night, the twelve prove brutally, shockingly effective against the French. But one amongst the Russians, Aleksei Ivanovich Danilov, is unnerved by the Oprichniki's ruthlessness…as he comes to understand the true, horrific nature of these strangers, he wonders at the nightmare they've unleashed in their midst…Full of authentic historical detail and heart-stopping supernatural moments, and boasting a page-turning narrative, "Twelve" is storytelling at its most original and exciting.

Kent Jasper  
обложка книги The Danish Girl The Danish Girl

Though the title character of David Ebershoff's debut novel is a transsexual, The Danish Girl is less explicitly concerned with transgender issues than the mysterious and ineffable nature of love and transformation in relationships.

Loosely based on the life of Danish painter Einar Wegener who, in 1931, became the first man to undergo a sex-change operation, The Danish Girl borrows the bare bones of his story as a starting point for an exploration of how Wegener's decisions affected the people around him. Chief among these is his Californian wife, Greta, also a painter, who unwittingly sets her husband's feet on the path to transformation when, trying to finish a portrait, she asks Einar to stand in for her female sitter. Putting on her clothes and shoes, he is shaken:

Einar could concentrate only on the silk dressing his skin, as if it were a bandage. Yes, that was how it felt the first time: the silk was so fine and airy that it felt like a gauze-a balm-soaked gauze lying delicately on healing skin. Even the embarrassment of standing before his wife began to no longer matter, for she was busy painting with a foreign intensity in her face. Einar was beginning to enter a shadowy world of dreams where Anna's dress could belong to anyone, even to him.

Greta encourages her husband not only to dress like a woman, but to take on a woman's persona, as well. What starts out as a harmless game soon evolves into something deeper, and potentially threatening to their marriage. Yet Greta's love proves to be enduring if not immutable.

Ebershoff's historical prestidigitation is remarkable, making it seem easy to create the sights and sounds and smells of 1930s Denmark. Even more remarkable is his treatment of Greta: he gets inside her head and heart, and renders her in such loving detail that her reactions make perfect sense. Ebershoff's sensitivity to Greta is one of the finest achievements of this startling first novel; Einar is more of a cipher. In the end, this is Greta's book and David Ebershoff has done her proud. -Sheila Bright

Ebershoff David  
обложка книги The Luxe The Luxe

Pretty girls in pretty dresses, partying until dawn.

Irresistible boys with mischievous smiles and dangerous intentions.

White lies, dark secrets, and scandalous hookups.

This is Manhattan, 1899.

Beautiful sisters Elizabeth and Diana Holland rule Manhattan's social scene. Or so it appears. When the girls discover their status among New York City's elite is far from secure, suddenly everyone--from the backstabbing socialite Penelope Hayes, to the debonair bachelor Henry Schoonmaker, to the spiteful maid Lina Broud--threatens Elizabeth's and Diana's golden future.

With the fate of the Hollands resting on her shoulders, Elizabeth must choose between family duty and true love. But when her carriage overturns near the East River, the girl whose glittering life lit up the city's gossip pages is swallowed by the rough current. As all of New York grieves, some begin to wonder whether life at the top proved too much for this ethereal beauty, or if, perhaps, someone wanted to see Manhattan's most celebrated daughter disappear...

In a world of luxury and deception, where appearance matters above everything and breaking the social code means running the risk of being ostracized forever, five teenagers lead dangerously scandalous lives. This thrilling trip to the age of innocence is anything but innocent.

Godbersen Anna Luxe  
обложка книги The Last Empress The Last Empress

The last decades of the nineteenth century were a violent period in China"s history marked by humiliating foreign incursions and domestic rebellion, ultimately ending in the demise of the Ch"ing dynasty. The only constant during this tumultuous time was the power wielded by one person: the resilient, ever-resourceful Tzu Hsi, or Empress Orchid, as readers came to know her in Anchee Min"s critically acclaimed novel covering the first part of this complex woman"s life.

The Last Empress is the story of Orchid"s dramatic transition from a strong-willed, instinctive young woman to a wise and politically savvy leader. Moving from the intimacy of the concubine quarters into the spotlight of the world stage, Orchid must not only face the perilous condition of her empire but also a series of devastating personal losses, as first her son and then her adopted son succumb to early death. Yearning only to step aside, and yet growing constantly into her role, only she-allied with the progressives, but loyal to the conservative Manchu clan of her dynasty-can hold the nation"s rival

factions together.

Anchee Min offers a powerful revisionist portrait based on extensive research of one of the most important figures in Chinese history. Viciously maligned by the western press of the time as the "Dragon Lady," a manipulative, blood-thirsty woman who held onto power at all costs, the woman Min gives us is a compelling, very human leader who assumed power reluctantly, and who sacrificed all she had to protect those she loved and an empire that was doomed to die.

Min Anchee  
обложка книги The Borgia Bride The Borgia Bride

This sweeping historical novel tells the dramatic tale of that most intriguing of Renaissance women, Lucrezia Borgia. In 1502, the Borgia Terror is at its height. Pope Alexander VI and his infamous son, Cesare, have murdered their way to power: no one is safe. The poor are starving to death, the rich are terrified for their lives. Rome is under seige and the River Tiber is full of new bodies every day. Born into the most powerful and corrupt family at the heart of the snake-pit that is Renaissance Italy, Lucrezia Borgia is destined to be remembered by history as an evil, scheming seductress and poisoner. If a woman in Lucrezia's unenviable position is to survive, she must use the weapons at her disposal: sex, poison and intelligence. Having been raped by her father, the Pope, on her wedding night at the age of thirteen, Lucrezia is then faced with the murder of her first husband by her lecherous brother Cesare, who lusts after her himself. When a second marriage is proposed she fears she will be separated from her child, Giovanni, the result of her father's incestuous attentions. She is surprised and delighted to find herself falling in love with her second husband. But will she have the will and the courage to protect him when he becomes a threat to Alexander and Cesare's schemes?

Kalogridis Jeanne  
обложка книги The house of Doctor Dee The house of Doctor Dee

This novel centres on the famous 16th-century alchemist and astrologer John Dee. Reputedly a black magician, he was imprisoned by Queen Mary for allegedly attempting to kill her through sorcery. When Matthew Palmer inherits an old house in Clerkenwell, he feels that he has become part of its past.

Ackroyd Peter  
обложка книги The Winter King The Winter King

These are the tales of the last days before the great darkness descended. These are the tales of the Lost Lands, the country that was once ours but which our enemies now call England. These are the tales of Arthur, the Warlord'; the King that Never Was, the Enemy of God and, may the living Christ forgive me, the best man I ever knew. How I have wept for Arthur…

Fifth century Britain lies on the edge of darkness. Memories of Roman civilization are fading; the pagan Gods are retreating before the spread of Christianity; the Saxons are snapping and snarling at the borders. Only fragile bonds unite the unruly kingdoms of Britain against the invaders, bonds cemented by the vigour of the High King, Uther Pendragon. But the Pendragon is failing, and his heir is no strong leader but a child, born on a bitter winter night.

Only one man could keep Uther's throne safe,only he could hold the warring kingdoms together to face their true enemy, the Saxons. That man is Arthur: soldier, statesman, Merlin's protege, Uther's illegitimate son. But he has been banished, exiled by his own father to Brittany. Derfel, one of his spearmen, narrates the story of Arthur's return and of his quest for peace: embattled, bloody and, finally, triumphant.

The Winter King is a magnificent tale of the Dark Ages and the reality of war and political strife in a land where religion vied with magic for the souls of the people. It portrays Arthur the man rather than the legend, a military genius who, with a small band of warriors bound to him by loyalty and love, struggled to keep alive a flicker of civilization.

Cornwell Bernard The Warlord Chronicles  
обложка книги The Indian War of 1864 The Indian War of 1864

Прекрасной историческое исследование о военых действиях против индейцев южных равнин в 1864 году

Ware Eugene  
обложка книги The War of 1864 The War of 1864

Прекрасное историческое исследование о войне на южных равнинах в 1864 году против индейцев.

Ware Eugeine  
обложка книги The Paper Princess The Paper Princess

From the top of his faultlessly groomed head to the tips of his fashionable shoes, Lord Andrew Childe was every inch the perfect gentleman.

Chesney Marion  
обложка книги The Hollow Nickel The Hollow Nickel

1962 год.

Президент США, Уайт Эйзенхауэр, вызвал Директора ФБР Эдгара Гувера и сообщил ему о своем решении обменять американского пилота Гарри Пауэрса на советского шпиона Рудольфа Абеля.

Эдгар Гувер, человек со стальными нервами, впервые не смог сдержать своё возмущение и во все услышанье заявил:

"Мы отдаем ювелира, взамен получаем водопроводчика".

О подлинной подоплёке провала и ареста Рудольфа Абеля читайте в сенсационной повести Алекса Фельдмана

Вельдман Алекс  
обложка книги Three Novels of Ancient Egypt Three Novels of Ancient Egypt

From Nobel laureate Naguib Mahfouz: the three magnificent novels—published in an omnibus edition for the first time — that form an ancient-Egyptian counterpart to his famous Cairo Trilogy.

Mahfouz reaches back thousands of years to bring us tales from his homeland's majestic early history — tales of the Egyptian nobility and of war, star-crossed love, and the divine rule of the pharoahs. In Khufu's Wisdom, the legendary Fourth Dynasty monarch faces the prospect of the end of his rule and the possibility that his daughter has fallen in love with the man prophesied to be his successor. Rhadopis of Nubia is the unforgettable story of the charismatic young Pharoah Merenra II and the ravishing courtesan Rhadopis, whose love affair makes them the envy of all Egyptian society. And Thebes at War tells the epic story of Egypt's victory over the Asiatic foreigners who dominated the country for two centuries.

Three Novels of Ancient Egypt gives us a dazzling tapestry of ancient Egypt and reminds us of the remarkable artistry of Naguib Mahfouz.

Mahfouz Naguib  
обложка книги The Dark Monk The Dark Monk

1648, a small village in the Alps: In the thick of a blizzard, a town priest discovers he's been poisoned. As numbness creeps up his body, he summons the last of his strength and scratches a sign in the frost that will lead the town hangman, his daughter, and the town physician in pursuit of a treasure of the Knights Templar. But the priest's murderer is already on their trail, and he's not the only one after the legendary fortune: a dark monk is not far behind, and a band of thieves is roving the countryside, attacking solitary travelers and spreading panic. The race is on, and the stakes are high.

Delivering on the promise of his first book, Oliver Pötzsch takes readers on a whirlwind tour through the occult hiding places of Bavaria's ancient monasteries, bringing to life the compassionate hangman who's destined to join the ranks of literature's most beloved characters.

ötzsch Oliver  
обложка книги The Wanderer The Wanderer

A novel of passion and intrigue in the Holy Wars of the XVI century, by the author of The Egyptian, The Etruscan, and The Secret of the Kingdom. From the back cover: "Had I – Michael of Finlandia – but known this, I would never have saved her from the lust of the Moslem pirates. Nor would I ever have married her. But at first I did not know. After we became slaves of Suleiman the Magnificent, it took all my quick wits just to keep us alive. All my quick wits, and my brother's skill with guns, and Giulia's gift of prophecy. So we rose to wealth and power. And then, fascinated by her magnetic eyes and her loving ways, I set out to follow the Crescent, leaving her behind to intrigue in the sultan's harem. And to bring about my undoing."

Waltari Mika  
обложка книги The Winds of War The Winds of War

Follows the various members of the Henry family as they become involved in the events preceeding America's involvement in World War II.

About the Author

Herman Wouk's acclaimed novels include the Pulitzer-Prize winning The Caine Mutiny; Marjorie Morningstar; Don't Stop the Carnival; Youngblood Hawke; Inside, Outside; The Hope; and The Glory.

Wouk Herman  
обложка книги The White Queen The White Queen

BROTHER TURNS ON BROTHER to win the ultimate prize, the throne of England, in this dazzling account of the wars of the Plantagenets. They are the claimants and kings who ruled England before the Tudors, and now Philippa Gregory brings them to life through the dramatic and intimate stories of the secret players: the indomitable women, starting with Elizabeth Woodville, the White Queen.

The White Queen tells the story of a woman of extraordinary beauty and ambition who, catching the eye of the newly crowned boy king, marries him in secret and ascends to royalty. While Elizabeth rises to the demands of her exalted position and fights for the success of her family, her two sons become central figures in a mystery that has confounded historians for centuries: the missing princes in the Tower of London whose fate is still unknown. From her uniquely qualified perspective, Philippa Gregory explores this most famous unsolved mystery of English history, informed by impeccable research and framed by her inimitable storytelling skills.

With The White Queen, Philippa Gregory brings the artistry and intellect of a master writer and storyteller to a new era in history and begins what is sure to be another bestselling classic series from this beloved author.

Gregory Philippa  
обложка книги The Sea and the Silence The Sea and the Silence

A book for your head and your heart.

A powerful novel from one of Ireland’s best writers on the turbulent birth of a nation, and the lovers it divides.

Ireland 1945. Young and beautiful, Iz begins a life on the south-east coast with her new husband. As she settles in to try and make her life by the ever restless sea, circumstances that have brought Iz to the town of Monument are shrouded in mystery. However, history, like the sea cannot stay silent for long. The war in Europe is over, and change is about to brush away the old order. Soaring across the decades that follow Ireland’s newly won independence, sweeping across the fierce class issues and battles over land ownership that once defined Irish society, The Sea and the Silence is an epic love story set inside the fading grandeur of the Anglo-Irish class.

Cunningham Peter  
обложка книги The Captive The Captive Холт Виктория  
обложка книги The Katyn Order The Katyn Order

The German war machine is in retreat as the Russians advance. In Warsaw, Resistance fighters rise up against their Nazi occupiers, but the Germans retaliate, ruthlessly leveling the once-beautiful city. American Adam Nowak has been dropped into Poland by British intelligence as an assassin and Resistance fighter. During the Warsaw Uprising he meets Natalia, a covert operative who has lost everything—just as he has. Amid the Allied power struggle left by Germany’s defeat, Adam and Natalia join in a desperate hunt for the 1940 Soviet order authorizing the murders of 20,000 Polish army officers and civilians. If they can find the Katyn Order before the Russians do, they just might change the fate of Poland.

Jacobson Douglas W  
обложка книги The Tinsmith The Tinsmith

During the bloodiest single-day battle in American history, Anson Baird, a surgeon for the Union Army, is on the front line tending to the wounded. As the number of casualties rises, a mysterious soldier named John comes to Anson’s aid. Deeply affected by the man’s selfless actions, Anson soon realizes that John is no ordinary soldier, and that he harbours a dangerous secret. In the bizarre aftermath of the Battle of Antietam, this secret forges an intense bond between the two men.

Twenty years later on the Fraser River in British Columbia, Anson arrives to find his old comrade-in-arms mysteriously absent, an apparent victim of the questionable business ethics of the pioneer salmon canners. Haunted by the violence of his past, and disillusioned with his present, Anson is compelled to discover the fate of his missing friend, a fate inextricably linked to his own.

Bowling Tim  
обложка книги The Concert Ticket The Concert Ticket

Anna is on her way home from work on a cold winter’s day when she sees a crowd queuing at a kiosk. Though a queue is not an unusual sight in a Russian city, this appears different. There’s a rumour that famous exiled composer Selinksy is returning to conduct his last symphony for one night only—and this kiosk is selling tickets.

The acquisition of tickets to this concert becomes an obsession in Anna’s small family. Her husband, a tuba player in a state band, sees the ticket as a way of embarking on an illicit affair. Their son thinks going to the concert will help him flee to the West on Selinksy’s coattails. And Anna? She secretly hopes the ticket will make her husband love her again.

The Concert Ticket is a heartbreaking novel about the secret, profound longings at the heart of a family struggling in a time of great repression.

Grushin Olga  
обложка книги The Chisholms: A novel of the journey West The Chisholms: A novel of the journey West

Hadley, the rattlesnake-toting patriarch who took his comfort where he found it — in the Bible, the bottle or the bed... Minerva, the lusty, stubborn woman he loved, shepherding her young through the harsh realities of the way west and the terrifying passions in their own hearts... Will, the brawling, hard-drinking sinner who sought salvation in the arms of a savage... Bobbo and Gideon, boys at the start of a journey, blood-stained men at the end... Bonnie Sue, too young to love, too ripe not to; a child forced to womanhood in the wilderness... Annabel, the youngest, whose quiet courage was tested in an act of unspeakable savagery. The Chisholms — a family as raw and unyielding as the soil of Virginia they left behind; as wild and enduring as the dream they pursued across the American continent.

Hunter Evan  
обложка книги The Letters of Menakhem-Mendl and Sheyne-Sheyndl and Motl, the Cantor's Son The Letters of Menakhem-Mendl and Sheyne-Sheyndl and Motl, the Cantor's Son

This volume presents an outstanding new translation of two favorite comic novels by the preeminent Yiddish writer Sholem Aleichem (1859–1916). The Letters of Menakhem Mendl and Sheyne Sheyndl portrays a tumultuous marriage through letters exchanged between the title character, an itinerant bumbler seeking his fortune in the cities of Russia before departing alone for the New World, and his scolding wife, who becomes increasingly fearful, jealous, and mystified. Motl, Peysi the Cantor’s Son is the first-person narrative of a mischievous and keenly observant boy who emigrates with his family from Russia to America. The final third of the story takes place in New York, making this Aleichem’s only major work to be set in the United States.

Motl and Menakhem Mendl are in one sense opposites: the one a clear-eyed child and the other a pathetically deluded adult. Yet both are ideal conveyors of the comic disparity of perception on which humor depends. If Motl sees more than do others around him, Menakhem Mendl has an almost infinite capacity for seeing less. Aleichem endows each character with an individual comic voice to tell in his own way the story of the collapse of traditional Jewish life in modern industrial society as well as the journey to America, where a new chapter of Jewish history begins. This volume includes a biographical and critical introduction as well as a useful glossary for English language readers.

Aleichem Sholem  
обложка книги Toby's Room Toby's Room

Pat Barker, Booker prize-winning author of the Regeneration trilogy returns to WWI in this dark, compelling novel of human desire, wartime horror and the power of friendship.

Toby and Elinor, brother and sister, friends and confidants, are sharers of a dark secret, carried from the summer of 1912 into the battlefields of France and wartime London in 1917.

When Toby is reported 'Missing, Believed Killed', another secret casts a lengthening shadow over Elinor's world: how exactly did Toby die — and why? Elinor's fellow student Kit Neville was there in the fox-hole when Toby met his fate, but has secrets of his own to keep. Enlisting the help of former lover Paul Tarrant, Elinor determines to uncover the truth. Only then can she finally close the door to Toby's room.

Moving from the Slade School of Art to Queen Mary's Hospital, where surgery and art intersect in the rebuilding of the shattered faces of the wounded, Toby's Room is a riveting drama of identity, damage, intimacy and loss from the author of The Eye in the Door and The Ghost Road. It is Pat Barker's most powerful novel yet.

Barker Pat  
обложка книги The Ghost Road The Ghost Road

Winner of the Booker Prize, The Ghost Road is the brilliant conclusion to Pat Barker's World War I fiction trilogy, which began with the acclaimed and prize-winning novels Regeneration and The Eye in the Door.

In the closing months of World War I, psychologist William Rivers treats the mental casualties of the war, making them whole enough to return to battle. As Dr. Rivers treats his patients, he begins to see the parallels between the culture of death in the tribes of the South Seas, where he served as a young missionary doctor, and in Europe in the grips of World War I. At the same time, Billy Prior, one of Dr. Rivers's patients, returns to France, where millions of men engaged in brutal trench warfare are all "ghosts in the making," to fight a war he no longer believes in.

Combining poetic intensity with gritty realism, Pat Barker both escapsulates history and transcends it in this modern masterpiece.

Barker Pat The Regeneration Trilogy  
обложка книги The Eye in the Door The Eye in the Door

The Eye in the Door is the second novel in Pat Barker's classic Regeneration trilogy. WINNER OF THE 1993 GUARDIAN FICTION PRIZE. London, 1918. Billy Prior is working for Intelligence in the Ministry of Munitions. But his private encounters with women and men — pacifists, objectors, homosexuals — conflict with his duties as a soldier, and it is not long before his sense of himself fragments and breaks down. Forced to consult the man who helped him before — army psychiatrist William Rivers — Prior must confront his inability to be the dutiful soldier his superiors wish him to be… The Eye in the Door is a heart-rending study of the contradictions of war and of those forced to live through it. 'A new vision of what the First World War did to human beings, male and female, soldiers and civilians'A. S. Byatt, Daily Telegraph 'Every bit as waveringly intense and intelligent as its predecessor'Sunday Times 'Startlingly original. spellbinding'Sunday Telegraph 'Gripping, moving, profoundly intelligent. bursting with energy and darkly funny'Independent on Sunday Pat Barker was born in 1943. Her books include the highly acclaimed Regeneration trilogy, comprising Regeneration, which has been filmed, The Eye in the Door, which won the Guardian Fiction Prize, and The Ghost Road, which won the Booker Prize. The trilogy featured the Observer's 2012 list of the ten best historical novels. She is also the author of the more recent novels Another World, Border Crossing, Double Vision, Life Class, and Toby's Room. She lives in Durham.

Barker Pat The Regeneration Trilogy  
обложка книги The 42nd Parallel The 42nd Parallel

With his U.S.A. trilogy, comprising THE 42nd PARALLEL, 1919, and THE BIG MONEY, John Dos Passos is said by many to have written the great American novel. While Fitzgerald and Hemingway were cultivating what Edmund Wilson once called their “own little corners”, John Dos Passos was taking on the world. Counted as one of the best novels of the twentieth century by the Modern Library and by some of the finest writers working today, U.S.A. is a grand, kaleidoscopic portrait of a nation, buzzing with history and life on every page.

The trilogy opens with THE 42nd PARALLEL, where we find a young country at the dawn of the twentieth century. Slowly, in stories artfully spliced together, the lives and fortunes of five characters unfold. Mac, Janey, Eleanor, Ward, and Charley are caught on the storm track of this parallel and blown New Yorkward. As their lives cross and double back again, the likes of Eugene Debs, Thomas Edison, and Andrew Carnegie make cameo appearances.

“David Drummond is fully invested in the project…. His interpretation fits Dos Passos’s unique style…Drummond’s approach brings listeners into this distinctive fictional world with fervor and energy.” — AudioFile

“The single greatest novel any of us have written, yes, in this country in the last one hundred years.” — Norman Mailer

Passos John Dos The U.S.A. Trilogy  
обложка книги Three Soldiers Three Soldiers

Part of the generation that produced Ernest Hemingway and Ford Madox Ford, John Dos Passos wrote one of the most grimly honest portraits of World War I. Three Soldiers portrays the lives of a trio of army privates: Fuselli, an Italian American store clerk from San Francisco; Chrisfield, a farm boy from Indiana; and Andrews, a musically gifted Harvard graduate from New York. Hailed as a masterpiece on its original publication in 1921, Three Soldiers is a gripping exploration of fear and ambition, conformity and rebellion, desertion and violence, and the brutal and dehumanizing effects of a regimented war machine on ordinary soldiers.

Passos John Dos  
обложка книги The Orchard of Lost Souls The Orchard of Lost Souls

It is 1988 and Hargeisa waits. Whispers of revolution travel on the dry winds but still the dictatorship remains secure. Soon, and through the eyes of three women, we will see Somalia fall.

Nine-year-old Deqo has left the vast refugee camp she was born in, lured to the city by the promise of her first pair of shoes.

Kawsar, a solitary widow, is trapped in her little house with its garden clawed from the desert, confined to her bed after a savage beating in the local police station.

Filsan, a young female soldier, has moved from Mogadishu to suppress the rebellion growing in the north.

And as the country is unravelled by a civil war that will shock the world, the fates of the three women are twisted irrevocably together.

Intimate, frank, brimming with beauty and fierce love, The Orchard of Lost Souls is an unforgettable account of ordinary lives lived in extraordinary times.

Mohamed Nadifa  
обложка книги The Moor's Account The Moor's Account


A New York Times Notable Book

A Wall Street Journal Top 10 Book of the Year

An NPR Great Read of 2014

A Kirkus Best Fiction Book of the Year

In this stunning work of historical fiction, Laila Lalami brings us the imagined memoirs of the first black explorer of America — a Moroccan slave whose testimony was left out of the official record.

In 1527, the conquistador Pánfilo de Narváez sailed from the port of Sanlúcar de Barrameda with a crew of six hundred men and nearly a hundred horses. His goal was to claim what is now the Gulf Coast of the United States for the Spanish crown and, in the process, become as wealthy and famous as Hernán Cortés.

But from the moment the Narváez expedition landed in Florida, it faced peril — navigational errors, disease, starvation, as well as resistance from indigenous tribes. Within a year there were only four survivors: the expedition’s treasurer, Álvar Núñez Cabeza de Vaca; a Spanish nobleman named Alonso del Castillo Maldonado; a young explorer named Andrés Dorantes de Carranza; and Dorantes’s Moroccan slave, Mustafa al-Zamori, whom the three Spaniards called Estebanico. These four survivors would go on to make a journey across America that would transform them from proud conquis-tadores to humble servants, from fearful outcasts to faith healers.

The Moor’s Account brilliantly captures Estebanico’s voice and vision, giving us an alternate narrative for this famed expedition. As the dramatic chronicle unfolds, we come to understand that, contrary to popular belief, black men played a significant part in New World exploration and Native American men and women were not merely silent witnesses to it. In Laila Lalami’s deft hands, Estebanico’s memoir illuminates the ways in which stories can transmigrate into history, even as storytelling can offer a chance for redemption and survival.

Lalami Laila  
обложка книги The Secret Countess The Secret Countess

Eva Ibbotson’s charming and warm-hearted tale, A Secret Countess was originally published as A Countess Below Stairs. Anna, a young countess, has lived in the glittering city of St Petersburg all her life in an ice-blue palace overlooking the River Neva. But when revolution tears Russia apart, her now-penniless family is forced to flee to England. Armed with an out-of-date book on housekeeping, Anna determines to become a housemaid and she finds work at the Earl of Westerholme’s crumbling but magnificent mansion. The staff and the family are sure there is something not quite right about their new maid — but she soon wins them over with her warmth and dedication. Then the young Earl returns home from the war — and Anna falls hopelessly in love. But they can never be together: Rupert is engaged to the snobbish and awful Muriel — and anyway, Anna is only a servant. Or so everybody thinks…

Ibbotson Eva  
обложка книги The Star of Kazan The Star of Kazan

In 1896, in a pilgrim church in the Alps, an abandoned baby girl is found by a cook and a housemaid. They take her home, and Annika grows up in the servants’ quarters of a house belonging to three eccentric Viennese professors. She is happy there but dreams of the day when her real mother will come to find her. And sure enough, one day a glamorous stranger arrives at the door. After years of guilt and searching, Annika’s mother has come to claim her daughter, who is in fact a Prussian aristocrat and whose true home is a great castle. But at crumbling, spooky Spittal Annika discovers that all is not as it seems in the lives of her new-found family… Eva Ibbotson’s hugely entertaining story is a timeless classic for readers young and old.

Ibbotson Eva  
обложка книги The Dressmaker The Dressmaker Ham Rosalie  
обложка книги The Baker's Daughter The Baker's Daughter

In 1945, Elsie Schmidt was a naïve teenager, as eager for her first sip of champagne as she was for her first kiss. But in the waning days of the Nazi empire, with food scarce and fears of sedition mounting, even the private yearnings of teenage girls were subject to suspicion and suppression. Elsie’s courtship by Josef Hub, a rising star in the Army of the Third Reich, has insulated her and her family from the terror and desperation overtaking her country. So when an escaped Jewish boy arrives on Elsie’s doorstep in the dead of night on Christmas Eve, Elsie understands that opening the door puts all she loves in danger.

Sixty years later, in El Paso, Texas, Reba Adams is trying to file a feel-good Christmas piece for the local magazine. Reba is a rolling stone, perpetually on the run from memories of a turbulent childhood, but she’s been in El Paso long enough to get a full-time job and a full-time fiancé, Riki Chavez. Riki, an agent with the U.S. Border Patrol, finds comfort in strict rules and regulations, whereas Reba knows that in every good story, lines will be blurred.

Reba's latest assignment has brought her to the shop of an elderly baker across town. The interview should take a few hours at most, but the owner of Elsie's German Bakery is no easy subject. Elsie keeps turning the tables on Reba, and Reba finds herself returning to the bakery again and again, anxious to find the heart of the story. For Elsie, Reba's questions have been a stinging reminder of darker times: her life in Germany during that last bleak year of WWII. And as Elsie, Reba, and Riki's lives become more intertwined, all are forced to confront the uncomfortable truths of the past and seek out the courage to forgive. 

Mccoy Sarah  
обложка книги The Vanishing Futurist The Vanishing Futurist

When twenty-two-year-old Gerty Freely travels to Russia to work as a governess in early 1914, she has no idea of the vast political upheavals ahead, nor how completely her fate will be shaped by them. Yet as her intimacy with the charismatic inventor, Nikita Slavkin, deepens, she’s inspired by his belief in a future free of bourgeois clutter, alight with creativity and sleek as a machine.

In 1917, revolution sweeps away the Moscow Gerty knew. The middle classes – and their governesses – are fleeing the country, but she stays, throwing herself into an experiment in communal living led by Slavkin. In the white-washed modernist rooms of the commune the members may be cold and hungry, but their overwhelming feeling is of exhilaration. They abolish private property and hand over everything, even their clothes, to the collective; they swear celibacy for the cause.

Yet the chaos and violence of the outside world cannot be withstood for ever. Nikita Slavkin’s sudden disappearance inspires the Soviet cult of the Vanishing Futurist, the scientist who sacrificed himself for the Communist ideal. Gerty, alone and vulnerable, must now discover where that ideal will ultimately lead.

Strikingly vivid, this debut novel by award-winning writer Charlotte Hobson pierces the heart with a story of fleeting, but infinite possibility.

Hobson Charlotte  
обложка книги The Star of Kazan The Star of Kazan

In 1896, in a pilgrim church in the Alps, an abandoned baby girl is found by a cook and a housemaid. They take her home, and Annika grows up in the servants’ quarters of a house belonging to three eccentric Viennese professors. She is happy there but dreams of the day when her real mother will come to find her. And sure enough, one day a glamorous stranger arrives at the door. After years of guilt and searching, Annika’s mother has come to claim her daughter, who is in fact a Prussian aristocrat and whose true home is a great castle. But at crumbling, spooky Spittal Annika discovers that all is not as it seems in the lives of her new-found family… Eva Ibbotson’s hugely entertaining story is a timeless classic for readers young and old.

Ibbotson Eva  
обложка книги Thais of Athens Thais of Athens

The beautiful hetaera Thais was a real woman who inspired poets, artists and sculptors in Athens, Memphis, Alexandria, Babylon and Ecbatana. She traveled with Alexander the Great’s army during his Persian campaign and was the only woman to enter the capitol of Persia — Persepolis. Love, beauty, philosophy, war, religion — all that and more in a historic masterpiece by Ivan Yefremov.

Yefremov Ivan  
обложка книги The Undertaking The Undertaking

Desperate to escape the Eastern front, Peter Faber, an ordinary German soldier, marries Katharina Spinell, a woman he has never met; it is a marriage of convenience that promises ‘honeymoon’ leave for him and a pension for her should he die on the front. With ten days’ leave secured, Peter visits his new wife in Berlin; both are surprised by the attraction that develops between them.

When Peter returns to the horror of the front, it is only the dream of Katharina that sustains him as he approaches Stalingrad. Back in Berlin, Katharina, goaded on by her desperate and delusional parents, ruthlessly works her way into the Nazi party hierarchy, wedding herself, her young husband and their unborn child to the regime. But when the tide of war turns and Berlin falls, Peter and Katharina, ordinary people stained with their small share of an extraordinary guilt, find their simple dream of family increasingly hard to hold on to…

Longlisted for the 2015 Walter Scott Prize for Historical Fiction

A Finalist for the 2014 Baileys Women’s Prize for Fiction


Magee Audrey  
обложка книги The Harmony Silk Factory The Harmony Silk Factory

The Harmony Silk Factory traces the story of textile merchant Johnny Lim, a Chinese peasant living in British Malaya in the first half of the twentieth century. Johnny's factory is the most impressive structure in the region, and to the inhabitants of the Kinta Valley Johnny is a hero—a Communist who fought the Japanese when they invaded, ready to sacrifice his life for the welfare of his people. But to his son, Jasper, Johnny is a crook and a collaborator who betrayed the very people he pretended to serve, and the Harmony Silk Factory is merely a front for his father's illegal businesses. This debut novel from Tash Aw gives us an exquisitely written look into another culture at a moment of crisis.

The Harmony Silk Factory won the 2005 Whitbread First Novel Award and also made it to the 2005 Man Booker longlist.

Aw Tash  
обложка книги The Harmony Silk Factory The Harmony Silk Factory

Joseph Conrad, W. Somerset Maugham, and Anthony Burgess have shaped our perceptions of Malaysia. In Tash Aw, we now have an authentic Malaysian voice that remaps this literary landscape.

The Harmony Silk Factory traces the story of textile merchant Johnny Lim, a Chinese peasant living in British Malaya in the first half of the twentieth century. Johnny's factory is the most impressive structure in the region, and to the inhabitants of the Kinta Valley Johnny is a hero — a Communist who fought the Japanese when they invaded, ready to sacrifice his life for the welfare of his people. But to his son, Jasper, Johnny is a crook and a collaborator who betrayed the very people he pretended to serve, and the Harmony Silk Factory is merely a front for his father's illegal businesses. This debut novel from Tash Aw gives us an exquisitely written look into another culture at a moment of crisis.

The Harmony Silk Factory won the 2005 Whitbread First Novel Award and also made it to the 2005 Man Booker longlist.

Aw Tash  
обложка книги The Spy The Spy

In his new novel, Paulo Coelho, best-selling author of The Alchemist and Adultery, brings to life one of history’s most enigmatic women: Mata Hari.


When Mata Hari arrived in Paris she was penniless. Within months she was the most celebrated woman in the city.

As a dancer, she shocked and delighted audiences; as a courtesan, she bewitched the era’s richest and most powerful men.

But as paranoia consumed a country at war, Mata Hari’s lifestyle brought her under suspicion. In 1917, she was arrested in her hotel room on the Champs Elysees, and accused of espionage.

Told in Mata Hari’s voice through her final letter, The Spy is the unforgettable story of a woman who dared to defy convention and who paid the ultimate price.

Coelho Paulo  
The Angel of the Tenement Martin George Madden  
The Bird of the Difficult Eye Dunsany Lord  
Tales of War Dunsany Lord  
The Bride of the Man-Horse Dunsany Lord  
The Distressing Tale of Thangobrind the Jeweller and the Doom that Befell Him Dunsany Lord  
The Bureau d'Exchange de Maux Dunsany Lord  
The Gods of Pegana Dunsany Lord  
The Loot of Bombasharna Dunsany Lord  
The Relenting of Sarnidac Dunsany Lord  
The Golden Doom Dunsany Lord  
The Hashish Man Dunsany Lord  
The Tent of the Arabs Dunsany Lord  
The Last Book of Wonder Dunsany Lord  
Time and the Gods Dunsany Lord  
The Common People of Ancient Rome Abbott Frank Frost  
The Teacher Abbott Jacob SC  
обложка книги The Lost Pages The Lost Pages

Winner of The Australian/Vogel’s Literary Award 2017

‘To frame The Lost Pages as being about Brod is clever and interesting. The Kafka we meet here is almost the opposite of the one we have come to expect.’

Stephen Romei, Literary Editor, The Australian

It is 1908, and Max Brod is the rising star of Prague’s literary world. Everything he desires—fame, respect, love—is finally within his reach. But when a rival appears on the scene, Max discovers how quickly he can lose everything he has worked so hard to attain. He knows that the newcomer, Franz Kafka, has the power to eclipse him for good, and he must decide to what lengths he will go to hold onto his success. But there is more to Franz than meets the eye, and Max, too, has secrets that are darker than even he knows, secrets that may in the end destroy both of them.

The Lost Pages is a richly reimagined story of Max Brod’s life filtered through his relationship with Franz Kafka. In this inspired novel of friendship, fraud, madness and betrayal, Marija Peričić writes vividly and compellingly of an extraordinary literary rivalry.

‘…cleverly structured and an intriguing concept.’

Jenny Barry, BooksPlus

‘From the very beginning, the strain between Kafka and Brod is hugely entertaining. Brod is anti-social and prefers his own company, just like the best of Kafka's characters.’

Rohan Wilson, award-winning author of The Roving Party and To Name Those Lost
čić Marija  
обложка книги The Frozen Hours The Frozen Hours

The master of military historical fiction turns his discerning eye to the Korean War in this riveting new novel, which tells the dramatic story of the Americans and the Chinese who squared off in one of the deadliest campaigns in the annals of combat: the Battle of Chosin Reservoir, also known as Frozen Chosin.

June 1950. The North Korean army invades South Korea, intent on uniting the country under Communist rule. In response, the United States mobilizes a force to defend the overmatched South Korean troops, and together they drive the North Koreans back to their border with China.

But several hundred thousand Chinese troops have entered Korea, laying massive traps for the Allies. In November 1950, the Chinese spring those traps. Allied forces, already battling stunningly cold weather, find themselves caught completely off guard as the Chinese advance around the Chosin Reservoir in North Korea. A force that once stood on the precipice of victory now finds itself on the brink of annihilation. Assured by General Douglas MacArthur that they would be home by Christmas, the soldiers and Marines fight for their lives against the most brutal weather conditions imaginable—and an enemy that outnumbers them more than six to one.

The Frozen Hours tells the story of Frozen Chosin from multiple points of view: Oliver P. Smith, the commanding general of the American 1st Marine Division, who famously redefined defeat as “advancing in a different direction”; Marine Private Pete Riley, a World War II veteran who now faces the greatest fight of his life; and the Chinese commander Sung Shi-Lun, charged with destroying the Americans he has so completely surrounded, ever aware that above him, Chairman Mao Tse-Tung watches his every move.

Written with the propulsive force Shaara brings to all his novels of combat and courage, The Frozen Hours transports us to the critical moment in the history of America’s “Forgotten War,” when the fate of the Korean peninsula lay in the hands of a brave band of brothers battling both the elements and a determined, implacable foe.

Shaara Jeff  
обложка книги The Less You Know the Sounder You Sleep The Less You Know the Sounder You Sleep

Based on a true story, The Less You Know the Sounder You Sleep is a tale of survival and self-determination, innocence and lies.

‘We’re waiting. I squeeze my eyes shut and dig my fingers into Masha’s neck where I’m holding her. She digs hers into mine. The curtains slowly open. I can’t see anything because the spotlight is on us, bright as anything and blinding me, but I can hear the gasp go up. They always gasp.’

Dasha cannot imagine life without her sister. Masha is feisty and fearless. Dasha is gentle, quiet and fears everything; from the Soviet scientists who study them, to the other ‘defective’ children who bully them and the ‘healthies’ from whom they must be locked away.

For the twins have been born conjoined in a society where flaws must be hidden from sight and where their inseparability is the most terrible flaw of all.

Through the seismic shifts of Stalin’s communism to the beginnings of Putin’s democracy, Dasha and her irrepressible sister strive to be more than just ‘the together twins’, finding hope – and love – in the unlikeliest of places.

But will their quest for shared happiness always be threatened by the differences that divide them? And can a life lived in a sister’s shadow only ever be half a life?

Butler Juliet  
обложка книги The Book of Other People The Book of Other People

An anthology of stories edited by Zadie Smith

A stellar host of writers explore the cornerstone of fiction writing: character

The Book of Other People is about character. Twenty-five or so outstanding writers have been asked by Zadie Smith to make up a fictional character. By any measure, creating character is at the heart of the fictional enterprise, and this book concentrates on writers who share a talent for making something recognizably human out of words (and, in the case of the graphic novelists, pictures). But the purpose of the book is variety: straight "realism"-if such a thing exists-is not the point. There are as many ways to create character as there are writers, and this anthology features a rich assortment of exceptional examples.

The writers featured in The Book of Other People include:

Aleksandar Hemon

Nick Hornby

Hari Kunzru

Toby Litt

David Mitchell

George Saunders

Colm Tóibín

Chris Ware, and more.

Mitchell David, Clowes Daniel, Kennedy A L, Packer ZZ, ’Hagan Andrew, Smith Zadie, Hornby Nick, Danticat Edwidge, Hemon Aleksandar, Ware Chris, Kunzru Hari, Litt Toby, Thirlwell Adam, Julavits Heidi, Saunders George, Foer Safran, Vida Vendela, July Miranda, Homes A M, Eggers Dave, Lethem Jonathan, óibín Colm, Greer Sean  
обложка книги The Secret Scripture The Secret Scripture

A gorgeous new novel from the author of the Man Booker finalist A Long Long Way

As a young woman, Roseanne McNulty was one of the most beautiful and beguiling girls in County Sligo, Ireland. Now, as her hundredth year draws near, she is a patient at Roscommon Regional Mental Hospital, and she decides to record the events of her life.

As Roseanne revisits her past, hiding the manuscript beneath the floorboards in her bedroom, she learns that Roscommon Hospital will be closed in a few months and that her caregiver, Dr. Grene, has been asked to evaluate the patients and decide if they can return to society. Roseanne is of particular interest to Dr. Grene, and as he researches her case he discovers a document written by a local priest that tells a very different story of Roseanne's life than what she recalls. As doctor and patient attempt to understand each other, they begin to uncover long-buried secrets about themselves.

Set against an Ireland besieged by conflict, The Secret Scripture is an epic story of love, betrayal, and unavoidable tragedy, and a vivid reminder of the stranglehold that the Catholic Church had on individual lives for much of the twentieth century.

Barry Sebastian  
обложка книги Too Much Happiness Too Much Happiness

Amazon Best Books of the Month, November 2009: "She hated to hear the word 'escape' used about fiction. She might have argued, not just playfully, that it was real life that was the escape. But this was too important to argue about." Taken from a story called "Free Radicals," this line may be the best way to think about the lives unfolding in Alice Munro's Too Much Happiness. Real life assaults her central characters rather brutally-in the forms of murder and madness, death, divorce, and all manner of deceptions-but they respond with a poise and clarity of thought that's disarming-sometimes, even nonchalant-when you consider their circumstances. Her women move through life, wearing their scars but not so much wearied by them, profoundly intelligent, but also inordinately tender and thoughtful. There's more fact than fiction to these stories, rich in quiet, precise details that make for a beautiful, bewildering read.

Munro Alice  
обложка книги The Gathering The Gathering

The Man Booker Prize

Orange Prize for Fiction (nominee)


The nine surviving children of the Hegarty clan gather in Dublin for the wake of their wayward brother Liam. It wasn't the drink that killed him – although that certainly helped – it was what happened to him as a boy in his grandmother's house, in the winter of 1968. His sister, Veronica was there then, as she is now: keeping the dead man company, just for another little while. The "Gathering" is a family epic, condensed and clarified through the remarkable lens of Anne Enright's unblinking eye. It is also a sexual history: tracing the line of hurt and redemption through three generations – starting with the grandmother, Ada Merriman – showing how memories warp and family secrets fester. This is a novel about love and disappointment, about thwarted lust and limitless desire, and how our fate is written in the body, not in the stars. The "Gathering" sends fresh blood through the Irish literary tradition, combining the lyricism of the old with the shock of the new. As in all Anne Enright's work, fiction and non-fiction, this is a book of daring, wit and insight: her distinctive intelligence twisting the world a fraction, and giving it back to us in a new and unforgettable light.

Enright Anne  
обложка книги The Gift of Numbers aka The Housekeeper and the Professor The Gift of Numbers aka The Housekeeper and the Professor

"Highly original. Infinitely charming. And ever so touching." – Paul Auster

A publishing phenomenon in Japan and a heartwarming story that will change the way we all see math, baseball, memory, and each other She is a housekeeper by trade, a single mom by choice, shy, brilliant, and starting a new tour of duty in the home of an aging professor. He is the professor, a mathematical genius, capable of limitless kindness and intuitive affection, but the victim of a mysterious accident that has rendered him unable to remember anything for longer than eighty minutes. Root, the housekeepers ten-year-old son, combines his mothers sympathy with a sensitive curiosity all his own. Over the course of a few months in 1992, these three develop a profoundly affecting friendship, based on a shared love of mathematics and baseball, that will change each of their lives permanently. Chosen as the most popular book in Japan by readers and booksellers alike, The Gift of Numbers is Yoko Ogawas first novel to be published in English, and in the U.S.

Ogawa ôko  
Tyrannosaurus Rex

Тервиллиджер — режиссер нового фильма о динозаврах — пытается создать подходящий образ Tyrannosaurus Rex, который угодил бы продюсеру. В итоге в чертах динозавра появляется все больше от лица продюсера. Что из этого вышло — читайте.

Брэдбери Рэй  
The Sirens of Titan Vonnegut Jr Kurt  
The Bonesetter's Daughter

In memories that rise like wisps of ghosts, LuLing Young searches for the name of her mother, the daughter of the Famous Bonesetter from the Mouth of the Mountain. Trying to hold on to the evaporating past, she begins to write all that she can remember of her life as a girl in China. Meanwhile, her daughter Ruth, a ghostwriter for authors of self-help books, is losing the ability to speak up for herself in front of the man she lives with and his two teen-aged daughters. None of her professional sound bites and pat homilies work for her personal life; she knows only how to translate what others want to say.

Ruth starts suspecting that something is terribly wrong with her mother. As a child, Ruth had been constantly subjected to her mother's disturbing notions about curses and ghosts, and to her repeated threats that she would kill herself, and was even forced by her to try to communicate with ghosts. But now LuLing seems less argumentative, even happy, far from her usual disagreeable and dissatisfied self.

While tending to her ailing mother, Ruth discovers the pages LuLing wrote in Chinese, the story of her tumuluous and star-crossed life, and is transported to a backwoods village known as Immortal Heart. There she learns of secrets passed along by a mute nursemaid, Precious Auntie; of a cave where "dragon bones" are mined, some of which may be the teeth of Peking Man; of the crumbling ravine known as the End of the World, where Precious Auntie's scattered bones lie, and of the curse LuLing believes she released through betrayal. Like layers of sediment being removed, each page reveals secrets of a larger mystery: What became of Peking Man? What was the name of the Bonesetter's Daughter? And who was Precious Auntie, whose suicide changed the path of LuLing's life? Within LuLing's calligraphed pages awaits the truth about a mother's heart, what she cannot tell her daughter yet hopes she will never forget.

Set in contemporary San Francisco and in the Chinese village where Peking Man is being unearthed, The Bonesetter's Daughter is an excavation of the human spirit: the past, its deepest wounds, its most profound hopes. The story conjures the pain of broken dreams, the power of myths, and the strength of love that enables us to recover in memory what we have lost in grief. Over the course of one fog-shrouded year, between one season of falling stars and the next, mother and daughter find what they share in their bones through heredity, history, and inexpressible qualities of love.

Tan Amy  
The English Lover (K: The Art Of Love) (chinese)

Set in 1930s China, this is a true but tragic tale of romance, sexual desire, and untimely death. Beautiful, intelligent, and schooled in the Daoist arts of love, Lin is married to a provincial university professor. Julian Bell, son of Vanessa Bell, and darling of the Bloomsbury set, has arrived in China, hungry for experience. Their mutual attraction leads to a passionate phy-sical and spiritual sojourn in Beijing. Unable to realize their love in a society divided by cultural conflict and the threat of war, they eventually part: Julian to fight for the Loyalists in Spain and Lin to contemplate suicide in her husband's house.



Ying Hong  
The Secret History

'The Secret History tells the story of a group of classics students at an elite American college, who are cerebral, obsessive and finally murderous… it is a haunting, compelling and brilliant piece of fiction' The Times Tartt's erudition sprinkles the text like sequins, but she's such an adept writer that she's able to make the occasional swerve into Greek legends and semantics seem absolutely crucial to the examination of contemporary society which this book undoubtedly and seriously is, for all the fun it provides on the way… Brilliant' Sunday Times 'A highly readable murder mystery; a romantic dream of doomed youth and a disquisition on ancient and modern mores… Tartt shows an impressive ability to pace and pattern her novel' Independent 'A huge, mesmerizing, galloping read, pleasurably devoured… gorgeously written, relentlessly erudite' Vanity Fair The skill with which Tartt manipulates our sympathies and anticipations is… remarkable… A marvellous debut' Spectator 'Implicates the reader in a conspiracy which begins in bucolic enchantment and ends exactly where it must… a mesmerizing and powerful novel' Jay Mclnerney 'A compelling read… this very young novelist has the arrogant boldness to tell us that it is in abstract, arcane scholarship and mandarin addictions that utter violence can flourish' George Steiner, The Times Literary Supplement 'Mesmerizing and perverse' Elaine Showalter, The Times Literary Supplement 'Brilliant… a study of young arrogance, a thriller, a comedy of campus manners, and an oblique Greek primer. It is a well written and compulsive read' Evening Standard

Tartt Donna  
The Joy Luck Club

The Joy Luck Club, published by G. P. Putnam's Sons in 1989, presents the stories of four Chinese-immigrant women and their American-born daughters. Each of the four Chinese women has her own view of the world based on her experiences in China and wants to share that vision with her daughter. The daughters try to understand and appreciate their mothers' pasts, adapt to the American way of life, and win their mothers' acceptance. The book's name comes from the club formed in China by one of the mothers, Suyuan Woo, in order to lift her friends' spirits and distract them from their problems during the Japanese invasion. Suyuan continued the club when she came to the United States -hoping to bring luck to her family and friends and finding joy in that hope.

Amy Tan wrote The Joy Luck Club to try to understand her own relationship with her mother. Tan's Chinese parents wanted Americanized children but expected them to think like Chinese. Tan found this particularly difficult as an adolescent. While the generational differences were like those experienced by other mothers and daughters, the cultural distinctions added another dimension. Thus, Tan wrote not only to sort out her cultural heritage but to learn how she and her mother could get along better.

Critics appreciate Tan's straightforward manner as well as the skill with which she talks about Chinese culture and mother/daughter relationships. Readers also love The Joy Luck Club: women of all ages identify with Tan's characters and their conflicts with their families, while men have an opportunity through this novel to better understand their own behaviors towards women. Any reader can appreciate Tan's humor, fairness, and objectivity.

Tan Amy  
The White Tiger

The Man Booker Prize 2008 Winner.

Born in a village in heartland India, the son of a rickshaw puller, Balram is taken out of school by his family and put to work in a teashop. As he crushes coals and wipes tables, he nurses a dream of escape – of breaking away from the banks of Mother Ganga, into whose depths have seeped the remains of a hundred generations.

The White Tiger is a tale of two Indias. Balram’s journey from darkness of village life to the light of entrepreneurial success is utterly amoral, brilliantly irreverent, deeply endearing and altogether unforgettable.


From Publishers Weekly

Starred Review. A brutal view of India 's class struggles is cunningly presented in Adiga's debut about a racist, homicidal chauffer. Balram Halwai is from the Darkness, born where India 's downtrodden and unlucky are destined to rot. Balram manages to escape his village and move to Delhi after being hired as a driver for a rich landlord. Telling his story in retrospect, the novel is a piecemeal correspondence from Balram to the premier of China, who is expected to visit India and whom Balram believes could learn a lesson or two about India 's entrepreneurial underbelly. Adiga's existential and crude prose animates the battle between India 's wealthy and poor as Balram suffers degrading treatment at the hands of his employers (or, more appropriately, masters). His personal fortunes and luck improve dramatically after he kills his boss and decamps for Bangalore. Balram is a clever and resourceful narrator with a witty and sarcastic edge that endears him to readers, even as he rails about corruption, allows himself to be defiled by his bosses, spews coarse invective and eventually profits from moral ambiguity and outright criminality. It's the perfect antidote to lyrical India.


From The New Yorker

In this darkly comic début novel set in India, Balram, a chauffeur, murders his employer, justifying his crime as the act of a "social entrepreneur." In a series of letters to the Premier of China, in anticipation of the leader’s upcoming visit to Balram’s homeland, the chauffeur recounts his transformation from an honest, hardworking boy growing up in "the Darkness"-those areas of rural India where education and electricity are equally scarce, and where villagers banter about local elections "like eunuchs discussing the Kama Sutra"-to a determined killer. He places the blame for his rage squarely on the avarice of the Indian élite, among whom bribes are commonplace, and who perpetuate a system in which many are sacrificed to the whims of a few. Adiga’s message isn’t subtle or novel, but Balram’s appealingly sardonic voice and acute observations of the social order are both winning and unsettling.

Adiga Aravind  
обложка книги The Best of Me The Best of Me Sparks Nicholas  
обложка книги The Accidental Tourist The Accidental Tourist

Meet Macon Leary—a travel writer who hates both travel and strangeness. Grounded by loneliness, comfort, and a somewhat odd domestic life, Macon is about to embark on a surprising new adventure, arriving in the form of a fuzzy-haired dog obedience trainer who promises to turn his life around.

Tyler Anne  
обложка книги The Three Weissmanns of Westport The Three Weissmanns of Westport

Jane Austen's beloved Sense and Sensibility has moved to Westport, Connecticut, in this enchanting modern-day homage to the classic nove

When Joseph Weissmann divorced his wife, he was seventy eight years old and she was seventy-five… He said the words 'Irreconcilable differences,' and saw real confusion in his wife's eyes.

'Irreconcilable differences?' she said. 'Of course there are irreconcilable differences. What on earth does that have to do with divorce?'

Thus begins The Three Weissmanns of Westport, a sparkling contemporary adaptation of Sense and Sensibility from the always winning Cathleen Schine, who has already been crowned 'a modern-day Jewish Jane Austen' by People's Leah Rozen.

In Schine's story, sisters Miranda, an impulsive but successful literary agent, and Annie, a pragmatic library director, quite unexpectedly find themselves the middle-aged products of a broken home. Dumped by her husband of nearly fifty years and then exiled from their elegant New York apartment by his mistress, Betty is forced to move to a small, run-down Westport, Connecticut, beach cottage. Joining her are Miranda and Annie, who dutifully comes along to keep an eye on her capricious mother and sister. As the sisters mingle with the suburban aristocracy, love starts to blossom for both of them, and they find themselves struggling with the dueling demands of reason and romance.

Schine Cathleen  
обложка книги The Stupidest Angel: A Heartwarming Tale of Christmas Terror The Stupidest Angel: A Heartwarming Tale of Christmas Terror

Christmas crept into Pine Cove like a creeping Christmas thing: dragging garland, ribbon, and sleigh bells, oozing eggnog, reeking of pine, and threatening festive doom like a cold sore under the mistletoe.

'Twas the night (okay, more like the week) before Christmas, and all through the tiny community of Pine Cove, California, people are busy buying, wrapping, packing, and generally getting into the holiday spirit. It is the hap-hap-happiest time of the year, after all.

But not everybody is feeling the joy. Little Joshua Barker is in desperate need of a holiday miracle. No, he's not on his deathbed; no, his dog hasn't run away from home. But Josh is sure that he saw Santa take a shovel to the head, and now the seven-year-old has only one prayer: Please, Santa, come back from the dead.

But hold on! There's an angel waiting in the wings. (Wings, get it?) It's none other than the Archangel Raziel come to Earth seeking a small child with a wish that needs granting. Unfortunately, our angel's not sporting the brightest halo in the bunch, and before you can say "Kris Kringle," he's botched his sacred mission and sent the residents of Pine Cove headlong into Christmas chaos, culminating in the most hilarious and horrifying holiday party the town has ever seen.

Only Christopher Moore, the man who brought you the outrageous lost gospel Lamb and the hysterical fish tale Fluke could have devised a new holiday classic that tugs at the heartstrings and serves up a healthy slice of fruitcake to boot.

Move over, Charles Dickens — it's Christopher Moore time.

Moore Christopher  
обложка книги The Lust Lizard of Melancholy Cove The Lust Lizard of Melancholy Cove

Autumn in the sleepy California town of Pine Cove is turned upside down by the arrival of a Mississippi Delta blues musician, a huge sea serpent drawn to the sound of the steel guitar, the explosion of a tanker truck at a gas station, and a mysterious trailer that shows up in the local trailer park.

Moore Christopher Pine Cove  
обложка книги This Lullaby This Lullaby

"I had no illusions about love… It came, it went, it left casualties or it didn't. People weren't meant to be together forever, regardless of what the songs say." Remy doesn't believe in love. And why should she? Her romance novelist mother is working on her fifth marriage, and her father, a '70s hippie singer, left her with only a one-hit wonder song to remember him by. Every time Remy hears "This Lullaby," it feels like "a bruise that never quite healed right." "Wherever you may go / I will let you down / But this lullaby plays on…" Never without a boyfriend, Remy is a compulsive dater, but before a guy can go all "Ken" on her (as in "ultra boyfriend behavior") she cuts him off, without ever getting close or getting hurt. That's why she's stunned when klutzy, quirky, alterna-band boy Dexter inserts himself into her life and refuses to leave. Remy's been accepted to Stanford, and she plans on having her usual summer fling before tying up the loose ends of her pre-college life and heading for the coast. Except Dexter's not following Remy's tried-and-true rules of break-up protocol. And for the first time, Remy's questioning whether or not she wants him to.

Author Sarah Dessen's ability to write novels that are both crowd pleasers and literary masterpieces of YA fiction is showcased beautifully in This Lullaby. Subtle yet completely absorbing, Lullaby is peopled with breathtakingly believable, three-dimensional characters, the very best of which is the bitter, broken Remy herself. An original love story about learning to love yourself first.


This modern-day romance narrated by a cynical heroine offers a balance of wickedly funny moments and universal teen traumas. High school graduate Remy has some biting commentary about love, including her romance-writer mother's betrothal to a car dealer ("He put one hand on my shoulder, Dad-style, and I tried not to remember all the stepfathers before him that had done the same thing… They all thought they were permanent, too") and her brother's infatuation with self-improvement guru Jennifer Anne. But when rocker Dexter "crashes" into her life, her resolve to remain unattached starts to crack. Readers will need to hold on to their hats as they accompany Remy on her whirlwind ride, avoiding, circling and finally surrendering to Cupid's arrows. Almost as memorable as her summer romance with a heartwarmingly flawed suitor is the cast of idiosyncratic characters who watch from the sidelines. There's the trio of Remy's faithful girlfriends, all addicted to "Xtra Large Zip" Diet Cokes practical-minded Jess, weepy Lissa, and Chloe, who shares Remy's dark sense of humor as well as Dexter's entourage of fellow band members, as incompetent at managing money as they are at keeping their rental house clean. Those expecting a Cinderella finale for Remy will find a twist consistent with the plot's development. Contrary to any such implication in the title, this one will keep teens up reading. Ages 12-up.

Dessen Sarah  
обложка книги The Lost Dogs: Michael Vick's Dogs and Their Tale of Rescue and Redemption The Lost Dogs: Michael Vick's Dogs and Their Tale of Rescue and Redemption

Expanding on his Sports Illustrated cover story, Gorant (Fanatic) offers a chilling investigation into Michael Vick' s dog-fighting operation and the men and women who brought him to justice and rehabilitated the rescued dogs. Gorant outlines the rise of Bad Newz Kennels, describing in sometimes painful detail the abuse, torture, and execution of the animals-particularly disturbing is an episode in which Vick and a friend swing a failed fighting dog over their heads like a jump rope and kill it by repeatedly slamming it into the ground-and tracing the rescue of dozens of pit bulls seized from Vick' s property. Gorant outlines the efforts to save these animals from euthanasia, challenging the negative public perceptions of pit bulls and reporting back on the status of dogs like Sox (now a certified therapy dog), Zippy (adopted by a family of five), and Iggy (still shy but growing comfortable with his adopted circle of friends). At a time when Vick has returned to professional football and much of the public outcry about Bad Newz Kennels has been forgotten, this book provides a stark reminder about the horror and prevalence of dog fighting.

Gorant Jim  
обложка книги The DUFF: Designated Ugly Fat Friend The DUFF: Designated Ugly Fat Friend

Seventeen-year-old Bianca Piper is cynical and loyal, and she doesn't think she's the prettiest of her friends by a long shot. She's also way too smart to fall for the charms of man-slut and slimy school hottie Wesley Rush. In fact, Bianca hates him. And when he nicknames her "Duffy," she throws her Coke in his face.

But things aren't so great at home right now. Desperate for a distraction, Bianca ends up kissing Wesley. And likes it. Eager for escape, she throws herself into a closeted enemies-with-benefits relationship with Wesley.

Until it all goes horribly awry. It turns out that Wesley isn't such a bad listener, and his life is pretty screwed up, too. Suddenly Bianca realizes with absolute horror that she's falling for the guy she thought she hated more than anyone.

Keplinger Kody  
обложка книги The Slynx The Slynx

Tatyana Tolstaya's powerful voice is one of the best in contemporary Russian literature. She wrote many a commentary on modern-day Russia for the New York Review of Books before moving back to Moscow to complete her first novel, The Slynx. Tolstaya is a descendant of the great Leo Tolstoy but that might be beside the point.

The Slynx is a brilliantly imaginative satire set in a hypothetical Moscow two hundred years after an event termed "the Blast." The Blast has forever altered the landscape of Moscow. People now live with mutations, called Consequences. Some have cockscombs growing everywhere, some have three legs and then there are the Degenerators who are humans in doglike bodies. Some "Oldeners" still linger on. Their only Consequence is that they remain unchanged and seemingly live forever. They remember life before the Blast and moan the primitive cultural mores of the society they live in, where only the wheel has been invented thus far and the yoke is just catching on. This feudal landscape is ruled by Fyodor Kuzmich, Glorybe, a tyrant who rules with an iron hand. Kuzmich passes off all Russian literature as his own works and issues decrees at the drop of a hat to keep the public ignorant and docile.

The primary protagonist of The Slynx is a young scribe, Benedikt. His job is to copy all of Kuzmich's "works" on to bark, for use by the public. Benedikt marries a coworker, Olenka, and discovers the wonder of books through his father-in-law, Kudeyar Kudeyarich. His father-in-law, however, harbors nefarious plans to oust the current regime. Benedikt's love of books soon turns ugly and Kudeyarich channels this force to implement his own evil designs.

The Slynx is translated fluidly by Jamey Gambrell. One wonders how she worked in intelligent phrases such as: "You feel sorry for someone. Must be feelosophy." Tolstaya's descriptions of the futuristic backdrop where people eat and trade mice as currency are bizarre yet not hugely so. Sometimes she seems to be so in love with her own creation that the storyline tends to wander. But she does not stray too far and her prose dripping with rich imagery more than makes up for it.

Tolstaya's futuristic Russia might not be very different from the one she often complains about. "Why is it that everything keeps mutating, everything?" laments an Oldener, "People, well all right, but the language, concepts, meaning! Huh? Russia! Everything gets twisted up in knots." The perils of a society in which "Freethinking" is a crime and where an indifferent populace can be "evil" are ably brought out by the gifted Tolstaya. "There is no worse enemy than indifference," she warns, "all evil in fact comes from the silent acquiescence of the indifferent." The scary "Slynx," in the novel, is a metaphor for all the evil that is waiting to rear its ugly head on a sleeping people.

The Slynx's descriptions of a tyrannical society might be too simplistic to apply to Russia. Its reception in the country has been mixed. The newspaper Vechernaya Moskva commented: "After all that we have read and thought over about Russia during the last fifteen years, this repetition of old school lessons is really confusing. There is a surfeit of caricatures of the intellegentsia, of anti-utopias depicting the degradation and decay of the national consciousness, and postmodernistic variations on the theme of literary-centrism." That having been said, Tolstaya's haunting prose serves as a chilling reminder of the way things could be, especially when government censorship and other controls move silently back in. The "Slynx" is never too far away. History, as they say, does tend to repeat itself.

Tolstaya Tatyana  
обложка книги The Kite Runner The Kite Runner

The unforgettable, heartbreaking story of the unlikely friendship between a wealthy boy and the son of his father’s servant, The Kite Runner is a beautifully crafted novel set in a country in the process of being destroyed. It is about the power of reading, the price of betrayal, and the possibility of redemption. And it is also about the power of fathers over sons – their love, their sacrifices, their lies.

The first Afghan novel to be written in English, The Kite Runner tells a sweeping story of family, love, and friendship against a backdrop of history that has not been told in fiction before, bringing to mind the large canvasses of the Russian writers of the nineteenth century. But just as it is old-fashioned in its narration, it is contemporary in its subject – the devastating history of Afghanistan over the past thirty years. As emotionally gripping as it is tender, The Kite Runner is an unusual and powerful debut.

Hosseini Khaled  
обложка книги The Lost Dog The Lost Dog

De Kretser (The Hamilton Case) presents an intimate and subtle look at Tom Loxley, a well-intentioned but solipsistic Henry James scholar and childless divorcé, as he searches for his missing dog in the Australian bush. While the overarching story follows Tom's search during a little over a week in November 2001, flashbacks reveal Tom's infatuation with Nelly Zhang, an artist tainted by scandal-from her controversial paintings to the disappearance and presumed murder of her husband, Felix, a bond trader who got into some shady dealings. As Tom puts the finishing touches on his book about James and the uncanny and searches for his dog, de Kretser fleshes out Tom's obsession with Nelly-from the connection he feels to her incendiary paintings (one exhibition was dubbed Nelly's Nasties in the press) to the sleuthing about her past that he's done under scholarly pretenses. Things progress rapidly, with a few unexpected turns thrown in as Tom and Nelly get together, the murky circumstances surrounding Felix's disappearance are (somewhat) cleared up and the matter of the missing dog is settled. De Kretser's unadorned, direct sentences illustrate her characters' flaws and desires, and she does an admirable job of illuminating how life and art overlap in the 21st century.


‘A captivating read… I could read this book 10 times and get a phew perspective each time. It’s simply riveting.’ Caroline Davison, Glasgow Evening Times

‘… remarkably rich and complex… De Kretser has a wicked, exacting, mocking eye…While very funny in places, The Lost Dog is also a subtle and understated work, gently eloquent and thought-provoking… a tender and thoughtful book, a meditation on loss and fi nding, on words and wordlessness, and on memory, identity, history and modernity.’ The Dominion Post

‘Michelle de Kretser is the fastest rising star in Australia ’s literary firmament… stunningly beautiful.’ Metro

‘… a wonderful tale of obsession, art, death, loss, human failure and past and present loves. One of Australia ’s best contemporary writers.’

Harper’s Bazaar

‘In many ways this book is wonderfully mysterious. The whole concept of modernity juxtaposed with animality is a puzzle that kept this reader on edge for the entire reading. The Lost Dog is an intelligent and insightful book that will guarantee de Kretser a loyal following.’ Mary Philip, Courier-Mail

‘Engrossing… De Kretser confidently marshals her reader back and forth through the book’s complex flashback structure, keeping us in suspense even as we read simply for the pleasure of her prose… De Kretser knows when to explain and when to leave us deliciously wondering.’ Seattle Times

‘De Kretser continues to build a reputation as a stellar storyteller whose prose is inventive, assured, gloriously colourful and deeply thoughtful. The Lost Dog is a love story and a mystery and, at its best, possesses an accessible and seemingly effortless sophistication… a compelling book, simultaneously playful and utterly serious.’ Patrick Allington, Adelaide Advertiser ‘A nuanced portrait of a man in his time. The novel, like Tom, is multicultural, intelligent, challenging and, ultimately, rewarding.’

Library Journal

‘This book is so engaging and thought-provoking and its subject matter so substantial that the reader notices only in passing how funny it is.’ Kerryn Goldsworthy, Sydney Morning Herald

‘… rich, beautiful, shocking, affecting’ Clare Press, Vogue

‘… a cerebral, enigmatic reflection on cultures and identity… Ruminative and roving in form… intense, immaculate.’ Kirkus Reviews

‘De Kretser is as piercing in her observations of a city as Don DeLillo is at his best… this novel is a love song to a city… a delight to read, revealing itself in small, gem-like scenes.’ NZ Listener

‘… de Kretser’s trademark densely textured language, rich visual imagery and depth of description make The Lost Dog a delight to savour as well as a tale to ponder.’ Australian Bookseller and Publisher

‘A remarkably good novel, a story about human lives and the infi nite mystery of them.’ Next

‘Confident, meticulous plotting, her strong imagination and her precise, evocative prose. Like The Hamilton Case, The Lost Dog opens up rich vistas with its central idea and introduces the reader to a world beyond its fictional frontiers.’ Lindsay Duguid, Sunday Times

“[a] clever, engrossing novel… De Kretser’s beautifully shaded book moves between modern day Australia and post-colonial India. Mysteries and love affairs are unfolded but never fully resolved, and as Tom searches for his dog, it becomes apparent that its whereabouts is only one of the puzzles in his life.” Tina Jackson, Metro

‘A richly layered literary text.’ Emmanuelle Smith, Big Issue

Kretser Michelle de  
обложка книги The Calcutta Chromosome The Calcutta Chromosome

The Calcutta Chromosome is one of those books that's marketed as a mainstream thriller even though it is an excellent science fiction novel (It won the prestigious Arthur C. Clarke Award). The main character is a man named Antar, whose job is to monitor a somewhat finicky computer that sorts through mountains of information. When the computer finds something it can't catalog, it brings the item to Antar's attention. A string of these seemingly random anomalies puts Antar on the trail of a man named Murugan, who disappeared in Calcutta in 1995 while searching for the truth behind the discovery of the cure for malaria. This search for Murugan leads, in turn, to the discovery of the Calcutta Chromosome, which can shift bits of personality from one person to another. That's when things really get interesting.

Gosh Amitav  
обложка книги The View from Castle Rock The View from Castle Rock

A powerful new collection from one of our most beloved, admired, and honored writers.

In stories that are more personal than any that she's written before, Alice Munro pieces her family's history into gloriously imagined fiction. A young boy is taken to Edinburgh's Castle Rock, where his father assures him that on a clear day he can see America, and he catches a glimpse of his father's dream. In stories that follow, as the dream becomes a reality, two sisters-in-law experience very different kinds of passion on the long voyage to the New World; a baby is lost and magically reappears on a journey from an Illinois homestead to the Canadian border.

Other stories take place in more familiar Munro territory, the towns and countryside around Lake Huron, where the past shows through the present like the traces of a glacier on the landscape and strong emotions stir just beneath the surface of ordinary comings and goings. First love flowers under the apple tree, while a stronger emotion presents itself in the barn. A girl hired as summer help, and uneasy about her “place” in the fancy resort world she's come to, is transformed by her employer's perceptive parting gift. A father whose early expectations of success at fox farming have been dashed finds strange comfort in a routine night job at an iron foundry. A clever girl escapes to college and marriage.

Munro Alice  
обложка книги The Fortress of Solitude The Fortress of Solitude

If there still remains any doubt, this novel confirms Lethem's status as the poet of Brooklyn and of motherless boys. Projected through the prism of race relations, black music and pop art, Lethem's stunning, disturbing and authoritatively observed narrative covers three decades of turbulent events on Dean Street, Brooklyn. When Abraham and Rachel Ebdus arrive there in the early 1970s, they are among the first whites to venture into a mainly black neighborhood that is just beginning to be called Boerum Hill. Abraham is a painter who abandons his craft to construct tiny, virtually indistinguishable movie frames in which nothing happens. Ex-hippie Rachel, a misguided liberal who will soon abandon her family, insists on sending their son, Dylan, to public school, where he stands out like a white flag. Desperately lonely, regularly attacked and abused by the black kids ("yoked," in the parlance), Dylan is saved by his unlikely friendship with his neighbor Mingus Rude, the son of a once-famous black singer, Barnett Rude Jr., who is now into cocaine and rage at the world. The story of Dylan and Mingus, both motherless boys, is one of loyalty and betrayal, and eventually different paths in life. Dylan will become a music journalist, and Mingus, for all his intelligence, kindness, verbal virtuosity and courage, will wind up behind bars. Meanwhile, the plot manages to encompass pop music from punk rock to rap, avant-garde art, graffiti, drug use, gentrification, the New York prison system-and to sing a vibrant, sometimes heartbreaking ballad of Brooklyn throughout. Lethem seems to have devoured the '70s, '80s and '90s-inhaled them whole-and he reproduces them faithfully on the page, in prose as supple as silk and as bright, explosive and illuminating as fireworks. Scary and funny and seriously surreal, the novel hurtles on a trajectory that feels inevitable. By the time Dylan begins to break out of the fortress of solitude that has been his life, readers have shared his pain and understood his dreams.

Lethem Jonathan  
обложка книги The Chocolate War The Chocolate War

Stunned by his mother's recent death and appalled by the way his father sleepwalks through life, Jerry Renault, a New England high school student, ponders the poster in his locker — Do I dare disturb the universe?

Part of his universe is Archie Costello, leader of a secret school societ — the Virgils — and master of intimidation. Archie himself is intimidated by a cool, ambitious teacher into having the Virgils spearhead the annual fund-raising event — a chocolate sale. When Jerry refuses to be bullied into selling chocolates, he becomes a hero, but his defiance is a threat to Archie, the Virgils, and the school. In the inevitable showdown, Archie's skill at intimidation turns Jerry from hero to outcast, to victim, leaving him alone and terribly vulnerable.

Cormier Robert  
обложка книги The Toss of a Lemon The Toss of a Lemon

"The Toss of a Lemon joins the company of the great novels on India." – Yann Martel


In a fiction debut to rival The God of Small Things, Padma Viswanathan gives us a richly detailed and intimate vision of an India we've never seen.

Inspired by her family history, Padma Viswanathan brings us deep inside the private lives of a Brahmin family as the subcontinent moves through sixty years of intense social and political change. At the novel's heart is Sivakami, a captivating girl-child married at ten to an astrologer and village healer who is drawn to her despite his horoscope, which foretells an early death-depending on how the stars align when their children are born. All is safe with their daughter's birth, but their second child, a son named Vairum, fulfills the prophecy: by eighteen, the child bride Sivakami is a widow with two young children.

According to the dictates of her caste, her head is shaved and she must don the widow's white sari. From dawn to dusk, she is not allowed to contaminate herself with human touch, not even to comfort her small children. She dutifully follows custom, except for one act of rebellion: she insists on a secular education for her troubled son. While her choice ensures that Vairum fulfills his promise in a modernizing India, it also sets Sivakami on a collision course with him. Vairum, fatherless in childhood, childless as an adult, rejects the caste identity that is his mother's mainstay, twisting their fates in fascinating and unbearable ways.

The Toss of a Lemon is heartbreaking and exhilarating, profoundly exotic and yet utterly recognizable in evoking the tensions that change brings to every family's doorstep. It is also the debut of a major new voice in world fiction.

Viswanathan Padma  
обложка книги The Crow Road The Crow Road

A new novel from the author of CANAL DREAMS and THE WASP FACTORY, which explores the subjects of God, sex, death, Scotland, and motor cars.

Banks Iain  
обложка книги There’s No Place Like Here There’s No Place Like Here

Acclaimed novelist Cecelia Ahern's There's No Place Like Here tells the story of Sandy Shortt, an obsessive-compulsive Missing Persons investigator who suddenly finds herself in the mystical land of the missing, desperate to return to the people and places from whom she has spent her life escaping. With this imaginative fourth novel, Ahern, whose P.S. I Love You was made into a major motion picture, continues to establish herself as not only an icon of Irish chick lit, but also a bold and creative thinker.

Continuing the whimsical trend she started with If You Could See Me Now, Ahern asks readers to step outside the boundaries of reality, and enter a world where missing people (and possessions) from all over the globe congregate to start anew. When Sandy goes on an early morning jog and strays too far into the forest, she too finds herself "Here," the aptly named home of the missing. In addition to finding her lost socks, diaries, and stuffed animals, she also finds many of the people she has searched for throughout her career. From Bobby Stanley, who disappeared from his mother's house at the age of sixteen, to Terrence O'Malley, a librarian who disappeared on his way home from work at age 55, Sandy is quickly reunited with the people she has come to know only through photos and heartbreaking memories shared by devastated loved ones who enlisted her services. Of course, finding these people and possessions only makes Sandy realize how much she has missed out on in her real life, most notably her concerned parents and her on again off again boyfriend Greg.

There's No Place Like Here is often predictable and the premise is a bit hard to swallow at times. Still, readers who take the leap will be rewarded with what is ultimately a witty, compassionate, and captivating love story.

Ahern Cecelia  
обложка книги The Grass is Singing The Grass is Singing

Set in Rhodesia, this is the story of Dick, a failed white farmer and his wife, Mary, dependent and disappointed. Both are trapped by poverty, and in the heat of the brick and tin house, hemmed in by the bush, Mary finds herself seeking solace in the arms of the houseboy.


The Grass Is Singing is Doris Lessing's classic first novel.

It is the story of the murder of a poor white woman by her black houseboy. It is a portrait of the woman's marriage to a luckless farmer, a union doomed to failure before they had even met. And it is an evocation of the country in which they lived – Rhodesia.

In The Grass Is Singing, the harsh, majestic beauty and the remorseless social values of white Southern Africa come violently, brilliantly to life.

'Original and striking… full of those terrifying touches of truth, seldom mentioned but instantly recognized' – NEW STATESMAN

'A first novel of astonishing accomplishment' – DAILYTELEGRAPH

Lessing Doris  
обложка книги The Lotus Eaters The Lotus Eaters

Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.

"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review

"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times

“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)

"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe

"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post

"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)

"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)

"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist

"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly

"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried

"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic

"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher

"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems

"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks

"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters

"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

Soli Tatjana  
The Master of Petersburg

From Publishers Weekly

South African novelist Coetzee takes Fyodor Dostoyevski as his protagonist in a novel set amidst the political ferment of 19th-century Russia.

From Library Journal

St. Petersburg is poised for revolution as Fyodor Dostoevsky returns from Germany to claim his deceased stepson's papers. Although the police rule Pavel's death a suicide, the famous writer is drawn into a group of shady characters, including the anarchist Nechaev, who is possibly Pavel's killer. Plagued by seizures and tormented by a torrid affair with his stepson's landlady, Dostoevsky struggles to ascertain once and for all a writer's responsibility to his family and society. The strength of South African writer Coetzee (Age of Iron, LJ 8/90) lies in his ability to draw characters and scenes evoking the dark mood of the master's novels. Unfortunately, this story of action and ideas lapses into monotonous debate in its final chapters, but there is much to enjoy despite the flagging plot. Recommended for literary collections.

Coetzee JM  
The Body Artist

Amazon.com Review

Don DeLillo's reputation rests on a series of large-canvas novels, in which he's proven to be the foremost diagnostician of our national psyche. In The Body Artist, however, he sacrifices breadth for depth, narrowing his focus to a single life, a single death. The protagonist is Lauren Hartke, who we see sharing breakfast with her husband, Rey, in the opening pages. This 18-page sequence is a tour de force (albeit a less showy one than the author's initial salvo in Underworld)-an intricate, funny notation of Lauren's consciousness as she pours cereal, peers out the window, and makes idle chat. Rey, alas, will proceed directly from the breakfast table to the home of his former wife, where he'll unceremoniously blow his brains out.

What follows is one of the strangest ghost stories since The Turn of the Screw. And like James's tale, it seems to partake of at least seven kinds of ambiguity, leaving the reader to sort out its riddles. Returning to their summer rental after Rey's funeral, Lauren discovers a strange stowaway living in a spare room: an inarticulate young man, perhaps retarded, who may have been there for weeks. His very presence is hard for her to pin down: "There was something elusive in his aspect, moment to moment, a thinning of physical address." Yet soon this mysterious figure begins to speak in Rey's voice, and her own, playing back entire conversations from the days preceding the suicide. Has Lauren's husband been reincarnated? Or is the man simply an eavesdropping idiot savant, reproducing sentences he'd heard earlier from his concealment?

DeLillo refuses any definitive answer. Instead he lets Lauren steep in her grief and growing puzzlement, and speculates in his own voice about this apparent intersection of past and present, life and death. At times his rhetoric gets away from him, an odd thing for such a superbly controlled writer. "How could such a surplus of vulnerability find itself alone in the world?" he asks, sounding as though he's discussing a sick puppy. And Lauren's performances-for she is the body artist of the title-sound pretty awful, the kind of thing Artaud might have cooked up for an aerobics class. Still, when DeLillo reins in the abstractions and bears down, the results are heartbreaking:

Why shouldn't the death of a person you love bring you into lurid ruin? You don't know how to love the ones you love until they disappear abruptly. Then you understand how thinly distanced from their suffering, how sparing of self you often were, only rarely unguarded of heart, working your networks of give-and-take.

At this stage of his career, a thin book is an adventure for DeLillo. So is his willingness to risk sentimentality, to immerse us in personal rather than national traumas. For all its flaws, then, The Body Artist is a real, raw accomplishment, and a reminder that bigger, even for so capacious an imagination as DeLillo's, isn't always better. -James Marcus

From Publishers Weekly

After 11 novels, DeLillo (Underworld; White Noise) is an acknowledged American master, and a writer who rarely repeats his successes. This slim novella is puzzling, and may prove entirely mystifying to many readers; like all DeLillo's fiction, it offers a vision of contemporary life that expresses itself most clearly in how the story is told. Would you recognize what you had said weeks earlier, if it were the last thing, among other last things, you said to someone you loved and would never see again? That question, posed late in the narrative, helps explain the somewhat aimless and seemingly pointless opening scene, in which a couple gets up, has breakfast, and the man looks for his keys. Next we learn that heDfailed film director Rey Robles, 64Dis dead of a self-inflicted gunshot wound. SheDLauren, a "body artist"Dgoes on living alone in their house along a lonely coast, until she tracks a noise to an unused room on the third floor and to a tiny, misshapen man who repeats back conversations that she and Rey had weeks before. Is Mr. Tuttle, as Lauren calls him, real, possibly an inmate wandered off from a local institution? Or is he a figment of Lauren's grieving imagination? Is thisDas DeLillo playfully slips into Lauren's mind at one pointDthe first case of a human abducting an alien? One way of reading this story is as a novel told backwards, in a kind of time loop: DeLillo keeps hidden until his closing pages Lauren's role as a body artistDand with it, the novel's true narrative intent. DeLillo is always an offbeat and challenging novelist, and this little masterpiece of the storyteller's craft may not be everyone's masterpiece of the storytelling art. But like all DeLillo's strange and unforgettable works, this is one every reader will have to decide on individually.

DeLillo Don  
The Long Night Of A Penitent Khadra Yasmina  
The Tin Can Tree

In the small town of Larksville, the Pike family is hopelessly out of step with the daily rhythms of life after the tragic, accidental death of six-year-old Janie Rose. Mrs. Pike seldom speaks, blaming herself, while Mr. Pike is forced to come out of his long, comfortable silence. Then there is ten-year-old Simon, who is suddenly without a baby sister – and without understanding why she's gone.

Those closest to this shattered family must learn to comfort them – and confront their own private shadows of hidden grief. If time cannot draw them out of the dark, then love may be their only hope…

Tyler Anne  
The Book Of Evidence

The Book of Evidence is a 1989 novel by the Irish author John Banville. The book is narrated by Freddie Montgomery, a 38 year old scientist, who murders a servant girl during an attempt to steal a painting from a neighbor. Freddie is an aimless drifter, and though he is a perceptive observer of himself and his surroundings, he is largely amoral. The end of the novel makes it unclear whether anything Freddie has said is true. When asked by the inspector how much of it is true, Freddie responds, "True, Inspector? All of it. None of it. Only the shame." The Book of Evidence won Ireland 's Guinness Peat Aviation Award in 1989, and was short-listed for Britain 's Booker Prize. In reviewing the book, Publishers Weekly compared Banville's writing to that of Albert Camus and Fyodor Dostoevsky. The writing style continues Banville's attempt to give his prose "the kind of denseness and thickness that poetry has".

Banville John  
The Inheritance of Loss

This stunning second novel from Desai (Hullabaloo in the Guava Orchard) is set in mid-1980s India, on the cusp of the Nepalese movement for an independent state. Jemubhai Popatlal, a retired Cambridge-educated judge, lives in Kalimpong, at the foot of the Himalayas, with his orphaned granddaughter, Sai, and his cook. The makeshift family's neighbors include a coterie of Anglophiles who might be savvy readers of V.S. Naipaul but who are, perhaps, less aware of how fragile their own social standing is?at least until a surge of unrest disturbs the region. Jemubhai, with his hunting rifles and English biscuits, becomes an obvious target. Besides threatening their very lives, the revolution also stymies the fledgling romance between 16-year-old Sai and her Nepalese tutor, Gyan. The cook's son, Biju, meanwhile, lives miserably as an illegal alien in New York. All of these characters struggle with their cultural identity and the forces of modernization while trying to maintain their emotional connection to one another. In this alternately comical and contemplative novel, Desai deftly shuttles between first and third worlds, illuminating the pain of exile, the ambiguities of post-colonialism and the blinding desire for a better life, when one person's wealth means another's poverty.


Desai's second novel is set in the nineteen-eighties in the northeast corner of India, where the borders of several Himalayan states – Bhutan and Sikkim, Nepal and Tibet – meet. At the head of the novel's teeming cast is Jemubhai Patel, a Cambridge-educated judge who has retired from serving a country he finds "too messy for justice." He lives in an isolated house with his cook, his orphaned seventeen-year-old granddaughter, and a red setter, whose company Jemubhai prefers to that of human beings. The tranquillity of his existence is contrasted with the life of the cook's son, working in grimy Manhattan restaurants, and with his granddaughter's affair with a Nepali tutor involved in an insurgency that irrevocably alters Jemubhai's life. Briskly paced and sumptuously written, the novel ponders questions of nationhood, modernity, and class, in ways both moving and revelatory.

Desai Kiran  
The Night Watch

Sarah Waters’ fourth novel, The Night Watch, is set in 1940s London, during and after the Second World War, and is an innovative departure from her previous three lesbian Victorian historical fictions. Tipping the Velvet (1998), Affinity (1999) and Fingersmith (2002) depend on melodramatic scenes of excess and chicanery, with occasional references to postmodern thinking. In comparison, The Night Watch is more constrained in its telling of love stories and secrets. Its tone echoes the view we have, in the 21st century, of rationed wartime Britain and the use of the more distant third-person, rather than the confiding first-person, signals a further diversion from the earlier works.

The structure of The Night Watch is worth remarking upon as it begins at the end in 1947. The second section takes us back to 1944, and the third and final section is set in 1941. The decision to use this type of structure is brave, even foolhardy, because of the problems in pulling it off convincingly, but Waters’ subtlety and restraint in pulling back the layers reveals the extent of her authorial control.

This novel is essentially concerned with five main characters (Kay, Viv, Helen, Julia and Viv’s brother, Duncan) and their separate private lives. The connections between these people are also elemental to the narrative. Coincidence plays a significant role in the unfolding of past events as their lives are shown to overlap. This use of coincidence has been a feature of Waters’ previous novels, but this time she uses it casually, and as an extra element, rather than for the purposes of manipulating the plot out of hand as was deemed necessary in a melodrama such as Fingersmith.

The love stories of Kay, Viv and Helen are central and, as the narrative traces back to 1941, we learn how their present views of relationships have been shaped by these past events. As with her previous novels, Waters continues to use lesbian relationships as a main focus of the narrative, but shifts away to examine the affair between Viv and Reggie, and the horrific illegal abortion she undergoes to spare her father from further shame.

Repression becomes a touchstone as many of the characters keep a secret or carry a weight of shame. The converse of this theme of fear of discovery is the examination of bravery. This is most notable in the second and third sections which are, necessarily, concerned with the bombing of London. A re-evaluation of the definition of courage is undertaken and is perhaps most poignant in the prison scene, where Duncan ’s cell mate, conscientious objector Fraser, asks himself if he is ‘simply a – a bloody coward’ when he is overwhelmed by the fear of death. The deconstruction of received morality, of what is to be brave or selfish in this time of heightened emotions, is also examined when Helen considers the effect the war has had on her ethics: ‘In the first blitz, she’d tried to help everyone; she’d given money to people, sometimes, from her own purse. But the war made you careless. You started off, she thought sadly, imagining you’d be a kind of heroine. You end up thinking only of yourself.’

The reason for Duncan ’s imprisonment is one of the well-kept secrets of the novel and is only (partially) explained in the third section. This use of the hidden truth and the hints at the unspoken strengthen the evocation of the period, where loose lips could potentially sink ships, and walls had ears. When revelations are made, they are, more often than not, as subdued as the repressed tone permits and this allows the novel to maintain the same pace throughout.

Despite this steady pace, Waters still enables the readers to see how the war also had a liberating effect on women such as Kay. Her gallantry and masculine demeanour was of use during the bombings whilst she worked as an ambulance driver, but in the beginning of the novel, in 1947, it is clear that with the return to peace time her short hair and male clothing are once more worthy of ridicule.

As with all of Waters’ novels, The Night Watch has been praised by critics for the attention to detail and meticulous research. This work stretches beyond the limits of the previous three, though, and is certainly her most impressive to date. Her control in depicting the central characters gradually is in itself an indicator of skilful writing. As this is also combined with a believable and interested evocation of period and place, this novel must be recommended highly.

Waters Sarah  
The Happy Hooker: My Own Story

From Publishers Weekly

Xaviera Hollander has been writing a Penthouse column for 30 years. She chronicled her life as a "high-class New York madam" in 1972's The Happy Hooker: My Own Story, which now returns to print. Frankly discussing lesbianism, bondage, voyeurism and run-ins with lawyers and the FBI, Hollander's book was an international bestseller. In her new epilogue, Hollander rather questionably attests that although her stories may not be as shocking or taboo now as they were in 1972, "the business of sex [has] a new relevance" since September 11. Regan Books will also publish Hollander's new memoir, Child No More, in June (a review will run in an upcoming issue).

From Library Journal

Dutch madam Hollander scored big with this 1972 autobiography, which became a best seller 15 million copies worldwide. Although the book ended up in the hands of respectable readers, it's little more than smut, as Hollander recounts how she left Holland for a job as a secretary in New York, got bored, and became a prostitute and brothel manager (doesn't everybody?). Three decades later, when you can find raunchier stuff on prime-time TV, this is kind of kitschy. This 30th-anniversary edition contains a new epilog.


An astute historian of New York prostitution might have heard a small bell ringing in their head upon reading the name of the woman accused of arranging prostitutes for Eliot’s Emperors Club VIP: Tanya Hollander. You see, New York’s most notorious prostitute (and madam) ever, the Happy Hooker, was named Xaveria Hollander. Was it now a family business? We called the old girl in Amsterdam to check.

“No, she’s not my daughter,” Hollander tells us from what she refers to as her “bed and brothel” on Amsterdam’s Gold Coast. “But it’s a wickedly chosen nom de plume.” (We prefer to think of it as a "nom de poon.") Was the Happy Hooker herself shocked by the news of Spitzer’s dalliances? Not really, save for the prices being bandied about. “Is that what they get paid these days?” she asks, referring to the $5,000 allegedly earned by Ashley Alexandra Dupré. “I was in the $100 bracket.”

Let's talk quality of clientele. Is Spitzer really that big of a deal? Who did Hollander meet in the boudoir? “I had my dealings with the White House,” she says. “But it was more discreet. Newsweek offered to pay me a lot of money if I’d admitted that Sinatra was my client. But I never talked. My affairs we’re never sleazy. I might have mentioned something about a crooner from New Jersey, though…”

Hollander has written eighteen books since her seminal tome in the seventies, in addition to writing the "Call Me Madam" column in Penthouse from 1973 to 2005. Coming soon to a bookstore near you: The Happy Hooker’s Guide to Sex-69 Orgasmic Ways to Pleasure a Woman, from New York’s very own Skyhorse Publishing. We're the hooker capital of the world! -Duff McDonald

Hollander Xaviera  
The Poisonwood Bible

Amazon.com Review

Oprah Book Club® Selection, June 2000: As any reader of The Mosquito Coast knows, men who drag their families to far-off climes in pursuit of an Idea seldom come to any good, while those familiar with At Play in the Fields of the Lord or Kalimantaan understand that the minute a missionary sets foot on the fictional stage, all hell is about to break loose. So when Barbara Kingsolver sends missionary Nathan Price along with his wife and four daughters off to Africa in The Poisonwood Bible, you can be sure that salvation is the one thing they're not likely to find. The year is 1959 and the place is the Belgian Congo. Nathan, a Baptist preacher, has come to spread the Word in a remote village reachable only by airplane. To say that he and his family are woefully unprepared would be an understatement: "We came from Bethlehem, Georgia, bearing Betty Crocker cake mixes into the jungle," says Leah, one of Nathan's daughters. But of course it isn't long before they discover that the tremendous humidity has rendered the mixes unusable, their clothes are unsuitable, and they've arrived in the middle of political upheaval as the Congolese seek to wrest independence from Belgium. In addition to poisonous snakes, dangerous animals, and the hostility of the villagers to Nathan's fiery take-no-prisoners brand of Christianity, there are also rebels in the jungle and the threat of war in the air. Could things get any worse?

In fact they can and they do. The first part of The Poisonwood Bible revolves around Nathan's intransigent, bullying personality and his effect on both his family and the village they have come to. As political instability grows in the Congo, so does the local witch doctor's animus toward the Prices, and both seem to converge with tragic consequences about halfway through the novel. From that point on, the family is dispersed and the novel follows each member's fortune across a span of more than 30 years.

The Poisonwood Bible is arguably Barbara Kingsolver's most ambitious work, and it reveals both her great strengths and her weaknesses. As Nathan Price's wife and daughters tell their stories in alternating chapters, Kingsolver does a good job of differentiating the voices. But at times they can grate-teenage Rachel's tendency towards precious malapropisms is particularly annoying (students practice their "French congregations"; Nathan's refusal to take his family home is a "tapestry of justice"). More problematic is Kingsolver's tendency to wear her politics on her sleeve; this is particularly evident in the second half of the novel, in which she uses her characters as mouthpieces to explicate the complicated and tragic history of the Belgian Congo.

Despite these weaknesses, Kingsolver's fully realized, three-dimensional characters make The Poisonwood Bible compelling, especially in the first half, when Nathan Price is still at the center of the action. And in her treatment of Africa and the Africans she is at her best, exhibiting the acute perception, moral engagement, and lyrical prose that have made her previous novels so successful. -Alix Wilber

From Publishers Weekly

In this risky but resoundingly successful novel, Kingsolver leaves the Southwest, the setting of most of her work (The Bean Trees; Animal Dreams) and follows an evangelical Baptist minister's family to the Congo in the late 1950s, entwining their fate with that of the country during three turbulent decades. Nathan Price's determination to convert the natives of the Congo to Christianity is, we gradually discover, both foolhardy and dangerous, unsanctioned by the church administration and doomed from the start by Nathan's self-righteousness. Fanatic and sanctimonious, Nathan is a domestic monster, too, a physically and emotionally abusive, misogynistic husband and father. He refuses to understand how his obsession with river baptism affronts the traditions of the villagers of Kalinga, and his stubborn concept of religious rectitude brings misery and destruction to all. Cleverly, Kingsolver never brings us inside Nathan's head but instead unfolds the tragic story of the Price family through the alternating points of view of Orleanna Price and her four daughters. Cast with her young children into primitive conditions but trained to be obedient to her husband, Orleanna is powerless to mitigate their situation. Meanwhile, each of the four Price daughters reveals herself through first-person narration, and their rich and clearly differentiated self-portraits are small triumphs. Rachel, the eldest, is a self-absorbed teenager who will never outgrow her selfish view of the world or her tendency to commit hilarious malapropisms. Twins Leah and Adah are gifted intellectually but are physically and emotionally separated by Adah's birth injury, which has rendered her hemiplagic. Leah adores her father; Adah, who does not speak, is a shrewd observer of his monumental ego. The musings of five- year-old Ruth May reflect a child's humorous misunderstanding of the exotic world to which she has been transported. By revealing the story through the female victims of Reverend Price's hubris, Kingsolver also charts their maturation as they confront or evade moral and existential issues and, at great cost, accrue wisdom in the crucible of an alien land. It is through their eyes that we come to experience the life of the villagers in an isolated community and the particular ways in which American and African cultures collide. As the girls become acquainted with the villagers, especially the young teacher Anatole, they begin to understand the political situation in the Congo: the brutality of Belgian rule, the nascent nationalism briefly fulfilled in the election of the short-lived Patrice Lumumba government, and the secret involvement of the Eisenhower administration in Lumumba's assassination and the installation of the villainous dictator Mobutu. In the end, Kingsolver delivers a compelling family saga, a sobering picture of the horrors of fanatic fundamentalism and an insightful view of an exploited country crushed by the heel of colonialism and then ruthlessly manipulated by a bastion of democracy. The book is also a marvelous mix of trenchant character portrayal, unflagging narrative thrust and authoritative background detail. The disastrous outcome of the forceful imposition of Christian theology on indigenous natural faith gives the novel its pervasive irony; but humor is pervasive, too, artfully integrated into the children's misapprehensions of their world; and suspense rises inexorably as the Price family's peril and that of the newly independent country of Zaire intersect. Kingsolver moves into new moral terrain in this powerful, convincing and emotionally resonant novel.

Kingsolver Barbara  
обложка книги The Neon Bible The Neon Bible

JOHN KENNEDY TOOLE -- who won a posthumous Pulitzer Prize for his best-selling comic masterpiece A Confederacy of Dunces -- wrote The Neon Bible for a literary contest at the age of sixteen. The manuscript languished in a drawer and became the subject of a legal battle among Toole's heirs. It was only in 1989, thirty-five years after it was written and twenty years after Toole's suicide at thirty-one, that this amazingly accomplished and evocative novel was freed for publication.

The Neon Bible tells the story of David, a young boy growing up in a small Southern town in the 1940s. David's voice is perfectly calibrated, disarmingly funny, sad, shrewd, gathering force from page to page with an emotional directness that never lapses into sentimentality. Through it we share his awkward, painful, universally recognizable encounter with first love, we participate in boy evangelist Bobbie Lee Taylor's revival, we meet the pious, bigoted townspeople. From the opening lines of The Neon Bible, David is fully alive, naive yet sharply observant, drawing us into his world through the sure artistry of John Kennedy Toole.

Toole John Kenndy  
Travesía Del Horizonte

Como los grandes relatos de aventuras de finales del XIX, a los que Travesía del horizonte rinde cariñoso y burlón homenaje, esta segunda novela de Javier Marías, escrita con veinte y publicada con veintiún años, tiene como hilo conductor una atrevida expedición: el capitán Kerrigan, millonario, excéntrico y `con un pasado`, organiza un viaje a la Antártida para hombres de letras y científicos. Pero la travesía, como el título indica, no es más que una excusa o un imposible, la fantasmagoría con que se teje una trma. Construida con sorprendente habilidad según el modelo de relato-dentro-del-relato, a la aventura marítima de Kerrigan se añaden otras historias y personajes no menos novelescos, con deliberadas reminiscencias de maestros como Joseph Conrad, Henry James y Conan Doyle.

ías Javier  
The Painted Veil Maugham William Somerset  
обложка книги TV-люди TV-люди

Впервые на русском — новый сборник рассказов самого знаменитого мастера современной японской литературы. Герои этих историй слушают воду в человеческом теле и бегают во сне от зомби. А то и вовсе отвыкают спать и страшатся превращения в телелюдей — которые почти как настоящие, разве что слегка отмасштабированы и распространяются подобно вирусу.

Мураками Харуки  
обложка книги The Canterbury Tales – A Retelling The Canterbury Tales – A Retelling

Ackroyd's retelling of Chaucer's classic isn't exactly like the Ethan Hawke'd film version of Hamlet, but it's not altogether different, either. Noting in his introduction that the source material is as close to a contemporary novel as Wells Cathedral is to an apartment block, Ackroyd translates the original verse into clean and enjoyable prose that clears up the roadblocks readers could face in tackling the classic. The Knight's Tale, the first of 24 stories, sets the pace by removing distracting tics but keeping those that are characteristic, if occasionally cringe-inducing, like the narrator's insistence on lines like, Well. Enough of this rambling. The rest of the stories continue in kind, with shorter stories benefiting most from Ackroyd's treatment, though the longer entries tend to… ramble. The tales are a serious undertaking in any translation, and here, through no fault of Ackroyd's work, what is mostly apparent is the absence of the original text, making finishing this an accomplishment that seems diminished, even if the stories themselves prove more readable.


A fresh, modern prose retelling captures the vigorous and bawdy spirit of Chaucer's classic

Renowned critic, historian, and biographer Peter Ackroyd takes on what is arguably the greatest poem in the English language and presents the work in a prose vernacular that makes it accessible to modern readers while preserving the spirit of the original.

A mirror for medieval society, Chaucer's Canterbury Tales concerns a motley group of pilgrims who meet in a London inn on their way to Canterbury and agree to take part in a storytelling competition. Ranging from comedy to tragedy, pious sermon to ribald farce, heroic adventure to passionate romance, the tales serve not only as a summation of the sensibility of the Middle Ages but as a representation of the drama of the human condition.

Ackroyd's contemporary prose emphasizes the humanity of these characters-as well as explicitly rendering the naughty good humor of the writer whose comedy influenced Fielding and Dickens-yet still masterfully evokes the euphonies and harmonies of Chaucer's verse. This retelling is sure to delight modern readers and bring a new appreciation to those already familiar with the classic tales.

Ackroyd Peter  
обложка книги The Pleasure of My Company The Pleasure of My Company

In a recent interview with Steve Martin on NPR's Fresh Air, host Terri Gross asked her guest: "Do you remember the point in your career, when people started to realize that you are smart?" The host was referring, of course, to Martin's zany comedic roles that qualify him as a loveable nut. After all, it is tough to equate "King Tut" from Saturday Night Live, as an author of fairly serious repute. Martin, in reality, is an immensely talented writer; his "Shouts and Murmurs" and other brief pieces in the New Yorker were enjoyable and set his writing reputation even before his first novella, Shopgirl was released. His latest, another slim volume, The Pleasure of my Company, emphasizes Martin's status as a promising and talented writer.

Martin's protagonist is a thirty-something single guy, Daniel Pecan Cambridge, whose life is constrained by his obsessive-compulsive behavior. Daniel informs us that his middle name originates from the pecan plantation his "granny" owns in Southern Texas, but we realize it is a fitting name for a "nut." Daniel is a cute one though, even despite his many quirks. His biggest obstacle, one that prevents him from venturing out on long walks anywhere, is his fear of curbs. To avoid them, he searches for opposing "scooped out driveways" in his California town, and draws mental maps that will take him successfully to his favorite hideout-the local Rite Aid. The Rite Aid with its clean lines and atmosphere is like heaven to Daniel and he never tires of walking the aisles, checking out supplies and the cute pharmacist, Zandy. "The Rite Aid is splendidly antiseptic," explains Daniel, "I'll bet the floors are hosed down every night with isopropyl alcohol. The Rite Aid is the axle around which my squeaky world turns, and I find myself there two or three days a week seeking out the rare household item such as cheesecloth." Among Daniel's other obsessions are ensuring that the total wattage of all the bulbs in a house equal 1125 and periodically having to touch all four corners of copiers at the local Kinko's.

No wonder then that Daniel finds his love life a bit constrained. He keeps himself happy by eyeing Elizabeth, the real-estate agent who often works across the street, by mixing drinks for his upstairs neighbor, Phillipa, and with his weekly visits by his caseworker, Clarissa. Of course, there is Zandy at Rite Aid. All along, Daniel supports himself on generous gift checks sent him by his grandmother in Texas.

Daniel is anything but an average guy but amazingly he wins the "Average American" contest sponsored by a frozen pie company. Daniel is such pleasant company, because for the most part, his outlook on life is always sunny and bright. For a brief moment, when he meets the other finalists of the essay competition, he is sad. "We weren't the elite of anything," he notes, "we weren't the handsome ones with self-portraits hanging over their fireplaces or the swish moderns who were out speaking slang at a posh hotel bar. We were all lonely hearts who deemed that writing our essays might help us get a little attention." However, this sinking feeling is only temporary and Daniel reminds himself that he only wrote the essay at the Rite Aid to have a "few extra Zandy-filled minutes."

It is hard not to make comparisons between Daniel and the autistic protagonist Christopher of Mark Haddon's The Curious Incident of the Dog in the Night Time. Like Christopher, Daniel has some curious insights about the world around him and these casual observations woven into the text make for delightful reading. Referring to his caseworker, Clarissa, Daniel observes: "She's probably reporting on me to a professor or writing about me in a journal. I like to think of her scrawling my name in pencil at the end of our sessions-I mean visits-but really, I'm probably a keyboard macro by now. She types D and hits control/spacebar and Daniel Pecan Cambridge appears. When she looks at me in the face on Tuesdays and Fridays she probably thinks of me not as Daniel Pecan Cambridge but as D-control/spacebar."

Towards the end of The Pleasure of my Company, the story moves along quickly. Daniel becomes involved with Clarissa in a way and they travel to Texas, both for their individual private reasons. By novel's end, Daniel has conquered his fear of curbs and Clarissa has accommodated his obsession with bulb wattage.

The Pleasure of My Company is a delightful novel as warm as the California sun. Martin has managed to capture in Daniel, the essence of a likeable zany man. Daniel's eventual success at having a happy life despite his many handicaps, is uplifting because it reminds us that life is not all bad all the time. It is always fun to root for the underdog and have him win. It might take some doing but Martin shows us that there are indeed "takers for the quiet heart."

Martin Steve  
обложка книги The Museum Of Innocence The Museum Of Innocence

The story of Kemal, the half-hearted industrialist who is the hero of The Museum of Innocence, Orhan Pamuk's first novel since he won the Nobel Prize for Literature, is a deeply private one, built around an often inexplicable obsession that he attempts to justify to the reader. In honor of Füsun, the poor, beautiful cousin he had a short affair with when he was 30 and engaged to another, he has hoarded a museum of relics, both of their time together and of the much longer time when, like Gatsby drawn by the green light on Daisy's dock, he hovered at the edge of her life, held in check (but yet held nearby) by the proprieties of Turkish society. From Kemal's passion Pamuk constructs a masterful meditation on time, desire, and possession, saturated with the details of the city of Pamuk 's youth: the brand names, the film stars, the streets, the intricate social relations between classes and between modernity and tradition. It's as if the museum of the title was built in honor not of Füsun but of Istanbul, circa 1975.

Pamuk Orhan  
обложка книги The ТЁЛКИ два года спустя, или Videoты The ТЁЛКИ два года спустя, или Videoты

Андрей Миркин, герой романа «The Тёлки», сделал блестящую карьеру на телевидении: он ведущий популярного шоу на молодежном канале. Известность вскружила ему голову, девушки не дают проходу, а лгать приходится все чаще, даже самому себе. Но однажды он встречает ту, с которой может быть настоящим... или так только кажется?

Минаев Сергей  
обложка книги Tinkers Tinkers

This Monday, on April 12, the winners of the Pulitzer Prize were announced, and since then, little-known debut author Paul Harding has quickly risen to fame after his novel "Tinkers" won the Pulitzer for fiction.

The novel, about a dying man's recollection of and relationship with his father, a tinker in Maine, was turned down by every major publisher over the course of several years. It was finally published by Bellevue Literary Press, a small publisher associated with the NYU Medical School. Even after its publication and the excellent reviews across the board, few hoped for it to rise to the top. And when Harding was awarded the Pulitzer, the Boston Globe reports, he only found out by checking the award's website – nobody had bothered to call him. "Tinkers" is the first novel from a small press to win the Pulitzer since "Confederacy of Dunces" won in 1981 and everyone in the publishing industry is scrambling to take some part of the credit for the book's success.

The Boston Globe published an article early this week about the people who pushed "Tinkers" early on, claiming the success of the book as proof of the power of word of mouth. It began with Bellevue Press Editorial Director Erika Goldman saying, "It was so exquisite that I found myself – and this has never happened – weeping for the beauty of the prose." Publishers Weekly's Michael Coffey stayed up past midnight reading it – "not something I normally do." Lise Solomon, a sales representative in Northern California vowed, "I was going to make it a Bay Area bestseller."

But though the sentiments expressed in the Globe article ring true, Publishers Marketplace points out that the article unfortunately "mangl[es]" the timeline of the support for the book, and ends up "confus[ing] the record as much as clarify[ing]." Among other corrections, Publishers Marketplace points to the book's early placement on the Indie Next list and that the first review was in the Hartford Courant, two facts not mentioned by the Globe. Publishers Marketplace also claims to be on the lookout for the independent bookstores that spread the word about the book early on.

Whatever the chronology of the events, it is clear that readers across the board have fallen head over heels for "Tinkers." Publishers Weekly called it a "gorgeous example of novelistic craftsmanship," Booklist said that it is a "rare and beautiful novel of spiritual inheritance and acute psychological and metaphysical suspense," and Chris Bohjalian, writing for the Globe called it "a poignant exploration of where we may journey when the clock has barely a tick or two left and we really can't go anywhere at all." (HuffPost Books also recognized the novel in our "Best of the Best Books Lists" feature in December.) The New York Times, notably, was left in the dark about this book, and never reviewed it at all, as Gregory Cowles sheepishly admits in a PaperCuts blog.

For Paul Harding, the success has been incredible. The author, a former drummer for a rock band, said that he was "stunned," according to USA Today. "It was a little book from a little publisher that was hand-sold from start to finish," he said. He looks at the win in a practical sense, though: "I can afford to continue doing what I love to do."

Harding Paul  
обложка книги The Whore of Babylon, A Memoir The Whore of Babylon, A Memoir

Katrina Prado has contributed to The Whore of Babylon, a Memoir as an author. Katrina Prado is the author of several novels and short stories and is currentlly working on her seventh novel, the third in a mystery series. She has had work published in Potpurri, the Chrysalis Reader, The Santa Clara Review, Life, and Woman. Her work has also be selected for air on Public Radio's Valley Writers Read. Her short story Twig Doll won first place in the 2000 Life Circle Lierary Contest.

Prado Katrina  
обложка книги «There Are More Things» «There Are More Things»

Основой трехтомного собрания сочинений знаменитого аргентинского писателя Л.Х.Борхеса, классика ХХ века, послужили шесть сборников произведений мастера, часть его эссеистики, стихи из всех прижизненных сборников и микроновеллы – шедевры борхесовской прозыпоздних лет.

Борхес Хорхе Луис  
Travesuras de la niña mala

¿Cuál es el verdadero rostro del amor?

Ricardo ve cumplido, a una edad muy temprana, el sueño que en su Lima natal alimentó desde que tenía uso de razón: vivir en París. Pero el rencuentro con un amor de adolescencia lo cambiará todo. La joven, inconformista, aventurera, pragmática e inquieta, lo arrastrará fuera del pequeño mundo de sus ambiciones.

Testigos de épocas convulsas y florecientes en ciudades como Londres, París, Tokio o Madrid, que aquí son mucho más que escenarios, ambos personajes verán sus vidas entrelazarse sin llegar a coincidir del todo. Sin embargo, esta danza de encuentros y desencuentros hará crecer la intensidad del relato página a página hasta propiciar una verdadera fusión del lector con el universo emocional de los protagonistas.

Creando una admirable tensión entre lo cómico y lo trágico, Mario Vargas Llosa juega con la realidad y la ficción para liberar una historia en la que el amor se nos muestra indefinible, dueño de mil caras, como la niña mala. Pasión y distancia, azar y destino, dolor y disfrute… ¿Cuál es el verdadero rostro del amor?

Llosa Mario Vargas  
обложка книги The Edible Woman The Edible Woman

Ever since her engagement, the strangest thing has been happening to Marian McAlpin: she can't eat. First meat. Then eggs, vegetables, cake, pumpkin seeds-everything! Worse yet, she has the crazy feeling that she's being eaten. Marian ought to feel consumed with passion. But really she just feels…consumed. A brilliant and powerful work rich in irony and metaphor, The Edible Woman is an unforgettable materpiece by a true master of contemporary literary fiction.

Atwood Margaret  
обложка книги The Plot Against America The Plot Against America

When the renowned aviation hero and rabid isolationist Charles A. Lindbergh defeated Franklin Roosevelt by a landslide in the 1940 presidential election, fear invaded every Jewish household in America. Not only had Lindbergh, in a nationwide radio address, publicly blamed the Jews for selfishly pushing America towards a pointless war with Nazi Germany, but, upon taking office as the 33rd president of the United States, he negotiated a cordial 'understanding' with Adolf Hitler, whose conquest of Europe and whose virulent anti-Semitic policies he appeared to accept without difficulty. What then followed in America is the historical setting for this startling new novel by Pulitzer-prize winner Philip Roth, who recounts what it was like for his Newark family – and for a million such families all over the country – during the menacing years of the Lindbergh presidency, when American citizens who happened to be Jews had every reason to expect the worst.

Roth Philip  
обложка книги The Fat Man in History aka Exotic Pleasures The Fat Man in History aka Exotic Pleasures

The first collection of short stories published by Peter Carey, whose other books include "Bliss", "Illywhacker" and "Oscar and Lucinda", which was awarded the 1988 Booker Prize. The stories, set in an ominous near-future that has a feel of contemporary life, are by turn bizarre and funny.

Carey Peter  
обложка книги The Final Testament of the Holy Bible The Final Testament of the Holy Bible

James Frey isn't like other writers. He's been called a liar. A cheat. A con man. He's been called a saviour. A revolutionary. A genius. He's been sued by readers. Dropped by publishers because of his controversies. Berated by TV talk-show hosts and condemned by the media. He's been exiled from America, and driven into hiding. He's also a bestselling phenomenon. Published in 38 languages, and beloved by readers around the world. What scares people about Frey is that he plays with truth; that fine line between fact and fiction. Now he has written his greatest work, his most revolutionary, his most controversial. The Final Testament of the Holy Bible.

What would you do if you discovered the Messiah were alive today? Living in New York. Sleeping with men. Impregnating young women. Euthanizing the dying, and healing the sick. Defying the government, and condemning the holy. What would you do if you met him? And he changed your life. Would you believe? Would you?

The Final Testament of the Holy Bible. It will change you. Hurt you. Scare you. Make you think differently. Live differently. Enrage you. Offend you. Open your eyes to the world in which we live. We've waited 2,000 years for the Messiah to arrive. We've waited 2,000 years for this book to be written. He was here. The Final Testament of the Holy Bible is the story of his life.

Frey James  
обложка книги The original of Laura The original of Laura

When Vladimir Nabokov died in 1977, he left instructions for his heirs to burn the 138 handwritten index cards that made up the rough draft of his final and unfinished novel, The Original of Laura. But Nabokov’s wife, Vera, could not bear to destroy her husband’s last work, and when she died, the fate of the manuscript fell to her son. Dmitri Nabokov, now seventy-five--the Russian novelist’s only surviving heir, and translator of many of his books--has wrestled for three decades with the decision of whether to honor his father’s wish or preserve for posterity the last piece of writing of one of the greatest writers of the twentieth century. His decision finally to allow publication of the fragmented narrative--dark yet playful, preoccupied with mortality--affords us one last experience of Nabokov’s magnificent creativity, the quintessence of his unparalleled body of work.

Набоков Владимир Владимирович  
обложка книги Top Modelka Top Modelka

Siedemnastoletnia Emerson uwielbia gry komputerowe i seriale na Discovery, za to nie zależy jej na wyglądzie ani powodzeniu. I nagle staje się zupełnie inną dziewczyną: po dziwnym wypadku budzi się w ciele sławnej supermodelki. Ale w nowym życiu „celebrytki” czeka ją na nią nie tylko flirt, blask fleszy i seksowne kreacje…

Cabot Meg  
обложка книги Toward the End of Time Toward the End of Time

Ben Turnbull is a retired investment executive living North of Boston in the year 2020. A recent war between the USA and China has thinned the population and brought social chaos. He finds his personal history caught up in the disjuntions and vagaries of the "many universes" theories.

Updike John  
The Notebook

An elderly man reads to an elderly woman every day from a yellowed notebook that he carries around with him. He hopes that this notebook, which contains the memories of his love and life, will jog her memory, but it is not to be. Yet, he tries each day and does not give up because within its pages tells the story of Noah Taylor Calhoun, a young Southerner, and his great passion and love for Allison Nelson.

Noah, who has just graduated from high school, and Allie, who is a junior, meet in the summer of 1932 and fall in love. This story, set along the beautiful coast of New Bern, North Carolina, shows how a summer romance can transpire into something so much more. Allie, who is visiting North Carolina during this summer, is introduced to Noah through their friend, Fin. She takes a liking to him immediately and they spend the summer sharing everything, and forming memories through their time together that neither knows will soon become painful when Allie has to leave with her parents at the end of the vacation.

Although they face many differences, the one with the greatest impact is her parents' disapproval. Allie’s parents imply that Noah is not right for their daughter because he is of a different class. Despite their efforts to keep in touch, Noah’s letters to Allie go unread.

Fourteen years on, Noah is living in and restoring a big house alone while Allie is 29 and engaged to a successful lawyer. She reads an article about Noah in the paper and decides that she must see him one last time. When they both come face to face again after all those years, it is clear that the passion they shared so long ago is still there.

Shining with an exquisiteness that is rarely found in current literature, The Notebook establishes Nicholas Sparks as a classic author with a unique insight into the only emotion that really matters. Sparks makes you fall in love with the characters and the love they share. You feel as though you are the one falling in love and experiencing all the hardships. Sparks describes and captures every emotion so well – from the passion and love shared by the young couple to the undying faith of an elderly man who never stops believing that his love, who suffers from Alzheimer's disease, will get her memory of their love back once in a while if he tries hard enough.

The Notebook is one of the most poignant and compelling love stories ever written with the kind of romance everyone wishes for…

Sparks Nicholas  

Terrorist by John Updike is a timely piece of contemporary literature that is well-written and dense with observation and description. Updike takes readers into the mind of a terrorist and helps us understand the possible motivation and mindset of those involved in terrorism. Terrorist is an important piece of social literature, but it is not light or easy reading. It is slow at points and requires concentration to read.

Terrorist by John Updike is about Ahmad Ashmawy Mulloy, an 18-year-old boy in Northern New Jersey who is devoted to Islam. Ahmad was raised by an Irish-American mother after his Egyptian father disappeared when he was three. Ahmad converts to Islam at age 11 and is instructed in the Qur'an by a local imam.

Ahmad is a sympathetic character. Updike lets readers into his head, forcing us to view American materialism and morality from his viewpoint. Updike also draws us into other characters' lives-Ahmad's mother, a high school guidance counselor, an African-American teenage girl, a worker in the Department of Homeland Security. It was striking to me how lost many of the characters were. In many ways, Ahmad was one of the most thoughtful and moral characters in the story. That is a disturbing realization when you consider that he is being groomed to be a terrorist.

Indeed, just as the protagonist is a thoughtful young terrorist, the novel Terrorist is a thought-provoking book. It is clear that Updike has thought a lot about American society, the inner city and modern morality. His descriptions and complex characters compel readers to do the same.

Terrorist is not easy reading. I did not get caught up in the plot, and that was disappointing. It was easy for me to put the novel down after 25 pages, both because I needed time to process and because it did not always keep my attention. Updike is a great writer, and Terrorist shows that; however, everyone may not like the book.

Updike John  

Ahmad ha nacido en New Prospect, una ciudad industrial venida a menos del área de Nueva York. Es hijo de una norteamericana de origen irlandés y de un estudiante egipcio que desapareció de sus vidas cuando tenía tres años. A los once, con el beneplácito de su madre, se convirtió al Islam y, siguiendo las enseñanzas de su rigorista imam, el Sheij Rashid, lo fue asumiendo como identidad y escudo frente a la sociedad decadente, materialista y hedonista que le rodeaba.

Ahora, a los dieciocho, acuciado por los agobios y angustias sexuales y morales propios de un adolescente despierto, Ahmad se debate entre su conciencia religiosa, los consejos de Jack Levy el desencantado asesor escolar que ha sabido reconocer sus cualidades humanas e inteligencia, y las insinuaciones cada vez más explícitas de implicación en actos terroristas de Rashid. Hasta que se encuentra al volante de una furgoneta cargada de explosivos camino de volar por los aires uno de los túneles de acceso a la Gran Manzana.

Con una obra literaria impecable a sus espaldas, Updike asume el riesgo de abordar un tema tan delicado como la sociedad estadounidense inmediatamente posterior al 11 de Septiembre. Y lo hace desde el filo más escarpado del abismo: con su habitual mezcla de crueldad y empatía hacia sus personajes, se mete en la piel del «otro», de un adolescente árabe-americano que parece destinado a convertirse en un «mártir» inmisericorde, a cometer un acto espeluznante con la beatífica confianza del que se cree merecedor de un paraíso de huríes y miel.

Updike John  
The Names

Set against the backdrop of a lush and exotic Greece, The Names is considered the book which began to drive "sharply upward the size of his readership" (Los Angeles Times Book Review). Among the cast of DeLillo's bizarre yet fully realized characters in The Names are Kathryn, the narrator's estranged wife; their son, the six-year-old novelist; Owen, the scientist; and the neurotic narrator obsessed with his own neuroses. A thriller, a mystery, and still a moving examination of family, loss, and the amorphous and magical potential of language itself, The Names stands with any of DeLillo's more recent and highly acclaimed works.


"The Names not only accurately reflects a portion of our contemporary world but, more importantly, creates an original world of its own."-Chicago Sun-Times


"DeLillo sifts experience through simultaneous grids of science and poetry, analysis and clear sight, to make a high-wire prose that is voluptuously stark."-Village Voice Literary Supplement


"DeLillo verbally examines every state of consciousness from eroticism to tourism, from the idea of America as conceived by the rest of the world to the idea of the rest of the world as conceived by America, from mysticism to fanaticism."-New York Times

DeLillo Don  
The Picnic and Suchlike Pandemonium Durrell Gerald Malcolm  
обложка книги The Espressologist The Espressologist

What’s your drink of choice? Is it a small pumpkin spice latte? Then you’re lots of fun and a bit sassy. Or a medium americano? You prefer simplicity in life. Or perhaps it’s a small decaf soy sugar-free hazelnut caffe latte? Some might call you a yuppie. Seventeen-year-old barista Jane Turner has this theory that you can tell a lot about a person by their regular coffee drink. She scribbles it all down in a notebook and calls it Espressology. So it’s not a totally crazy idea when Jane starts hooking up some of her friends based on their coffee orders. Like her best friend, Em, a medium hot chocolate, and Cam, a toffee nut latte. But when her boss, Derek, gets wind of Jane’s Espressology, he makes it an in-store holiday promotion, promising customers their perfect matches for the price of their favorite coffee. Things are going better than Derek could ever have hoped, so why is Jane so freaked out? Does it have anything to do with Em dating Cam? She’s the one who set them up! She should be happy for them, right?

With overtones of Jane Austen’s Emma and brimming with humor and heart, this sweet, frothy debut will be savored by readers.

Springer Kristina  
обложка книги The Dew Breaker The Dew Breaker

PEN/Faulkner Award for fiction (nominee)

From the universally acclaimed author of Breath, Eyes, memory and Krik?Krak! (both Opera's Book Club selections), a powerful new work of fiction that explores the trials and reconciliations in the life of a man known as a 'dew breaker,' a torturer, whose past crimes in the country of his birth, lie hidden beneath his new American relaity. In Haiti in the dictatorial 1960's, Manhattan in the 1970s, Brooklyn and Queens today, we meet the dew breaker's family, neighbours, and victims. An unforgettable, deeply resonant book – of love, remorse, history, and hope, of rebellions both personal and political – The Dew Breaker proves once more that in Edwidge Danticat we have a major American writer.

“Breathtaking… With terrifying wit and flowered pungency, Edwidge Danticat has managed over the past 10 years to portray the torment of the Haitian people… In The Dew Breaker, Danticat has written a Haitian truth: prisoners all, even the jailers.” – The New York Times Book Review

“Danticat [is] surely one of contemporary fiction’s most sensitive conveyors of hope’s bittersweet persistence in the midst of poverty and violence.” – The Miami Herald

“Thrillingly topical… [The Dew Breaker] shines… Danticat leads her readers into the underworld. It’s furnished like home.” – Los Angeles Times Book Review

“Stunning… Beautifully written fiction [that] seamlessly blend[s] the personal and political, [and] asks questions about shame and guilt, forgiveness and redemption, and the legacy of violence… haunting.” – USA Today

“Fascinating… Danticat is a fine and serious fiction writer who has slowly grown as an artist with each book she has written.” – Chicago Tribune

“In its varied characters, its descriptive power and its tightly linked images and themes, [The Dew Breaker] is a rewarding and affecting read, rich with insights not just about Haiti but also about the human condition.” – San Francisco Chronicle

“[The Dew Breaker] is, most profoundly, about love’s healing powers. From its marvelous descriptions of place to the gentle opening up of characters, this is a book that engages the imagination.” – Elle

“With her grace and her imperishable humanity… [Danticat] makes sadness beautiful.” – The New York Observer

“Danticat has an emotional imagination capable of evoking empathy for both predator and prey.” – Entertainment Weekly

“With characteristic lyricism and grace, Danticat probes the painful legacy of a time when sons turned against their fathers, children were orphaned, and communities were torn apart.” – The Philadelphia Inquirer

“Delicate and poetic… Danticat [is] more than a storyteller, she’s a writer… Her voice is like an X-Acto knife-precise, sharp and perfect for carving out small details.” – Minneapolis Star Tribune

“Filled with quiet intensity and elegant, thought-provoking prose… An elegiac and powerful novel with a fresh presentation of evil and the healing potential of forgiveness.” – People

“[Danticat] fuses the beauty and tragedy of her native land, a land her characters want to forget and remember all at once.” – Ebony

“In these stories Edwidge Danticat continues to speak eloquently for those who in losing their sorrowful homeland have lost their voices.” – The Boston Globe

“Haitian-American writer Edwidge Danticat presents simple truths… this, the novelist seems to be saying, is how you understand; here is the primer for survival.” – The Atlanta Journal-Constitution

Danticat Edwidge  
обложка книги The Collected Novels of José Saramago The Collected Novels of José Saramago

Cipriano Algor, an elderly potter, lives with his daughter Marta and her husband Marçal in a small village on the outskirts of The Center, an imposing complex of shops, apartments, and offices to which Cipriano delivers his pots and jugs every month. On one such trip, he is told not to make any more deliveries. Unwilling to give up his craft, Cipriano tries his hand at making ceramic dolls. Astonishingly, The Center places an order for hundreds, and Cipriano and Marta set to work-until the order is cancelled and the three have to move from the village into The Center. When mysterious sounds of digging emerge from beneath their apartment, Cipriano and Marçal investigate, and what they find transforms the family's life. Filled with the depth, humor, and the extraordinary philosophical richness that marks each of Saramago's novels, The Cave is one of the essential books of our time.

Saramago é  
обложка книги The Elephant's Journey The Elephant's Journey

In 1551, King João III of Portugal gave Archduke Maximilian an unusual wedding present: an elephant named Solomon. The elephant’s journey from Lisbon to Vienna was witnessed and remarked upon by scholars, historians, and ordinary people. Out of this material, José Saramago has spun a novel already heralded as “a triumph of language, imagination, and humor” (El País).

Solomon and his keeper, Subhro, begin in dismal conditions, forgotten in a corner of the palace grounds. When it occurs to the king and queen that an elephant would be an appropriate wedding gift, everyone rushes to get them ready: Subhro is given two new suits of clothes and Solomon a long overdue scrub.

Accompanied by the Archduke, his new wife, and the royal guard, our unlikely heroes traverse a continent riven by the Reformation and civil wars. They make their way through the storied cities of northern Italy: Genoa, Piacenza, Mantua, Verona, Venice, and Trento, where the Council of Trent is in session. They brave the Alps and the terrifying Isarco and Brenner Passes; they sail across the Mediterranean Sea and up the Inn River (elephants, it turns out, are natural sailors). At last they make their grand entry into the imperial city.The Elephant’s Journey is a delightful, witty tale of friendship and adventure.

Saramago é  
обложка книги The History of the Siege of Lisbon The History of the Siege of Lisbon

In this “ingenious” novel (New York Times) by “one of Europe’s most original and remarkable writers” (Los Angeles Times), a proofreader’s deliberate slip opens the door to romance-and confounds the facts of Portugal’s past.

Saramago é  
обложка книги Tale of the Unknown Island Tale of the Unknown Island

A man went to knock at the king's door and said to him, Give me a boat. The king's house had many other doors, but this was the door for petitions. Since the king spent all his time sitting by the door for favors (favors being done to the king, you understand), whenever he heard someone knocking on the door for petitions, he would pretend not to hear . . ." Why the petitioner required a boat, where he was bound for, and who volunteered to crew for him the reader will discover as this short narrative unfolds. And at the end it will be clear that if we thought we were reading a children's fable we were wrong-we have been reading a love story and a philosophical tale worthy of Voltaire or Swift.

Saramago é  
обложка книги The Gospel According to Jesus Christ The Gospel According to Jesus Christ

This is a skeptic’s journey into the meaning of God and of human existence. At once an ironic rendering of the life of Christ and a beautiful novel, Saramago’s tale has sparked intense discussion about the meaning of Christianity and the Church as an institution. Translated by Giovanni Pontiero.

Saramago é  
обложка книги The Stone Raft The Stone Raft

When the Iberian Peninsula breaks free of Europe and begins to drift across the North Atlantic, five people are drawn together on the newly formed island-first by surreal events and then by love. “A splendidly imagined epic voyage...a fabulous fable” (Kirkus Reviews). Translated by Giovanni Pontiero.

José Saramago was born in Portugal in 1922. He is the author of six novels, including Baltasar and Blimunda and The History of the Siege of Lisbon, Blindness, and All The Names. His backlist is available in Harvest editions.

Saramago é  
обложка книги The bridge of San Luis Rey The bridge of San Luis Rey

“On Friday noon, July the twentieth, 1714, the finest bridge in all Peru broke and precipitated five travellers into the gulf below.”

The citizens of Peru crossed themselves and whispered prayers of thanks for their deliverance. But in the mind of Brother Juniper, a humble monk who witnessed the catastrophe, burned the question, “Why did this happen to those five?”

As Brother Juniper’s investigations illuminate the possibility of an Intention to the disaster—involving the lives left behind as well as those lost on the bridge—the reader rediscovers the one “bridge” between the land of the living and the land of the dead that does not fall.

Wilder Thornton Niven  
The Great Railway Bazaar

Paul Theroux is a vocal proponent of rail travel over air travel, which he likens to traveling by submarine for all that goes unseen and not experienced by its adherents. The Great Railway Bazaar, his 1975 account of a four month railroad journey through Europe and Asia begins, "I sought trains, I found passengers." It is certainly the individuals that Theroux meets along the way, rather than the cities, buildings, or sites of touristic import, to which he devotes his most generous descriptions.

Beginning in Victoria Station with Duffill, an older man with a tweed cap, ill-fitting clothes, and mysterious business in Istanbul (Duffill's name later becomes synonymous with being left behind at a railway station), Theroux's journeys brim with a huge cast of colorful characters. From ashram-bound hippies to devout Kali-worshiping Tamils to Vassily Prokofyevich, the drunken Russian dining car manager on the Trans-Siberian Express, Theroux richly details his varied encounters, paying particular attention to the bizarre along the bazaar.

In Calcutta, "a city of mutilated people (where) only the truly monstrous looked odd," the author encounters "the hopping man," who with only one muscular leg, hops himself through the urban detritus; on the Saigon to Bien Hoa train, a Vietnamese woman thrusts an American baby upon him, expecting Theroux to keep and raise the child; and in Japan, where the cleanliness, efficiency, and quiet of the passenger trains provide striking contrast to what the author had up until that point become accustomed to, he finds the cultural undercurrent of sadistic pornography disturbingly unquestioned.

Paul Theroux had already established himself as a novelist at the time of his four month journey; The Great Railway Bazaar, today a travel writing classic, was preceded by ten books, six of which were novels. In fact, his four month long excursion seems to have been funded or at least justified, by the lecture engagements the author had arranged all along his route.

The first of many in this genre from Theroux, including Dark Star Safari (2002) and Ghost Train to the Eastern Star (2008), The Great Railway Bazaar is at once a timeless narrative of humans and travel and a distinctly historical slice of global affairs as viewed by one decidedly motion-bound writer.

The journey however is a long one and while masterfully wrought, it is often the incidental passage of time in a railway compartment that is thus rendered, and by the end of it even Theroux has tired of his travels. Snippets of brilliance exist throughout, but they are intermittent as you might expect, as when viewed from a passing train.

Theroux Paul  
The Blue Afternoon

Winner of the 1993 Sunday Express Book of the Year Award

A turn-of-the-century love story, set in Manila, between an American woman and Filipino-Spanish mestizo by the popular storyteller William Boyd. It's a memorable tale, richly detailed.

Boyd William  
The God of Small Things

This highly stylized novel tells the story of one very fractured family from the southernmost tip of India. Here is an unhappy family unhappy in its own way, and through flashbacks and flashforwards The God of Small Things unfolds the secrets of these characters' unhappiness. First-time novelist Arundhati Roy twists and reshapes language to create an arresting, startling sort of precision. The average reader of mainstream fiction may have a tough time working through Roy's prose, but those with a more literary bent to their usual fiction inclinations should find the initial struggle through the dense prose a worthy price for this lushly tragic tale.

Rahel and Estha are fraternal twins whose emotional connection to one another is stronger than that of most siblings:

Esthappen and Rahel thought of themselves together as Me, and separately, individually as We or Us. As though they were a rare breed of Siamese twins, physically separate, but with joint identities.

Now, these years later, Rahel has a memory of waking up one night giggling at Estha's funny dream.

She has other memories too that she has no right to have.

Their childhood household hums with hidden antagonisms and pains that only family members can give one another.

Blind Mammachi, the twins' grandmother and founder of Paradise Pickles & Preserves, is a violin-playing widow who suffered years of abuse at the hands of her highly respected husband, and who has a fierce one-sided Oedipal connection with her son, Chacko. Baby Kochamma, Rahel and Estha's grandaunt, nurses deep-seated bitterness for a lifetime of unrequited love, a bitterness that plays out slyly against everyone in the family; in her youth she fell in love with an Irish Roman-Catholic priest and converted to his faith to win him, while he eventually converted to Hinduism. Chacko, divorced from his English wife and separated from his daughter since her infancy, runs the pickle factory with a capitalist's hand, self-deluding himself all the while that he is a Communist at heart even as he flirts with and beds his female employees. Ammu, the twins' mother, is a divorcee who fled her husband's alcoholism and impossible demands, a woman with a streak of wildness that the children sense and dread and that will be her and her family's undoing.

The family's tragedy revolves around the visit of Chacko's ex-wife, widowed by her second husband, and his daughter, Sophie Mol. It is within the context of their visit that Estha will experience the one horrible thing that should never happen to a child, during their visit that Ammu will come to love by night the man the children love by day, and during their visit that Sophie Mol will die. Her death, and the fate of the twins' beloved Untouchable Velutha, will forever alter the course of the lives of all the members of the family, sending them each off on spinning trajectories of regret and pain. The story reveals itself not in traditional narrative order, but in jumps through time, wending its way through Rahel's memories and attempts at understanding the hand fate dealt her family.

The God of Small Things has been favorable reviewed all over the place, generating a lot of excitement in the current literary establishment. What you think of it will depend heavily on your opinion of Roy's prose style – is it ostentatious, or is it brilliant? Whether or not you fall in love with her style, the truth of the heartbreaking story she tells and the lovable/hate-able characters who people it make this novel an experience not to be missed.

Roy Arundhati  
The Brief History of the Dead

"Remember me when I'm gone"

just took on a whole new meaning.

The City is inhabited by the recently departed, who reside there only as long as they remain in the memories of the living. Among the current residents of this afterlife are Luka Sims, who prints the only newspaper in the City, with news from the other side; Coleman Kinzler, a vagrant who speaks the cautionary words of God; and Marion and Phillip Byrd, who find themselves falling in love again after decades of marriage.

On Earth, Laura Byrd is trapped by extreme weather in an Antarctic research station. She's alone and unable to contact the outside world: her radio is down and the power is failing. She's running out of supplies as quickly as she's running out of time.

Kevin Brockmeier interweaves these two stories in a spellbinding tale of human connections across boundaries of all kinds. The Brief History of the Dead is the work of a remarkably gifted writer.

Brockmeier Kevin  
The House of the Sleeping Beauties

Nobel prize-winning author Yasunari Kawabata is noted for his combination of a traditional Japanese aesthetic with modernist, often surreal trends. In these three tales, superbly translated by Edward Seidensticker, erotic fantasy is underlaid with longing and memories of past loves.

In the title story, the protagonist visits a brothel where elderly men spend a chaste but lecherous night with a drugged, unconscious virgin. As he admires the girl’s beauty, he recalls his past womanizing, and reflects on the relentless course of old age.

In One Arm, a young girl removes her right arm and gives it to the narrator to take home for the night; a surreal seduction follows as he tries to allay its fears, caresses it, and even replaces his own right arm with it.

The protagonist of Of Birds and Beasts prefers the company of his pet birds and dogs to people, yet for him all living beings are beautiful objects which, though they give him pleasure, he treats with casual cruelty.

Beautiful yet chilling, richly poetic yet subtly disturbing, these stories make compelling reading and reaffirm Kawabata’s status as a world-class writer.

Kawabata Yasunari  
The History Койцан Олег Александрович  
обложка книги The Story of Edgar Sawtelle The Story of Edgar Sawtelle

Born mute, speaking only in sign, Edgar Sawtelle leads an idyllic life with his parents on their farm in remote northern Wisconsin. For generations, the Sawtelles have raised and trained a fictional breed of dog whose thoughtful companionship is epitomized by Almondine, Edgar's lifelong friend and ally. But with the unexpected return of Claude, Edgar's paternal uncle, turmoil consumes the Sawtelles' once peaceful home. When Edgar's father dies suddenly, Claude insinuates himself into the life of the farm-and into Edgar's mother's affections.

Grief-stricken and bewildered, Edgar tries to prove Claude played a role in his father's death, but his plan backfires-spectacularly. Forced to flee into the vast wilderness lying beyond the farm, Edgar comes of age in the wild, fighting for his survival and that of the three yearling dogs who follow him. But his need to face his father's murderer and his devotion to the Sawtelle dogs turn Edgar ever homeward.

David Wroblewski is a master storyteller, and his breathtaking scenes-the elemental north woods, the sweep of seasons, an iconic American barn, a fateful vision rendered in the falling rain-create a riveting family saga, a brilliant exploration of the limits of language, and a compulsively readable modern classic.

Wroblewski David  
обложка книги The Bridge The Bridge

A man lies in a coma after a near-fatal accident. His body broken, his memory vanished, he finds himself in the surreal world of the bridge - a world free of the usual constraints of time and space, a world where dream and fantasy, past and future fuse. Who is this man? Where is he? Is he more dead than alive? Or has he never been so alive before?

'Iain Banks of THE WASP FACTORY eclipses that sensational debut...a real dazzler' Daily Mail

'Great artistry, great virtuosity ... great exuberance' New Statesman

'This one's his best yet' New Musical Express

'THE BRIDGE is serious, but playful; it is full of throwaway jokes, minor tangles for the reader to sort out, political/cultural references to the kind of reality that rarely gets into British literature, and nuggets of surprising truth juxtaposed with outrageous lies... convincing in a way too little fantasy or mainstream literature is' City Limits

Banks Iain  
обложка книги The Piano Teacher The Piano Teacher

Former Elle editor Lee delivers a standout debut dealing with the rigors of love and survival during a time of war, and the consequences of choices made under duress. Claire Pendleton, newly married and arrived in Hong Kong in 1952, finds work giving piano lessons to the daughter of Melody and Victor Chen, a wealthy Chinese couple. While the girl is less than interested in music, the Chens' flinty British expat driver, Will Truesdale, is certainly interested in Claire, and vice versa. Their fast-blossoming affair is juxtaposed against a plot line beginning in 1941 when Will gets swept up by the beautiful and tempestuous Trudy Liang, and then follows through his life during the Japanese occupation. As Claire and Will's affair becomes common knowledge, so do the specifics of Will's murky past, Trudy's motivations and Victor's role in past events. The rippling of past actions through to the present lends the narrative layers of intrigue and more than a few unexpected twists. Lee covers a little-known time in Chinese history without melodrama, and deconstructs without judgment the choices people make in order to live one more day under torturous circumstances.

Lee Janice Y K  
обложка книги The Horse Whisperer The Horse Whisperer

In upstate New York, a 13-year-old girl and her horse are hit by a 40-ton truck. They both survive, but suffer horrible injuries. When the girl's mother hears about a man said to have the gift of healing troubled horses, they set off for distant Montana, where their lives are changed for ever.

Evans Nicholas  
The Sheltering Sky

American novelist and short-story writer, poet, translator, classical music composer, and filmscorer Paul Bowles has lived as an expatriate for more than 40 years in the North African nation of Morocco, a country that reaches into the vast and inhospitable Sahara Desert. The desert is itself a character in The Sheltering Sky, the most famous of Bowles’ books, which is about three young Americans of the postwar generation who go on a walkabout into Northern Africa’s own arid heart of darkness. In the process, the veneer of their lives is peeled back under the author’s psychological inquiry.

Bowles Paul  
обложка книги The Last Temptation of Christ The Last Temptation of Christ

Novel which portrays Christ as a sensitive human being who is torn between his own passionates desires and his triumphant destiny on the cross.

Kazantzakis Nikos  
обложка книги The Book of Tomorrow The Book of Tomorrow

Tamara Goodwin has always got everything she’s ever wanted. Born into a family of wealth, she grew up in a mansion with its own private beach, a wardrobe full of designer clothes, and a large four poster bed complete with a luxurious bathroom en suite. She’s always lived in the here and now, never giving a second thought to tomorrow.

But then suddenly her dad is gone and life for Tamara and her mother changes forever. Left with a mountain of debt, they have no choice but to sell everything they own and move to the country to live with Tamara’s Uncle and Aunt. Nestled next to Kilsaney Castle, their gate house is a world away from Tamara’s childhood. With her Mother shut away with grief, and her Aunt busy tending to her, Tamara is lonely and bored and longs to return to Dublin.

When a travelling library passes through Kilsaney Demesne, Tamara is intrigued. She needs a distraction. Her eyes rest on a mysterious large leather bound tome locked with a gold clasp and padlock. With some help, Tamara finally manages to open the book. What she discovers within the pages takes her breath away and shakes her world to its core…

Ahern Cecelia  
Tropic of Cancer Miller Henry  
The bridge of San Luis Rey Wilder Thornton  
The Awakening Chopin Kate  
обложка книги The Perks of Being a Wallflower The Perks of Being a Wallflower

Standing on the fringes of life… offers a unique perspective. But there comes a time to see what it looks like from the dance floor.

This haunting novel about the dilemma of passivity vs. passion marks the stunning debut of a provocative new voice in contemporary fiction.

This is the story of what it's like to grow up in high school. More intimate than a diary, Charlie's letters are singular and unique, hilarious and devastating. We may not know where he lives. We may not know to whom he is writing. All we know is the world he shares. Caught between trying to live his life and trying to run from it puts him on a strange course through uncharted territory. The world of first dates and mixed tapes, family dramas and new friends. The world of sex, drugs, and The Rocky Horror Picture Show, when all one requires is that perfect song on that perfect drive to feel infinite.

Through Charlie, Stephen Chbosky has created a deeply affecting coming-of-age story, powerful novel that will spirit you back to those wild and poignant roller coaster days known as growing up.

Chbosky Stephen  
The Dharma Bums

One of the best and most popular of Kerouac's autobiographical novels, The Dharma Bums is based on experiences the writer had during the mid-1950s while living in California, after he'd become interested in Buddhism's spiritual mode of understanding. One of the book's main characters, Japhy Ryder, is based on the real poet Gary Snyder, who was a close friend and whose interest in Buddhism influenced Kerouac. This book is a must-read for any serious Kerouac fan.

Two ebullient young men are engaged in a passionate search for dharma, or truth. Their major adventure is the pursuit of the Zen way, which takes them climbing into the high Sierras to seek the lesson of solitude, a lesson that has a hard time surviving their forays into the pagan groves of San Francisco's Bohemia with its marathon wine-drinking bouts, poetry jam sessions, experiments in "yabyum," and similar nonascetic pastimes.

This autobiographical novel appeared just a year after the author's explosive On the Road put the Beat generation on the literary map and Kerouac on the best-seller lists. The same expansiveness, humor, and contagious zest for life that sparked the earlier novel ignites this one.

Kerouac Jack  
The Bluest Eye

Originally published in 1970, The Bluest Eye is Toni Morrison's first novel. In an afterword written more than two decades later, the author expressed her dissatisfaction with the book's language and structure: "It required a sophistication unavailable to me." Perhaps we can chalk up this verdict to modesty, or to the Nobel laureate's impossibly high standards of quality control. In any case, her debut is nothing if not sophisticated, in terms of both narrative ingenuity and rhetorical sweep. It also shows the young author drawing a bead on the subjects that would dominate much of her career: racial hatred, historical memory, and the dazzling or degrading power of language itself.

Set in Lorain, Ohio, in 1941, The Bluest Eye is something of an ensemble piece. The point of view is passed like a baton from one character to the next, with Morrison's own voice functioning as a kind of gold standard throughout. The focus, though, is on an 11-year-old black girl named Pecola Breedlove, whose entire family has been given a cosmetic cross to bear:

You looked at them and wondered why they were so ugly; you looked closely and could not find the source. Then you realized that it came from conviction, their conviction. It was as though some mysterious all-knowing master had given each one a cloak of ugliness to wear, and they had each accepted it without question… And they took the ugliness in their hands, threw it as a mantle over them, and went about the world with it.

There are far uglier things in the world than, well, ugliness, and poor Pecola is subjected to most of them. She's spat upon, ridiculed, and ultimately raped and impregnated by her own father. No wonder she yearns to be the very opposite of what she is-yearns, in other words, to be a white child, possessed of the blondest hair and the bluest eye.

This vein of self-hatred is exactly what keeps Morrison's novel from devolving into a cut-and-dried scenario of victimization. She may in fact pin too much of the blame on the beauty myth: "Along with the idea of romantic love, she was introduced to another-physical beauty. Probably the most destructive ideas in the history of human thought. Both originated in envy, thrived in insecurity, and ended in disillusion." Yet the destructive power of these ideas is essentially colorblind, which gives The Bluest Eye the sort of universal reach that Morrison's imitators can only dream of. And that, combined with the novel's modulated pathos and musical, fine-grained language, makes for not merely a sophisticated debut but a permanent one. -James Marcus

Morrison Toni  
обложка книги The Girl Who Played Go The Girl Who Played Go

“Explosive… Poignant and shattering… While [the] climax is inevitable and the stories lead directly toward it, a reader is still shocked and horrified when it occurs.” -The Boston Globe

“Shan Sa creates a sense of foreboding that binds the parallel tales of her protagonists. Her measured prose amplifies the isolation amid turmoil that each character seems to inhabit.” – San Francisco Chronicle

“Dreamy… powerful… This unlikely love story… is beautiful, shocking, and sad.” – Entertainment Weekly

“Compelling… Emotionally charged chapters evoke the stop-and-start rhythms of adolescence… Sa handles the intersection of the personal and the political quite deftly.” – The Washington Post Book World

“What makes Sa’s novel so satisfying is the deceptive simplicity of her narrative strategy.” – San Jose Mercury News

“An awesome read… Shan Sa describes the story so well that you almost forget you’ve never visited the places in her book… This book is truly for every reader.” -The Decatur Daily

“Entrancing… [With] an ending that you won’t predict.” – Austin American-Statesman

“It has the sweep of war and the intimacy of a love story… Shan Sa is a phenomenon.” – The Observer (London)

“Spellbinding… Sa’s language is graceful and trancelike: her fights are a whirling choreography of flying limbs and snow, her emotions richly yet precisely expressed.” – The Times (London)

“One is struck by the economy of the tale, its speed, and the brutality of its calculations. There is never an excess word or a superfluous phrase: each paragraph counts… Fine literary work.” – Le Figaro Magazine (France)

“An astonishing book… Ends up taking one’s breath away… Goes straight to our hearts.” – Le Point (France)

“Gripping… A wrenching love story… [The protagonists’] shared sense of immediacy and the transience of life is what in the final analysis makes this novel so strong, so intelligent, so moving… You’ll have to look far and wide to find a better new novel on an East Asian subject than this finely crafted story, satisfying as it is on so many different levels.” – The Taipei Times


In a remote Manchurian town in the 1930s, a sixteen-year-old girl is more concerned with intimations of her own womanhood than the escalating hostilities between her countrymen and their Japanese occupiers. While still a schoolgirl in braids, she takes her first lover, a dissident student. The more she understands of adult life, however, the more disdainful she is of its deceptions, and the more she loses herself in her one true passion: the ancient game of go.

Incredibly for a teenager-and a girl at that-she dominates the games in her town. No opponent interests her until she is challenged by a stranger, who reveals himself to us as a Japanese soldier in disguise. They begin a game and continue it for days, rarely speaking but deeply moved by each other's strategies. As the clash of their peoples becomes ever more desperate and inescapable, and as each one's untold life begins to veer wildly off course, the girl and the soldier are absorbed by only one thing-the progress of their game, each move of which brings them closer to their shocking fate.

In The Girl Who Played Go, Shan Sa has distilled the piercing emotions of adolescence into an engrossing, austerely beautiful story of love, cruelty and loss of innocence.

Sa Shan  
обложка книги Travel Агнец Travel Агнец

Мы живем в век карма-колы и химической благодати, но на Земле еще остались места, где сжиганию кармы в Интернете предпочитают пранаяму. На средневековых христианских картах на месте Индии находился рай. Нынешняя Индия тоже напоминает Эдем, только киберпанковский, распадающийся, как пазл, на тысячи фрагментов. Но где бы вы ни оказались, в Гималаях или в Гоа, две вещи остаются неизменными — индийское небо, до которого можно дотянуться рукой, и близость богов, доступных и реальных, как голливудские кинозвезды.

Гостева Анастасия  
обложка книги The Casebook of Victor Frankenstein The Casebook of Victor Frankenstein

Peter Ackroyd's imagination dazzles in this brilliant novel written in the voice of Victor Frankenstein himself. Mary Shelley and Shelley are characters in the novel.

It was at Oxford that I first met Bysshe. We arrived at our college on the same day; confusing to a mere foreigner, it is called University College. I had seen him from my window and had been struck by his auburn locks.

The long-haired poet – 'Mad Shelley' – and the serious-minded student from Switzerland spark each other's interest in the new philosophy of science which is overturning long-cherished beliefs. Perhaps there is no God. In which case, where is the divine spark, the soul? Can it be found in the human brain? The heart? The eyes?

Victor Frankenstein begins his anatomy experiments in a barn near Oxford. The coroner's office provides corpses – but they have often died of violence and drowning; they are damaged and putrifying. Victor moves his coils and jars and electrical fluids to a deserted pottery and from there, makes contact with the Doomesday Men – the resurrectionists.

Victor finds that perfect specimens are hard to come by… until that Thames-side dawn when, wrapped in his greatcoat, he hears the splashing of oars and sees in the half-light the approaching boat where, slung into the stern, is the corpse of a handsome young man, one hand trailing in the water…

Ackroyd Peter  
обложка книги The Lovely Bones The Lovely Bones

The Bram Stoker Awards

My name was Salmon, like the fish, first name, Susie. I was fourteen when I was murdered on December 6, 1973. My murderer was a man from our neighborhood. My mother liked his border flowers, and my father talked to him once about fertilizer'

This is Susie Salmon, speaking to us from heaven. It looks a lot like her school playground, with the good kind of swing sets. There are counsellors to help newcomers to adjust, and friends to room with. Everything she wants appears as soon as she thinks of it – except the thing she wants most: to be back with the people she loved on earth.

From heaven, Susie watches. She sees her happy suburban family implode after her death, as each member tries to come to terms with the terrible loss. Over the years, her friends and siblings grow up, fall in love, do all the things she never had the chance to do herself. But life is not quite finished with Susie yet.

The Lovely Bones is a luminous and astonishing novel about life and death, forgiveness and vengeance, memory and forgetting. It is, above all, a novel which finds light in the darkest of places, and shows how even when that light seems to be utterly extinguished, it is still there, waiting to be rekindled.

Sebold Alice  
обложка книги The Almost Moon The Almost Moon

A woman steps over the line into the unthinkable in this brilliant, powerful, and unforgettable new novel by the author of The Lovely Bones and Lucky.

For years Helen Knightly has given her life to others: to her haunted mother, to her enigmatic father, to her husband and now grown children. When she finally crosses a terrible boundary, her life comes rushing in at her in a way she never could have imagined. Unfolding over the next twenty-four hours, this searing, fast-paced novel explores the complex ties between mothers and daughters, wives and lovers, the meaning of devotion, and the line between love and hate. It is a challenging, moving, gripping story, written with the fluidity and strength of voice that only Alice Sebold can bring to the page.

Sebold Alice  
обложка книги The Chemistry of Tears The Chemistry of Tears

An automaton, a man and a woman who can never meet, two stories of love—all are brought to incandescent life in this hauntingly moving novel from one of the finest writers of our time. 

London 2010: Catherine Gehrig, conservator at the Swinburne museum, learns of the sudden death of her colleague and lover of thirteen years. As the mistress of a married man, she must struggle to keep the depth of her anguish to herself. The one other person who knows Catherine’s secret—her boss—arranges for her to be given a special project away from prying eyes in the museum’s Annexe. Usually controlled and rational, but now mad with grief, Catherine reluctantly unpacks an extraordinary, eerie automaton that she has been charged with bringing back to life.

As she begins to piece together the clockwork puzzle, she also uncovers a series of notebooks written by the mechanical creature’s original owner: a nineteenth-century Englishman, Henry Brandling, who traveled to Germany to commission it as a magical amusement for his consumptive son. But it is Catherine, nearly two hundred years later, who will find comfort and wonder in Henry’s story. And it is the automaton, in its beautiful, uncanny imitation of life, that will link two strangers confronted with the mysteries of creation, the miracle and catastrophe of human invention, and the body’s astonishing chemistry of love and feeling.

Carey Peter  
обложка книги The Tax Inspector The Tax Inspector

Granny Catchprice runs her family business (and her family) with senility, cunning, and a handbag full of explosives. Her daughter Cathy would rather be singing Country & Western than selling cars, while Benny Catchprice, sixteen and seriously psychopathic, wants to transform a failing auto franchise into an empire—and himself into an angel. Out of the confrontation between the Catchprices and their unwitting nemesis, a beautiful and very pregnant agent of the Australian Taxation Office, Peter Carey, author of Oscar and Lucinda, creates an endlessly surprising and fearfully convincing novel.

Carey Peter  
обложка книги The Heart of Memory The Heart of Memory

When beloved Christian writer and speaker Savannah Trover becomes gravely ill, she has to face the sham that her faith has become. Days before her heart transplant, she vows to change her ways and she renews her relationship with Christ. But when she awakens from the surgery, Savannah discovers that her faith has left her completely. Savannah's husband, Shaun, is concerned about his wife's odd behavior--and even more concerned about the secret he's keeping from her. If she doesn't bring down their ministry, then he might, losing his family in the process. A stranger may hold the answer to Savannah's recovery, but is Savannah strong enough to return to her old way of life? Can Shaun right his wrongs before word gets out? And do either one of them remember how to be who they once were--or who they want to be? In this latest relational drama from Alison Strobel, readers will explore the difference between emotional faith and life-giving truth as Savannah wonders if she can ever trust her heart again.

Strobel Alison  
обложка книги The Betrayal of Natalie Hargrove The Betrayal of Natalie Hargrove

Natalie Hargrove would kill to be her high school's Palmetto Princess. But her boyfriend Mike King doesn't share her dream and risks losing the honor of Palmetto Prince to Natalie's nemesis, Justin Balmer. So she convinces Mike to help play a prank on Justin. . one that goes terribly wrong. They tie him to the front of the church after a party — when they arrive the next morning, Justin is dead. From blackmail to buried desire, dark secrets to darker deeds, Natalie unravels. She never should've messed with fate. Fate is the one thing more twisted than Natalie Hargrove. Cruel IntentionsmeetsMacbethin this seductive, riveting tale of conscience and consequence.

Кейт Лорен  
обложка книги The Warsaw Anagrams The Warsaw Anagrams

It's Autumn 1940. The Nazis seal 400,000 Jews inside a small area of the Polish capital, creating an urban island cut off from the outside world. Erik Cohen, an elderly psychiatrist, is forced to move into a tiny apartment with his niece and his beloved nine-year-old nephew, Adam. One bitterly cold winter's day, Adam goes missing. The next morning, his body is discovered in the barbed wire surrounding the ghetto. The boy's leg has been cut off, and a tiny piece of string has been left in his mouth. Soon, another body turns up – this time a girl's, and one of her hands has been taken. Evidence begins to point to a Jewish traitor luring children to their death…In this profoundly moving and darkly atmospheric historical thriller, the reader is taken into the most forbidden corners of Nazi-occupied Warsaw – as well as into the most heroic places of the heart. Praise for Richard Zimler: 'A riveting literary murder mystery, [The Last Kabbalist of Lisbon] is also a harrowing picture of the persecution of 16th-century Jews and, in passing, an atmospheric introduction to the hermetic Jewish tradition of the Kabbalah' – "Independent on Sunday". 'Zimler [is] a present-day scholar and writer of remarkable erudition and compelling imagination, an American Umberto Eco' – "Spectator". 'Zimler has this spark of genius, which critics can't explain but readers recognise, and which every novelist desires but few achieve' – "Independent". 'Zimler is an honest, powerful writer' – "Guardian".

Zimler Richard  
обложка книги Tune in Tokio Tune in Tokio

Everyone wants to escape their boring, stagnant lives full of inertia and regret. But so few people actually have the bravery to run, run away from everything and selflessly seek out personal fulfillment on the other side of the world where they don't understand anything and won't be expected to. The world is full of cowards. Tim Anderson was pushing thirty and working a string of dead-end jobs when he made the spontaneous decision to pack his bags and move to Japan,?where my status as a U.S. passport holder and card-carrying?American English? speaker was an asset rather than a liability.? It was a gutsy move, especially for a tall, white, gay Southerner who didn?t speak a lick of Japanese. But his life desperately needed a shot of adrenaline, and what better way to get one than to leave behind everything he had ever known to move to?a tiny, overcrowded island heaving with clever, sensibly proportioned people that make him look fat In Tokyo, Tim became a?gaijin,? an outsider whose stumbling progression through Japanese culture is minutely chronicled in these sixteen howlingly funny stories. Yet despite the steep learning curve and the seemingly constant humiliation, the gaijin from North Carolina gradually begins to find his way. Whether playing drums on the fly in an otherwise all-Japanese noise band or attempting to keep his English classroom clean when it's invaded by an older female student with a dirty mind, Tim comes to realize that living a meaningful life is about expecting the unexpected?right when he least expects it.

Anderson Tim  
обложка книги The Long Earth The Long Earth

The UK's bestselling fantasy writer and a giant of British SF combine forces to write an astonishing, mind-bending new series… The Long Earth.

2015: Madison, Wisconsin. Junior cop Sally Jansson is called out to the house of Willis Lynsey, a reclusive scientist, for an animal-cruelty complaint: the man was seen forcing a horse in through the door of his home. Inside there is no horse. But Sally finds a kind of home-made utility belt. She straps this on – and 'steps' sideways into an America covered with virgin forest. Willis came here with equipment and animals, meaning to explore and colonise. And when Sally gets back, she finds Willis has put the secret of the belt on the internet. The great migration has begun…

The Long Earth: our Earth is but one of a chain of parallel worlds, lying side by side in a higher space of possibilities, each differing from its neighbours by a little (or a lot): an infinite landscape of infinite possibilities. And the further away you travel, the stranger the worlds get. The sun and moon always shine, the basic laws of physics are the same. However, the chance events which have shaped our particular version of Earth, such as the dinosaur-killer asteroid impact, might not have happened and things may well have turned out rather differently. But only our Earth hosts mankind.

Baxter Stephen, Pratchett Terry  
обложка книги The Thief and the Dogs The Thief and the Dogs

Naguib Mahfouz is Egypt's most famous novelist and his leading role in Arabic literature remains assured. He is now the author of no fewer than thirty novels and more than a hundred short stories; in Egypt each new publication is regarded as a major cultural event and his name is inevitably among the first mentioned in any literary discussion from Gibraltar to the Gulf. If only because of his impact on the Arab world, Mahfouz must be considered an author of international importance.

"This is a psychological novel, impressionist rather than realist; it moves with the speed and economy of a detective story. Here Mahfouz uses the "stream of consciousness" technique for the first time to show the mental anguish of the central figure consumed by bitterness and a desire for revenge against the individuals and the society who have corrupted and betrayed him and brought about his inevitable damnation. It is a masterly work, swiftly giving the reader a keenly accurate vision of the workings of a sick and embittered mind doomed to self-destruction."

From the Introduction by Trevor Le Gassick

Mahfouz Naguib  
обложка книги The day the leader was killed The day the leader was killed

Naguib Mahfouz is the most prominent author of Arabic fiction published in English today. He was born in Cairo in 1911 and began writing when he was seventeen. A student of philosophy and an avid reader, he has been influenced by many Western writers, including Flaubert, Balzac, Zola, Camus, Tolstoy, Dostoevsky, and, above all, Proust. He has more than thirty novels to his credit, ranging from his earliest historical romances to his most recent experimental novels. In 1988, Mr. Mahfouz was awarded the Nobel Prize in Literature. He lives in the Cairo suburb of Agouza with his wife and two daughters.

Mahfouz Naguib  
обложка книги Tausend strahlende Sonnen Tausend strahlende Sonnen

Wie in seinem Welterfolg DRACHENLÄUFER erzählt Khaled Hosseini erneut eine zutiefst bewegende Geschichte aus seinem Heimatland: von Leid und Ohnmacht, aber auch vom außergewöhnlichen Mut zweier afghanischer Frauen. Die unehelich geborene Mariam wird mit fünfzehn ins ferne Kabul geschickt, wo sie mit dem dreißig Jahre älteren Witwer Rashid verheiratet wird. Zwanzig Jahre später erlebt das Nachbarkind Leila ein ähnliches Schicksal. Auch ihr bleibt keine Wahl: Nachdem ihre Familie bei einem Bombenangriff getötet wurde und sie erfährt, dass auch ihr Jugendfreund Tarik ums Leben gekommen ist, wird sie Rashids Zweitfrau. In dem bis dahin kinderlos gebliebenen Haushalt bringt Leila eine Tochter und einen Sohn zur Welt. Während der Taliban-Herrschaft machen Bombardierungen, Hunger und physische Gewalt das Leben der Familie zur Qual. Die Not lässt die beiden unterschiedlichen Frauen zu Freundinnen werden und ihre Stärke schließlich ins Übermenschliche wachsen. Khaled Hosseini gelingt es wieder auf unvergleichliche Weise, seine Figuren so lebendig und authentisch werden zu lassen, dass der Leser sich mit ihrem Schicksal identifiziert.

KHALED HOSSEINI wurde 1965 in Kabul als Sohn eines Diplomaten geboren. Seine Familie erhielt 1980 in den Vereinigten Staaten politisches Asyl. Er lebt heute als Arzt und Autor in Kalifornien. Sein Roman DRACHENLÄUFER erschien in vierzig Sprachen und hat eine Weltauflage von sieben Millionen Exemplaren.

Hosseini Khaled  
обложка книги The House at Riverton aka The Shifting Fog The House at Riverton aka The Shifting Fog

Sainsbury's Popular Fiction Award (nominee)

Summer 1924: On the eve of a glittering Society party, by the lake of a grand English country house, a young poet takes his life. The only witnesses, sisters Hannah and Emmeline Hartford, will never speak to each other again. Winter 1999: Grace Bradley, 98, one-time housemaid of Riverton Manor, is visited by a young director making a film about the poet's suicide. Ghosts awaken and memories, long-consigned to the dark reaches of Grace's mind, begin to sneak back through the cracks. A shocking secret threatens to emerge; something history has forgotten but Grace never could.

A thrilling mystery and a compelling love story, "The House at Riverton" will appeal to readers of Ian McEwan's "Atonement", L P Hartley's "The Go-Between", and lovers of the film "Gosford Park".

Morton Kate  
обложка книги The Distant Hours The Distant Hours

Edie Burchill and her mother have never been close, but when a long lost letter arrives one Sunday afternoon with the return address of Millderhurst Castle, Kent, printed on its envelope, Edie begins to suspect that her mother's emotional distance masks an old secret. Evacuated from London as a thirteen year old girl, Edie's mother is chosen by the mysterious Juniper Blythe, and taken to live at Millderhurst Castle with the Blythe family: Juniper, her twin sisters and their father, Raymond. In the grand and glorious Millderhurst Castle, a new world opens up for Edie's mother. She discovers the joys of books and fantasy and writing, but also, ultimately, the dangers. Fifty years later, as Edie chases the answers to her mother's riddle, she, too, is drawn to Millderhurst Castle and the eccentric Sisters Blythe. Old ladies now, the three still live together, the twins nursing Juniper, whose abandonment by her fiance in 1941 plunged her into madness. Inside the decaying castle, Edie begins to unravel her mother's past. But there are other secrets hidden in the stones of Millderhurst Castle, and Edie is about to learn more than she expected. The truth of what happened in the distant hours has been waiting a long time for someone to find it…

Morton Kate  
обложка книги The Citadel The Citadel

At the awful dawn of a nuclear age-at the painful birth of the Cold War-the Citadel was constructed in secret beneath the Antarctic ice. Housing the most devastating weapon imaginable, it was a safeguard against an unseen threat far more potent than the growing Communist menace. Now, six decades later, America 's destruction seems all but assured-because the enemy has re-emerged from the shadows of time.

And the Citadel has been breached.

The commander of Section 8-a covert force of misfits assigned the impossible missions no one else will touch-Captain Jim Vaughn must now lead his unit into the unknown to diffuse a nightmare of astronomical proportions. The future hangs in the balance-and the ultimate survival of humankind is in the hands of men with nothing left to lose…

Doherty Robert  
обложка книги The Magus The Magus

The Magus (1966) is the first novel written (but second published) by British author John Fowles. It tells the story of Nicholas Urfe, a teacher on a small Greek island. Urfe finds himself embroiled in psychological illusions of a master trickster that become increasingly dark and serious.

The novel was a bestseller, partly because it tapped successfully into—and then arguably helped to promote—the 1960s popular interest in psychoanalysis and mystical philosophy.

Fowles John  
Tell All Palahniuk Chuck  
обложка книги The Solitude of Prime Numbers The Solitude of Prime Numbers

He had learned his lesson. Choices are made in a few seconds and paid for in the time that remains. A prime number is inherently a solitary thing: it can only be divided by itself, or by one; it never truly fits with another. Alice and Mattia also move on their own axes, alone with their personal tragedies. As a child Alice's overbearing father drove her first to a terrible skiing accident, and then to anorexia. When she meets Mattia she recognises a kindred spirit, and Mattia reveals to Alice his terrible secret: that as a boy he abandoned his mentally-disabled twin sister in a park to go to a party, and when he returned, she was nowhere to be found. These two irreversible episodes mark Alice and Mattia's lives for ever, and as they grow into adulthood their destinies seem irrevocably intertwined. But then a chance sighting of a woman who could be Mattia's sister forces a lifetime of secret emotion to the surface. A meditation on loneliness and love, "The Solitude of Prime Numbers" asks, can we ever truly be whole when we're in love with another?

Giordano Paolo  
обложка книги The Diving Bell and the Butterfly The Diving Bell and the Butterfly

In 1995, Jean-Dominique Bauby was the editor-in-chief of French Elle, the father of two young children, a 44-year-old man known and loved for his wit, his style, and his impassioned approach to life. By the end of the year he was also the victim of a rare kind of stroke to the brainstem. After 20 days in a coma, Bauby awoke into a body which had all but stopped working: only his left eye functioned, allowing him to see and, by blinking it, to make clear that his mind was unimpaired. Almost miraculously, he was soon able to express himself in the richest detail: dictating a word at a time, blinking to select each letter as the alphabet was recited to him slowly, over and over again. In the same way, he was able eventually to compose this extraordinary book.

By turns wistful, mischievous, angry, and witty, Bauby bears witness to his determination to live as fully in his mind as he had been able to do in his body. He explains the joy, and deep sadness, of seeing his children and of hearing his aged father’s voice on the phone. In magical sequences, he imagines traveling to other places and times and of lying next to the woman he loves. Fed only intravenously, he imagines preparing and tasting the full flavor of delectable dishes. Again and again he returns to an “inexhaustible reservoir of sensations,” keeping in touch with himself and the life around him.

Jean-Dominique Bauby died two days after the French publication of The Diving Bell and the Butterfly.

This book is a lasting testament to his life.

Acclaim for Jean-Dominique Bauby’s “The Diving Bell and the Butterfly”

“The sentences soar, unburdened by self-pity or despair, and the progression of short, lyrical chapters begin to resemble the beating of wings.”

The New Yorker

“An admirable testament to the unkillable self, to the spirit that insists on itself so vehemently that it ultimately transcends and escapes the prison of the body.”

— Francine Prose, Newsday

“The most remarkable memoir of our time—perhaps of any time.”

— Cynthia Ozick

“Shattering eloquence…. The real glory here is Bauby himself, whose spirit asserts itself again and again in the words that survive him.”

Miami Herald

“To read this most extraordinary of narratives is to discover the luminosity within a courageous man's mind…. Incomparable.”

— Sherwin B. Nuland, M.D.



“Read this book and fall back in love with life…. The prose…is as light as the sprightliest humor, as pungent as the scent of cooking apricots, as vigorous as the step of a young man setting out on a first date.”

— Edmund White
Bauby Jean-Dominique  
Tysiąc spokojnych miast

Powieść "Tysiąc spokojnych miast" została wydana w 1997 roku w Londynie. Pilch poprzez tą książkę stara się powrócić do wspomnień z dzieciństwa, które upłynęło mu na ziemi cieszyńskiej. Na kartach "Tysiąca spokojnych miast" kreśli obrazy domu rodzicielskiego, ojca, matki, przyjaciół.

Jest to książka o dorastaniu chłopca- protestanta, jego stosunkach z tamtejszą wspólnotą ewangelicką, etc. Ale motywem naczelnym jest planowanie zabójstwa Władysława Gomułki przez ojca bohatera i pana Józefa Trąbę.

Pilch jest uważany przez krytyków za " Mistrza Pierwszego Akapitu" i "Tysiąc spokojnych miast" to potwierdza: "Gdy ojciec i pan Trąba postanowili zabić I sekretarza Władysława Gomułkę, panowały niepodzielnie upały, ziemia trzeszczała w szwach, rozpoczynała się udręka mojej młodości". Odbiorca czytając taki wstęp od razu wie, iż skończy się tylko na zapowiedziach. Jednak powieść nie oscyluje tylko wokół próby zabójstwa Gomułki, jest także opowieścią o pierwszej, niewinnej miłości głównego bohatera. Obiektem uczuć chłopca staje się dojrzała i piękna kobieta, która niestety ma męża. Bohater stara się z nią spotkać, wysyła jej wiadomości i w końcu dochodzi do konfrontacji. Teresa(bo tak ma na imię owa kobieta, choć bohater nazywał ją "Anielicą swojej pierwszej miłości") opowiedziała mu o problemach w dorosłym życiu, rodzicach, i pokazała album rodzinny. To spotkanie miało na celu nauczenie bohatera kilku rzeczy o życiu, śmierci i osiąganiu szczęścia. Chłopiec nauczył się od niej, że należy często myśleć o tych, którzy odeszli.

Rodzice Jerzyka trzymają go twardą ręką i starają się wpoić mu pewne oczywiste zasady. Ojciec nazywany jest Naczelnikiem, zaś matka jest we wszystkim mu podporządkowana. Naczelnik miał wziąć udział w zabójstwie sekretarza Gomułki, co bardzo imponowało jego synowi. W ogóle dzięki ojcu chłopiec poznaje prawdziwy świat, pod jego okiem także przechodzi alkoholową inicjację.

Naczelnik osobowość miał dosyć kontemplacyjną, do życia podchodził w sposób spokojny i opanowany. oraz z. Jednak swoje usposobienie ojciec chłopca ukrywał pod maską wyczerpania walką i prowadzeniem znerwicowanego życia. Ojciec Jerzyka miał bardzo interesujące poglądy na życie i starał się za pomocą inteligentnych tez wpoić je synowi, by wychować go na odpowiedzialnego obywatela demokratycznej Polski, która dopiero ma nadejść.

Kolejny bohater, Pan Trąba, to człowiek, który ma duże problemy z alkoholem, ale i zbyt bujną wyobraźnię. Jego główną myślą było to, iż trzeba zostawić jakiś ślad po sobie, dla przyszłych pokoleń. Pan Trąba uważał, że umrze za niedługo, wobec tego postanowił ułożyć poemat na cześć właśnie swojej śmierci. Niestety, ani Jerzyk, ani jego ojciec nie poznali się na talencie pana Trąby(żaden z nich nie miał pojęcia, o jakie jaskółki mu chodzi).

Wówczas oboje z ojcem wpadli na pomysł zabicia I sekretarza PZPR, gdyż dzięki temu na pewno Pan Trąba przeszedłby do potomności.

"Tysiąc spokojnych miast" to powieść, w której Jerzy Pilch umiejętnie przedstawił wady i niektóre zalety systemu komunistycznego. Pilch, którego styl pisarski krytycy przyrównują do Milana Kundery czy Bohumila Hrabala, buduje rzeczywistość fabularną bardzo realistycznie. Jednak głównym walorem tekstu jest autoironia, którą daje się wyczuć prawie w każdej linijce.

Wejście w świat przeciętnego młodego człowieka, który dorastał w czasach komunistycznych(jest rok 1963) jest bardzo intrygującą i zajmującą przygodą. Autor nie mówi czytelnikowi, co jest złe, a co dobre, czytający musi sam do tego dojść. Te groteskowe i przerysowane niby-wspomnienia są opowieścią o ciągłych kłopotach, jakie mieli i maja ludzie, niezależnie od tego, w jakich czasach przyszło im żyć. Powieść porusza być może przeciętne problemy zwykłych ludzi, nie zawsze dostrzegane. Jeżeliby w skrócie opisać, o czym jest "Tysiąc spokojnych miast", to jest to książka o niezrozumiałym dla ewangelika świecie, o piciu, bo piją tam prawie wszyscy, o absurdach rzeczywistości komunistycznej.

Myślę, że do lektury książki Pilcha zachęcać specjalnie nie trzeba, jeżeli komuś podoba się styl, jakim pisze, z pewnością nie będzie zawiedziony, choć w pewnych momentach powieść może nieco nużyć.

"Nieuprzedzonemu czytelnikowi grozi w zetknięciu z tekstem Pilcha zaczytanie się, czyli przejściowa utrata kontroli nad otoczeniem. Jest to dziwne zjawisko, nie mamy tu, bowiem krwistej fabuły, przygód godnych kina akcji, nie trzyma, więc nas w napięciu wieczne pytanie podsycające ciekawość: no i co będzie dalej? Wręcz przeciwnie. Historia opowiedziana w książce, jest urojeniem i wiadomo od samego początku, że skończyć się może tylko niczym, czyli rozejściem się po kościach".

Anna Nasiłowska, Powieść retoryczna, "Tygodnik Powszechny"

Pilch Jerzy  
The Clockwork Testament (Or: Enderby 's End) Burgess Anthony  
обложка книги The Thousand Autumns of Jacob de Zoet The Thousand Autumns of Jacob de Zoet

The author of Cloud Atlas's most ambitious novel yet, for the readers of Ishiguro, Murakami, and, of course, David Mitchell.

The year is 1799, the place Dejima, the "high-walled, fan-shaped artificial island" that is the Japanese Empire's single port and sole window to the world. It is also the farthest-flung outpost of the powerful Dutch East Indies Company. To this place of superstition and swamp fever, crocodiles and courtesans, earthquakes and typhoons, comes Jacob de Zoet. The young, devout and ambitious clerk must spend five years in the East to earn enough money to deserve the hand of his wealthy fiancée. But Jacob's intentions are shifted, his character shaken and his soul stirred when he meets Orito Aibagawa, the beautiful and scarred daughter of a Samurai, midwife to the island's powerful magistrate. In this world where East and West are linked by one bridge, Jacob sees the gaps shrink between pleasure and piety, propriety and profit. Magnificently written, a superb mix of historical research and heedless imagination, The Thousand Autumns of Jacob de Zoet is a big and unforgettable book that will be read for years to come.

Mitchell David  
обложка книги The Cloud Atlas The Cloud Atlas

Cloud atlas is a cleverly written book consisting of six seperate, but connecting stories set across six different periods in time. Each story has been chopped in two and symmetrically placed in the book so you don’t discover the conclusion to the first tale until the very end of the book.

This layout effectively creates a storytelling ripple where the sixth and final story is told, as a whole, at the books central core, before the reader then moves back out in the direction they came to discover each of the other characters des